2494 Résultats
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In the summer of 2003, Thomas Joshua Cooper traveled to Shoshone Falls in southern Idaho to photograph where the Snake River had tumbled across a 212-foot precipice, once one of the most sublime landscapes in the American West. Cooper's images were a response to the work of Timothy H. O'Sullivan, photographer on the late-nineteenth-century geologic and geographic surveys(...)
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In the summer of 2003, Thomas Joshua Cooper traveled to Shoshone Falls in southern Idaho to photograph where the Snake River had tumbled across a 212-foot precipice, once one of the most sublime landscapes in the American West. Cooper's images were a response to the work of Timothy H. O'Sullivan, photographer on the late-nineteenth-century geologic and geographic surveys(...)
Titre:
Thomas Joshua Cooper & Timothy O'Sullivan: Shoshone Falls
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In the summer of 2003, Thomas Joshua Cooper traveled to Shoshone Falls in southern Idaho to photograph where the Snake River had tumbled across a 212-foot precipice, once one of the most sublime landscapes in the American West. Cooper's images were a response to the work of Timothy H. O'Sullivan, photographer on the late-nineteenth-century geologic and geographic surveys led by Clarence King and George M. Wheeler. Traveling to Shoshone Falls in 1868, and again in 1874, O'Sullivan made images that capture both the physical grandeur and emotional resonance of this unique landscape. Cooper's photographs simultaneously engage the work of his predecessor while expanding his own formal vocabulary in a project that generates a dialogue around history, geography and photographic process.
Thomas Joshua Cooper & Timothy O'Sullivan: Shoshone Falls
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In the summer of 2003, Thomas Joshua Cooper traveled to Shoshone Falls in southern Idaho to photograph where the Snake River had tumbled across a 212-foot precipice, once one of the most sublime landscapes in the American West. Cooper's images were a response to the work of Timothy H. O'Sullivan, photographer on the late-nineteenth-century geologic and geographic surveys led by Clarence King and George M. Wheeler. Traveling to Shoshone Falls in 1868, and again in 1874, O'Sullivan made images that capture both the physical grandeur and emotional resonance of this unique landscape. Cooper's photographs simultaneously engage the work of his predecessor while expanding his own formal vocabulary in a project that generates a dialogue around history, geography and photographic process.
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livres
livres
Publication:
mars 2010
mars 2010
Sujet:
Monographies photo
Monographies photo
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livres
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$54.00
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German photographer Thomas Ruff is closely associated with the city of Düsseldorf though his studentship under Bernd and Hilla Becher, but he actually hails from the small town of Zell am Harmersbach, in the Black Forest. Ruff's Interior series, made during his student days between 1979 and 1983, is located there. Taken in the homes of his family and friends, and(...)
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German photographer Thomas Ruff is closely associated with the city of Düsseldorf though his studentship under Bernd and Hilla Becher, but he actually hails from the small town of Zell am Harmersbach, in the Black Forest. Ruff's Interior series, made during his student days between 1979 and 1983, is located there. Taken in the homes of his family and friends, and(...)
Titre:
Thomas Ruff: Schwarzwald Landschaft
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German photographer Thomas Ruff is closely associated with the city of Düsseldorf though his studentship under Bernd and Hilla Becher, but he actually hails from the small town of Zell am Harmersbach, in the Black Forest. Ruff's Interior series, made during his student days between 1979 and 1983, is located there. Taken in the homes of his family and friends, and photographed in sober black and white, it draws the viewer immediately into the atmosphere of 1960s and 1970s Germany, showing the farmhouse in which Ruff's mother grew up, along with its barn, toolshed and silo, a young bull and nearby woodland paths. All of Ruff's Black Forest-related series are collected in this catalogue, along with two other series, Stars and Nudes.
Thomas Ruff: Schwarzwald Landschaft
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German photographer Thomas Ruff is closely associated with the city of Düsseldorf though his studentship under Bernd and Hilla Becher, but he actually hails from the small town of Zell am Harmersbach, in the Black Forest. Ruff's Interior series, made during his student days between 1979 and 1983, is located there. Taken in the homes of his family and friends, and photographed in sober black and white, it draws the viewer immediately into the atmosphere of 1960s and 1970s Germany, showing the farmhouse in which Ruff's mother grew up, along with its barn, toolshed and silo, a young bull and nearby woodland paths. All of Ruff's Black Forest-related series are collected in this catalogue, along with two other series, Stars and Nudes.
