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This publication documents a project by German artist Arwed Messmer and writer Annett Gröschner, based on photographs taken by Fritz Tiedemann of the Berlin street Fruchtsrasse on March 27, 1952.
Arwed Messmer & Annett Gröschner: Berlin, Fruchtstrasse on March 27, 1952
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This publication documents a project by German artist Arwed Messmer and writer Annett Gröschner, based on photographs taken by Fritz Tiedemann of the Berlin street Fruchtsrasse on March 27, 1952.
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Candida Höfer: Haus Ludwig
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In Haus Ludwig, Candida Höfer (born 1944), internationally renowned for her photographs of museums and libraries, documents the private collection and interiors of the house of Irene and Peter Ludwig in Aachen, Germany. The collection itself contains a wealth of works by European modernist greats such as August Macke, Fernand Léger, Henri Matisse, Lyonel Feininger and(...)
Candida Höfer: Haus Ludwig
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In Haus Ludwig, Candida Höfer (born 1944), internationally renowned for her photographs of museums and libraries, documents the private collection and interiors of the house of Irene and Peter Ludwig in Aachen, Germany. The collection itself contains a wealth of works by European modernist greats such as August Macke, Fernand Léger, Henri Matisse, Lyonel Feininger and Alexej von Jawlensky, as well as by postwar American Pop-era artists such as Roy Lichtenstein, Jasper Johns and Jackson Pollock.
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In this volume, Cuban multimedia artist Carlos Garaicoa (born 1967) portrays the architectures of Havana, Tokyo and Rio de Janeiro as a metaphor for the failures of various twentieth-century ideologies. "Photography as Intervention" reflects on the homogeneity of cities worldwide.
Carlos Garaicoa: photography as intervention
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In this volume, Cuban multimedia artist Carlos Garaicoa (born 1967) portrays the architectures of Havana, Tokyo and Rio de Janeiro as a metaphor for the failures of various twentieth-century ideologies. "Photography as Intervention" reflects on the homogeneity of cities worldwide.
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Unión de Interactional Casa Barragán is Japanese multimedia artist Noritoshi Hirakawa's meditation on the relationship between people and buildings, using Luis Barragán's home and studio. Hirakawa's photographs deploy male and female dancers who enact erotic attraction upon or around Barragán's buildings.
Noritoshi Hirakawa : Union de...interactional casa Barragan
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Unión de Interactional Casa Barragán is Japanese multimedia artist Noritoshi Hirakawa's meditation on the relationship between people and buildings, using Luis Barragán's home and studio. Hirakawa's photographs deploy male and female dancers who enact erotic attraction upon or around Barragán's buildings.
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Japanese-born photographer Reiko Imoto's second monograph gathers two new series, Time Traveler's Diary and Visions of the Other Side, her most surrealistic series yet. Imoto's moody black-and-white photography elicits ominous and disorienting effects from everyday scenes in city streets or interiors.
Reiko Imoto: visions of the other side
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Japanese-born photographer Reiko Imoto's second monograph gathers two new series, Time Traveler's Diary and Visions of the Other Side, her most surrealistic series yet. Imoto's moody black-and-white photography elicits ominous and disorienting effects from everyday scenes in city streets or interiors.
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Martin Boyce is known for his large installation work in sculpture, creating angular replications of the world around him, finding meaning in everyday surroundings and working steel structures into amplifications of these moments in space and time. Hundreds of photographs were edited down until the shape of a book emerged. The series creates the feeling of stillness and(...)
Martin Boyce: a partial eclipse
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Martin Boyce is known for his large installation work in sculpture, creating angular replications of the world around him, finding meaning in everyday surroundings and working steel structures into amplifications of these moments in space and time. Hundreds of photographs were edited down until the shape of a book emerged. The series creates the feeling of stillness and distance between the viewer and photograph.
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Daido Moriyama
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Daido Moriyama emerged from the Provoke movement of the 1960s, which challenged, primarily through its publications, the rigid artistic formalities of the Japanese photographic scene at that time, he created highly innovative and intensely personal work, often depicting what he saw as the breakdown of traditional values in post-war Japan.
Daido Moriyama
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Daido Moriyama emerged from the Provoke movement of the 1960s, which challenged, primarily through its publications, the rigid artistic formalities of the Japanese photographic scene at that time, he created highly innovative and intensely personal work, often depicting what he saw as the breakdown of traditional values in post-war Japan.
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Capturing the quintessential Los Angeles experience with its balance of the banal and the beautiful, Ed Ruscha photobooks of the 1960s— such as Twentysix Gasoline Stations , Every Building on the Sunset Strip , Some Los Angeles Apartments , and Thirtyfour Parking Lots — are known for their deadpan cataloguing of the city’s functional architecture. This publication(...)
Ed Ruscha and some Los Angeles apartments
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Capturing the quintessential Los Angeles experience with its balance of the banal and the beautiful, Ed Ruscha photobooks of the 1960s— such as Twentysix Gasoline Stations , Every Building on the Sunset Strip , Some Los Angeles Apartments , and Thirtyfour Parking Lots — are known for their deadpan cataloguing of the city’s functional architecture. This publication features thirty-eight Ruscha plates and an essay that traces the evolution of the artist’s thinking about his photographs initially as the means to the end of his self-published photobooks and eventually as works of art in and of themselves.
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In the 1930s the history of Japanese photography evolved in two very different directions: one toward documentary photography, the other favoring an experimental, or avant-garde, approach strongly influenced by Western Surrealism. This book explores these two strains of modern Japanese photography through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto.
Japan's modern divide : the photographs of Hiroshi Hamaya and Kansuke Yamamoto
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In the 1930s the history of Japanese photography evolved in two very different directions: one toward documentary photography, the other favoring an experimental, or avant-garde, approach strongly influenced by Western Surrealism. This book explores these two strains of modern Japanese photography through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto.
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Acclaimed Japanese photographer Yoshihiko Ueda embarks upon an introspective pilgrimage to discover the architecture of Mies van der Rohe in this elegant photo book. His passion for the famed Modernist’s work is palpable, as he approaches each subject with loving, almost ritualistic care. Ueda’s camera often focuses on the details: textures and grains, doorknobs and(...)
février 2013
Mies van der Rohe: photographs by Yoshihiko Ueda
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Acclaimed Japanese photographer Yoshihiko Ueda embarks upon an introspective pilgrimage to discover the architecture of Mies van der Rohe in this elegant photo book. His passion for the famed Modernist’s work is palpable, as he approaches each subject with loving, almost ritualistic care. Ueda’s camera often focuses on the details: textures and grains, doorknobs and furniture, the natural surroundings, the way the light falls, or overlooked corners and unexpected views. He guides us with a sense of physically moving through the place, glancing around, taking it all in with the repetition and progression of viewpoints. In short, a masterful presentation.