2452 Résultats
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Since 2009, photographer Armin Linke and architect Srdjan Jovanovic Weiss have been documenting ex-Yugoslav Socialist architecture-buildings that were either left vacant or only recently repurposed when the Socialist Federation of Yugoslavia was dismantled in the early 1990s. "Socialist Architecture" commemorates these structures in present-day Croatia,(...)
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Since 2009, photographer Armin Linke and architect Srdjan Jovanovic Weiss have been documenting ex-Yugoslav Socialist architecture-buildings that were either left vacant or only recently repurposed when the Socialist Federation of Yugoslavia was dismantled in the early 1990s. "Socialist Architecture" commemorates these structures in present-day Croatia,(...)
Titre:
Armin Linke, Srdjan Jovanovic Weiss: Socialist architecture, the vanishing act
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Since 2009, photographer Armin Linke and architect Srdjan Jovanovic Weiss have been documenting ex-Yugoslav Socialist architecture-buildings that were either left vacant or only recently repurposed when the Socialist Federation of Yugoslavia was dismantled in the early 1990s. "Socialist Architecture" commemorates these structures in present-day Croatia, Bosnia-Herzegovina, Montenegro, Macedonia, and Serbia.
Armin Linke, Srdjan Jovanovic Weiss: Socialist architecture, the vanishing act
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Since 2009, photographer Armin Linke and architect Srdjan Jovanovic Weiss have been documenting ex-Yugoslav Socialist architecture-buildings that were either left vacant or only recently repurposed when the Socialist Federation of Yugoslavia was dismantled in the early 1990s. "Socialist Architecture" commemorates these structures in present-day Croatia, Bosnia-Herzegovina, Montenegro, Macedonia, and Serbia.
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livres
livres
Publication:
mars 2012
mars 2012
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Lewis Hine
Lewis Hine
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In 1905, a young sociologist named Lewis Hine Wickes decided to pursue photography as the medium with which to denounce injustice and poverty. Hine was one of the first photographers to document the wave of mass immigration from an impoverished Europe to an economically booming America, and his portraits of immigrants at Ellis Island offered a more positive image of this(...)
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In 1905, a young sociologist named Lewis Hine Wickes decided to pursue photography as the medium with which to denounce injustice and poverty. Hine was one of the first photographers to document the wave of mass immigration from an impoverished Europe to an economically booming America, and his portraits of immigrants at Ellis Island offered a more positive image of this(...)
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Lewis Hine
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In 1905, a young sociologist named Lewis Hine Wickes decided to pursue photography as the medium with which to denounce injustice and poverty. Hine was one of the first photographers to document the wave of mass immigration from an impoverished Europe to an economically booming America, and his portraits of immigrants at Ellis Island offered a more positive image of this influx. But as he wearied of photographing poverty, Hine developed an idealized vision of the worker that emphasized the dignity of labor--a vision that culminated in his legendary Men at Work series, first published in 1932 and today a classic American photobook. “We call this the Machine Age,” he wrote in its introduction, “But the more machines we use, the more do we need real men to make and direct them.” This volume, which includes a complete facsimile of Men at Work, is compiled from the collection of the George Eastman House, to whom Hine’s son bequeathed his archive after his death. It includes both well-known series and recently discovered early works, plus rare family photographs, ephemera and a detailed chronology.
Lewis Hine
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In 1905, a young sociologist named Lewis Hine Wickes decided to pursue photography as the medium with which to denounce injustice and poverty. Hine was one of the first photographers to document the wave of mass immigration from an impoverished Europe to an economically booming America, and his portraits of immigrants at Ellis Island offered a more positive image of this influx. But as he wearied of photographing poverty, Hine developed an idealized vision of the worker that emphasized the dignity of labor--a vision that culminated in his legendary Men at Work series, first published in 1932 and today a classic American photobook. “We call this the Machine Age,” he wrote in its introduction, “But the more machines we use, the more do we need real men to make and direct them.” This volume, which includes a complete facsimile of Men at Work, is compiled from the collection of the George Eastman House, to whom Hine’s son bequeathed his archive after his death. It includes both well-known series and recently discovered early works, plus rare family photographs, ephemera and a detailed chronology.
