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Form precedes function in this visual archive of nearly 200 images of modern architecture by award-winning photographer Nicolas Grospierre. At once a reference work and a personal exploration of modernist architecture, this fascinating collection of Nicolas Grospierre’s photography covers structures built between 1920 and 1989 in Europe, North and South America, the(...)
Modern forms: a subjective atlas of 20th-Century architecture
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Form precedes function in this visual archive of nearly 200 images of modern architecture by award-winning photographer Nicolas Grospierre. At once a reference work and a personal exploration of modernist architecture, this fascinating collection of Nicolas Grospierre’s photography covers structures built between 1920 and 1989 in Europe, North and South America, the Middle East, North Africa, and Asia.
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Lensless-photography pioneer Willie Anne Wright (born 1924) has often worked with Cibachrome, compounding its instability with long exposures and the inherent distortions of her method. Direct Positive collects, for the first time, the artist’s Cibachrome work.
Willie Anne Wright: Direct positive
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Lensless-photography pioneer Willie Anne Wright (born 1924) has often worked with Cibachrome, compounding its instability with long exposures and the inherent distortions of her method. Direct Positive collects, for the first time, the artist’s Cibachrome work.
Monographies photo
Fiona Tan: geography of time
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Geography of Time brings together video and photo installations by Amsterdam-based artist Fiona Tan (born 1966) that explore themes of memory and identity in mesmerizing ways. These include Nellie, Vox Populi, Changeling, Diptych, Provenance and A Lapse of Memory.
Fiona Tan: geography of time
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Geography of Time brings together video and photo installations by Amsterdam-based artist Fiona Tan (born 1966) that explore themes of memory and identity in mesmerizing ways. These include Nellie, Vox Populi, Changeling, Diptych, Provenance and A Lapse of Memory.
Monographies photo
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The first book to look back on Gautherot’s entire career, Marcel Gautherot: The Monograph takes readers through the architect and photographer’s time as an apprentice in Paris, where he attended evening classes and took an ardent interest in Esprit Nouveau and the Bauhaus, as well as their proponents, including Walter Gropius, Ludwig Mies van der Rohe, and Le Corbusier.(...)
Marcel Gautherot: the monograph
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The first book to look back on Gautherot’s entire career, Marcel Gautherot: The Monograph takes readers through the architect and photographer’s time as an apprentice in Paris, where he attended evening classes and took an ardent interest in Esprit Nouveau and the Bauhaus, as well as their proponents, including Walter Gropius, Ludwig Mies van der Rohe, and Le Corbusier. In the 1930s, Gautherot abandoned his studies in architecture to follow his passion for photography. This led him to travel extensively, and he eventually came to live and work in the city of Rio de Janeiro, where he was welcomed by a circle of artists and intellectuals who became important figures in Brazilian culture, including the architects Oscar Niemeyer and Roberto Burle Marx. With 150 superbly reproduced photographs, the book also includes essays by art and photography historians Jacques Leenhardt, Michel Frizot, and Samuel Titan on Gautherot’s affinity for modern architecture and his contribution to the history of photography. It will make the perfect book to reintroduce this important Franco-Brazilian photographer.
Monographies photo
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With Skies of Concrete, Austrian architectural photographer Gisela Erlacher explores a fascinating subject for urbanization—our ability to live, work, and play in what might seem like the most inhospitable of places. Erlacher had long been fascinated with the ways existing structures are modified to meet new transport needs, but a house wedged between two bridges in her(...)
Gisela Erlacher: Skies of concrete
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With Skies of Concrete, Austrian architectural photographer Gisela Erlacher explores a fascinating subject for urbanization—our ability to live, work, and play in what might seem like the most inhospitable of places. Erlacher had long been fascinated with the ways existing structures are modified to meet new transport needs, but a house wedged between two bridges in her native Vienna inspired a more extensive exploration of the leftover spaces. Erlacher traveled to China, Britain, and the Netherlands, capturing exquisite photographs of bridges, viaducts, and multistory highways, which focus specifically on the vacant and disused spaces and situations created by their construction. Beneath and between these structures, we find housing, parking, and storage, but also skate parks, tea houses, and food stalls in varying shades of legality.
