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During a passage to India, the author was struck by the sacred cows that crossed his path. An assortment of paint, vegetable wreaths and varying sizes of cloth decoration, the way they are adorned is often confined to a very limited area or a particular village and can change radically only a short distance away. This striking custom is illustrated in a series of clear(...)
Monographies photo
février 2010
Un Sedicesimo 18 : Toni Meneguzzo
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During a passage to India, the author was struck by the sacred cows that crossed his path. An assortment of paint, vegetable wreaths and varying sizes of cloth decoration, the way they are adorned is often confined to a very limited area or a particular village and can change radically only a short distance away. This striking custom is illustrated in a series of clear and direct photographs against a neutral background.
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James Welling : glass house
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Over the course of three years, from 2006 to 2009, James Welling (born 1951) photographed the Glass House, the architectural landmark estate that Philip Johnson built in New Canaan, Connecticut, in 1949. Welling's photos offer a decided departure from the familiar views of the house and grounds: using digital cameras set on a tripod and holding a variety of filters in(...)
James Welling : glass house
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Over the course of three years, from 2006 to 2009, James Welling (born 1951) photographed the Glass House, the architectural landmark estate that Philip Johnson built in New Canaan, Connecticut, in 1949. Welling's photos offer a decided departure from the familiar views of the house and grounds: using digital cameras set on a tripod and holding a variety of filters in front of the lens, he created tinted veils and distortions that transformed the image at the moment of exposure, endowing it with swells of glowing color. As Welling described it in an interview with Artforum, the use of filters enabled his project to become "a laboratory for ideas about transparency, reflectivity and color." The 45 images presented here, which invite the viewer to draw associations between the camera's lens and the glass surfaces of the house itself, oscillate before our very eyes between photographic abstraction - a recurrent preoccupation for Welling - and depictions of architecture. With this body of work, Welling has located a wholly new approach to, and blend of, both genres.
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Robert Rauschenberg's engagement with photography began in the late 1940s under the tutelage of Hazel Larsen Archer at Black Mountain College in North Carolina. This exposure (or experience) was so great that for a time Rauschenberg was unsure whether to pursue painting or photography as a career. Instead, he chose both, and found ways to fold photography into his(...)
Robert Rauschenberg: Photographs 1949-1962
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Robert Rauschenberg's engagement with photography began in the late 1940s under the tutelage of Hazel Larsen Archer at Black Mountain College in North Carolina. This exposure (or experience) was so great that for a time Rauschenberg was unsure whether to pursue painting or photography as a career. Instead, he chose both, and found ways to fold photography into his Combines, maintained a practice of photographing friends and family, documented the evolution of artworks and occasionally dramatized them by inserting himself into the picture frame. This volume gathers and surveys for the first time Rauschenberg's numerous uses of photography. This publication includes portraits of friends such as Cy Twombly, Jasper Johns, Merce Cunningham and John Cage, studio shots, photographs used in the Combines and Silkscreen paintings, photographs of lost artworks and works in process. This allows us to re-imagine almost the entirety of the artist's output in light of his always inventive uses of photography, while also supplying previously unseen glimpses into his social milieu of the 1950s and early 60s.
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mars 2011
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Laszlo Moholy-Nagy: 60 fotos
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In 1930, Moholy-Nagy published 60 Fotos, an almost pedagogic visual treatise in which he performed virtuoso turns on all kinds of photographic possibilities, from camara-less pictures and photograms--for which he squirted oil into developer and squeezed oil between sheets of glass during exposure (among other techniques)--to photomontage, as well as more conventional(...)
Laszlo Moholy-Nagy: 60 fotos
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In 1930, Moholy-Nagy published 60 Fotos, an almost pedagogic visual treatise in which he performed virtuoso turns on all kinds of photographic possibilities, from camara-less pictures and photograms--for which he squirted oil into developer and squeezed oil between sheets of glass during exposure (among other techniques)--to photomontage, as well as more conventional photographs. 60 Fotos proposed photography as both a medium with intrinsic material properties to explore and as an instrument capable of surpassing the human eye in its recording of the world. This classic treatise features some of the Bauhaus teacher's finest examples of photograms, negative prints and photomontage; Errata's spread-by-spread reproduction of the volume also includes a contemporary essay by noted photo-historian David Evans.
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Alexey Brodovitch: Ballet
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Published in 1945, Alexey Brodovitch's Ballet is easily among the most legendary photobooks of the twentieth century: the first and only book he authored as photographer, it was printed in a small run of a few hundred copies, and quickly became a rarity. This edition contains illustrations of every page in the original photobook, a new essay by an established writer on(...)
