Incoming
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At a moment when the world is facing the world’s largest refugee and migration crisis since the Second World War, Incoming by Irish artist and Deutsche Börse Photography Prize winner Richard Mosse deals with the major humanitarian and political plight of our time, the displacement of millions due to war, persecution and climate change. With illuminating texts by Mosse and(...)
Incoming
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At a moment when the world is facing the world’s largest refugee and migration crisis since the Second World War, Incoming by Irish artist and Deutsche Börse Photography Prize winner Richard Mosse deals with the major humanitarian and political plight of our time, the displacement of millions due to war, persecution and climate change. With illuminating texts by Mosse and the philosopher Giorgio Agamben, the 576-page book combines film stills from the artist’s latest video work made in collaboration with electronic composer Ben Frost and cinematographer Trevor Tweeten – a haunting and searing multi-channel film installation, accompanied by a visceral soundtrack. Journeys made by refugees and migrants across the Middle East, North Africa, and Europe are captured with a new weapons-grade surveillance technology that can detect the human body from 30.3km. Blind to skin colour, this camera technology registers only the contours of relative heat difference within a given scene, foregrounding the fragile human body’s struggle for survival in hostile environments.
Monographies photo
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Why does a visual artist, as Austrian photographer Georg Salner, make a photographic ‘excursion’ to Le Corbusier (and Pierre Jeanneret) in Chandigarh and to Oscar Niemeyer in Brasília (Niterói and Rio de Janeiro)? Of all grandmasters, Le Corbusier and Niemeyer are the only ones to have infused entire capitals with their ideas and endowed them with key buildings. They were(...)
Georg Salner: Chandigarh Brasilia, revision
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Why does a visual artist, as Austrian photographer Georg Salner, make a photographic ‘excursion’ to Le Corbusier (and Pierre Jeanneret) in Chandigarh and to Oscar Niemeyer in Brasília (Niterói and Rio de Janeiro)? Of all grandmasters, Le Corbusier and Niemeyer are the only ones to have infused entire capitals with their ideas and endowed them with key buildings. They were all ‘ideal types’ of designers: innovative, influential and motivated by a huge commitment to a world civilization whose – at times utopian – approaches were not always able to flourish in every sense. Indeed, they remained lone figures with many outstanding comrades in arms and successors.
Monographies photo
Hiroshi Sugimoto
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This collection is an expanded edition of Hatje Cantz's 2005 volume. It is the first to feature works from all of Sugimoto's series to date: his portraits of wax figures, his seascapes, the long exposures of theaters which elevate the white, luminescent cinema screen and transform it into a magical image of an altar and the fascinating dioramas of scientific display(...)
Hiroshi Sugimoto
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This collection is an expanded edition of Hatje Cantz's 2005 volume. It is the first to feature works from all of Sugimoto's series to date: his portraits of wax figures, his seascapes, the long exposures of theaters which elevate the white, luminescent cinema screen and transform it into a magical image of an altar and the fascinating dioramas of scientific display cases. Additions to the original edition are two new groups of works, "Lightning Fields" (2006) and "Photogenic Drawings" (2007).
Monographies photo
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This publication is Trevor Paglen's first photographic monograph. Social scientist, artist, writer and provocateur, Paglen has been exploring the secret activities of the U.S. military and intelligence agencies--the "black world"--for the last eight years, publishing, speaking and making astonishing photographs. As an artist, Paglen is interested in the idea of(...)
Invisible: covert operations and classified landscapes
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This publication is Trevor Paglen's first photographic monograph. Social scientist, artist, writer and provocateur, Paglen has been exploring the secret activities of the U.S. military and intelligence agencies--the "black world"--for the last eight years, publishing, speaking and making astonishing photographs. As an artist, Paglen is interested in the idea of photography as truth-telling, but his pictures often stop short of traditional ideas of documentation. In the series Limit Telephotography, for example, he employs high-end optical systems to photograph top-secret governmental sites; and in The Other Night Sky, he uses the data of amateur satellite watchers to track and photograph classified spacecraft in Earth's orbit. In other works Paglen transforms documents such as passports, flight data and aliases of CIA operatives into art objects. Rebecca Solnit contributes a searing essay that traces this history of clandestine military activity on the American landscape.
Monographies photo
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The photographs by Richard Misrach assembled in this volume are a stark, affecting reminders of the physical and psychological impact of Hurricane Katrina as told by those on the ground, and seen through the lens of a contemporary master. Rather than simply surveying the damage, Misrach-who has photographed the region regularly since the 1970s, most notably for his(...)