Monographies photo
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The humble Japanese knotweed, called ‘itadori’ in Japan, is native to East Asia but also notorious for its success in other parts of the world, so much so that it has been classified as an invasive species in several countries. It is feared in Europe, North America, and Australia, where it is actively eradicated. In following photographer Watanabe Koichi in his research(...)
Moving plants: Koichi Watanabe
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The humble Japanese knotweed, called ‘itadori’ in Japan, is native to East Asia but also notorious for its success in other parts of the world, so much so that it has been classified as an invasive species in several countries. It is feared in Europe, North America, and Australia, where it is actively eradicated. In following photographer Watanabe Koichi in his research and quest to track it down everywhere, we stray into the entanglement created by the movement of people and capital in the modern age, itself a giant moving thicket of nature, knowledge, technology, and industry that is not only intertwined on huge scales of complexity, but also reciprocally impacting.
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In her new book, Düsseldorf-based photographer Simone Nieweg roams the forests of Central Europe, Scandinavia, and the US. Nature and landscapes, including their manmade guise of cultivated gardens, fields, and pastures, have been the focus of her photographic interest for more than 30 years. She returns from her forays into the undeveloped fringes of suburbia and areas(...)
Elger Esser: Combray 2005-2016
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In her new book, Düsseldorf-based photographer Simone Nieweg roams the forests of Central Europe, Scandinavia, and the US. Nature and landscapes, including their manmade guise of cultivated gardens, fields, and pastures, have been the focus of her photographic interest for more than 30 years. She returns from her forays into the undeveloped fringes of suburbia and areas seemingly untouched by civilization with tranquil images devoid of people.
Monographies photo
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In her new book, Düsseldorf-based photographer Simone Nieweg roams the forests of Central Europe, Scandinavia, and the US. Nature and landscapes including their manmade guise of cultivated gardens, fields, and pastures have been the focus of her photographic interest for more than 30 years.
Simone Nieweg: Woods, trees, and light
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In her new book, Düsseldorf-based photographer Simone Nieweg roams the forests of Central Europe, Scandinavia, and the US. Nature and landscapes including their manmade guise of cultivated gardens, fields, and pastures have been the focus of her photographic interest for more than 30 years.
Monographies photo
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Takashi Homma uses fragments collected in camera obscura constructed in metropolitan areas of Japan and the US to build a city image by image. Homma does not seek to index any particular city but to render a shadow world, a city's unconscious caught in a dark chamber, suspended in the camera’s box. The camera obscura offers a repetition, like the reflection shimmering in(...)
Takashi Homma: the narcissistic city
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Takashi Homma uses fragments collected in camera obscura constructed in metropolitan areas of Japan and the US to build a city image by image. Homma does not seek to index any particular city but to render a shadow world, a city's unconscious caught in a dark chamber, suspended in the camera’s box. The camera obscura offers a repetition, like the reflection shimmering in Narcissus’s pool. The narcissistic city is a city transfixed upon its own image – a mirror city, laced with repetition (modular) and reflections (glass). A city looking at its reflection, a city caught in a dark chamber, a city observing its camera obscura inversion – flickering inside the camera’s box.
Monographies photo
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Après Gueorgui Pinkhassov, la RATP a demandé à Bruce Gilden de présenter sa vision de la mobilité urbaine. Guettant les rues de Paris, Johannesbourg, Manchester, New York et Hong Kong, le photographe américain a bondi sur les passants avec son flash en les cadrant de manière inattendue.
Bruce Gilden : un nouveau regard sur la mobilité urbaine
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Après Gueorgui Pinkhassov, la RATP a demandé à Bruce Gilden de présenter sa vision de la mobilité urbaine. Guettant les rues de Paris, Johannesbourg, Manchester, New York et Hong Kong, le photographe américain a bondi sur les passants avec son flash en les cadrant de manière inattendue.
Monographies photo