2494 Résultats
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livres
livres
Titre:
L'image et l'objet
L'image et l'objet
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Who owns an art “masterpiece”? How does a work’s value in the marketplace, or its status in art history, affect its meaning? In her photos and assemblages, German photographer Claudia Angelmaier uses book pages, postcards, or slides of well-known works and turns these reproductions into revelations about what is “behind” the masterpiece. Especially in the most recent(...)
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Who owns an art “masterpiece”? How does a work’s value in the marketplace, or its status in art history, affect its meaning? In her photos and assemblages, German photographer Claudia Angelmaier uses book pages, postcards, or slides of well-known works and turns these reproductions into revelations about what is “behind” the masterpiece. Especially in the most recent(...)
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L'image et l'objet
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$53.95
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Who owns an art “masterpiece”? How does a work’s value in the marketplace, or its status in art history, affect its meaning? In her photos and assemblages, German photographer Claudia Angelmaier uses book pages, postcards, or slides of well-known works and turns these reproductions into revelations about what is “behind” the masterpiece. Especially in the most recent series “Works on Paper,” in which she photographs the back sides of postcards, the strong back lighting and slightly translucent image of the front side results in an interplay of visibility and vanishing. Angelmaier’s work follows in the footsteps of contemporary photo-based artists, Louise Lawler and Sherrie Levine, asking fundamental questions about appropriation art.
L'image et l'objet
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Who owns an art “masterpiece”? How does a work’s value in the marketplace, or its status in art history, affect its meaning? In her photos and assemblages, German photographer Claudia Angelmaier uses book pages, postcards, or slides of well-known works and turns these reproductions into revelations about what is “behind” the masterpiece. Especially in the most recent series “Works on Paper,” in which she photographs the back sides of postcards, the strong back lighting and slightly translucent image of the front side results in an interplay of visibility and vanishing. Angelmaier’s work follows in the footsteps of contemporary photo-based artists, Louise Lawler and Sherrie Levine, asking fundamental questions about appropriation art.
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livres
livres
Publication:
octobre 2009
octobre 2009
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Vitrinen in Arbeit
Vitrinen in Arbeit
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American photographer Kaucyila Brooke finds sly ways to explore of the values of contemporary culture. In this collection, Brooke looks at the renovation of the display cases at Vienna’s Natural History Museum as an opportunity to record the layering of time and history, and to comment on what information our cultural arbiters – in this case, museum curators – see as(...)
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American photographer Kaucyila Brooke finds sly ways to explore of the values of contemporary culture. In this collection, Brooke looks at the renovation of the display cases at Vienna’s Natural History Museum as an opportunity to record the layering of time and history, and to comment on what information our cultural arbiters – in this case, museum curators – see as(...)
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Vitrinen in Arbeit
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American photographer Kaucyila Brooke finds sly ways to explore of the values of contemporary culture. In this collection, Brooke looks at the renovation of the display cases at Vienna’s Natural History Museum as an opportunity to record the layering of time and history, and to comment on what information our cultural arbiters – in this case, museum curators – see as important. As the museum transitions from the static 19th-century exhibition model to an interactive 21st-century style, Brooke makes knowing use of the reflections and transparency of the glass cases, and the disorder of their contents.
Vitrinen in Arbeit
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American photographer Kaucyila Brooke finds sly ways to explore of the values of contemporary culture. In this collection, Brooke looks at the renovation of the display cases at Vienna’s Natural History Museum as an opportunity to record the layering of time and history, and to comment on what information our cultural arbiters – in this case, museum curators – see as important. As the museum transitions from the static 19th-century exhibition model to an interactive 21st-century style, Brooke makes knowing use of the reflections and transparency of the glass cases, and the disorder of their contents.
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livres
livres
Publication:
octobre 2009
octobre 2009
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$86.95
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This new volume showcases the thrilling circus photography of the American photographer Frederick W. Glasier, who photographed the circus during its 1890-1925 heyday. Now considered as masterful a chronicler of time and place as his contemporaries Atget and Sander, Glasier made photos which bring the three-ring pageant of the circus to life with an irresistible narrative(...)
