2469 Résultats
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Harry Callahan(1912-1999) was one of the most respected and influential American photographers of the modern era. He was a master of traditional genres such as portraiture, landscape, architecture and nature studies, but also experimented with new ways of using the medium. He began his career by joining the camera club at Chrysler Motors in 1938. Inspired by Ansel(...)
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Harry Callahan(1912-1999) was one of the most respected and influential American photographers of the modern era. He was a master of traditional genres such as portraiture, landscape, architecture and nature studies, but also experimented with new ways of using the medium. He began his career by joining the camera club at Chrysler Motors in 1938. Inspired by Ansel(...)
Titre:
Harry Callahan: seven collages
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Harry Callahan(1912-1999) was one of the most respected and influential American photographers of the modern era. He was a master of traditional genres such as portraiture, landscape, architecture and nature studies, but also experimented with new ways of using the medium. He began his career by joining the camera club at Chrysler Motors in 1938. Inspired by Ansel Adams, whom he met in 1941, Callahan improved his technique and swiftly developed an artistic voice. In 1946, he was hired by Laszlo Moholy-Nagy to teach photography at the Institute of Design in Chicago. In 1961, he moved to Providence, Rhode Island and taught at the Rhode Island School of Design, retiring in 1977. He established his reputation with black and white materials, but also fully explored color photography, especially from the late 1960s onwards. Callahan's work was widely published and exhibited during his lifetime, and was the subject of a major retrospective at the National Gallery of Art, Washington, DC, in 1996.
Harry Callahan: seven collages
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Harry Callahan(1912-1999) was one of the most respected and influential American photographers of the modern era. He was a master of traditional genres such as portraiture, landscape, architecture and nature studies, but also experimented with new ways of using the medium. He began his career by joining the camera club at Chrysler Motors in 1938. Inspired by Ansel Adams, whom he met in 1941, Callahan improved his technique and swiftly developed an artistic voice. In 1946, he was hired by Laszlo Moholy-Nagy to teach photography at the Institute of Design in Chicago. In 1961, he moved to Providence, Rhode Island and taught at the Rhode Island School of Design, retiring in 1977. He established his reputation with black and white materials, but also fully explored color photography, especially from the late 1960s onwards. Callahan's work was widely published and exhibited during his lifetime, and was the subject of a major retrospective at the National Gallery of Art, Washington, DC, in 1996.
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livres
Publication:
octobre 2010
octobre 2010
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Monographies photo
Monographies photo
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French artist Sophie Calle from Paris has been selected as the 30th winner of the Hasselblad Foundation International Award in Photography. The Hasselblad Foundation International Award in Photography (since 1980) is recognized as one of the most important prizes in the world today.
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French artist Sophie Calle from Paris has been selected as the 30th winner of the Hasselblad Foundation International Award in Photography. The Hasselblad Foundation International Award in Photography (since 1980) is recognized as one of the most important prizes in the world today.
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Sophie Calle: True stories: Hasselblad Award 2010
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French artist Sophie Calle from Paris has been selected as the 30th winner of the Hasselblad Foundation International Award in Photography. The Hasselblad Foundation International Award in Photography (since 1980) is recognized as one of the most important prizes in the world today.
Sophie Calle: True stories: Hasselblad Award 2010
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French artist Sophie Calle from Paris has been selected as the 30th winner of the Hasselblad Foundation International Award in Photography. The Hasselblad Foundation International Award in Photography (since 1980) is recognized as one of the most important prizes in the world today.
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livres
livres
Publication:
octobre 2010
octobre 2010
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Monographies photo
Monographies photo
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livres
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Stefan Koppelkamm: Screening
Stefan Koppelkamm: Screening
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Taken together, the photographs in this book represent a visual commentary on our present-day lifestyle. All the pictures were taken in the centre of Berlin - but the same scenes can be seen all over the world. The buildings are just as interchangeable as the monumental images of sex and consumerism. Stefan Koppelkamm's photographs are accompanied by selected monologues(...)
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Taken together, the photographs in this book represent a visual commentary on our present-day lifestyle. All the pictures were taken in the centre of Berlin - but the same scenes can be seen all over the world. The buildings are just as interchangeable as the monumental images of sex and consumerism. Stefan Koppelkamm's photographs are accompanied by selected monologues(...)
Titre:
Stefan Koppelkamm: Screening
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Taken together, the photographs in this book represent a visual commentary on our present-day lifestyle. All the pictures were taken in the centre of Berlin - but the same scenes can be seen all over the world. The buildings are just as interchangeable as the monumental images of sex and consumerism. Stefan Koppelkamm's photographs are accompanied by selected monologues from Roland Schimmelpfennig's drama Push Up 1-3, which give the ideal inhabitants of this world a voice. These are people who fully subscribe to the images of success and beauty taken from adverts and from the media.
