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Les photographies de Vincent-Valerio, d’une grande concision, sont composées dans la lumière d’un jour qui s’efface avant la nuit, ou juste avant son retour à l’aube, quand tout bleuit sensiblement dans la profondeur d’un lieu. Cette belle lumière étrange et rare, presque surnaturelle, permet l’écriture d’un paysage immense et dense, et la lente découverte des détails de(...)
Vincent-Valério François : formes lentes
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Les photographies de Vincent-Valerio, d’une grande concision, sont composées dans la lumière d’un jour qui s’efface avant la nuit, ou juste avant son retour à l’aube, quand tout bleuit sensiblement dans la profondeur d’un lieu. Cette belle lumière étrange et rare, presque surnaturelle, permet l’écriture d’un paysage immense et dense, et la lente découverte des détails de son monde à méditer.
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Fan Ho: Hong Kong yesterday
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"Hong Kong Yesterday" presents a singular vision of this enigmatic city by award winning photographer, Fan Ho. Black and white images capturing life in mid-century Hong Kong range from quiet voyeuristic tableaus to chaotic crowds, most focusing on the citys inhabitants. Businessmen, families, dockworkers, alleys, markets and street scenes are all rendered in a style that(...)
Fan Ho: Hong Kong yesterday
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"Hong Kong Yesterday" presents a singular vision of this enigmatic city by award winning photographer, Fan Ho. Black and white images capturing life in mid-century Hong Kong range from quiet voyeuristic tableaus to chaotic crowds, most focusing on the citys inhabitants. Businessmen, families, dockworkers, alleys, markets and street scenes are all rendered in a style that is simultaneously abstract and humanistic. Fan Ho was born in Shanghai in 1937; he immigrated to Hong Kong as child and passed away in 2016.
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Greg Girard’s photographs of Vancouver from the 1970s and early 1980s show us the city’s final days as a port town at the end of the railway line. Soon after Vancouver began to be noticed by the wider world (Expo 86 is generally agreed on as the pivotal moment), the city began refashioning itself as an urban resort on nature’s doorstep and attracting attention as a(...)
Greg Girard: Under Vancouver,1972-1982
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Greg Girard’s photographs of Vancouver from the 1970s and early 1980s show us the city’s final days as a port town at the end of the railway line. Soon after Vancouver began to be noticed by the wider world (Expo 86 is generally agreed on as the pivotal moment), the city began refashioning itself as an urban resort on nature’s doorstep and attracting attention as a destination for real estate investment. At that time, many of Vancouver’s downtown and east side streets ended at the waterfront, an area filled with commercial fishing docks, cargo terminals, and bars and cafes for waterfront workers and sailors. Wandering these streets, living in cheap hotels, Girard photographed the workaday (and night) world of the city where he grew up.
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A proponent of the Düsseldorf school of photography and a master pupil of Thomas Ruff’s, the artist Ralf Brueck (b. 1966) thematises in his sophisticated, stringently composed works the architectural interior, the expanse of landscape, and modern architecture. The publication illustrates Brueck’s genesis – which began with the series Timecapsules, created at the end of(...)
Ralf Brueck: Dekonstruktion Distortion
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A proponent of the Düsseldorf school of photography and a master pupil of Thomas Ruff’s, the artist Ralf Brueck (b. 1966) thematises in his sophisticated, stringently composed works the architectural interior, the expanse of landscape, and modern architecture. The publication illustrates Brueck’s genesis – which began with the series Timecapsules, created at the end of the 1990s and devoted to modern church buildings – and builds a bridge to his two new series, Distortion and Deconstruction.
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L'heure blanche
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Une ville qu’on peine à identifier, marquée par un ciel blanc, à une heure incertaine. Anne Collongues la photographie presque vide, tel un endroit familier que les souvenirs habitent encore mais qui paraît déjà étranger. Elle capte une architecture éclectique et des espaces accidentés dont on ne saurait dire si le béton et la végétation s’y embrassent ou s’y dévorent.(...)