$86.95
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This new volume showcases the thrilling circus photography of the American photographer Frederick W. Glasier, who photographed the circus during its 1890-1925 heyday. Now considered as masterful a chronicler of time and place as his contemporaries Atget and Sander, Glasier made photos which bring the three-ring pageant of the circus to life with an irresistible narrative(...)
Titre:
Circus : the photographs of Frederick W. Glasier
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This new volume showcases the thrilling circus photography of the American photographer Frederick W. Glasier, who photographed the circus during its 1890-1925 heyday. Now considered as masterful a chronicler of time and place as his contemporaries Atget and Sander, Glasier made photos which bring the three-ring pageant of the circus to life with an irresistible narrative rhythm. With 73 gloriously reproduced images from the 1,700 glass plate negatives from the collections of the John & Mable Ringling Museum of Art at Florida State University, informative anecdotal captions by the circus historian (and co-editor of this volume) Deborah Walk, and a fascinating essay by Luc Sante.
Circus : the photographs of Frederick W. Glasier
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This new volume showcases the thrilling circus photography of the American photographer Frederick W. Glasier, who photographed the circus during its 1890-1925 heyday. Now considered as masterful a chronicler of time and place as his contemporaries Atget and Sander, Glasier made photos which bring the three-ring pageant of the circus to life with an irresistible narrative rhythm. With 73 gloriously reproduced images from the 1,700 glass plate negatives from the collections of the John & Mable Ringling Museum of Art at Florida State University, informative anecdotal captions by the circus historian (and co-editor of this volume) Deborah Walk, and a fascinating essay by Luc Sante.
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livres
livres
Publication:
octobre 2009
octobre 2009
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$42.50
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German photographer Olaf Holzapfel became fascinated, during a residency in Tokyo, with a "city within the city" - yellow bumps and grooves on the ground that form a guidance system for blind people walking with canes. Holzapfel contrasts photographs from the Nakano Sakaue rail station with other images of Tokyo for a photo-essay that art historian Andreas Spiegl(...)
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German photographer Olaf Holzapfel became fascinated, during a residency in Tokyo, with a "city within the city" - yellow bumps and grooves on the ground that form a guidance system for blind people walking with canes. Holzapfel contrasts photographs from the Nakano Sakaue rail station with other images of Tokyo for a photo-essay that art historian Andreas Spiegl(...)
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Olaf holzapfel, Nakano Sakaue,
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German photographer Olaf Holzapfel became fascinated, during a residency in Tokyo, with a "city within the city" - yellow bumps and grooves on the ground that form a guidance system for blind people walking with canes. Holzapfel contrasts photographs from the Nakano Sakaue rail station with other images of Tokyo for a photo-essay that art historian Andreas Spiegl characterizes as a "geography that ... describes perception as a territory - the view of the visible and the imaginary." This embossed hardcover blends rich color photographs, dominated by the (in)visible yellow lines that traverse Tokyo, with black-and-white images of what were originally garishly colored scenes, reinforcing the contrast between the seen and the unseen worlds of Tokyo.
Olaf holzapfel, Nakano Sakaue,
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German photographer Olaf Holzapfel became fascinated, during a residency in Tokyo, with a "city within the city" - yellow bumps and grooves on the ground that form a guidance system for blind people walking with canes. Holzapfel contrasts photographs from the Nakano Sakaue rail station with other images of Tokyo for a photo-essay that art historian Andreas Spiegl characterizes as a "geography that ... describes perception as a territory - the view of the visible and the imaginary." This embossed hardcover blends rich color photographs, dominated by the (in)visible yellow lines that traverse Tokyo, with black-and-white images of what were originally garishly colored scenes, reinforcing the contrast between the seen and the unseen worlds of Tokyo.
