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4th of October, 2010 at 12.25pm in Ajka, Veszprém county, Hungary: around a million cubic meters of toxic waste were released after the rupture of the retaining wall in one of the reservoirs used for the accumulation of MAL aluminum company trash. The spill reached two meters high and started a destructive race trying to release its energy, flooding the nearby Devecser(...)
Palindromo Meszaros: the Line
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4th of October, 2010 at 12.25pm in Ajka, Veszprém county, Hungary: around a million cubic meters of toxic waste were released after the rupture of the retaining wall in one of the reservoirs used for the accumulation of MAL aluminum company trash. The spill reached two meters high and started a destructive race trying to release its energy, flooding the nearby Devecser and Kolontár villages. Ten human casualties were counted and material damages were impossible to measure, including the destruction or irreparable deterioration of numerous houses, the disappearance of infrastructures and the poisoning of dozens of fields. These photos have been taken six months after the accident when silence takes place of the headlines, and just The Line is left.
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Melanie Schiff: sun land
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In photographs characterized by subtle geometries and penetrating natural light, Los Angeles-based artist Melanie Schiff (born 1977) achieves dramatic effects with everyday objects, found landscapes and interiors. This is the first survey of Schiff's photographs including work from 2002-2012.
Melanie Schiff: sun land
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In photographs characterized by subtle geometries and penetrating natural light, Los Angeles-based artist Melanie Schiff (born 1977) achieves dramatic effects with everyday objects, found landscapes and interiors. This is the first survey of Schiff's photographs including work from 2002-2012.
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Yto Barrada
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Un panorama complet de l'œuvre de l'artiste franco-marocaine.
Yto Barrada
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Un panorama complet de l'œuvre de l'artiste franco-marocaine.
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Life's a beach
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Parr photographie la plage depuis des décennies, des séances de bronzage en gros plans à la fougue du nageur en plein plongeon, sans oublier le sempiternel pique-nique au goût de sable. Ce recueil nous présente les meilleurs clichés de son exploration de la beach culture, avec des photos d'estivants prises en Argentine, au Brésil, en Chine, en Espagne, en Italie, en(...)
Life's a beach
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Parr photographie la plage depuis des décennies, des séances de bronzage en gros plans à la fougue du nageur en plein plongeon, sans oublier le sempiternel pique-nique au goût de sable. Ce recueil nous présente les meilleurs clichés de son exploration de la beach culture, avec des photos d'estivants prises en Argentine, au Brésil, en Chine, en Espagne, en Italie, en Lettonie, au Japon, aux Etats-Unis, au Mexique, en Thaïlande et bien sûr au Royaume-Uni.
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Burtynsky : water
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There is no life without water. Burtynsky’s book Water tells us the story of where water comes from, how we use it, distribute and waste it. Often using a bird’s-eye perspective, the photographer shows us its remote sources, remarkable ancient step-wells and mass bathing rituals, the transformation of desert into cities with waterfronts on each doorstep, the compromised(...)
Burtynsky : water
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There is no life without water. Burtynsky’s book Water tells us the story of where water comes from, how we use it, distribute and waste it. Often using a bird’s-eye perspective, the photographer shows us its remote sources, remarkable ancient step-wells and mass bathing rituals, the transformation of desert into cities with waterfronts on each doorstep, the compromised landscapes of the American Southwest. The colour photographs in this book are poetic and at the same time highly relevant.
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Mark Cohen : dark knees
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Mark Cohen est uen figure majeure de la street photography depuis les années 70. Il n’a cessé de photographier sa ville natale, Wilkes-Barre en Pennsylvanie et ses environs. Sans intention documentaire, il garde pendant plus de quarante ans la distance d’un étranger, toujours alerte.
Mark Cohen : dark knees
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Mark Cohen est uen figure majeure de la street photography depuis les années 70. Il n’a cessé de photographier sa ville natale, Wilkes-Barre en Pennsylvanie et ses environs. Sans intention documentaire, il garde pendant plus de quarante ans la distance d’un étranger, toujours alerte.
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Robert Frank : park / sleep
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Park / Sleep is the third in the series of Robert Frank’s late visual diaries. It takes up his familiar collage technique, combining new and old snapshots mainly of Frank’s friends, family, and home/studio, but also scenic and urban settings and interiors. The images are accompanied by short texts—notes, pieces of conversations, poems, and thoughts.
Robert Frank : park / sleep
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Park / Sleep is the third in the series of Robert Frank’s late visual diaries. It takes up his familiar collage technique, combining new and old snapshots mainly of Frank’s friends, family, and home/studio, but also scenic and urban settings and interiors. The images are accompanied by short texts—notes, pieces of conversations, poems, and thoughts.
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Josef Koudelka: wall
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Wall s’inscrit dans un projet plus vaste dont l’initiative revient au photographe Frédéric Brenner. Ce projet, dénommé This Place, a pour ambition d’explorer Israël sous l’angle du territoire et de la métaphore à travers le regard de douze photographes internationalement reconnus, invités à passer huit mois sur place en résidence, avec pour mission de dépasser le récit(...)
Josef Koudelka: wall
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Wall s’inscrit dans un projet plus vaste dont l’initiative revient au photographe Frédéric Brenner. Ce projet, dénommé This Place, a pour ambition d’explorer Israël sous l’angle du territoire et de la métaphore à travers le regard de douze photographes internationalement reconnus, invités à passer huit mois sur place en résidence, avec pour mission de dépasser le récit politique dominant pour examiner la complexité du site ainsi que ses résonances à travers le monde – ne pas porter de jugement, mais soulever des questions et donner à voir.
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Takashi Homma's New Waves exhibition at the Longhouse Projects gallery presents a series of work rooted in psychological phenomena, pictorial meditation, and temporal space as a trichotomy: land/sea/sky. Photographed at the North Shore of Oahu, Hawaii, this thirteen year project depicts the coastline continuously un-changed by climate or seasons. In the essay “Cresting,”(...)
New Waves: Takashi Homma 2000-2013
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Takashi Homma's New Waves exhibition at the Longhouse Projects gallery presents a series of work rooted in psychological phenomena, pictorial meditation, and temporal space as a trichotomy: land/sea/sky. Photographed at the North Shore of Oahu, Hawaii, this thirteen year project depicts the coastline continuously un-changed by climate or seasons. In the essay “Cresting,” philosopher and art critic David LaRocca writes that Homma’s photographs “do not evoke the same response in us every time; they are, we are tempted to say, individual (or at least individuated) to such an extent that like each frame from Homma's camera, each instant in the life of this water-as-wave exists as an enigmatic particularity.” Each photograph therefore, provides a unique lens in which to contemplate the complex relationships that arise in viewing each seascape.
Monographies photo
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The book is a survey of Fontcuberta’s oeuvre displaying his genius as photographer, essayist, humorist and fantasist alike. In teasing fashion, the book can be flipped to reveal an essay section, with texts by Geoffrey Batchen and Jorge Wagensberg that examine and unpick the myths that Fontcuberta has so meticulously constructed.
The photography of nature & the nature of photography
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The book is a survey of Fontcuberta’s oeuvre displaying his genius as photographer, essayist, humorist and fantasist alike. In teasing fashion, the book can be flipped to reveal an essay section, with texts by Geoffrey Batchen and Jorge Wagensberg that examine and unpick the myths that Fontcuberta has so meticulously constructed.
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