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livres
livres
Publication:
janvier 2012
janvier 2012
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Monographies photo
Monographies photo
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livres
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Infra, Richard Mosse’s first book, offers a radical rethinking of how to depict a conflict as complex and intractable as that of the ongoing war in the Democratic Republic of Congo. Mosse photographs both the rich topography, inscribed with the traces of conflicting interests, as well as rebel groups of constantly shifting allegiances at war with the Congolese national(...)
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Infra, Richard Mosse’s first book, offers a radical rethinking of how to depict a conflict as complex and intractable as that of the ongoing war in the Democratic Republic of Congo. Mosse photographs both the rich topography, inscribed with the traces of conflicting interests, as well as rebel groups of constantly shifting allegiances at war with the Congolese national(...)
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Infra: photographs by Richard Mosse
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Infra, Richard Mosse’s first book, offers a radical rethinking of how to depict a conflict as complex and intractable as that of the ongoing war in the Democratic Republic of Congo. Mosse photographs both the rich topography, inscribed with the traces of conflicting interests, as well as rebel groups of constantly shifting allegiances at war with the Congolese national army (itself a patchwork of recently integrated warlords and their militias). For centuries, the Congo has repeatedly compelled and defied the western imagination. Mosse brings to this subject the use of a discontinued aerial surveillance film, a type of color infrared film called Kodak Aerochrome. The film, originally developed for military reconnaissance, registers an invisible spectrum of infrared light, rendering the green landscape in vivid hues of lavender, crimson and hot pink. The results offer a fevered inflation of the traditional reportage document, underlining the growing tension between art, fiction and photojournalism.
Infra: photographs by Richard Mosse
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Infra, Richard Mosse’s first book, offers a radical rethinking of how to depict a conflict as complex and intractable as that of the ongoing war in the Democratic Republic of Congo. Mosse photographs both the rich topography, inscribed with the traces of conflicting interests, as well as rebel groups of constantly shifting allegiances at war with the Congolese national army (itself a patchwork of recently integrated warlords and their militias). For centuries, the Congo has repeatedly compelled and defied the western imagination. Mosse brings to this subject the use of a discontinued aerial surveillance film, a type of color infrared film called Kodak Aerochrome. The film, originally developed for military reconnaissance, registers an invisible spectrum of infrared light, rendering the green landscape in vivid hues of lavender, crimson and hot pink. The results offer a fevered inflation of the traditional reportage document, underlining the growing tension between art, fiction and photojournalism.
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livres
livres
Publication:
février 2012
février 2012
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Monographies photo
Monographies photo
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For more than ten years, German photographer Olaf Otto Becker (born 1959) has trawled the Arctic and far northern regions with his large-format camera in search of primordial landscapes. Becker's photographs attain the most sublime effects of which photography is capable, recording landscapes unscathed by human habitation, but very much affected by its consequences.(...)
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For more than ten years, German photographer Olaf Otto Becker (born 1959) has trawled the Arctic and far northern regions with his large-format camera in search of primordial landscapes. Becker's photographs attain the most sublime effects of which photography is capable, recording landscapes unscathed by human habitation, but very much affected by its consequences.(...)
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Olaf Otto Becker : under the nordic light, a journey through time / Iceland 1999-2011
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For more than ten years, German photographer Olaf Otto Becker (born 1959) has trawled the Arctic and far northern regions with his large-format camera in search of primordial landscapes. Becker's photographs attain the most sublime effects of which photography is capable, recording landscapes unscathed by human habitation, but very much affected by its consequences. "Under the Nordic Light" contains both new and previously published photographs of Iceland.
Olaf Otto Becker : under the nordic light, a journey through time / Iceland 1999-2011
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For more than ten years, German photographer Olaf Otto Becker (born 1959) has trawled the Arctic and far northern regions with his large-format camera in search of primordial landscapes. Becker's photographs attain the most sublime effects of which photography is capable, recording landscapes unscathed by human habitation, but very much affected by its consequences. "Under the Nordic Light" contains both new and previously published photographs of Iceland.
