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A comprehensive travel guide dedicated to Germany’s Bauhaus architecture, this book takes an in-depth look at over 100 locations that can still be visited today. Established in 1919 in Weimar, the Bauhaus college for design influenced one of the world’s most important Modernist movements. Divided into three geographic sections that follow the locations of the(...)
$32.50
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Résumé:
A comprehensive travel guide dedicated to Germany’s Bauhaus architecture, this book takes an in-depth look at over 100 locations that can still be visited today. Established in 1919 in Weimar, the Bauhaus college for design influenced one of the world’s most important Modernist movements. Divided into three geographic sections that follow the locations of the(...)
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Bauhaus travel book: Weimar Dessau Berlin
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A comprehensive travel guide dedicated to Germany’s Bauhaus architecture, this book takes an in-depth look at over 100 locations that can still be visited today. Established in 1919 in Weimar, the Bauhaus college for design influenced one of the world’s most important Modernist movements. Divided into three geographic sections that follow the locations of the school—Weimar (1919–25), Dessau (1925–33), and Berlin (1933)—this unique travel guide leads readers through the most important Bauhaus structures in Germany.
Bauhaus travel book: Weimar Dessau Berlin
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A comprehensive travel guide dedicated to Germany’s Bauhaus architecture, this book takes an in-depth look at over 100 locations that can still be visited today. Established in 1919 in Weimar, the Bauhaus college for design influenced one of the world’s most important Modernist movements. Divided into three geographic sections that follow the locations of the school—Weimar (1919–25), Dessau (1925–33), and Berlin (1933)—this unique travel guide leads readers through the most important Bauhaus structures in Germany.
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livres
livres
Publication:
juillet 2017
juillet 2017
Sujet:
Modernisme
Modernisme
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Edition Bauhaus 46 When Dessau was bombed in early 1945, the Director’s House and Moholy-Nagy’s Master House were reduced to rubble as well. After the Dessau Masters’ Houses – epitome of the 20th-century artists’ colony – had been restored to their original state in the 1990s, a debate began on the reconstruction of the two houses destroyed in the war. In 2010, after(...)
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Edition Bauhaus 46 When Dessau was bombed in early 1945, the Director’s House and Moholy-Nagy’s Master House were reduced to rubble as well. After the Dessau Masters’ Houses – epitome of the 20th-century artists’ colony – had been restored to their original state in the 1990s, a debate began on the reconstruction of the two houses destroyed in the war. In 2010, after(...)
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The new masters’ houses in Dessau, 1925–2014
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Edition Bauhaus 46 When Dessau was bombed in early 1945, the Director’s House and Moholy-Nagy’s Master House were reduced to rubble as well. After the Dessau Masters’ Houses – epitome of the 20th-century artists’ colony – had been restored to their original state in the 1990s, a debate began on the reconstruction of the two houses destroyed in the war. In 2010, after consultation with the British star architect David Chipperfield, the decision was made to recreate the Master Houses of Gropius and Moholy-Nagy using contemporary means, rather than rebuilding them 1:1. And so they have now been reconstructed on the basis of designs by the Berlin firm Bruno-Fioretti-Marquez, as innovative reductions and abstractions of the original houses. This volume describes the chequered history of the Dessau Masters’ Houses, presenting the reconstructed buildings for the first time in book form, with photographs by Armin Linke and Heidi Specker.
The new masters’ houses in Dessau, 1925–2014
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Edition Bauhaus 46 When Dessau was bombed in early 1945, the Director’s House and Moholy-Nagy’s Master House were reduced to rubble as well. After the Dessau Masters’ Houses – epitome of the 20th-century artists’ colony – had been restored to their original state in the 1990s, a debate began on the reconstruction of the two houses destroyed in the war. In 2010, after consultation with the British star architect David Chipperfield, the decision was made to recreate the Master Houses of Gropius and Moholy-Nagy using contemporary means, rather than rebuilding them 1:1. And so they have now been reconstructed on the basis of designs by the Berlin firm Bruno-Fioretti-Marquez, as innovative reductions and abstractions of the original houses. This volume describes the chequered history of the Dessau Masters’ Houses, presenting the reconstructed buildings for the first time in book form, with photographs by Armin Linke and Heidi Specker.