Stefan Koppelkamm: Screening
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Taken together, the photographs in this book represent a visual commentary on our present-day lifestyle. All the pictures were taken in the centre of Berlin - but the same scenes can be seen all over the world. The buildings are just as interchangeable as the monumental images of sex and consumerism. Stefan Koppelkamm's photographs are accompanied by selected monologues from Roland Schimmelpfennig's drama Push Up 1-3, which give the ideal inhabitants of this world a voice. These are people who fully subscribe to the images of success and beauty taken from adverts and from the media.
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livres
livres
Publication:
juillet 2010
juillet 2010
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Monographies photo
Monographies photo
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Over a period of three years Tadanori Yokoo has set out with a camera to visit the 23 wards, suburbs and islands of Tokyo in search of Y-junctions. Having previously only painted them this astonishing book follows his Y-junctions search through the city and his struggle to picture them. Every nook and cranny of the city of Tokyo is filled with people. His refusal to have(...)
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Over a period of three years Tadanori Yokoo has set out with a camera to visit the 23 wards, suburbs and islands of Tokyo in search of Y-junctions. Having previously only painted them this astonishing book follows his Y-junctions search through the city and his struggle to picture them. Every nook and cranny of the city of Tokyo is filled with people. His refusal to have(...)
Titre:
Tadanori Yokoo: Tokyo Y-junctions
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Over a period of three years Tadanori Yokoo has set out with a camera to visit the 23 wards, suburbs and islands of Tokyo in search of Y-junctions. Having previously only painted them this astonishing book follows his Y-junctions search through the city and his struggle to picture them. Every nook and cranny of the city of Tokyo is filled with people. His refusal to have any of them appear on the images implied he had to wait patiently for all persons to disappear which sometimes could take quite a while: he refused to artificially erase them with a computer. Includes an essay on the origins of the Y-junction by art critic Noi Sawaragi and an afterward by Yokoo himself.
Tadanori Yokoo: Tokyo Y-junctions
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Over a period of three years Tadanori Yokoo has set out with a camera to visit the 23 wards, suburbs and islands of Tokyo in search of Y-junctions. Having previously only painted them this astonishing book follows his Y-junctions search through the city and his struggle to picture them. Every nook and cranny of the city of Tokyo is filled with people. His refusal to have any of them appear on the images implied he had to wait patiently for all persons to disappear which sometimes could take quite a while: he refused to artificially erase them with a computer. Includes an essay on the origins of the Y-junction by art critic Noi Sawaragi and an afterward by Yokoo himself.
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livres
livres
Publication:
décembre 2009
décembre 2009
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Monographies photo
Monographies photo
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livres
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Photography and Italy
Photography and Italy
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Photography and Italy traces the history of photography in Italy from its beginnings to the present as she guides us through the history of Italy and its ancient sites and Renaissance landmarks. Pelizzari specifically considers the role of photography in the formation of Italian national identity during times of political struggle, such as the lead up to Unification in(...)
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Photography and Italy traces the history of photography in Italy from its beginnings to the present as she guides us through the history of Italy and its ancient sites and Renaissance landmarks. Pelizzari specifically considers the role of photography in the formation of Italian national identity during times of political struggle, such as the lead up to Unification in(...)
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Photography and Italy
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Photography and Italy traces the history of photography in Italy from its beginnings to the present as she guides us through the history of Italy and its ancient sites and Renaissance landmarks. Pelizzari specifically considers the role of photography in the formation of Italian national identity during times of political struggle, such as the lead up to Unification in 1860, and later in the nationalist wars of Mussolini’s regime. While many Italians and foreigners— such as Fratelli Alinari or Carlo Ponti, John Ruskin or Kit Talbot—focused their lenses on architectural masterpieces, others documented the changing times and political heroes, creating icons of figures such as Garibaldi and the brigands. Pelizzari’s exploration of Italian visual traditions also includes the photographic collages of Bruno Munari, the neorealist work of photographers such as Franco Pinna, the bold stylized compositions of Mario Giacomelli, and the controversial images created by Oliviero Toscani for Benetton advertising in the 1980s.
Photography and Italy
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Photography and Italy traces the history of photography in Italy from its beginnings to the present as she guides us through the history of Italy and its ancient sites and Renaissance landmarks. Pelizzari specifically considers the role of photography in the formation of Italian national identity during times of political struggle, such as the lead up to Unification in 1860, and later in the nationalist wars of Mussolini’s regime. While many Italians and foreigners— such as Fratelli Alinari or Carlo Ponti, John Ruskin or Kit Talbot—focused their lenses on architectural masterpieces, others documented the changing times and political heroes, creating icons of figures such as Garibaldi and the brigands. Pelizzari’s exploration of Italian visual traditions also includes the photographic collages of Bruno Munari, the neorealist work of photographers such as Franco Pinna, the bold stylized compositions of Mario Giacomelli, and the controversial images created by Oliviero Toscani for Benetton advertising in the 1980s.