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livres
livres
Publication:
mars 2012
mars 2012
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Monographies photo
Monographies photo
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livres
livres
Titre:
Thomas R. Schiff : prospect
Thomas R. Schiff : prospect
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From vernacular movie theaters of the 1930s and spectacular hotel resorts to libraries, private residences, universities, museums and the fantastical buildings of Las Vegas, Thomas Schiff's "Prospect "documents quintessential American architecture at its grandest. Schiff uses panoramic views to draw out vertiginous effects of scale and drama from the sweeping interiors he(...)
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From vernacular movie theaters of the 1930s and spectacular hotel resorts to libraries, private residences, universities, museums and the fantastical buildings of Las Vegas, Thomas Schiff's "Prospect "documents quintessential American architecture at its grandest. Schiff uses panoramic views to draw out vertiginous effects of scale and drama from the sweeping interiors he(...)
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Thomas R. Schiff : prospect
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From vernacular movie theaters of the 1930s and spectacular hotel resorts to libraries, private residences, universities, museums and the fantastical buildings of Las Vegas, Thomas Schiff's "Prospect "documents quintessential American architecture at its grandest. Schiff uses panoramic views to draw out vertiginous effects of scale and drama from the sweeping interiors he portrays: "In the past, I've always looked for a photograph and tried to isolate a tiny area that would make a good print," Schiff says. "With panoramic photography, you approach it a different way. Instead of trying to isolate a photograph, you look for an entire area where there is a good view in all directions." Among the more than 200 photographs in "Prospect" are buildings by some of the titans of contemporary architecture, such as Norman Foster, Frank Lloyd Wright, Louis Kahn, Zaha Hadid and Renzo Piano.
Thomas R. Schiff : prospect
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From vernacular movie theaters of the 1930s and spectacular hotel resorts to libraries, private residences, universities, museums and the fantastical buildings of Las Vegas, Thomas Schiff's "Prospect "documents quintessential American architecture at its grandest. Schiff uses panoramic views to draw out vertiginous effects of scale and drama from the sweeping interiors he portrays: "In the past, I've always looked for a photograph and tried to isolate a tiny area that would make a good print," Schiff says. "With panoramic photography, you approach it a different way. Instead of trying to isolate a photograph, you look for an entire area where there is a good view in all directions." Among the more than 200 photographs in "Prospect" are buildings by some of the titans of contemporary architecture, such as Norman Foster, Frank Lloyd Wright, Louis Kahn, Zaha Hadid and Renzo Piano.
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livres
livres
Publication:
mars 2012
mars 2012
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Monographies photo
Monographies photo
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Thomas Demand’s photographic practice - the depiction of meticulously recreated life-size interiors and environments - takes on a new twist with this volume. The Getty Research Institute in Los Angeles is home to the architectural maquettes of architect John Lautner, whose buildings are highlights of Californian architecture. Lautner’s space-age structures - such as the(...)
$27.00
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Résumé:
Thomas Demand’s photographic practice - the depiction of meticulously recreated life-size interiors and environments - takes on a new twist with this volume. The Getty Research Institute in Los Angeles is home to the architectural maquettes of architect John Lautner, whose buildings are highlights of Californian architecture. Lautner’s space-age structures - such as the(...)
Titre:
Thomas Demand : model studies
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Thomas Demand’s photographic practice - the depiction of meticulously recreated life-size interiors and environments - takes on a new twist with this volume. The Getty Research Institute in Los Angeles is home to the architectural maquettes of architect John Lautner, whose buildings are highlights of Californian architecture. Lautner’s space-age structures - such as the legendary “Chemosphere,” a four-bedroom house resembling a flying saucer, mounted atop a 20-foot concrete pillar - are particularly toy-like in their maquette versions, and for this project, Demand photographed 12 of these models in close-up detail. Model Studies includes more than 130 color images of Lautner’s models. With this volume, Demand, who has always been concerned with the intersections of art and architecture, now looks at the architect as sculptor, paying tribute to Lautner on the centenary of the architect’s birth.
Thomas Demand : model studies
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Thomas Demand’s photographic practice - the depiction of meticulously recreated life-size interiors and environments - takes on a new twist with this volume. The Getty Research Institute in Los Angeles is home to the architectural maquettes of architect John Lautner, whose buildings are highlights of Californian architecture. Lautner’s space-age structures - such as the legendary “Chemosphere,” a four-bedroom house resembling a flying saucer, mounted atop a 20-foot concrete pillar - are particularly toy-like in their maquette versions, and for this project, Demand photographed 12 of these models in close-up detail. Model Studies includes more than 130 color images of Lautner’s models. With this volume, Demand, who has always been concerned with the intersections of art and architecture, now looks at the architect as sculptor, paying tribute to Lautner on the centenary of the architect’s birth.
