Sze Tsung Leong: Horizons
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This catalogue is published in conjounction with the exhibition ' Sze Tsung Leong: Horizons' at Yossi Milo Gallery, New York, April 3 - May 17, 2008.
Sze Tsung Leong: Horizons
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This catalogue is published in conjounction with the exhibition ' Sze Tsung Leong: Horizons' at Yossi Milo Gallery, New York, April 3 - May 17, 2008.
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Wind, water, fire and molten rock constantly tear apart and resculpt the natural world we live in, and people have always struggled to create structures that will permanently establish their existence on the land. For more than four decades, Frank Gohlke has committed his camera lens to documenting that fraught relationship between people and place, and this retrospective(...)
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décembre 2007, New Mexico, Texas
Accommodating Nature: the photographs of Frank Gohlke
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Wind, water, fire and molten rock constantly tear apart and resculpt the natural world we live in, and people have always struggled to create structures that will permanently establish their existence on the land. For more than four decades, Frank Gohlke has committed his camera lens to documenting that fraught relationship between people and place, and this retrospective collection of his work by curator John Rohrbach reveals how people carve out their spaces, accommodating nature. Published by the Amon Carter Museum and the Center for American Places.
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This catalogue was published in conjunction with the exhibition 'Stan Douglas - Past Imperfect Works 1986-2007' Staatsgalerie Stuttgart and Württembergischer Kunstverein Stuttgart September 15, 2007 - January 6, 2008 Stan Douglas (*1960 in Vancouver) has expanded the experiential spaces of cinema, television, and the museum, both sensorially and intellectually, like no(...)
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décembre 2007, Stuttgart
Stan Douglas Past Imperfect - works 1986-2007
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This catalogue was published in conjunction with the exhibition 'Stan Douglas - Past Imperfect Works 1986-2007' Staatsgalerie Stuttgart and Württembergischer Kunstverein Stuttgart September 15, 2007 - January 6, 2008 Stan Douglas (*1960 in Vancouver) has expanded the experiential spaces of cinema, television, and the museum, both sensorially and intellectually, like no other artist. His work has been presented in numerous major shows all over the world, but a retrospective in Stuttgart unities his key works of the past twenty years in a single exhibition for the first time. This publication offers various readings of the artist's complex oeuvre and his multifaceted interpretations of history, film, and music.
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Julius Shulman: Palm Springs
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Through Julius Shulman’s lens, the architecture of Southern California became iconic images of modernism. His photographs heralded the glamor and casual elegance of a lifestyle and architecture that has become revered worldwide. Focusing on the desert paradise of Palm Springs, which was his seminal crucible, this book presents his masterpieces. Images range from Richard(...)
Julius Shulman: Palm Springs
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Through Julius Shulman’s lens, the architecture of Southern California became iconic images of modernism. His photographs heralded the glamor and casual elegance of a lifestyle and architecture that has become revered worldwide. Focusing on the desert paradise of Palm Springs, which was his seminal crucible, this book presents his masterpieces. Images range from Richard Neutra’s Kaufmann House and Albert Frey’s Raymond Loewy House, to Paul R. Williams’ house for Lucille Ball and Desi Arnaz, Frank Sinatra’s house, John Lautner’s house for Bob Hope, as well as other famous landmarks. The book features more than sixty buildings by fifteen of the most notable mid-twentieth-century architects. With new photography and images culled from his personal collection as well as the Getty Center, this book includes many images never before seen.
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A major retrospective survey celebrating one of Canada's greatest landscape photographers, Geoffrey James. Geoffrey James's photographic work over the past twenty years explores the natural environment and the way in which human activity registers upon it. All his photographs, from the tranquility of the Roman Campagna to the desolate demarcations of the U.S./Mexican(...)
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mai 2008, Ottawa Vanouver Toronto Berkley
Utopia / Dystopia: Geoffrey James
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A major retrospective survey celebrating one of Canada's greatest landscape photographers, Geoffrey James. Geoffrey James's photographic work over the past twenty years explores the natural environment and the way in which human activity registers upon it. All his photographs, from the tranquility of the Roman Campagna to the desolate demarcations of the U.S./Mexican border, reverberate with a sense of human habitation, which is not always formally evident. This major retrospective includes an illustrated chronology of James's career and essays from Lori Pauli, Stephen Bann and Britt Salvesen.
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Thomas Flechtner : Bloom
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With "Bloom", Thomas Flechtner continues to go his own way as an artist. In his internationally acclaimed debut publication "Snow", he took viewers by surprise with a compelling visual metaphysics of snow as the exploration of a psychological state. After exhibitions in London, New York, Bilbao, and Tokyo, Flechtner is now free to pursue a new passion, the unbridled color(...)