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livres
livres
Publication:
novembre 2010
novembre 2010
Sujet:
Monographies photo
Monographies photo
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Earth Extremes is a collection of nine of his projects from the past six years. Waldgovel situates his point of view in space, using photography and digital imagery to examine our world within the solar system. Combining science with art and imagination, this book offers readers a glimpse of what it’s like to travel through the final frontier.
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Earth Extremes is a collection of nine of his projects from the past six years. Waldgovel situates his point of view in space, using photography and digital imagery to examine our world within the solar system. Combining science with art and imagination, this book offers readers a glimpse of what it’s like to travel through the final frontier.
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Christian Waldvogel: Earth extremes
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Earth Extremes is a collection of nine of his projects from the past six years. Waldgovel situates his point of view in space, using photography and digital imagery to examine our world within the solar system. Combining science with art and imagination, this book offers readers a glimpse of what it’s like to travel through the final frontier.
Christian Waldvogel: Earth extremes
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Earth Extremes is a collection of nine of his projects from the past six years. Waldgovel situates his point of view in space, using photography and digital imagery to examine our world within the solar system. Combining science with art and imagination, this book offers readers a glimpse of what it’s like to travel through the final frontier.
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livres
Publication:
septembre 2010
septembre 2010
Sujet:
Monographies photo
Monographies photo
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livres
Titre:
Dayanita Singh: Dream villa
Dayanita Singh: Dream villa
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Known for her photographs of lesser-known elements of Indian society, Dayanita Singh makes images that might depict anything from the life of a Delhi eunuch to those of upper-middle-class families. Her books, often published without text, allow her to experiment with different styles of sequencing and composing such photographs. In Dream Villa, Singh explores the ways in(...)
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Known for her photographs of lesser-known elements of Indian society, Dayanita Singh makes images that might depict anything from the life of a Delhi eunuch to those of upper-middle-class families. Her books, often published without text, allow her to experiment with different styles of sequencing and composing such photographs. In Dream Villa, Singh explores the ways in(...)
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Dayanita Singh: Dream villa
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Known for her photographs of lesser-known elements of Indian society, Dayanita Singh makes images that might depict anything from the life of a Delhi eunuch to those of upper-middle-class families. Her books, often published without text, allow her to experiment with different styles of sequencing and composing such photographs. In Dream Villa, Singh explores the ways in which the night transforms what seems ordinary by day into something disquieting and enigmatic; the series of color photographs illustrated in this book presents a landscape that exists as much in the artist's imagination as it does in the real world.
Dayanita Singh: Dream villa
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Known for her photographs of lesser-known elements of Indian society, Dayanita Singh makes images that might depict anything from the life of a Delhi eunuch to those of upper-middle-class families. Her books, often published without text, allow her to experiment with different styles of sequencing and composing such photographs. In Dream Villa, Singh explores the ways in which the night transforms what seems ordinary by day into something disquieting and enigmatic; the series of color photographs illustrated in this book presents a landscape that exists as much in the artist's imagination as it does in the real world.
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livres
Publication:
juillet 2010
juillet 2010
Sujet:
Monographies photo
Monographies photo
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livres
Titre:
Michael Schirner : bye bye
Michael Schirner : bye bye
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“My art is not my work; you are the creator of your image in your head. I do not exist at all.” Those are the words of Michael Schirner, Germany’s “pope of advertising.” In his oeuvre, Schirner treats the visual worlds of mass culture and high culture as well as the perception of images communicated via media. He does not create new images. His images are images about(...)
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“My art is not my work; you are the creator of your image in your head. I do not exist at all.” Those are the words of Michael Schirner, Germany’s “pope of advertising.” In his oeuvre, Schirner treats the visual worlds of mass culture and high culture as well as the perception of images communicated via media. He does not create new images. His images are images about(...)
Titre:
Michael Schirner : bye bye
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“My art is not my work; you are the creator of your image in your head. I do not exist at all.” Those are the words of Michael Schirner, Germany’s “pope of advertising.” In his oeuvre, Schirner treats the visual worlds of mass culture and high culture as well as the perception of images communicated via media. He does not create new images. His images are images about images. Magazines, newspapers, films, television, the internet, advertising, and art are his image archives. Schirner works and reworks that which is stored in our collective memory. The goal of his work is to make the invisible visible.