Alexey Brodovitch: Ballet
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Published in 1945, Alexey Brodovitch's Ballet is easily among the most legendary photobooks of the twentieth century: the first and only book he authored as photographer, it was printed in a small run of a few hundred copies, and quickly became a rarity. This edition contains illustrations of every page in the original photobook, a new essay by an established writer on photography, production notes about the creation of the original edition and biographical and bibliographical information about the artist.
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First published in 1946, The Alphabet of Spiritual Emptiness offers an extraordinary look inside a German forced labor camp in Breslau, Poland, during 1941-1943. Tmej portrays the experience of captivity through images loaded with furtiveness and despair. Errata's edition reproduces every page spread from this extremely rare and fragile document, including the original(...)
Zdenek Tmej: The alphabets of spiritual emptiness
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First published in 1946, The Alphabet of Spiritual Emptiness offers an extraordinary look inside a German forced labor camp in Breslau, Poland, during 1941-1943. Tmej portrays the experience of captivity through images loaded with furtiveness and despair. Errata's edition reproduces every page spread from this extremely rare and fragile document, including the original texts by Alexandra Urbanova, translated for the first time into English, and a contemporary essay by Czech photo historian Vladimir Birgus.
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Paul Graham: Beyond caring
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Published in 1986, Beyond Caring is now regarded as one of the key works from Britain's wave of "New Colour" photography. Photographing surreptitiously, his camera is both witness and protagonist within a bureaucratic system that speaks to the humiliation and indignity aimed towards the most vulnerable in society. Errata's complete reproduction of this now rare and(...)
Paul Graham: Beyond caring
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Published in 1986, Beyond Caring is now regarded as one of the key works from Britain's wave of "New Colour" photography. Photographing surreptitiously, his camera is both witness and protagonist within a bureaucratic system that speaks to the humiliation and indignity aimed towards the most vulnerable in society. Errata's complete reproduction of this now rare and controversial book is augmented with contemporary essays by writer and curator David Chandler and Errata Creative Director Jeffrey Ladd.
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Dutch photographer Hans Eijkelboom is fascinated by the clash between the idealistic constructions and aspirations of modernism and the harsh fact of his own living environment. In 2008 the Art Foundation of Amsterdam's Academic Medical Center commissioned the artist to document the Bijlmer, a district in southeast Amsterdam, which both he and the AMC call home.(...)
Hans Eijkelboom: Good intentions and modern housing
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Dutch photographer Hans Eijkelboom is fascinated by the clash between the idealistic constructions and aspirations of modernism and the harsh fact of his own living environment. In 2008 the Art Foundation of Amsterdam's Academic Medical Center commissioned the artist to document the Bijlmer, a district in southeast Amsterdam, which both he and the AMC call home. Eijkelboom took 12 photos every month over a period of one and a half years and displayed the steadily expanding series on a temporary wall at the AMC hospital. His photos capture the diversity of the area, telling the story of the place and the varied people who live there. This special album of photographs from the series is accompanied by an essay by art critic Hans den Hartog Jager. The publication also includes a textual collage by the photographer himself, which traces the turbulent genesis and development of the Bijlmer since the 1970s.
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Penelope Umbrico: Photographs offers a radical reinterpretation of everyday consumer and vernacular images. She works within the virtual world of consumer marketing and social media, traveling through the relentless flow of seductive images, objects and information that surrounds us, searching for decisive moments. presents a unique and challenging approach to(...)
Penelope Umbrico: Photographs
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Penelope Umbrico: Photographs offers a radical reinterpretation of everyday consumer and vernacular images. She works within the virtual world of consumer marketing and social media, traveling through the relentless flow of seductive images, objects and information that surrounds us, searching for decisive moments. presents a unique and challenging approach to quintessential issues of representation in contemporary culture, including how images are used to construct and communicate consumer desire, and whether or not the growing volume of images we view online fosters a critical visual literacy. This volume, Umbrico's first monograph, is accompanied by a series of essays, appendices of source material, excerpts from theoretical works and other material serving as resources for engaging further with the work and issues involved.
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Rinko Kawauchi
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Illuminance is the latest volume of Kawauchi's work and the first to be published outside of Japan.
Rinko Kawauchi
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Illuminance is the latest volume of Kawauchi's work and the first to be published outside of Japan.
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