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Paul Ott is one of the most prominent modern European architectural photographers. Ott’s images always convey more than the pure physiognomy of the buildings he photographs. In free photo series, he explores the structures that influence how we perceive our surroundings at least as much as does the architects’ skill: anonymous agricultural buildings, skyscrapers and their(...)
Paul Ott: photography about architecture
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Paul Ott is one of the most prominent modern European architectural photographers. Ott’s images always convey more than the pure physiognomy of the buildings he photographs. In free photo series, he explores the structures that influence how we perceive our surroundings at least as much as does the architects’ skill: anonymous agricultural buildings, skyscrapers and their fates, and the dramatic backdrops provided by mega-cities like Sao Paolo. This book offers a representative cross-section of Paul Ott’s photographic oeuvre and also makes readers aware that the shaping of our surroundings is to a great extent also based on “learned,” mediated images of and in architecture. Four essays examine his work from the perspectives of art theory and architecture.
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Carlo Valsecchi: lumen
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From monumental industrial architecture to the interiors of strange machines, the photographs of Carlo Valsecchi alternate between precise figuration and poetic abstraction. Devoid of human presence, these large-format images often adopt unexpected vantage points, which initially destabilize our perception and then encourage us to engage more actively with the image.(...)
Carlo Valsecchi: lumen
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From monumental industrial architecture to the interiors of strange machines, the photographs of Carlo Valsecchi alternate between precise figuration and poetic abstraction. Devoid of human presence, these large-format images often adopt unexpected vantage points, which initially destabilize our perception and then encourage us to engage more actively with the image. Although much of his work clearly occupies the strong tradition of the industrial landscape developed by the German school (Becher, Gursky), Valsecchi inhabits his own expressive register, with a soft palette and nuanced chromatic scale.
Monographies photo
livres
Nathan Troi Anderson: Decay
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In Decay, photographers Nathan Troi Anderson and J.K. Putnam share how decay looks to them through their lenses. Shot in color and black & white, with their cameras trained on a wide array of subjects, decay begins to take shape, framed by written insights about how they perceive this natural phenomenon. Decay also doubles as a pattern book, providing readers with 50(...)
Nathan Troi Anderson: Decay
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In Decay, photographers Nathan Troi Anderson and J.K. Putnam share how decay looks to them through their lenses. Shot in color and black & white, with their cameras trained on a wide array of subjects, decay begins to take shape, framed by written insights about how they perceive this natural phenomenon. Decay also doubles as a pattern book, providing readers with 50 high-resolution, royalty-free patterns of decay that can be used for any number of graphic design applications.
livres
octobre 2008
Monographies photo
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In 1955, Swiss architect Dolf Schnebli and his wife, Clarissa, climbed into a VW Beetle and spent a year on an overland trek from Venice to India and back. The world was a lot bigger place when Schnebli took off on this ''slow journey'' to study architectural history, especially the urban development of old cities, ruins and excavations. Now, more than fifty years after(...)
Dolf Schnebli 1956: photo sketches of a slow journey
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In 1955, Swiss architect Dolf Schnebli and his wife, Clarissa, climbed into a VW Beetle and spent a year on an overland trek from Venice to India and back. The world was a lot bigger place when Schnebli took off on this ''slow journey'' to study architectural history, especially the urban development of old cities, ruins and excavations. Now, more than fifty years after his trip, Schnebli's black and white photos are being published for the first time after gathering dust for decades as contact prints in his sketchbooks. Combined with text excerpts from his journal.
Monographies photo
Manon de Pauw: intrigues
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Ce catalogue présentant plus d’une soixantaine de reproductions des œuvres de l’artiste, est en cours de préparation. Il s’agira de la première monographie consacrée à Manon de Pauw dont la pratique, malgré son importance, n’a pas encore fait l’objet d’une étude approfondie et reste peu documentée. Le livre reflétera de près le contenu de l’exposition tout en faisant le(...)