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livres
livres
Publication:
février 2010
février 2010
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$125.00
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As Detroit's middle class continues to abandon the city center for its dispersed suburbs, and its downtown high-rises empty out, these astounding images, which convey both the imperious grandeur of the city's architecture and its genuinely shocking decline, preserve a moment that warns us all of the transience of great epochs.
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As Detroit's middle class continues to abandon the city center for its dispersed suburbs, and its downtown high-rises empty out, these astounding images, which convey both the imperious grandeur of the city's architecture and its genuinely shocking decline, preserve a moment that warns us all of the transience of great epochs.
Titre:
Yves Marchand and Romain Meffre: ruins of Detroit
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As Detroit's middle class continues to abandon the city center for its dispersed suburbs, and its downtown high-rises empty out, these astounding images, which convey both the imperious grandeur of the city's architecture and its genuinely shocking decline, preserve a moment that warns us all of the transience of great epochs.
Yves Marchand and Romain Meffre: ruins of Detroit
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As Detroit's middle class continues to abandon the city center for its dispersed suburbs, and its downtown high-rises empty out, these astounding images, which convey both the imperious grandeur of the city's architecture and its genuinely shocking decline, preserve a moment that warns us all of the transience of great epochs.
Classification:
livres
livres
Publication:
mai 2010
mai 2010
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$48.00
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Born in Amsterdam in 1957, Ari Marcopoulos came to New York in 1979 and quickly became part of a downtown art scene that included Jean-Michel Basquiat, Keith Haring and Robert Mapplethorpe. Since then, Marcopoulos has become recognized as a leading documentarian of contemporary culture, having chronicled the emerging hip hop scene, shot snowboarders in action and revealed(...)
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Born in Amsterdam in 1957, Ari Marcopoulos came to New York in 1979 and quickly became part of a downtown art scene that included Jean-Michel Basquiat, Keith Haring and Robert Mapplethorpe. Since then, Marcopoulos has become recognized as a leading documentarian of contemporary culture, having chronicled the emerging hip hop scene, shot snowboarders in action and revealed(...)
Titre:
Ari Marcopoulos: within arms's reach
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Born in Amsterdam in 1957, Ari Marcopoulos came to New York in 1979 and quickly became part of a downtown art scene that included Jean-Michel Basquiat, Keith Haring and Robert Mapplethorpe. Since then, Marcopoulos has become recognized as a leading documentarian of contemporary culture, having chronicled the emerging hip hop scene, shot snowboarders in action and revealed the vicissitudes of his family life. Marcopoulos always appears to have forged a strong connection with the people he photographs, whether celebrated figures—from Andy Warhol to Kiki Smith, John Cage to LL Cool J—or more obscure personalities, so that he captures, without sentimentality or voyeurism, the intimate sensation of their daily lives. His images are particular to a time and place, but reach out to us via familiar themes such as family and the longing for adventure. The first retrospective on Marcopoulos, Within Arm's Reach collects work from three decades, and is supplemented with an essay by Stephanie Cannizzo.
Ari Marcopoulos: within arms's reach
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Born in Amsterdam in 1957, Ari Marcopoulos came to New York in 1979 and quickly became part of a downtown art scene that included Jean-Michel Basquiat, Keith Haring and Robert Mapplethorpe. Since then, Marcopoulos has become recognized as a leading documentarian of contemporary culture, having chronicled the emerging hip hop scene, shot snowboarders in action and revealed the vicissitudes of his family life. Marcopoulos always appears to have forged a strong connection with the people he photographs, whether celebrated figures—from Andy Warhol to Kiki Smith, John Cage to LL Cool J—or more obscure personalities, so that he captures, without sentimentality or voyeurism, the intimate sensation of their daily lives. His images are particular to a time and place, but reach out to us via familiar themes such as family and the longing for adventure. The first retrospective on Marcopoulos, Within Arm's Reach collects work from three decades, and is supplemented with an essay by Stephanie Cannizzo.
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livres
livres
Publication:
février 2010
février 2010
Sujet:
Monographies photo
Monographies photo
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livres
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$60.00
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For three years, Caleb Cain Marcus has been photographing what Robert Frank calls, in his haiku-esque preface to this volume, “the light of night.” The black-and-white photographs collected in this monograph explore the silent and haunting experience of walking alone after dark on the streets of New York City. Caleb Cain Marcus savors the strange solitude that follows the(...)