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livres
livres
Publication:
octobre 2009
octobre 2009
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Jan Koster: dutchscapes
Jan Koster: dutchscapes
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Dutch landscape photographer Jan Koster first became known for his innovative river landscapes, for which he turned the camera 120 degrees around one point and created stunning panoramic scenes. For the new work featured in ''Dutchscapes,'' Koster abandoned the panoramic format, systematically covering the Dutch coastline in single mammoth images, documenting the dunes,(...)
$75.95
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Dutch landscape photographer Jan Koster first became known for his innovative river landscapes, for which he turned the camera 120 degrees around one point and created stunning panoramic scenes. For the new work featured in ''Dutchscapes,'' Koster abandoned the panoramic format, systematically covering the Dutch coastline in single mammoth images, documenting the dunes,(...)
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Jan Koster: dutchscapes
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Dutch landscape photographer Jan Koster first became known for his innovative river landscapes, for which he turned the camera 120 degrees around one point and created stunning panoramic scenes. For the new work featured in ''Dutchscapes,'' Koster abandoned the panoramic format, systematically covering the Dutch coastline in single mammoth images, documenting the dunes, sea, and dikes. The end result of this lengthy foray along the Dutch coast is an overwhelmingly serene and visually spacious series of photographs. As quoted by art historian, Merel Bem, Koster's monumental photographs should be viewed not only in photographic terms but also as an extension of the Dutch landscape painting tradition.
Jan Koster: dutchscapes
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Dutch landscape photographer Jan Koster first became known for his innovative river landscapes, for which he turned the camera 120 degrees around one point and created stunning panoramic scenes. For the new work featured in ''Dutchscapes,'' Koster abandoned the panoramic format, systematically covering the Dutch coastline in single mammoth images, documenting the dunes, sea, and dikes. The end result of this lengthy foray along the Dutch coast is an overwhelmingly serene and visually spacious series of photographs. As quoted by art historian, Merel Bem, Koster's monumental photographs should be viewed not only in photographic terms but also as an extension of the Dutch landscape painting tradition.
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livres
livres
Publication:
août 2009
août 2009
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Marieken Verheyen: elsewhere
Marieken Verheyen: elsewhere
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$64.95
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In Elsewhere, photographic images of scenes taken from windows in the Netherlands contrast with views from windows in Bosnia, Ghana, Indonesia and Morocco, countries where many Dutch immigrants originate from. Dutch visions of the exotic and foreign visions of the Netherlands complete the depicted sights.
$64.95
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Résumé:
In Elsewhere, photographic images of scenes taken from windows in the Netherlands contrast with views from windows in Bosnia, Ghana, Indonesia and Morocco, countries where many Dutch immigrants originate from. Dutch visions of the exotic and foreign visions of the Netherlands complete the depicted sights.
Titre:
Marieken Verheyen: elsewhere
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$64.95
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In Elsewhere, photographic images of scenes taken from windows in the Netherlands contrast with views from windows in Bosnia, Ghana, Indonesia and Morocco, countries where many Dutch immigrants originate from. Dutch visions of the exotic and foreign visions of the Netherlands complete the depicted sights.
Marieken Verheyen: elsewhere
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$64.95
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In Elsewhere, photographic images of scenes taken from windows in the Netherlands contrast with views from windows in Bosnia, Ghana, Indonesia and Morocco, countries where many Dutch immigrants originate from. Dutch visions of the exotic and foreign visions of the Netherlands complete the depicted sights.
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livres
livres
Publication:
avril 2009
avril 2009
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$48.00
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The Space Race was an exhilirating moment in history, alternately frighten-ing, thrilling, awe-inspiring, and ultimately, sublime. Its most enigmatic element was the competition. The Soviets seemed less technologically sophisticated (at least from the American perspective) but in fact won many of the races: first satellite to orbit the earth; first man in space; first(...)