Manon de Pauw: intrigues
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Ce catalogue présentant plus d’une soixantaine de reproductions des œuvres de l’artiste, est en cours de préparation. Il s’agira de la première monographie consacrée à Manon de Pauw dont la pratique, malgré son importance, n’a pas encore fait l’objet d’une étude approfondie et reste peu documentée. Le livre reflétera de près le contenu de l’exposition tout en faisant le point sur le parcours de l’artiste depuis les dix dernières années.
livres
$24.00
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Bas Princen, Rubiera, galleria naturale : Sala espositiva L'ospitale, maggio-giugno 2008.
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octobre 2008
Bas Princen, galleriea naturale
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Bas Princen, Rubiera, galleria naturale : Sala espositiva L'ospitale, maggio-giugno 2008.
livres
octobre 2008
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Guido Guidi, Pk tav 139+500
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Guido Guidi, Rubiera, galleria naturale : Sala espositiva L'ospitale, marzo-maggio 2006.
Monographies photo
octobre 2009
Guido Guidi, Pk tav 139+500
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Guido Guidi, Rubiera, galleria naturale : Sala espositiva L'ospitale, marzo-maggio 2006.
Monographies photo
livres
$74.99
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Unreleased works by Guido Guidi and a reading by Vitaliano Trevisan: a dialogue between the photographer and the writer who reflect from different perspecives and explore the relationship between the apparent superficiality of our everyday landscape.
Guido Guidi, vitaliano trevisan, vol. 1
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Unreleased works by Guido Guidi and a reading by Vitaliano Trevisan: a dialogue between the photographer and the writer who reflect from different perspecives and explore the relationship between the apparent superficiality of our everyday landscape.
livres
octobre 2006
Monographies photo
Ben Johnson : Foster in view
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For more than thrity years Ben Johnson the artist has been documenting the work of Norman Foster the architect in photographs that have frequently served as source material for Johnson's own neo-realist paintings. This book is a reocord of this body of work. Included here are photographs of Foster,s most celebrated projects, from the Sainsbury Center for Visual Arts,(...)
Ben Johnson : Foster in view
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For more than thrity years Ben Johnson the artist has been documenting the work of Norman Foster the architect in photographs that have frequently served as source material for Johnson's own neo-realist paintings. This book is a reocord of this body of work. Included here are photographs of Foster,s most celebrated projects, from the Sainsbury Center for Visual Arts, the Hong Kong and Shanghai Bank, the restoration of the Reichstag, and the Great Court at the British Museum, to airports in Hong Kong and Beijing.
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The sun as error
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The Los Angeles based artist Shannon Ebner extends her exploration of photography, sculpture and language in this book. In collaboration with Dexter Sinister (design duo David Reinfurt and Stuart Bailey), "The Sun as Error" re-investigates the meaning and language of photographs, creating both an open-ended reading of her practice and also rethinking the idea of an(...)
The sun as error
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The Los Angeles based artist Shannon Ebner extends her exploration of photography, sculpture and language in this book. In collaboration with Dexter Sinister (design duo David Reinfurt and Stuart Bailey), "The Sun as Error" re-investigates the meaning and language of photographs, creating both an open-ended reading of her practice and also rethinking the idea of an artist’s monograph. Far from straightforward, the book interweaves her bodies of work, previously unseen one-off pieces, with the language of technical diagrams, optical illusions, and graphic design. One of the persistent motifs through the book’s sequence is an asterisk and, specifically, one imbued with the legacy of the graphic designer Muriel Cooper. As the first design director for MIT Press and the cofounder of the Visible Language Workshop, Cooper’s legacy for reorienting and repositioning the direction of an artist’s monograph is imaginatively explored in the creative partnership of Dexter Sinister and Shannon Ebner. Shannon Ebner’s work has been shown in exhibitions including Trace at The Whitney Museum of American Art at Altria (2006), The 2006 California Biennial at The Orange County Museum of Art, Uncertain States of America, at The Serpentine Gallery, London (2006), Learn to Read, at the Tate Modern, London (2007), and the 2008 Whitney Biennial at The Whitney Museum of American Art.
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