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For three years, Caleb Cain Marcus has been photographing what Robert Frank calls, in his haiku-esque preface to this volume, “the light of night.” The black-and-white photographs collected in this monograph explore the silent and haunting experience of walking alone after dark on the streets of New York City. Caleb Cain Marcus savors the strange solitude that follows the(...)
Titre:
The silent aftermath of space
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For three years, Caleb Cain Marcus has been photographing what Robert Frank calls, in his haiku-esque preface to this volume, “the light of night.” The black-and-white photographs collected in this monograph explore the silent and haunting experience of walking alone after dark on the streets of New York City. Caleb Cain Marcus savors the strange solitude that follows the familiar crowded confinement of the city's daylight life; amid vacated construction sites, empty pews in churches, parking lots and subway tunnels, an eerily placid beauty resounds, consuming spaces that were once filled with bustle and chaos. As each shot marks the passing of another night, the collection accumulates a quiet, consistent resonance. Cain Marcus' work urges the viewer to slow down, to look at and breathe in the mute magic of night-time New York. "The Silent Aftermath of Space" is presented in large format, allowing viewers to submerge themselves in its mood. Exposed from direct light sources, these images are grainy and enigmatic nocturnal gems.
The silent aftermath of space
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For three years, Caleb Cain Marcus has been photographing what Robert Frank calls, in his haiku-esque preface to this volume, “the light of night.” The black-and-white photographs collected in this monograph explore the silent and haunting experience of walking alone after dark on the streets of New York City. Caleb Cain Marcus savors the strange solitude that follows the familiar crowded confinement of the city's daylight life; amid vacated construction sites, empty pews in churches, parking lots and subway tunnels, an eerily placid beauty resounds, consuming spaces that were once filled with bustle and chaos. As each shot marks the passing of another night, the collection accumulates a quiet, consistent resonance. Cain Marcus' work urges the viewer to slow down, to look at and breathe in the mute magic of night-time New York. "The Silent Aftermath of Space" is presented in large format, allowing viewers to submerge themselves in its mood. Exposed from direct light sources, these images are grainy and enigmatic nocturnal gems.
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livres
livres
Publication:
mars 2010
mars 2010
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$42.00
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This bilingual book is built around Thomas Demand's exhibition Nationalgalerie, held at the Neue Nationalgalerie in Berlin. Obrist and Demand's conversation examines the exhibition, Demand's literary influences and collaborations, and the logistics of exhibition spaces.
$42.00
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This bilingual book is built around Thomas Demand's exhibition Nationalgalerie, held at the Neue Nationalgalerie in Berlin. Obrist and Demand's conversation examines the exhibition, Demand's literary influences and collaborations, and the logistics of exhibition spaces.
Titre:
Thomas Demand und die Nationalgalerie
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This bilingual book is built around Thomas Demand's exhibition Nationalgalerie, held at the Neue Nationalgalerie in Berlin. Obrist and Demand's conversation examines the exhibition, Demand's literary influences and collaborations, and the logistics of exhibition spaces.
Thomas Demand und die Nationalgalerie
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This bilingual book is built around Thomas Demand's exhibition Nationalgalerie, held at the Neue Nationalgalerie in Berlin. Obrist and Demand's conversation examines the exhibition, Demand's literary influences and collaborations, and the logistics of exhibition spaces.
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livres
livres
Publication:
février 2010
février 2010
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$72.00
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Border landscapes are emotionally charged spaces, especially those of the former Iron Curtain. In 2004 Vesselina Nikolaeva (born 1976) was granted permission to photograph the Bulgarian-Turkish border. This volume presents her photos alongside archival images of border guards.
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Border landscapes are emotionally charged spaces, especially those of the former Iron Curtain. In 2004 Vesselina Nikolaeva (born 1976) was granted permission to photograph the Bulgarian-Turkish border. This volume presents her photos alongside archival images of border guards.
Titre:
Simply a line : no man's land between Bulgaria and Turkey
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Border landscapes are emotionally charged spaces, especially those of the former Iron Curtain. In 2004 Vesselina Nikolaeva (born 1976) was granted permission to photograph the Bulgarian-Turkish border. This volume presents her photos alongside archival images of border guards.
Simply a line : no man's land between Bulgaria and Turkey
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$72.00
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Border landscapes are emotionally charged spaces, especially those of the former Iron Curtain. In 2004 Vesselina Nikolaeva (born 1976) was granted permission to photograph the Bulgarian-Turkish border. This volume presents her photos alongside archival images of border guards.