$48.00
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The Space Race was an exhilirating moment in history, alternately frighten-ing, thrilling, awe-inspiring, and ultimately, sublime. Its most enigmatic element was the competition. The Soviets seemed less technologically sophisticated (at least from the American perspective) but in fact won many of the races: first satellite to orbit the earth; first man in space; first(...)
Titre:
Kosmos: a portrait of the Russian Space Age
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The Space Race was an exhilirating moment in history, alternately frighten-ing, thrilling, awe-inspiring, and ultimately, sublime. Its most enigmatic element was the competition. The Soviets seemed less technologically sophisticated (at least from the American perspective) but in fact won many of the races: first satellite to orbit the earth; first man in space; first unmanned landings on Mars, Venus, and the Moon; first woman in space; most powerful rockets; and, until its recent fiery death, the most long-lived space station to name but a few. The inherent contradictions of the age--the mixture of technologies high and low, of nostalgia and progress, of pathos and promise--are revealed in Kosmos, Adam Bartos's astonishing photographic survey of the Soviet space program. Bartos' fascination with this subject led him to seek out places like the bedroom where Yuri Gagarian slept the night before his history-making flight into space, located in the Baiknour Cosmodrome, the one-time top-secret space complex in the Kazakh desert. Bartos also takes us inside the cockpit of the Merkur space capsule, used to ferry crew members and supplies to the super-secret Almaz orbital space stations, and behind the changing screens cosmonauts used before being fitted for their space suits at Zvezda, the chief manufacturer of Soviet life-support systems. In total, Kosmos presents over 100 of Bartos's photographs, rich with the incongruities of the history, science, culture, and politics of the Space Age.
Kosmos: a portrait of the Russian Space Age
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The Space Race was an exhilirating moment in history, alternately frighten-ing, thrilling, awe-inspiring, and ultimately, sublime. Its most enigmatic element was the competition. The Soviets seemed less technologically sophisticated (at least from the American perspective) but in fact won many of the races: first satellite to orbit the earth; first man in space; first unmanned landings on Mars, Venus, and the Moon; first woman in space; most powerful rockets; and, until its recent fiery death, the most long-lived space station to name but a few. The inherent contradictions of the age--the mixture of technologies high and low, of nostalgia and progress, of pathos and promise--are revealed in Kosmos, Adam Bartos's astonishing photographic survey of the Soviet space program. Bartos' fascination with this subject led him to seek out places like the bedroom where Yuri Gagarian slept the night before his history-making flight into space, located in the Baiknour Cosmodrome, the one-time top-secret space complex in the Kazakh desert. Bartos also takes us inside the cockpit of the Merkur space capsule, used to ferry crew members and supplies to the super-secret Almaz orbital space stations, and behind the changing screens cosmonauts used before being fitted for their space suits at Zvezda, the chief manufacturer of Soviet life-support systems. In total, Kosmos presents over 100 of Bartos's photographs, rich with the incongruities of the history, science, culture, and politics of the Space Age.
Classification:
livres
livres
Publication:
novembre 2001
novembre 2001
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Beate Gütschow: s
Beate Gütschow: s
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$90.00
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The large-scale black-and-white photographs of German photographer Beate Gütschow are straightforward documents of urban scenes. In fact, every pebble and every hubcap is completely orchestrated, for these images are the result of considerable digital manipulation. This monograph surveys her ongoing explorations in this realm.
$90.00
(disponible en magasin)
Résumé:
The large-scale black-and-white photographs of German photographer Beate Gütschow are straightforward documents of urban scenes. In fact, every pebble and every hubcap is completely orchestrated, for these images are the result of considerable digital manipulation. This monograph surveys her ongoing explorations in this realm.
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Beate Gütschow: s
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The large-scale black-and-white photographs of German photographer Beate Gütschow are straightforward documents of urban scenes. In fact, every pebble and every hubcap is completely orchestrated, for these images are the result of considerable digital manipulation. This monograph surveys her ongoing explorations in this realm.
