Gregory Crewdson
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With a meticulous approach that has been likened to that of a film director, Crewdson typically works with a large crew and extremely technical sets to achieve a remarkably atmospheric and textured perspective. His fanatical attention to light and location creates a vision of life at once familiar and haunting; his artistic vision seems in line with those of Edward Hopper(...)
Gregory Crewdson
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With a meticulous approach that has been likened to that of a film director, Crewdson typically works with a large crew and extremely technical sets to achieve a remarkably atmospheric and textured perspective. His fanatical attention to light and location creates a vision of life at once familiar and haunting; his artistic vision seems in line with those of Edward Hopper and David Lynch. Published together for the first time are images from each of his many series of work, from the little-seen black-and-white images of Fireflies to more recent masterpieces such as Beneath the Roses and Sanctuary.
Monographies photo
David Campany: gasoline
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Gasoline presents 35 archive press images of gas stations taken between 1944 and 1995. They have been collected by writer David Campany, purchased from the photography archives of several American newspapers which have been discarding their analogue print collections and moving to the now ubiquitous .jpeg or .tif formats.
David Campany: gasoline
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Gasoline presents 35 archive press images of gas stations taken between 1944 and 1995. They have been collected by writer David Campany, purchased from the photography archives of several American newspapers which have been discarding their analogue print collections and moving to the now ubiquitous .jpeg or .tif formats.
Monographies photo
Martin Kollar: field trip
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Field Trip establishes an opaque representation of the life and landscape of Israel. Military presence looms heavily and the images are punctuated with anxiety. Butchered animals combine with uncertain portraits of Israeli residents and leave the viewer unclear where the military landscape ends and the civilian land begins. Martin Kollar was born in Zilina, Czechoslovakia(...)
Martin Kollar: field trip
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Field Trip establishes an opaque representation of the life and landscape of Israel. Military presence looms heavily and the images are punctuated with anxiety. Butchered animals combine with uncertain portraits of Israeli residents and leave the viewer unclear where the military landscape ends and the civilian land begins. Martin Kollar was born in Zilina, Czechoslovakia (now Slovak Republic). He studied at the Academy of Performing Arts Bratislava and has been working as a freelance photographer and cinematographer since he graduated.
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Alex Plademunt: almost there
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Plademunt's images play with scale as he explores time and distance, pulling both notions in the most extreme directions. His work has always been rooted in the landscape, and in Almost There he builds on this with an interrogation of the possibilities of the photographic, pushing the boundaries of each photographic tradition he encounters.
Alex Plademunt: almost there
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Plademunt's images play with scale as he explores time and distance, pulling both notions in the most extreme directions. His work has always been rooted in the landscape, and in Almost There he builds on this with an interrogation of the possibilities of the photographic, pushing the boundaries of each photographic tradition he encounters.
Monographies photo
Pictorial zoology
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Laszlo Layton’s artwork comprises modern images that evoke 18th and 19th century natural history drawings. To create his work, Layton first photographs a museum specimen using a restored 11x14-inch mahogany Deardoff camera, fitted with vintage Pinkham & Smith lenses. After making a cyanotype of the image, Layton then painstakingly hand paints the resulting print in subtle(...)
Pictorial zoology
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Laszlo Layton’s artwork comprises modern images that evoke 18th and 19th century natural history drawings. To create his work, Layton first photographs a museum specimen using a restored 11x14-inch mahogany Deardoff camera, fitted with vintage Pinkham & Smith lenses. After making a cyanotype of the image, Layton then painstakingly hand paints the resulting print in subtle hues of color. Each print in the edition is therefore unique, and as much an object as a photographic print. Although Layton’s work operates at the intersection of science and art, it is a call to beauty, not a diagram of reality.
Monographies photo
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Terri Weifenbach's long-awaited new monograph, Between Maple and Chestnut, is an artist's book about 'anywhere America', comprised of photographs made between 2005 and 2007. Here, the trees are mature, the grass is green and the sun is out - and street names are repeated from suburb to suburb across the nation. Printed on special matt art paper and bound in Japanese(...)
Terri Weifenbach: between Maple and Chestnut
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Terri Weifenbach's long-awaited new monograph, Between Maple and Chestnut, is an artist's book about 'anywhere America', comprised of photographs made between 2005 and 2007. Here, the trees are mature, the grass is green and the sun is out - and street names are repeated from suburb to suburb across the nation. Printed on special matt art paper and bound in Japanese cloth, Between Maple and Chestnut is limited to 1,000 casebound copies.
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Buildings made of sky
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Since 2004, Peter Wegner has photographed the urban canyons of various cities. By inverting the image, the silhouette of the sky assumes the shape of the skyscrapers that frame it. Wegner recalls the moment of his initial discovery: 'Walking down the street in New York one day, I glanced up and saw an invisible building suspended between the others. It was upside down,(...)
Buildings made of sky
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Since 2004, Peter Wegner has photographed the urban canyons of various cities. By inverting the image, the silhouette of the sky assumes the shape of the skyscrapers that frame it. Wegner recalls the moment of his initial discovery: 'Walking down the street in New York one day, I glanced up and saw an invisible building suspended between the others. It was upside down, the color of air ...' Wegner's primary concern is what he calls 'the contest between nothing and something.'
Monographies photo
$58.00
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In 2006, photographer Martin Usborne spent three days walking around London in the company of a fox, a dead fox, hired from a taxidermist at a rate higher than it would cost to rent a Ferrari. It was money well spent. Usborne had great fun interacting with people on the street and the fox, temporarily at least, was given a new lease of life.
Martin Usborne : Fox about town
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In 2006, photographer Martin Usborne spent three days walking around London in the company of a fox, a dead fox, hired from a taxidermist at a rate higher than it would cost to rent a Ferrari. It was money well spent. Usborne had great fun interacting with people on the street and the fox, temporarily at least, was given a new lease of life.
Monographies photo
Jeff Liao: Coney Island
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In 2010, Liao began photographing Coney Island during a period of transition, for both the place and the artist. A new incarnation of Luna Park opened to the public, the municipal government actively engaged in redevelopment, and the area visibly transformed. At the same time, Liao’s approach to picture making changed as he experimented with new strategies and techniques.(...)
Jeff Liao: Coney Island
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In 2010, Liao began photographing Coney Island during a period of transition, for both the place and the artist. A new incarnation of Luna Park opened to the public, the municipal government actively engaged in redevelopment, and the area visibly transformed. At the same time, Liao’s approach to picture making changed as he experimented with new strategies and techniques. He started the project working with traditional transparency film. Although he had always used digital technology to transform the film images into a finished image, he slowly introduced digital picture-making technology to the process of recording the scenes. The resulting large-scale prints have a visual sweep often associated with cinema, encompassing the viewer and providing a strong sense of place. Edition of 500 copies
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Sonja Braas: so far
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So Far looks at the serial works of German artist Sonja Braas (born 1968). Braas’ images of powerful natural phenomena such as high mountains and thundering avalanches, only partly show real nature and landscapes--many of her photographs are actually of handmade models.
Sonja Braas: so far
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So Far looks at the serial works of German artist Sonja Braas (born 1968). Braas’ images of powerful natural phenomena such as high mountains and thundering avalanches, only partly show real nature and landscapes--many of her photographs are actually of handmade models.
Monographies photo