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livres
livres
Publication:
mars 2017
mars 2017
Sujet:
Modernisme
Modernisme
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livres
livres
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$50.95
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Résumé:
What is the role of architecture if not to realize a shared vision of the “good life,” a vision that in the age of architectural modernism shaped—and was shaped by—a range of ideas about the home? With "The good life", Iñaki Ábalos serves as our guide for a tour of seven iconic twentieth-century homes that represent various concepts for living. Some of the homes were(...)
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What is the role of architecture if not to realize a shared vision of the “good life,” a vision that in the age of architectural modernism shaped—and was shaped by—a range of ideas about the home? With "The good life", Iñaki Ábalos serves as our guide for a tour of seven iconic twentieth-century homes that represent various concepts for living. Some of the homes were(...)
Titre:
The good life: a guided visit to the houses of modernity
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What is the role of architecture if not to realize a shared vision of the “good life,” a vision that in the age of architectural modernism shaped—and was shaped by—a range of ideas about the home? With "The good life", Iñaki Ábalos serves as our guide for a tour of seven iconic twentieth-century homes that represent various concepts for living. Some of the homes were actually built, while others were merely planned, painted, or created as part of a film set. We see Mies van der Rohe’s House with Three Patios, Martin Heidegger’s cabin in the Black Forest, Picasso’s Villa La Californie in Cannes, and the New York loft that Andy Warhol called The Factory. From the ultramodern geometric houses and gardens in Jacques Tati’s Mon Oncle, we travel to the famed hobby-kit house in Buster Keaton’s One Week and on to the sunny swimming pool and home in David Hockney’s painting A Bigger Splash. Ábalos guides readers through the key philosophical precepts that likely guided the creation of these homes, making insightful points about the relationship between ideas about a particular modern way of living and approaches to architecture and design. What he concludes is that modernism marks less a coherent triumph of positivism, as is often assumed, than a loose celebration of the radical pluralism of the twentieth century.
The good life: a guided visit to the houses of modernity
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What is the role of architecture if not to realize a shared vision of the “good life,” a vision that in the age of architectural modernism shaped—and was shaped by—a range of ideas about the home? With "The good life", Iñaki Ábalos serves as our guide for a tour of seven iconic twentieth-century homes that represent various concepts for living. Some of the homes were actually built, while others were merely planned, painted, or created as part of a film set. We see Mies van der Rohe’s House with Three Patios, Martin Heidegger’s cabin in the Black Forest, Picasso’s Villa La Californie in Cannes, and the New York loft that Andy Warhol called The Factory. From the ultramodern geometric houses and gardens in Jacques Tati’s Mon Oncle, we travel to the famed hobby-kit house in Buster Keaton’s One Week and on to the sunny swimming pool and home in David Hockney’s painting A Bigger Splash. Ábalos guides readers through the key philosophical precepts that likely guided the creation of these homes, making insightful points about the relationship between ideas about a particular modern way of living and approaches to architecture and design. What he concludes is that modernism marks less a coherent triumph of positivism, as is often assumed, than a loose celebration of the radical pluralism of the twentieth century.
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livres
livres
Publication:
octobre 2017
octobre 2017
Sujet:
Modernisme
Modernisme
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livres
livres
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Kathryn E. O’Rourke offers a new interpretation of the development of modern architecture in the Mexican capital, showing close links between design, evolving understandings of national architectural history, folk art, and social reform.
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Kathryn E. O’Rourke offers a new interpretation of the development of modern architecture in the Mexican capital, showing close links between design, evolving understandings of national architectural history, folk art, and social reform.
Titre:
Modern architecture in Mexico city
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Kathryn E. O’Rourke offers a new interpretation of the development of modern architecture in the Mexican capital, showing close links between design, evolving understandings of national architectural history, folk art, and social reform.
