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Edited by Adams from a body of work that spans over four decades, What Can We Believe Where? Photographs of the American West, 1965–2005 presents a narrative sequence of more than 100 tritone images that reveals a steadfast concern for mankind’s increasingly tragic relationship with the natural world.
What can we believe where? Photographs of the American west
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Edited by Adams from a body of work that spans over four decades, What Can We Believe Where? Photographs of the American West, 1965–2005 presents a narrative sequence of more than 100 tritone images that reveals a steadfast concern for mankind’s increasingly tragic relationship with the natural world.
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André Kertész
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Kertész was a founder of the modernist photography that originated in the European avant-garde movements of the 1920s, and although his lifelong unwillingness to compromise his independence and his creation of "photographic poetry" made him an almost marginal figure for most of his life, his influence on the development of photography, particularly photojournalism, during(...)
André Kertész
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Kertész was a founder of the modernist photography that originated in the European avant-garde movements of the 1920s, and although his lifelong unwillingness to compromise his independence and his creation of "photographic poetry" made him an almost marginal figure for most of his life, his influence on the development of photography, particularly photojournalism, during the middle years of the century was profound. This book accompanies a major retrospective exhibition of Kertész’s work at Paris’s Jeu de Paume Museum. The text is organized around the three main periods of Kertész’s seventy-year-long career: Budapest, 1914–25; Paris, 1925–36; and New York, 1936–85. Many rare vintage and period prints produced under the photographer’s control are reproduced in this volume.
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This volume showcases all of the famous series and images by Struth: the streetscapes of Düsseldorf, New York City, Rome, China, and elsewhere; the family portraits; the museum photographs; the flowers, plants, and rainforests; and most recently, the studies of science and technology. Struth revisits many of his subjects, adding ever more layers of complexity and interpretation.
Thomas Struth: Photographs 1978-2010
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This volume showcases all of the famous series and images by Struth: the streetscapes of Düsseldorf, New York City, Rome, China, and elsewhere; the family portraits; the museum photographs; the flowers, plants, and rainforests; and most recently, the studies of science and technology. Struth revisits many of his subjects, adding ever more layers of complexity and interpretation.
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Christian Lutz continues his photographic study of power structures with Tropical Gift. He took portraits in Nigeria of people who live by and with the economic force that dominates everything there, the oil and gas industry. The photographs observe the protagonists' everyday lives and professional world from very close up, the rich profiteers in the capital and the(...)
Tropical gift: The business of oil and gas in Nigeria
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Christian Lutz continues his photographic study of power structures with Tropical Gift. He took portraits in Nigeria of people who live by and with the economic force that dominates everything there, the oil and gas industry. The photographs observe the protagonists' everyday lives and professional world from very close up, the rich profiteers in the capital and the indigenous population in the oil region, the Niger delta. The pictures tell their own story of business with these coveted raw materials subtly, but highly expressively.
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Blindhaedir: East Iceland
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Silvia Bachli and Eric Hatan spent four months, from March to June, in Seydisfjordur in eastern Iceland. The landscape they explored on their daily walks is dominated by snow, which shapes the atmosphere in and around the fjord with its changeable forms: turquoise meltwater, frost patterns, a few glass-clear bright colours in the whiteness, walls of snow by the edge of(...)
Blindhaedir: East Iceland
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Silvia Bachli and Eric Hatan spent four months, from March to June, in Seydisfjordur in eastern Iceland. The landscape they explored on their daily walks is dominated by snow, which shapes the atmosphere in and around the fjord with its changeable forms: turquoise meltwater, frost patterns, a few glass-clear bright colours in the whiteness, walls of snow by the edge of the road, drifts, icicles and at last the first brown snow-free places - things are slowly turning green. The artists create a unique portrait of Iceland's magnificent landscapes with their photographs, in all its detail, thus chronicling the passage of time and the approach of the warmer season.
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A complementary volume to Eduard Spelterini—Photographs of a Pioneer Balloonist, this book presents a selection of around eighty of Spelterini’s never-before-published colored slides, offering readers an altogether new look at the spectacular work of this pioneer of photography and aviation.
Eduard Spelterini and the spectacle of images
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A complementary volume to Eduard Spelterini—Photographs of a Pioneer Balloonist, this book presents a selection of around eighty of Spelterini’s never-before-published colored slides, offering readers an altogether new look at the spectacular work of this pioneer of photography and aviation.
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Wilted Country collects the best of Eberhard’s images in a single volume and complements them with critical essays on the artist’s craft by Anthony Bannon, the director of the George Eastman House International Museum of Photography and Film, and Benedict Wells, a young German novelist.
Roger Eberhard: Wilted country
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Wilted Country collects the best of Eberhard’s images in a single volume and complements them with critical essays on the artist’s craft by Anthony Bannon, the director of the George Eastman House International Museum of Photography and Film, and Benedict Wells, a young German novelist.
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Since March 2000, photographer Joel Sternfeld has been documenting the abandoned elevated railway, the High Line, which runs down the West Side of Manhattan. Sometimes a river of grass, sometimes more like wheat fields of Canada, this unique ruin permits contemplation of nature, and of cityscape. Walking the path of this true time landscape, experiencing the seasons as(...)
Joel Sternfeld : walking the High Line
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Since March 2000, photographer Joel Sternfeld has been documenting the abandoned elevated railway, the High Line, which runs down the West Side of Manhattan. Sometimes a river of grass, sometimes more like wheat fields of Canada, this unique ruin permits contemplation of nature, and of cityscape. Walking the path of this true time landscape, experiencing the seasons as they unfold in a ribbon within the vertical architectural landscape of New York City, Sternfeld has created a suite of images marked by quiet grace and formal rigor. In Walking the High Line, as in all of his work, landscape is read as a social and cultural indicator.
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Robert Frank: Tal uf Tal ab
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Tal Uf Tal Ab is a book of new photographs by Robert Frank. Frank's subjects are his life now, an inquisitive existence shaped by memory: newsstands, streetscapes, portraits of friends and his wife June Leaf, interiors, a self-portrait. This book is the latest phase in Frank's unceasing exploration of photography, and a humble yet important progression in the medium of(...)
Robert Frank: Tal uf Tal ab
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Tal Uf Tal Ab is a book of new photographs by Robert Frank. Frank's subjects are his life now, an inquisitive existence shaped by memory: newsstands, streetscapes, portraits of friends and his wife June Leaf, interiors, a self-portrait. This book is the latest phase in Frank's unceasing exploration of photography, and a humble yet important progression in the medium of the photobook.
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Ernst Haas: color correction
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Ernst Haas is most associated with a vibrant colour photography which, for decades, was much in demand by the illustrated press. This colour work, published in the most influential magazines in Europe and America, also fed a constant stream of books, and these too enjoyed great popularity. But although his colour work earned him fame around the world, in recent decades(...)
Ernst Haas: color correction
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Ernst Haas is most associated with a vibrant colour photography which, for decades, was much in demand by the illustrated press. This colour work, published in the most influential magazines in Europe and America, also fed a constant stream of books, and these too enjoyed great popularity. But although his colour work earned him fame around the world, in recent decades it has often been derided by critics and curators as “overly commercial”, and too easily accessible – or in the language of curators, not sufficiently “serious”. As a result, his reputation has suffered in comparison with a younger generation of colour photographers, notably Eggleston, Shore and Meyerowitz.
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