Louise Lawler: for sale
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Louise Lawler documents the journey of artwork from studio to gallery to auction to museum or collection. An invaluable assemblage of photographs and accompanying analysis.
Louise Lawler: for sale
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Louise Lawler documents the journey of artwork from studio to gallery to auction to museum or collection. An invaluable assemblage of photographs and accompanying analysis.
Monographies photo
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Hill and Adamson : in focus
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Drawn from the J. Paul Getty Museum, the 50 plates in this volume are accompanied by the transcript of a discussion of Hill and Adamson's work by Anne L. Lyden, David Featherstone, A.D. Morrison-Low, Weston Naef, Jonatan Reff, Sara Stevenson, and Michael Wilson.
Hill and Adamson : in focus
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Drawn from the J. Paul Getty Museum, the 50 plates in this volume are accompanied by the transcript of a discussion of Hill and Adamson's work by Anne L. Lyden, David Featherstone, A.D. Morrison-Low, Weston Naef, Jonatan Reff, Sara Stevenson, and Michael Wilson.
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mars 1999, Los Angeles
Monographies photo
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Breathing the city
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Examines the relationship between photography and architecture by way of a dialogue between architect Kiyoshi Sey Takeyama and photographer Masaru Suzuki. Richly illustrtated with Suzuki's photographs.
Monographies photo
janvier 1900, Tokyo
Breathing the city
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Examines the relationship between photography and architecture by way of a dialogue between architect Kiyoshi Sey Takeyama and photographer Masaru Suzuki. Richly illustrtated with Suzuki's photographs.
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janvier 1900, Tokyo
Monographies photo
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The Empire State Building
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A selection of the photographs taken by Lewis Hine documenting the construction of the Empire State Building from 1930-1931 are presented along with an introduction by Freddy Langer.
The Empire State Building
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A selection of the photographs taken by Lewis Hine documenting the construction of the Empire State Building from 1930-1931 are presented along with an introduction by Freddy Langer.
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octobre 1998, London
Monographies photo
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Lewis Baltz
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Lewis Baltz (b.1945) was one of the first to use the medium of photography as a form of conceptual art. He helped transform its status, turning it not only into a collector’s art but also a museum art. He came to prominence in the mid-1970s as one of a group of artists included in the influential exhibition "The new topographics". His ‘non-judgmental’, matter-of-fact(...)
Lewis Baltz
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Lewis Baltz (b.1945) was one of the first to use the medium of photography as a form of conceptual art. He helped transform its status, turning it not only into a collector’s art but also a museum art. He came to prominence in the mid-1970s as one of a group of artists included in the influential exhibition "The new topographics". His ‘non-judgmental’, matter-of-fact images, which are often architecturally-oriented, have a broad intellectual framework and draw attention to larger social and architectural patterns.
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janvier 1900, London
Monographies photo
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Catherine Opie
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Catherine Opie's urban landscape photographs - a series of views of Los Angeles-area freeways done in 1994-1995 and a recently completed group of works chronicling strip mall buildings along the commercial streets of Los Angeles - are presented in this exhibition catalogue.
Catherine Opie
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Catherine Opie's urban landscape photographs - a series of views of Los Angeles-area freeways done in 1994-1995 and a recently completed group of works chronicling strip mall buildings along the commercial streets of Los Angeles - are presented in this exhibition catalogue.
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janvier 1900, Los Angeles
Monographies photo
livres
$42.00
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Catalogue from a travelling exhibition of 120 photographs taken by Sudek after 1940.
Josef Sudek : el silenci de les coses
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Catalogue from a travelling exhibition of 120 photographs taken by Sudek after 1940.
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novembre 1998, Barcelona
Monographies photo
John Divola Continuity
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The creation of seamless illusion remains a driving tenet of Hollywood cinema. In order to preserve this illusion, it is crucial that there are no jarring disruptions of cinematic space and time. This preservation of order is called continuity, and it has been the focus of John Divola's photographic work for the past several years, as beautifully represented in this(...)
John Divola Continuity
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The creation of seamless illusion remains a driving tenet of Hollywood cinema. In order to preserve this illusion, it is crucial that there are no jarring disruptions of cinematic space and time. This preservation of order is called continuity, and it has been the focus of John Divola's photographic work for the past several years, as beautifully represented in this striking book. Divola takes the original still photographs he has collected of Warner Bros. film sets from the 1930s, which were used to maintain continuity, and creates haunting installations of fictive reality. Divided into subject categories such as "Hallways" and "Broken Furniture and Evidence of Aggression," these images possess a glorious beauty, made possible by the use of 8 x 10 negatives, while being grounded in an intelligence found in the best of conceptual art. Features an elucidating essay by the noted film writer and critic Edward Dimendberg.
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Lee Friedlander
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Originally published in 1970, this understated gem of a book introduces Friedlander's self-conscious posture. Lee Friedlander is recognized as one of America's premier photographers. He is the recipient of numerous awards including a John D. and Catherine T. MacArthur Foundation Award, three grants from the National Endowment for the Arts, and three Guggenheim(...)
Lee Friedlander
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Originally published in 1970, this understated gem of a book introduces Friedlander's self-conscious posture. Lee Friedlander is recognized as one of America's premier photographers. He is the recipient of numerous awards including a John D. and Catherine T. MacArthur Foundation Award, three grants from the National Endowment for the Arts, and three Guggenheim Fellowships. His book Self Portrait was published in 1970 and reissued in 1998. Friedlander's work is in the permanent collections of all major American museums.
Monographies photo
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In addition to an overview of Shulman's career and photographic oeuvre, this book emphasizes Shulman's method of 'constructing' photographic views. These constructions, which complemented his innate ability to compose striking photographs, often transcend reality to capture the spirit, time, and place of a work of architecture. An analysis of architecture's visual(...)
A Constructed View: The Architectural Photography of Julius Shulman
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In addition to an overview of Shulman's career and photographic oeuvre, this book emphasizes Shulman's method of 'constructing' photographic views. These constructions, which complemented his innate ability to compose striking photographs, often transcend reality to capture the spirit, time, and place of a work of architecture. An analysis of architecture's visual presentation examines not only the media of the era, John Entenza's Arts & Architecture, for instance, but also the work of Shulman's photographic contemporaries.
Monographies photo