Modern architecture in Mexico city
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Kathryn E. O’Rourke offers a new interpretation of the development of modern architecture in the Mexican capital, showing close links between design, evolving understandings of national architectural history, folk art, and social reform.
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livres
livres
Publication:
janvier 2017
janvier 2017
Sujet:
Modernisme
Modernisme
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livres
livres
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$76.95
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Questo libro nasce da una serie di lezioni tenute da Kenneth Frampton a Mendrisio, all’Accademia di architettura dell’Università della Svizzera italiana, ed è dedicato all’analisi del Movimento Moderno, una corrente progettuale complessa e assai variegata nelle sue molteplici manifestazioni. Il libro è organizzato in 18 capitoli dedicati ciascuno a un architetto – da(...)
$76.95
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Questo libro nasce da una serie di lezioni tenute da Kenneth Frampton a Mendrisio, all’Accademia di architettura dell’Università della Svizzera italiana, ed è dedicato all’analisi del Movimento Moderno, una corrente progettuale complessa e assai variegata nelle sue molteplici manifestazioni. Il libro è organizzato in 18 capitoli dedicati ciascuno a un architetto – da(...)
Titre:
Kenneth Frampton: L'altro Movimento Moderno
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Questo libro nasce da una serie di lezioni tenute da Kenneth Frampton a Mendrisio, all’Accademia di architettura dell’Università della Svizzera italiana, ed è dedicato all’analisi del Movimento Moderno, una corrente progettuale complessa e assai variegata nelle sue molteplici manifestazioni. Il libro è organizzato in 18 capitoli dedicati ciascuno a un architetto – da Schindler a Jacobsen, da Neutra a Bill, da Duiker a Krejcar –, del quale si dà una breve introduzione storico-biografica e si analizza un’opera di riferimento.
Kenneth Frampton: L'altro Movimento Moderno
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Questo libro nasce da una serie di lezioni tenute da Kenneth Frampton a Mendrisio, all’Accademia di architettura dell’Università della Svizzera italiana, ed è dedicato all’analisi del Movimento Moderno, una corrente progettuale complessa e assai variegata nelle sue molteplici manifestazioni. Il libro è organizzato in 18 capitoli dedicati ciascuno a un architetto – da Schindler a Jacobsen, da Neutra a Bill, da Duiker a Krejcar –, del quale si dà una breve introduzione storico-biografica e si analizza un’opera di riferimento.
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livres
livres
Publication:
juin 2015
juin 2015
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
Titre:
Le siège de l'Unesco
Le siège de l'Unesco
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Fruit du travail commun de trois architectes - le Français Bernard Zehrfuss, l'Américain d'origine hongroise Marcel Breuer et l'Italien Pier Luigi Nervi - le siège de l'Unesco est inauguré à Paris, le 3 novembre 1958 à la suite d'une consultation qui rassembla les plus grands noms de l'architecture mondiale. Leur réalisation est l'une des plus belles prouesses de l'usage(...)
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Fruit du travail commun de trois architectes - le Français Bernard Zehrfuss, l'Américain d'origine hongroise Marcel Breuer et l'Italien Pier Luigi Nervi - le siège de l'Unesco est inauguré à Paris, le 3 novembre 1958 à la suite d'une consultation qui rassembla les plus grands noms de l'architecture mondiale. Leur réalisation est l'une des plus belles prouesses de l'usage(...)