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mai 2007, Baden
Thomas Flechtner : Bloom
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With "Bloom", Thomas Flechtner continues to go his own way as an artist. In his internationally acclaimed debut publication "Snow", he took viewers by surprise with a compelling visual metaphysics of snow as the exploration of a psychological state. After exhibitions in London, New York, Bilbao, and Tokyo, Flechtner is now free to pursue a new passion, the unbridled color and movement of organic nature, which he examines with lyrical lightness and tremendous precision in these densely atmospheric studies of plants. As a photographer, Flechtner goes in search of the essence of nature, abandoning the ostensible safety of distance and allowing proximity and for the first time also movement. In "Bloom", the viewer is invited to take in a feast of light and color and to enter a space beyond nature’s supposed laws.
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Hitoshi Fugo: Kami
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''Kami'' is a deeply personal and meditative project by Japanese photographer Hitoshi Fugo. Conceived across nearly three decades, the work explores the tension between destruction and transformation, between what is lost and what remains. The series juxtaposes two distinct bodies of images: photographs taken in the aftermath of the 1995 Great Hanshin Earthquake in(...)
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avril 2026
Hitoshi Fugo: Kami
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''Kami'' is a deeply personal and meditative project by Japanese photographer Hitoshi Fugo. Conceived across nearly three decades, the work explores the tension between destruction and transformation, between what is lost and what remains. The series juxtaposes two distinct bodies of images: photographs taken in the aftermath of the 1995 Great Hanshin Earthquake in Kobe, and close studies of a partially burned industrial paper roll that Fugo found outside a fire-ravaged printing factory in Tokyo. In both, he searches for unexpected beauty in the ruins, forms that have been stripped of their function, worn by time or trauma, yet still resonate with presence. The Japanese word ''kamo'' means both ''god'' and ''paper'' and this ambiguity forms the philosophical core of the work. In the face of natural disaster and human-made destruction, ''Kami'' reflects on the fragility of matter, the absence of divinity, and the possibility of poetic reconstruction through photographic seeing.
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Nicolas Giraud: Paris 2024
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"Paris 2024" brings together a series of photographs of historic monuments undergoing restoration. Covered with printed tarpaulins — displaying either monumental advertisements or photographic reproductions of the façades themselves — these buildings temporarily vanish beneath a fabricated version of reality. These urban trompe-l’œils form an ephemeral stage set that(...)
Nicolas Giraud: Paris 2024
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"Paris 2024" brings together a series of photographs of historic monuments undergoing restoration. Covered with printed tarpaulins — displaying either monumental advertisements or photographic reproductions of the façades themselves — these buildings temporarily vanish beneath a fabricated version of reality. These urban trompe-l’œils form an ephemeral stage set that conceals the city’s construction work and transformations. The photographs play with this ambiguity, between cut stone and polyvinyl sheeting. They recount the history of Paris, from Haussmann’s grand renovations to today’s Grand Paris project, and reveal an urban system in constant flux — exposing, through these images, the invisible mechanisms that shape the city.
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In the vanishingly short period of time video rental stores were a part of the cultural landscape, thousands of mom-and-pop shops codified a surprisingly unified visual identity for their logos: a wonderland of Video Wizards, Huts, Castles, Shacks and Villages, all imbued with an old-timey Hollywood glitz and modern techno-optimism. Videoland collects over 100 logos from(...)
Videoland: A visual catalog of American Video store logos, 1980-1995
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In the vanishingly short period of time video rental stores were a part of the cultural landscape, thousands of mom-and-pop shops codified a surprisingly unified visual identity for their logos: a wonderland of Video Wizards, Huts, Castles, Shacks and Villages, all imbued with an old-timey Hollywood glitz and modern techno-optimism. Videoland collects over 100 logos from independent video stores during the 1980s and '90s, thematically and chronologically arranged, and assembled primarily from local newspaper advertisements.
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Gian Paolo Minelli: Altitude
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Created during a month-long journey across the central Andes in early 2020—at a moment when the pandemic frozed the world, Altitude emerged from a road trip of more than 8,000 kilometers through one of the most extreme and arid regions on Earth. Traveling mostly above 3,000 meters, from Mendoza and the slopes of Aconcagua to the salt flats of Uyuni and the Pacific coast(...)
Gian Paolo Minelli: Altitude
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Created during a month-long journey across the central Andes in early 2020—at a moment when the pandemic frozed the world, Altitude emerged from a road trip of more than 8,000 kilometers through one of the most extreme and arid regions on Earth. Traveling mostly above 3,000 meters, from Mendoza and the slopes of Aconcagua to the salt flats of Uyuni and the Pacific coast of Chile, Gian Paolo Minelli transformed this demanding expedition into a slow, meditative photographic investigation. Rejecting both reportage and spectacular landscape imagery, Minelli chose to work with a large-format analog camera, embracing slowness, attention, and material presence. His gaze turns downward, toward the ground itself: fractured soils, dried riverbeds, lava crusts, salt plains, wind-polished stones, and sparse xerophytic vegetation.
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