Richard Misrach: Destroy this memory
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The photographs by Richard Misrach assembled in this volume are a stark, affecting reminders of the physical and psychological impact of Hurricane Katrina as told by those on the ground, and seen through the lens of a contemporary master. Rather than simply surveying the damage, Misrach-who has photographed the region regularly since the 1970s, most notably for his ongoing "Cancer Alley" project-found himself drawn to the hurricane-inspired graffiti. "Destroy This Memory" presents previously unpublished and starkly compelling material, all of which Misrach shot with his 4 MP pocket camera while also working on a separate archive of over 1,000 photographs with his 8 x 10 large-format camera. Created between October and December 2005, this series of images serves as a potent, unalloyed document of the raw experiences of those left to fend for themselves in the aftermath of Katrina. With no essay, titles or even page numbers in the way, the words on these homes, cars and trees offer a searing testament that continues to speak volumes.
Andreas Herzau : Istanbul
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Prompted by the debate surrounding Turkey's potential membership in the European Union, German photographer Andreas Herzau (born 1962) began documenting life in the country. Situated at the border of Europe and Asia, Istanbul, the photographer found, sums up the challenges and opportunities facing Turkey today. Herzau's images precisely capture the many facets of the(...)
Andreas Herzau : Istanbul
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Prompted by the debate surrounding Turkey's potential membership in the European Union, German photographer Andreas Herzau (born 1962) began documenting life in the country. Situated at the border of Europe and Asia, Istanbul, the photographer found, sums up the challenges and opportunities facing Turkey today. Herzau's images precisely capture the many facets of the Turkish port where tradition and modernity collide.
Monographies photo
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Mexico's White Mountain was once home to the indigenous pre-Columbian Zapotec civilization. Photographer Pablo Ortíz Monasterio engages this foundational mythology by documenting its physical manifestations in contemporary life, as depicted on decorative murals, key chains, ashtrays and pony glasses.
Monographies photo
octobre 2010
Pablo Otiz Monasterio: White mountain
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Mexico's White Mountain was once home to the indigenous pre-Columbian Zapotec civilization. Photographer Pablo Ortíz Monasterio engages this foundational mythology by documenting its physical manifestations in contemporary life, as depicted on decorative murals, key chains, ashtrays and pony glasses.
Monographies photo
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David T. Hanson's photographs of the coal-mining town of Colstrip, Montana, and the ruined landscape around it were exhibited by John Szarkowski at the Museum of Modern Art in New York in 1986. The work signaled a shift in American landscape photography, away from the cool modernism of the New Topographics. For this publication, Hanson has added 21 images and re-sequenced(...)
David T. Hanson: Colstrip, Montana
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David T. Hanson's photographs of the coal-mining town of Colstrip, Montana, and the ruined landscape around it were exhibited by John Szarkowski at the Museum of Modern Art in New York in 1986. The work signaled a shift in American landscape photography, away from the cool modernism of the New Topographics. For this publication, Hanson has added 21 images and re-sequenced the series. Although the photographs were made in the early 1980s, they are perhaps even more relevant today, given growing concerns about energy production, environmental degradation and climate change. The pictures remain tragic reflections of a despoiled environment.
Monographies photo
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Swiss photographer Claudio Moser (born 1959) wanders the peripheries of cities and towns for hours - sometimes to the point of exhaustion - in search of the perfect image. Further distending his process, the artist often lets years pass after developing his film before viewing the images. Only then does he produce large-scale prints, revealing atmospherically dense(...)
Claudio Moser : nowhere near far enough
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Swiss photographer Claudio Moser (born 1959) wanders the peripheries of cities and towns for hours - sometimes to the point of exhaustion - in search of the perfect image. Further distending his process, the artist often lets years pass after developing his film before viewing the images. Only then does he produce large-scale prints, revealing atmospherically dense photographs of industrial wasteland and "non-places."
Monographies photo
Grid-Portraits
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In the mid-1980s, Stu Levy began making “grid-portraits” in order to overcome his his frustration with traditional portraiture’s limited point of view. These constructs of photographs, consisting of twelve to twenty-five individual images, scan the architecture and flow of time in a subject’s living or working environment. The resulting portraits, usually of artists,(...)
Monographies photo
octobre 2010
Grid-Portraits
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In the mid-1980s, Stu Levy began making “grid-portraits” in order to overcome his his frustration with traditional portraiture’s limited point of view. These constructs of photographs, consisting of twelve to twenty-five individual images, scan the architecture and flow of time in a subject’s living or working environment. The resulting portraits, usually of artists, craftspeople and musicians, are made in the subjects’ studios or living spaces and serve as a backstage tour of the artist’s mind and creative process. Levy is fascinated by the artifacts that fill these spaces – the possessions by which the subjects are themselves possessed. Rather than confining himself to a single “decisive” moment, Levy explore its antithesis, a maze of scrambled time. These are made with a view camera using 4 x 5-inch negatives to allow for precision of detail. The sections are printed together to form the illusion of glancing through a window at a “snapshot” of an event, which in reality might consist of fragmentary views made months apart and in totally separate rooms or environments.
Monographies photo