Michael Schirner : bye bye
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Résumé:
“My art is not my work; you are the creator of your image in your head. I do not exist at all.” Those are the words of Michael Schirner, Germany’s “pope of advertising.” In his oeuvre, Schirner treats the visual worlds of mass culture and high culture as well as the perception of images communicated via media. He does not create new images. His images are images about images. Magazines, newspapers, films, television, the internet, advertising, and art are his image archives. Schirner works and reworks that which is stored in our collective memory. The goal of his work is to make the invisible visible.
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livres
livres
Publication:
juillet 2010
juillet 2010
Sujet:
Monographies photo
Monographies photo
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$66.95
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This book examines a broad range of Abbott’s work—including portraits from the 1920s, little known and uncompleted projects from the 1930s, and experimental science photography from the 1950s. It argues that Abbott consistently relied on realism as the theoretical armature for her work, even as her understanding of that term changed over time and in relation to specific(...)
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This book examines a broad range of Abbott’s work—including portraits from the 1920s, little known and uncompleted projects from the 1930s, and experimental science photography from the 1950s. It argues that Abbott consistently relied on realism as the theoretical armature for her work, even as her understanding of that term changed over time and in relation to specific(...)
Titre:
The realisms of Berenice Abbott: Documentary photography and political action
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This book examines a broad range of Abbott’s work—including portraits from the 1920s, little known and uncompleted projects from the 1930s, and experimental science photography from the 1950s. It argues that Abbott consistently relied on realism as the theoretical armature for her work, even as her understanding of that term changed over time and in relation to specific historical circumstances. But as Weissman demonstrates, Abbott’s unflinching commitment to “realist” aesthetics led her to develop a critical theory of documentary that recognizes the complexity of representation without excluding or obscuring a connection between art and engagement in the political public sphere. In telling Abbott’s story, The Realisms of Berenice Abbott reveals insights into the politics and social context of documentary production and presents a thoughtful analysis of why documentary remains a compelling artistic strategy today.
The realisms of Berenice Abbott: Documentary photography and political action
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This book examines a broad range of Abbott’s work—including portraits from the 1920s, little known and uncompleted projects from the 1930s, and experimental science photography from the 1950s. It argues that Abbott consistently relied on realism as the theoretical armature for her work, even as her understanding of that term changed over time and in relation to specific historical circumstances. But as Weissman demonstrates, Abbott’s unflinching commitment to “realist” aesthetics led her to develop a critical theory of documentary that recognizes the complexity of representation without excluding or obscuring a connection between art and engagement in the political public sphere. In telling Abbott’s story, The Realisms of Berenice Abbott reveals insights into the politics and social context of documentary production and presents a thoughtful analysis of why documentary remains a compelling artistic strategy today.
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livres
livres
Publication:
novembre 2010
novembre 2010
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Gregory Crewdson: sanctuary
Gregory Crewdson: sanctuary
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While visiting Rome, world-renowned photographer Gregory Crewdson was invited to tour the legendary film studio Cinecittà, where directors such as Federico Fellini and Roberto Rossellini shot their iconic works. He found the elaborate film sets fallen into ruin and, captivated by their beauty, chose them as the subject of his next body of work. Although his earlier series(...)
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Résumé:
While visiting Rome, world-renowned photographer Gregory Crewdson was invited to tour the legendary film studio Cinecittà, where directors such as Federico Fellini and Roberto Rossellini shot their iconic works. He found the elaborate film sets fallen into ruin and, captivated by their beauty, chose them as the subject of his next body of work. Although his earlier series(...)
Titre:
Gregory Crewdson: sanctuary
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While visiting Rome, world-renowned photographer Gregory Crewdson was invited to tour the legendary film studio Cinecittà, where directors such as Federico Fellini and Roberto Rossellini shot their iconic works. He found the elaborate film sets fallen into ruin and, captivated by their beauty, chose them as the subject of his next body of work. Although his earlier series were characterized by large production crews, custom-built soundstages, and hired actors, Crewdson returned to Rome with only a small team to create the haunting black-and-white portraits of deteriorating buildings and deserted streets that are flawlessly reproduced in this book.
Gregory Crewdson: sanctuary
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While visiting Rome, world-renowned photographer Gregory Crewdson was invited to tour the legendary film studio Cinecittà, where directors such as Federico Fellini and Roberto Rossellini shot their iconic works. He found the elaborate film sets fallen into ruin and, captivated by their beauty, chose them as the subject of his next body of work. Although his earlier series were characterized by large production crews, custom-built soundstages, and hired actors, Crewdson returned to Rome with only a small team to create the haunting black-and-white portraits of deteriorating buildings and deserted streets that are flawlessly reproduced in this book.
Classification:
livres
livres
Publication:
septembre 2010
septembre 2010
Sujet:
Monographies photo
Monographies photo