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livres
livres
Publication:
mars 2012
mars 2012
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Monographies photo
Monographies photo
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In The Raw and the Cooked, Peter Bialobrzeski (born 1961) sets forth the most complete account of his vision of the Asian megacity. From the simplest shack to the tallest highrise, from vernacular buildings made from scavenged materials to corporate buildings made from steel, concrete and glass, Bialobrzeski records the demented proliferation as Asia’s cities reach higher(...)
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In The Raw and the Cooked, Peter Bialobrzeski (born 1961) sets forth the most complete account of his vision of the Asian megacity. From the simplest shack to the tallest highrise, from vernacular buildings made from scavenged materials to corporate buildings made from steel, concrete and glass, Bialobrzeski records the demented proliferation as Asia’s cities reach higher(...)
Titre:
Peter Bialobrzeski: the raw and the cooked
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In The Raw and the Cooked, Peter Bialobrzeski (born 1961) sets forth the most complete account of his vision of the Asian megacity. From the simplest shack to the tallest highrise, from vernacular buildings made from scavenged materials to corporate buildings made from steel, concrete and glass, Bialobrzeski records the demented proliferation as Asia’s cities reach higher into the sky and farther across the land. This publication collects a series of tableaux from 14 countries around the world, in which economic transformations are shown to have brought dizzying disparities between wealth and poverty. It depicts these cities with a seductive glow that renders them eerie and unreal as expressions of progress.
Peter Bialobrzeski: the raw and the cooked
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In The Raw and the Cooked, Peter Bialobrzeski (born 1961) sets forth the most complete account of his vision of the Asian megacity. From the simplest shack to the tallest highrise, from vernacular buildings made from scavenged materials to corporate buildings made from steel, concrete and glass, Bialobrzeski records the demented proliferation as Asia’s cities reach higher into the sky and farther across the land. This publication collects a series of tableaux from 14 countries around the world, in which economic transformations are shown to have brought dizzying disparities between wealth and poverty. It depicts these cities with a seductive glow that renders them eerie and unreal as expressions of progress.
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livres
livres
Publication:
mars 2012
mars 2012
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Monographies photo
Monographies photo
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livres
livres
Titre:
Pablo Lopez Luz
Pablo Lopez Luz
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The aerial photographs of Pablo Lopez Luz (born 1979) rove across the urban landscapes of his native Mexico, capturing scenes of dense civic activity and more pastoral areas on urban perimeters. Luz's bird's-eye viewpoint endows his images with the feel of staged artifice, while also permitting the viewer the rare possibility of appraising a vast spread of visual(...)
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The aerial photographs of Pablo Lopez Luz (born 1979) rove across the urban landscapes of his native Mexico, capturing scenes of dense civic activity and more pastoral areas on urban perimeters. Luz's bird's-eye viewpoint endows his images with the feel of staged artifice, while also permitting the viewer the rare possibility of appraising a vast spread of visual(...)
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Pablo Lopez Luz
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The aerial photographs of Pablo Lopez Luz (born 1979) rove across the urban landscapes of his native Mexico, capturing scenes of dense civic activity and more pastoral areas on urban perimeters. Luz's bird's-eye viewpoint endows his images with the feel of staged artifice, while also permitting the viewer the rare possibility of appraising a vast spread of visual information, and the extraordinary impact that urban populations have as they encroach in ever-increasing circles upon the landscape around them. "Pablo Lopez Luz" contains color photographs produced over the last five years in Acapulco, Chiapas, Mexico City and Tijuana, plus another series made in Hong Kong.
Pablo Lopez Luz
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The aerial photographs of Pablo Lopez Luz (born 1979) rove across the urban landscapes of his native Mexico, capturing scenes of dense civic activity and more pastoral areas on urban perimeters. Luz's bird's-eye viewpoint endows his images with the feel of staged artifice, while also permitting the viewer the rare possibility of appraising a vast spread of visual information, and the extraordinary impact that urban populations have as they encroach in ever-increasing circles upon the landscape around them. "Pablo Lopez Luz" contains color photographs produced over the last five years in Acapulco, Chiapas, Mexico City and Tijuana, plus another series made in Hong Kong.
