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Swiss photographer and artist Nicolas Grospierre (born 1975) is best known for his photography of modern architectural sites, which he approaches as if he were archiving historical relics. Open-Ended presents works from the last ten years, including elaborate installations created for specific sites.
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juillet 2013
Nicolas Grospierre: open-ended
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Swiss photographer and artist Nicolas Grospierre (born 1975) is best known for his photography of modern architectural sites, which he approaches as if he were archiving historical relics. Open-Ended presents works from the last ten years, including elaborate installations created for specific sites.
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$54.95
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Like almost no other artist of his generation, Canadian Jeff Wall (born in 1946) has focused on the potential of artistic composition, the boundaries between the genres of painting, photography, sculpture, and film, fiction and reality. This publication aims to take a fresh look at Wall's oeuvre, which has been so influential and had such an international impact, and to(...)
Jeff Wall: works from Munich collections
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Like almost no other artist of his generation, Canadian Jeff Wall (born in 1946) has focused on the potential of artistic composition, the boundaries between the genres of painting, photography, sculpture, and film, fiction and reality. This publication aims to take a fresh look at Wall's oeuvre, which has been so influential and had such an international impact, and to allow his works to be experienced in light of the recognition of photography as an art form.
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Harald F. Müller: first cuts
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First Cuts shows 15 photographic appropriations that artist Harald F. Müller realized for the first time in Switzerland's tallest building: the Prime Tower in Zürich, designed by architects Gigon/Guyer. Applied by means of a perforated grid onto sound absorbing metal panels on the building's interior walls, the re-photographed motifs depict a series of "firsts" from the(...)
Harald F. Müller: first cuts
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First Cuts shows 15 photographic appropriations that artist Harald F. Müller realized for the first time in Switzerland's tallest building: the Prime Tower in Zürich, designed by architects Gigon/Guyer. Applied by means of a perforated grid onto sound absorbing metal panels on the building's interior walls, the re-photographed motifs depict a series of "firsts" from the worlds of technology, sports, and culture.
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Martin Parr
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Matin Parr charts the photographer's entire career, beginning with his early black-and-white photographs and continuing on to major projects such as The Last Resort and Think of England. The book features an introductory essay by Sandra D. Phillips, Senior Curator of Photography at the San Francisco Museum of Modern Art.
Martin Parr
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Matin Parr charts the photographer's entire career, beginning with his early black-and-white photographs and continuing on to major projects such as The Last Resort and Think of England. The book features an introductory essay by Sandra D. Phillips, Senior Curator of Photography at the San Francisco Museum of Modern Art.
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With Toba Sea-Folk Museum as its primary subject, this overview of four works by Japanese architect Hiroshi Naito centres upon the black-and-white images made by renowned photographer Yasuhiro Ishimoto. Upon Naitos request, Ishimoto photographed each project in detail, capturing the moment when a particular light manifests at a certain place, when nature and building fall(...)
Yasuhiro Ishimoto: Space Spirits
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With Toba Sea-Folk Museum as its primary subject, this overview of four works by Japanese architect Hiroshi Naito centres upon the black-and-white images made by renowned photographer Yasuhiro Ishimoto. Upon Naitos request, Ishimoto photographed each project in detail, capturing the moment when a particular light manifests at a certain place, when nature and building fall into dialogue. In his writings, Naito not only lends detailed insight regarding his works, but also expresses his gratitude for the photographers keen eye, the warmth inherent in buildings, and the refined intervention of human endeavour in the natural landscape.
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Yasushi Handa: iron stills
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Japanese photographer Yashushi Handa portrays 71 great symbols of the American iron industry in this series of incredible images, from iconic bridges and high-rises to vintage automobiles and airplanes. Photographed in extremely fine detail and with exceptionally high resolution, these are the vestiges of an era that formed the foundations of the nation, transforming it(...)
Yasushi Handa: iron stills
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Japanese photographer Yashushi Handa portrays 71 great symbols of the American iron industry in this series of incredible images, from iconic bridges and high-rises to vintage automobiles and airplanes. Photographed in extremely fine detail and with exceptionally high resolution, these are the vestiges of an era that formed the foundations of the nation, transforming it into a world leader in industry, technology and innovation
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Dutch photographer Jeroen Lok went to Coliumo, Chile, to visit Casa Poli, designed by the firm Pezo von Ellrichshausen. In this book, Jeroen Lok documents the weathering of the house during almost a decade of existence, and places it in its context, which underwent big changes after an earthquake in 2010.
juillet 2013
Casa Poli: Pezo von Ellrichshausen
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Dutch photographer Jeroen Lok went to Coliumo, Chile, to visit Casa Poli, designed by the firm Pezo von Ellrichshausen. In this book, Jeroen Lok documents the weathering of the house during almost a decade of existence, and places it in its context, which underwent big changes after an earthquake in 2010.
Marnix Goossens: Yonder
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Dutch photographer Marnix Goossens spent seven years documenting surrogate nature in somewhat run-down interiors, a recurrent theme reflecting our underlying yearning for the freedom inspired by exotic destinations and wide-open spaces. In place of the real thing, Goossens pictures palm-print wallpaper, false wood grain adhesive, flowery motifs and faded posters of(...)
Marnix Goossens: Yonder
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Dutch photographer Marnix Goossens spent seven years documenting surrogate nature in somewhat run-down interiors, a recurrent theme reflecting our underlying yearning for the freedom inspired by exotic destinations and wide-open spaces. In place of the real thing, Goossens pictures palm-print wallpaper, false wood grain adhesive, flowery motifs and faded posters of snow-capped mountains. Otherwise mundane and overlooked details and decorative elements are appreciated anew and in unexpected ways through a profusion of detail, colour nuances, and careful lighting. The book is published on the occasion of a solo exhibition by Goossens at Foam, Amsterdam.
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Burtynsky : water
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There is no life without water. Burtynsky's new book Water tells us the story of where water comes from, how we use it, distribute and waste it. Often using a bird's-eye perspective, the photographer shows us its remote sources, remarkable ancient step-wells and mass bathing rituals, the transformation of desert into cities with waterfronts on each doorstep, the(...)
Burtynsky : water
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There is no life without water. Burtynsky's new book Water tells us the story of where water comes from, how we use it, distribute and waste it. Often using a bird's-eye perspective, the photographer shows us its remote sources, remarkable ancient step-wells and mass bathing rituals, the transformation of desert into cities with waterfronts on each doorstep, the compromised landscapes of the American Southwest. Furthermore, Burtynsky explores the infrastructure of water management: the gigantic hydroelectric dams and terraced rice fields in the heart of China, the vast irrigation systems of America's bread basket and the use of aquaculture.
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Hashima is a small island located off the extreme southwest coast of Japan, about ten miles from Nagasaki. Its darkwarship-like silhouette earned it the nickname of Gunkanjima (“battleship island”). During the wave of industrialisation in the nineteenth century, a coal seam was discovered on the island and the Mitsubishi corporation opened a mine there. Workers settled on(...)
Yves Marchand, Roman Meffre: Gunkanjima
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Hashima is a small island located off the extreme southwest coast of Japan, about ten miles from Nagasaki. Its darkwarship-like silhouette earned it the nickname of Gunkanjima (“battleship island”). During the wave of industrialisation in the nineteenth century, a coal seam was discovered on the island and the Mitsubishi corporation opened a mine there. Workers settled on the island and the population increased, the small mining town quickly becoming a modern and autonomous settlement. However, the mine closed in January 1974 and the last inhabitants deserted the island. Since then, Gunkanjima has become a ghost town.
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