Titre:
Le siège de l'Unesco
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Fruit du travail commun de trois architectes - le Français Bernard Zehrfuss, l'Américain d'origine hongroise Marcel Breuer et l'Italien Pier Luigi Nervi - le siège de l'Unesco est inauguré à Paris, le 3 novembre 1958 à la suite d'une consultation qui rassembla les plus grands noms de l'architecture mondiale. Leur réalisation est l'une des plus belles prouesses de l'usage du béton armé. Au bâtiment principal - la célèbre " étoile à trois branches " - s'ajouteront par la suite trois autres édifices. A l'ombre des bâtiments, Isamu Noguchi réalise son fameux jardin japonais, ou " Jardin de la Paix ". Pendant le chantier, un " comité pour l'architecture et les oeuvres d'art " est mis en place pour sélectionner des artistes chargés d'exécuter une ouvre monumentale pour un emplacement précis : on compte ainsi des sculptures d'Henry Moore, d'Alexander Calder et d'Eduardo Chillida à l'extérieur, et à l'intérieur une céramique de Joan Miró ainsi qu'une fresque monumentale de Picasso. En plus de ce noyau initial, l'Unesco a acquis au fil des ans d'autres ouvres et cette " maison de l'Unesco ", symbole de paix universelle et de diversité culturelle, compte aujourd'hui plus de 700 oeuvres d'art.
Le siège de l'Unesco
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Fruit du travail commun de trois architectes - le Français Bernard Zehrfuss, l'Américain d'origine hongroise Marcel Breuer et l'Italien Pier Luigi Nervi - le siège de l'Unesco est inauguré à Paris, le 3 novembre 1958 à la suite d'une consultation qui rassembla les plus grands noms de l'architecture mondiale. Leur réalisation est l'une des plus belles prouesses de l'usage du béton armé. Au bâtiment principal - la célèbre " étoile à trois branches " - s'ajouteront par la suite trois autres édifices. A l'ombre des bâtiments, Isamu Noguchi réalise son fameux jardin japonais, ou " Jardin de la Paix ". Pendant le chantier, un " comité pour l'architecture et les oeuvres d'art " est mis en place pour sélectionner des artistes chargés d'exécuter une ouvre monumentale pour un emplacement précis : on compte ainsi des sculptures d'Henry Moore, d'Alexander Calder et d'Eduardo Chillida à l'extérieur, et à l'intérieur une céramique de Joan Miró ainsi qu'une fresque monumentale de Picasso. En plus de ce noyau initial, l'Unesco a acquis au fil des ans d'autres ouvres et cette " maison de l'Unesco ", symbole de paix universelle et de diversité culturelle, compte aujourd'hui plus de 700 oeuvres d'art.
Classification:
livres
livres
Publication:
août 2017
août 2017
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
Prix:
$59.95
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Résumé:
"L'Ornement est un crime" rend hommage de manière originale au mouvement moderne, l'une des périodes les plus inventives et radicales de l'histoire de l'architecture. Des chefs-d'oeuvre des premiers architectes du mouvement moderne tels Le Corbusier, Marcel Breuer, Walter Gropius ou Mies van der Rohe et de nombreux trésors méconnus côtoient ainsi les créations de grands(...)
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"L'Ornement est un crime" rend hommage de manière originale au mouvement moderne, l'une des périodes les plus inventives et radicales de l'histoire de l'architecture. Des chefs-d'oeuvre des premiers architectes du mouvement moderne tels Le Corbusier, Marcel Breuer, Walter Gropius ou Mies van der Rohe et de nombreux trésors méconnus côtoient ainsi les créations de grands(...)
Titre:
L'ornement est un crime : architecture du mouvement moderne
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"L'Ornement est un crime" rend hommage de manière originale au mouvement moderne, l'une des périodes les plus inventives et radicales de l'histoire de l'architecture. Des chefs-d'oeuvre des premiers architectes du mouvement moderne tels Le Corbusier, Marcel Breuer, Walter Gropius ou Mies van der Rohe et de nombreux trésors méconnus côtoient ainsi les créations de grands architectes contemporains dont l'oeuvre s'inscrit dans la même lignée, tels David Adjaye, Tadao Ando ou Steven Holl. "L'Ornement est un crime" offre un tour du monde de ce style d'architecture, réunissant des maisons conçues aussi bien aux Etats-Unis et en Europe (notamment en République tchèque, en Irlande, en Pologne, au Portugal, en Slovaquie, en Grèce) qu'en Argentine, au Chili, au Pérou, en Australie, au Canada, au Ghana ou en Israël.