L'heure blanche
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Une ville qu’on peine à identifier, marquée par un ciel blanc, à une heure incertaine. Anne Collongues la photographie presque vide, tel un endroit familier que les souvenirs habitent encore mais qui paraît déjà étranger. Elle capte une architecture éclectique et des espaces accidentés dont on ne saurait dire si le béton et la végétation s’y embrassent ou s’y dévorent. Partagées entre l'objectivité d'un recensement et la subjectivité d'un état d'âme, ses photographies ne démontrent rien, chaque élément du chaos urbain participe à l’équilibre de la composition.
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Stephen Shore’s "Uncommon Places" is indisputably a canonic body of work—a touchstone for those interested in photography and the American landscape. Remarkably, despite having been the focus of numerous shows and books, including the eponymous 1982 Aperture classic (expanded and reissued several times), this series of photographs has yet to be explored in its entirety.(...)
Stephen Shore: the selected works, 1973-1981
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Stephen Shore’s "Uncommon Places" is indisputably a canonic body of work—a touchstone for those interested in photography and the American landscape. Remarkably, despite having been the focus of numerous shows and books, including the eponymous 1982 Aperture classic (expanded and reissued several times), this series of photographs has yet to be explored in its entirety. Over the past five years, Shore has scanned hundreds of negatives shot between 1973 and 1981. In this volume, Aperture has invited an international group of fifteen photographers, curators, authors, and cultural figures to select ten images apiece from this rarely seen cache of images. Each portfolio offers an idiosyncratic and revealing commentary on why this body of work continues to astound; how it has impacted the work of new generations of photography and the medium at large; and proposes new insight on Shore’s unique vision of America as transmuted in this totemic series.
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After India won its independence in 1947, Le Corbusier was asked to design the city of Chandigarh. What he created, realizing his modernist vision, became known as The City Beautiful. This book is an ode to Le Corbusier's core belief that "architecture is the skillful, correct, an magnificent play of volumes assembled in light."
Martien Mulder: The city beautiful
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After India won its independence in 1947, Le Corbusier was asked to design the city of Chandigarh. What he created, realizing his modernist vision, became known as The City Beautiful. This book is an ode to Le Corbusier's core belief that "architecture is the skillful, correct, an magnificent play of volumes assembled in light."
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Peter Granser’s photographic series presents a selection of buildings by self-taught Bolivian architect Freddy Mamani Silvestre. Since 2005, Mamani and his firm have completed more than sixty projects in El Alto, Bolivia.
Peter Granser: El Alto. Freddy Mamani
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Peter Granser’s photographic series presents a selection of buildings by self-taught Bolivian architect Freddy Mamani Silvestre. Since 2005, Mamani and his firm have completed more than sixty projects in El Alto, Bolivia.
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The House of Memory is the architectural symbol of a historical and civil consciousness characteristic of Milan. Its construction was supported by the municipality in order to provide headquarters for the principal associations involved in keeping alive the memory of the Resistance, the Liberation, and the foundation of the Italian Republic. Comprising essays and numerous(...)
Stefano Graziani: Baukuh Casa della Memoria
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The House of Memory is the architectural symbol of a historical and civil consciousness characteristic of Milan. Its construction was supported by the municipality in order to provide headquarters for the principal associations involved in keeping alive the memory of the Resistance, the Liberation, and the foundation of the Italian Republic. Comprising essays and numerous architectural drawings, plus photographs by Stefano Graziani, this book describes in detail how a public work was funded using resources deriving from an urban intervention of a private nature while respecting both history and context, and developed and realised through a participatory approach.
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Awoiska van der Molen has been producing monochrome landscape photography since 2009. ‘Blanco’ is the result of extended periods of isolation, during which the Dutch photographer penetrates deep into the essence of the remote world where she creates her images. Removed from today’s fast-paced society, she patiently experiences the landscape in a new way, moving beyond(...)
Awoiska Van der Molen: Blanco
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Awoiska van der Molen has been producing monochrome landscape photography since 2009. ‘Blanco’ is the result of extended periods of isolation, during which the Dutch photographer penetrates deep into the essence of the remote world where she creates her images. Removed from today’s fast-paced society, she patiently experiences the landscape in a new way, moving beyond initial appearances to gradually uncover the identity of the place, allowing it to impress upon her its specific emotional and physical qualities. Through enigmatic contrasts between darkness and light in her large-format silver gelatin prints, notions of time and self blur, becoming non-existent.
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