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Danish photographer Henrik Saxgren (born 1953) finds everyday art in the least likely places, as the title of his series Unintended Sculptures indicates. Rummaging outdoors, Saxgren discovers sculptural forms and optical illusions one would swear had been deliberately installed, at the very moment that they reveal themselves in the framework of their environments.
Henrik Saxgren: Unintended sculptures
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Danish photographer Henrik Saxgren (born 1953) finds everyday art in the least likely places, as the title of his series Unintended Sculptures indicates. Rummaging outdoors, Saxgren discovers sculptural forms and optical illusions one would swear had been deliberately installed, at the very moment that they reveal themselves in the framework of their environments.
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Projects : done
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For Candida Höfer, “projects” are works in multiple parts that have a planned, additional course or which are completed once they reach a definitive state. "Projects : Done" refers to 14 completed projects from between 1968 and 2008. The fifteenth is the presentation itself, which the artist has developed in collaboration with the architects Kuehn Malvezzi.
Projects : done
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For Candida Höfer, “projects” are works in multiple parts that have a planned, additional course or which are completed once they reach a definitive state. "Projects : Done" refers to 14 completed projects from between 1968 and 2008. The fifteenth is the presentation itself, which the artist has developed in collaboration with the architects Kuehn Malvezzi.
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Chaviolas
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Over a period of twenty years, the artist Barbara Heé has photographed Lake Silser and Chaviolas Island again and again. The resulting panoramas present a subtle portrait of this mountainous landscape in Switzerlands Upper Engadine valley. The depth and composition of these black-and-white photographs are captivating. The doubling caused by reflection in the lake and the(...)
Chaviolas
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Over a period of twenty years, the artist Barbara Heé has photographed Lake Silser and Chaviolas Island again and again. The resulting panoramas present a subtle portrait of this mountainous landscape in Switzerlands Upper Engadine valley. The depth and composition of these black-and-white photographs are captivating. The doubling caused by reflection in the lake and the everchanging lighting create spaces of magical presence. Precise observation of similar motifs opens up a world of sculptural forms that goes beyond the mere likeness. This volume of photographs presents, in the sense of an artists book, the complete series of photographs taken between 1987 and 2007, and which have been incorporated into Barbara Heé’s artistic work as a sculpter, painter, and draftswoman.
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The fiction of science
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The Fiction of Science is a collection of work by the Berlin-based photographer Frank Hülsbömer, whose dynamic depictions of immobile objects exist at the intersection of aesthetic abstraction and conceptual content. Whether sketchily visualized thoughts or meticulously staged motifs, the featured series evolves from the interplay of installations, colors, clusters, and(...)
The fiction of science
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The Fiction of Science is a collection of work by the Berlin-based photographer Frank Hülsbömer, whose dynamic depictions of immobile objects exist at the intersection of aesthetic abstraction and conceptual content. Whether sketchily visualized thoughts or meticulously staged motifs, the featured series evolves from the interplay of installations, colors, clusters, and geometrical compositions and often resemble computer renderings. Frank Hülsbömer, who has made a name for himself with contributions to magazines such as Wallpaper and has exhibited internationally since the mid-1990s, examines light, anatomical refractions and the construction of space and surface. Reminiscent of the Russian constructivism of the 1920s and the abstract photography of Moholy-Nagy, his photographs indicate the recent rediscovery of abstraction and geometrical work in contemporary art. The accompanying texts in the book illuminate the theoretical background and artistic approach of a photographic aesthetic that, despite its minimalistic strength and quasi-scientific precision, shines with exceptional depth and creates an outstanding poetic visuality.
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Empire
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Depuis une dizaine d'années, Charles Fréger se consacre à des séries de portraits de jeunes gens en uniforme ou en costume. De 2004 à 2007, il s'est intéressé aux gardes royales, princières, républicaines ou pontificales européennes de la période de l'Empire napoléonien.
Empire
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Depuis une dizaine d'années, Charles Fréger se consacre à des séries de portraits de jeunes gens en uniforme ou en costume. De 2004 à 2007, il s'est intéressé aux gardes royales, princières, républicaines ou pontificales européennes de la période de l'Empire napoléonien.