L'ornement est un crime : architecture du mouvement moderne
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"L'Ornement est un crime" rend hommage de manière originale au mouvement moderne, l'une des périodes les plus inventives et radicales de l'histoire de l'architecture. Des chefs-d'oeuvre des premiers architectes du mouvement moderne tels Le Corbusier, Marcel Breuer, Walter Gropius ou Mies van der Rohe et de nombreux trésors méconnus côtoient ainsi les créations de grands architectes contemporains dont l'oeuvre s'inscrit dans la même lignée, tels David Adjaye, Tadao Ando ou Steven Holl. "L'Ornement est un crime" offre un tour du monde de ce style d'architecture, réunissant des maisons conçues aussi bien aux Etats-Unis et en Europe (notamment en République tchèque, en Irlande, en Pologne, au Portugal, en Slovaquie, en Grèce) qu'en Argentine, au Chili, au Pérou, en Australie, au Canada, au Ghana ou en Israël.
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livres
livres
Publication:
septembre 2017
septembre 2017
Sujet:
Modernisme
Modernisme
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livres
livres
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$46.95
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After World War II, West Germans and West Berliners found ways of communicating both their recent sufferings and aspirations for stable communities through buildings that fused the ruins of historicist structures with new constructions rooted in the modernism of the 1910s and ‘20s. As 'Modernism as Memory' illustrates, these postwar practices undergird the approaches(...)
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After World War II, West Germans and West Berliners found ways of communicating both their recent sufferings and aspirations for stable communities through buildings that fused the ruins of historicist structures with new constructions rooted in the modernism of the 1910s and ‘20s. As 'Modernism as Memory' illustrates, these postwar practices undergird the approaches(...)
Titre:
Modernism as memory: building identity in the Federal Republic of Germany
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After World War II, West Germans and West Berliners found ways of communicating both their recent sufferings and aspirations for stable communities through buildings that fused the ruins of historicist structures with new constructions rooted in the modernism of the 1910s and ‘20s. As 'Modernism as Memory' illustrates, these postwar practices undergird the approaches later taken in influential structures created or renovated in Berlin following the fall of the Wall, including the Jewish Museum and the Reichstag, the New Museum and the Topography of Terror.
Modernism as memory: building identity in the Federal Republic of Germany
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After World War II, West Germans and West Berliners found ways of communicating both their recent sufferings and aspirations for stable communities through buildings that fused the ruins of historicist structures with new constructions rooted in the modernism of the 1910s and ‘20s. As 'Modernism as Memory' illustrates, these postwar practices undergird the approaches later taken in influential structures created or renovated in Berlin following the fall of the Wall, including the Jewish Museum and the Reichstag, the New Museum and the Topography of Terror.
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livres
livres
Publication:
janvier 2018
janvier 2018
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
Prix:
$103.00
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Résumé:
Building for oneself has a special connotation under the conditions of migration and exile. Among the most prominent examples are the private homes of Rudolph Schindler in West Hollywood, Richard Neutra in Los Angeles, Walter Gropius in Lincoln, Massachusetts. What expression could voluntary migration or forced change of location find in these buildings? To what extent(...)
$103.00
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Building for oneself has a special connotation under the conditions of migration and exile. Among the most prominent examples are the private homes of Rudolph Schindler in West Hollywood, Richard Neutra in Los Angeles, Walter Gropius in Lincoln, Massachusetts. What expression could voluntary migration or forced change of location find in these buildings? To what extent(...)
Titre:
A home of one's own: Émigré architects and their houses 1920-1960
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$103.00
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Building for oneself has a special connotation under the conditions of migration and exile. Among the most prominent examples are the private homes of Rudolph Schindler in West Hollywood, Richard Neutra in Los Angeles, Walter Gropius in Lincoln, Massachusetts. What expression could voluntary migration or forced change of location find in these buildings? To what extent do the architects’ other buildings differ from such 'homes of one’s own' in a foreign country, to use an expression borrowed and modified from Virginia Woolf?