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livres
livres
Publication:
mars 2012
mars 2012
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Monographies photo
Monographies photo
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livres
livres
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An encounter with Aaron Siskind inspired American photographer Alan Cohen (born 1943) to abandon his doctoral program in thermodynamics and instead pursue a career in photography under Siskind’s tutelage. For the past two decades Cohen has traveled the world, using the medium of black-and-white photography to record places marked by the political acts or the covert(...)
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An encounter with Aaron Siskind inspired American photographer Alan Cohen (born 1943) to abandon his doctoral program in thermodynamics and instead pursue a career in photography under Siskind’s tutelage. For the past two decades Cohen has traveled the world, using the medium of black-and-white photography to record places marked by the political acts or the covert(...)
Titre:
Alan Cohen: Earth with meaning
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An encounter with Aaron Siskind inspired American photographer Alan Cohen (born 1943) to abandon his doctoral program in thermodynamics and instead pursue a career in photography under Siskind’s tutelage. For the past two decades Cohen has traveled the world, using the medium of black-and-white photography to record places marked by the political acts or the covert actions of others; places marked by time through the course of natural and often catastrophic occurrences. Crumbling stone walls and other near-invisible demarcations of political boundaries are among the mute witnesses he chooses as his subjects. “I have come to understand that history, in a contemporary image, can be sited,” Cohen writes. “Events can--and do--become geography.” This book tracks the evolution of Cohen’s work over a 40-year career, reflecting the artist’s belief in photography as both a social document and a meditative art.
Alan Cohen: Earth with meaning
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An encounter with Aaron Siskind inspired American photographer Alan Cohen (born 1943) to abandon his doctoral program in thermodynamics and instead pursue a career in photography under Siskind’s tutelage. For the past two decades Cohen has traveled the world, using the medium of black-and-white photography to record places marked by the political acts or the covert actions of others; places marked by time through the course of natural and often catastrophic occurrences. Crumbling stone walls and other near-invisible demarcations of political boundaries are among the mute witnesses he chooses as his subjects. “I have come to understand that history, in a contemporary image, can be sited,” Cohen writes. “Events can--and do--become geography.” This book tracks the evolution of Cohen’s work over a 40-year career, reflecting the artist’s belief in photography as both a social document and a meditative art.
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livres
livres
Publication:
mars 2012
mars 2012
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Monographies photo
Monographies photo
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livres
livres
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From 1989 until his death in 2007, Horst Ademeit documented the presence of "cold rays" - unseen negative forces permeating everyday objects - in thousands of Polaroids and digital photographs, as well as notebooks full of meticulously logged data. "Secret Universe" shows images of the "cold rays" at work, in enigmatic images of street scenes, grocery items and bizarre(...)
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From 1989 until his death in 2007, Horst Ademeit documented the presence of "cold rays" - unseen negative forces permeating everyday objects - in thousands of Polaroids and digital photographs, as well as notebooks full of meticulously logged data. "Secret Universe" shows images of the "cold rays" at work, in enigmatic images of street scenes, grocery items and bizarre(...)
Titre:
Secret universe : Horst Ademeit
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From 1989 until his death in 2007, Horst Ademeit documented the presence of "cold rays" - unseen negative forces permeating everyday objects - in thousands of Polaroids and digital photographs, as well as notebooks full of meticulously logged data. "Secret Universe" shows images of the "cold rays" at work, in enigmatic images of street scenes, grocery items and bizarre measuring instruments.
Secret universe : Horst Ademeit
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From 1989 until his death in 2007, Horst Ademeit documented the presence of "cold rays" - unseen negative forces permeating everyday objects - in thousands of Polaroids and digital photographs, as well as notebooks full of meticulously logged data. "Secret Universe" shows images of the "cold rays" at work, in enigmatic images of street scenes, grocery items and bizarre measuring instruments.
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livres
livres
Publication:
janvier 2012
janvier 2012
Sujet:
Monographies photo
Monographies photo