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Lieux mêmes
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Depuis 2006 Bertrand Carrière a réalisé une série de photographies dans le Nord de la France et en Flandre belge, dans cette zone connue sous le nom de « Chemin des dames », tristement célèbre pour avoir été le site des engagements les plus longs et les plus meurtriers de la Première Guerre mondiale. À partir d'une série de photographies historiques, l'artiste est(...)
Lieux mêmes
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Depuis 2006 Bertrand Carrière a réalisé une série de photographies dans le Nord de la France et en Flandre belge, dans cette zone connue sous le nom de « Chemin des dames », tristement célèbre pour avoir été le site des engagements les plus longs et les plus meurtriers de la Première Guerre mondiale. À partir d'une série de photographies historiques, l'artiste est retourné sur ces lieux, à la recherche de ce qu'ils sont devenus. Les images qu'il y a réalisées sont inspirées de la tradition de photographie documentaire et du paysage social. Il nous montre les restes d'une guerre qui aura bientôt cent ans. Dans ces photographies en couleurs, il soulève le paradoxe de la beauté lumineuse de ces lieux et les sombres horreurs qui s'y sont déroulées, afin d'aviver la mémoire à partir de ce qui demeure.
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This volume focuses on Shulman’s Chicago work. Featured here are the Minsk House, designed by Keck & Keck in 1955; the 1960 Burton Frank House, a mid-century modern gem; architect Harry Weese’s inspired modernist home and studio of 1957; and more.
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mai 2010
Julius Shulman: Chicago mid-century Modernism
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This volume focuses on Shulman’s Chicago work. Featured here are the Minsk House, designed by Keck & Keck in 1955; the 1960 Burton Frank House, a mid-century modern gem; architect Harry Weese’s inspired modernist home and studio of 1957; and more.
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Don Kirby : grasslands
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In 2005, Kirby began a major study of the National Grasslands in the United States. The resulting monograph comprises 47 duotone plates, sequenced geographically from America's heartland of Nebraska, the Dakotas, Kansas and Oklahoma through Texas, New Mexico, Colorado, Wyoming, and Idaho, to the Oregon and California coastlines.
Don Kirby : grasslands
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In 2005, Kirby began a major study of the National Grasslands in the United States. The resulting monograph comprises 47 duotone plates, sequenced geographically from America's heartland of Nebraska, the Dakotas, Kansas and Oklahoma through Texas, New Mexico, Colorado, Wyoming, and Idaho, to the Oregon and California coastlines.
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Jorma Puranen (born 1951) is one of Finland's best-known photographers. For his latest series, Icy Prospects, inspired by the fascination of great explorers (and today's tourists) with the Arctic landscape, Puranen painted a wooden board with black, high-gloss acrylic and then took long exposures of the landscapes mirrored in its surface. The results are extremely(...)
Jorma Puranen : icy prospects
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Jorma Puranen (born 1951) is one of Finland's best-known photographers. For his latest series, Icy Prospects, inspired by the fascination of great explorers (and today's tourists) with the Arctic landscape, Puranen painted a wooden board with black, high-gloss acrylic and then took long exposures of the landscapes mirrored in its surface. The results are extremely painterly impressions of nature, in which ground, brushstroke and reflection intermingle.
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Wout Berger: Like birds
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Berger’s photographs capture a different reality from what is generally noticed, zooming in on specific, intricate natural and man-made details and patterns that can only be caught through the technical lens of the camera. Inherent to the photographer’s approach is a tacit understanding that nature’s ‘beauty’ is also in constant flux and under threat – nature makes place(...)
Wout Berger: Like birds
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Berger’s photographs capture a different reality from what is generally noticed, zooming in on specific, intricate natural and man-made details and patterns that can only be caught through the technical lens of the camera. Inherent to the photographer’s approach is a tacit understanding that nature’s ‘beauty’ is also in constant flux and under threat – nature makes place for human intervention and the urge for expansion. Produced to accompany an exhibition with the same title, the photographs were realised between 2002 and 2009.
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