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livres
livres
Publication:
mars 2010
mars 2010
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$90.00
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Pursuing the Bernd and Hilla Becher tradition of photo-typologies—he was a student of the Bechers—Bernard Fuchs follows his Autos monograph with this catalogue of roads and.paths. These routes all lead somewhere, perhaps away from civilization, but, as Fuchs makes plain, are certainly civilizing entities themselves, the artificial medium by which nature is found.
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Pursuing the Bernd and Hilla Becher tradition of photo-typologies—he was a student of the Bechers—Bernard Fuchs follows his Autos monograph with this catalogue of roads and.paths. These routes all lead somewhere, perhaps away from civilization, but, as Fuchs makes plain, are certainly civilizing entities themselves, the artificial medium by which nature is found.
Titre:
Bernhard Fuchs: roads and paths
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Pursuing the Bernd and Hilla Becher tradition of photo-typologies—he was a student of the Bechers—Bernard Fuchs follows his Autos monograph with this catalogue of roads and.paths. These routes all lead somewhere, perhaps away from civilization, but, as Fuchs makes plain, are certainly civilizing entities themselves, the artificial medium by which nature is found.
Bernhard Fuchs: roads and paths
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Pursuing the Bernd and Hilla Becher tradition of photo-typologies—he was a student of the Bechers—Bernard Fuchs follows his Autos monograph with this catalogue of roads and.paths. These routes all lead somewhere, perhaps away from civilization, but, as Fuchs makes plain, are certainly civilizing entities themselves, the artificial medium by which nature is found.
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livres
livres
Publication:
février 2010
février 2010
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$84.00
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Danish photographer Henrik Saxgren (born 1953) finds everyday art in the least likely places, as the title of his series Unintended Sculptures indicates. Rummaging outdoors, Saxgren discovers sculptural forms and optical illusions one would swear had been deliberately installed, at the very moment that they reveal themselves in the framework of their environments.
$84.00
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Danish photographer Henrik Saxgren (born 1953) finds everyday art in the least likely places, as the title of his series Unintended Sculptures indicates. Rummaging outdoors, Saxgren discovers sculptural forms and optical illusions one would swear had been deliberately installed, at the very moment that they reveal themselves in the framework of their environments.
Titre:
Henrik Saxgren: Unintended sculptures
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Danish photographer Henrik Saxgren (born 1953) finds everyday art in the least likely places, as the title of his series Unintended Sculptures indicates. Rummaging outdoors, Saxgren discovers sculptural forms and optical illusions one would swear had been deliberately installed, at the very moment that they reveal themselves in the framework of their environments.
Henrik Saxgren: Unintended sculptures
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$84.00
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Danish photographer Henrik Saxgren (born 1953) finds everyday art in the least likely places, as the title of his series Unintended Sculptures indicates. Rummaging outdoors, Saxgren discovers sculptural forms and optical illusions one would swear had been deliberately installed, at the very moment that they reveal themselves in the framework of their environments.
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livres
livres
Publication:
mars 2010
mars 2010
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Projects : done
Projects : done
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$73.00
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For Candida Höfer, “projects” are works in multiple parts that have a planned, additional course or which are completed once they reach a definitive state. "Projects : Done" refers to 14 completed projects from between 1968 and 2008. The fifteenth is the presentation itself, which the artist has developed in collaboration with the architects Kuehn Malvezzi.
$73.00
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For Candida Höfer, “projects” are works in multiple parts that have a planned, additional course or which are completed once they reach a definitive state. "Projects : Done" refers to 14 completed projects from between 1968 and 2008. The fifteenth is the presentation itself, which the artist has developed in collaboration with the architects Kuehn Malvezzi.
Titre:
Projects : done
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$73.00
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For Candida Höfer, “projects” are works in multiple parts that have a planned, additional course or which are completed once they reach a definitive state. "Projects : Done" refers to 14 completed projects from between 1968 and 2008. The fifteenth is the presentation itself, which the artist has developed in collaboration with the architects Kuehn Malvezzi.
Projects : done
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$73.00
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Résumé:
For Candida Höfer, “projects” are works in multiple parts that have a planned, additional course or which are completed once they reach a definitive state. "Projects : Done" refers to 14 completed projects from between 1968 and 2008. The fifteenth is the presentation itself, which the artist has developed in collaboration with the architects Kuehn Malvezzi.
Classification:
livres
livres
Publication:
janvier 2010
janvier 2010
Sujet:
Monographies photo
Monographies photo