A home of one's own: Émigré architects and their houses 1920-1960
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$103.00
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Building for oneself has a special connotation under the conditions of migration and exile. Among the most prominent examples are the private homes of Rudolph Schindler in West Hollywood, Richard Neutra in Los Angeles, Walter Gropius in Lincoln, Massachusetts. What expression could voluntary migration or forced change of location find in these buildings? To what extent do the architects’ other buildings differ from such 'homes of one’s own' in a foreign country, to use an expression borrowed and modified from Virginia Woolf?
Classification:
livres
livres
Publication:
juin 2018
juin 2018
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
Titre:
The spirit of the Bauhaus
The spirit of the Bauhaus
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$66.00
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“Architects, sculptors, painters, we all must return to the crafts!” declared architect Walter Gropius in his Bauhaus manifesto. Founded in 1919 as an art school in Weimar, the Bauhaus established itself as a major influence on twentieth- century art and design. Bauhaus students were taught by some of the most celebrated artists of the time, including Paul Klee, Lyonel(...)
$66.00
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“Architects, sculptors, painters, we all must return to the crafts!” declared architect Walter Gropius in his Bauhaus manifesto. Founded in 1919 as an art school in Weimar, the Bauhaus established itself as a major influence on twentieth- century art and design. Bauhaus students were taught by some of the most celebrated artists of the time, including Paul Klee, Lyonel(...)
Titre:
The spirit of the Bauhaus
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$66.00
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“Architects, sculptors, painters, we all must return to the crafts!” declared architect Walter Gropius in his Bauhaus manifesto. Founded in 1919 as an art school in Weimar, the Bauhaus established itself as a major influence on twentieth- century art and design. Bauhaus students were taught by some of the most celebrated artists of the time, including Paul Klee, Lyonel Feininger, and Wassily Kandinsky. Having moved to Berlin in 1932 under architect Ludwig Mies van der Rohe, it was forced to close for good by the Gestapo in 1933. Uncovering the sources of inspiration that brought the Bauhaus into existence, from medieval cathedrals of Europe and Hokusai prints to William Morris and Arts and Crafts, The Spirit of the Bauhaus explores workshops and courses in detail, illustrating the extraordinary wealth of experimentation in every medium: ceramics, wood and metalwork, textiles, glass- painting, sculpture, mural, printing and binding, theater, architecture, and photography. This essential and accessible guide to the Bauhaus, published in time for the 100th anniversary of the school in 2019, celebrates a school that continues to be recognized as the most durable and influential source of modern ideas about art, design, and craft.
The spirit of the Bauhaus
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$66.00
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“Architects, sculptors, painters, we all must return to the crafts!” declared architect Walter Gropius in his Bauhaus manifesto. Founded in 1919 as an art school in Weimar, the Bauhaus established itself as a major influence on twentieth- century art and design. Bauhaus students were taught by some of the most celebrated artists of the time, including Paul Klee, Lyonel Feininger, and Wassily Kandinsky. Having moved to Berlin in 1932 under architect Ludwig Mies van der Rohe, it was forced to close for good by the Gestapo in 1933. Uncovering the sources of inspiration that brought the Bauhaus into existence, from medieval cathedrals of Europe and Hokusai prints to William Morris and Arts and Crafts, The Spirit of the Bauhaus explores workshops and courses in detail, illustrating the extraordinary wealth of experimentation in every medium: ceramics, wood and metalwork, textiles, glass- painting, sculpture, mural, printing and binding, theater, architecture, and photography. This essential and accessible guide to the Bauhaus, published in time for the 100th anniversary of the school in 2019, celebrates a school that continues to be recognized as the most durable and influential source of modern ideas about art, design, and craft.
Classification:
livres
livres
Publication:
mai 2018
mai 2018
Sujet:
Modernisme
Modernisme