Beate Gütschow: s
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$90.00
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Résumé:
The large-scale black-and-white photographs of German photographer Beate Gütschow are straightforward documents of urban scenes. In fact, every pebble and every hubcap is completely orchestrated, for these images are the result of considerable digital manipulation. This monograph surveys her ongoing explorations in this realm.
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livres
livres
Publication:
octobre 2009
octobre 2009
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$40.00
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A photograph of an image of a woman with a triangular slice where her eyes should be, a two-page aerial shot of a forest, a train coming straight at us: Bertrand Fleuret's artist's book Landmasses and Railways juxtaposes such enigmatic and striking black-and-white images to create a pleasantly unsettling, difficult-to-decipher narrative. Edited by photographer Jason(...)
$40.00
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A photograph of an image of a woman with a triangular slice where her eyes should be, a two-page aerial shot of a forest, a train coming straight at us: Bertrand Fleuret's artist's book Landmasses and Railways juxtaposes such enigmatic and striking black-and-white images to create a pleasantly unsettling, difficult-to-decipher narrative. Edited by photographer Jason(...)
Titre:
Bertrand Fleuret landmasses and railways
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A photograph of an image of a woman with a triangular slice where her eyes should be, a two-page aerial shot of a forest, a train coming straight at us: Bertrand Fleuret's artist's book Landmasses and Railways juxtaposes such enigmatic and striking black-and-white images to create a pleasantly unsettling, difficult-to-decipher narrative. Edited by photographer Jason Fulford, whose own influential publications are helping to define a new generation of photobooks, this exquisitely designed 200-page volume is dreamlike, taking us on a journey through rural and urban landscapes, construction and decay, chaos and clarity. Bertrand Fleuret, currently based in Berlin, was born in Versailles in 1969.
Bertrand Fleuret landmasses and railways
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A photograph of an image of a woman with a triangular slice where her eyes should be, a two-page aerial shot of a forest, a train coming straight at us: Bertrand Fleuret's artist's book Landmasses and Railways juxtaposes such enigmatic and striking black-and-white images to create a pleasantly unsettling, difficult-to-decipher narrative. Edited by photographer Jason Fulford, whose own influential publications are helping to define a new generation of photobooks, this exquisitely designed 200-page volume is dreamlike, taking us on a journey through rural and urban landscapes, construction and decay, chaos and clarity. Bertrand Fleuret, currently based in Berlin, was born in Versailles in 1969.
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livres
livres
Publication:
novembre 2009
novembre 2009
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Rémy Marlot
Rémy Marlot
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$44.99
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Born in Paris in 1972, Rémy Marlot's work associates the concepts of nature and culture in his work, around the issues of the urban landscape, the garden, dreams and night time. Since 1999, he has oriented his work Alongside his photography, his developing videographic work establishes a dialogue between these two media. Rémy Marlot's work is exhibited in Europe, the(...)
$44.99
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Résumé:
Born in Paris in 1972, Rémy Marlot's work associates the concepts of nature and culture in his work, around the issues of the urban landscape, the garden, dreams and night time. Since 1999, he has oriented his work Alongside his photography, his developing videographic work establishes a dialogue between these two media. Rémy Marlot's work is exhibited in Europe, the(...)
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Rémy Marlot
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Born in Paris in 1972, Rémy Marlot's work associates the concepts of nature and culture in his work, around the issues of the urban landscape, the garden, dreams and night time. Since 1999, he has oriented his work Alongside his photography, his developing videographic work establishes a dialogue between these two media. Rémy Marlot's work is exhibited in Europe, the United States and Japan.
Rémy Marlot
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Born in Paris in 1972, Rémy Marlot's work associates the concepts of nature and culture in his work, around the issues of the urban landscape, the garden, dreams and night time. Since 1999, he has oriented his work Alongside his photography, his developing videographic work establishes a dialogue between these two media. Rémy Marlot's work is exhibited in Europe, the United States and Japan.
Classification:
livres
livres
Publication:
novembre 2009
novembre 2009
Sujet:
Monographies photo
Monographies photo
