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A Perpetual Season lays a photographic trail through a dream-like city, offering glimpses into a network of spaces that loom as silent witnesses to some forgotten order. Recurring concrete shapes and perplexed human beings punctuate the journey with a faintly elegiac tone which conjures up an inverted Arcadia, illuminated by the hopes and visions of a bygone era. This is(...)
Grégoire Pujade-Lauraine: a perpetual season
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A Perpetual Season lays a photographic trail through a dream-like city, offering glimpses into a network of spaces that loom as silent witnesses to some forgotten order. Recurring concrete shapes and perplexed human beings punctuate the journey with a faintly elegiac tone which conjures up an inverted Arcadia, illuminated by the hopes and visions of a bygone era. This is fertile ground for a series of unsettling encounters which act as cryptic symptoms of an ominous presence – a reversed staircase, an unreachable doorway, people frozen in precarious gestures, disturbed conversations.
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Nick Waplington: settlement
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The book investigates the topography of Jewish identity in the West Bank, which is in conflict not only with the Palestinian majority but also with mainstream Israeli society: While all the settlers are Jewish, and almost all are Israeli citizens, many are not natives of Israel. Most of the men and women photographed by Waplington are immigrants who arrived in the West(...)
Nick Waplington: settlement
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The book investigates the topography of Jewish identity in the West Bank, which is in conflict not only with the Palestinian majority but also with mainstream Israeli society: While all the settlers are Jewish, and almost all are Israeli citizens, many are not natives of Israel. Most of the men and women photographed by Waplington are immigrants who arrived in the West Bank from the United States, South Africa, Australia, the UK, the former Soviet Union, and other parts of the wider Jewish diaspora. The exact number of settlements cannot be determined with accuracy, as both construction and demolition take place regularly throughout the region. In general, however, the presence of Jewish settlers in the West Bank is entrenched, and their building projects continue with the support of the state of Israel.
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Does yellow run forever?
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Paul Graham’s Does Yellow Run Forever? comprises a series of photographs touching upon the ephemeral question of what we seek and value in life – love, wealth, beauty, clear-eyed reality or an inner dream world? The work weaves in and out of three groups of images: photographs of rainbows from Western Ireland, a sleeping dreamer, and gold stores in the United States.(...)
Does yellow run forever?
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Paul Graham’s Does Yellow Run Forever? comprises a series of photographs touching upon the ephemeral question of what we seek and value in life – love, wealth, beauty, clear-eyed reality or an inner dream world? The work weaves in and out of three groups of images: photographs of rainbows from Western Ireland, a sleeping dreamer, and gold stores in the United States. The imagery leads us from reality to dream and illusion, between fact and spectral phenomena, each entwined one within the other. Does Yellow Run Forever? refuses to reduce the world to a knowable schema, but instead embraces the puzzle - that there are no singular meanings, direct answers, or gold waiting at the end of the rainbow. Yet, there are startling visions in the everyday, be they ‘beautiful’ or ‘ugly’, that there are dreams worth dreaming, magical scenes to be seen, and true moments of wonder to be found as we shiver the mirror of life.
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Joachim Brohm: typology 1979
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Joachim Brohm rose to prominence in the early 1980s, one of the first photographers in Europe to take pictures exclusively in colour, connecting the everyday cultural landscape with the new possibilities of colour photography. This collection titled Typology 1979 is one of his very earliest series, depicting 35 allotment sheds from the Ruhr valley region of Germany,(...)
Joachim Brohm: typology 1979
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Joachim Brohm rose to prominence in the early 1980s, one of the first photographers in Europe to take pictures exclusively in colour, connecting the everyday cultural landscape with the new possibilities of colour photography. This collection titled Typology 1979 is one of his very earliest series, depicting 35 allotment sheds from the Ruhr valley region of Germany, painterly images that are an everyday inventory – of garden structures, of human activity. Influenced by the great American photographers such as William Eggleston and Robert Adams, he also looked to his German contemporaries, Bernd and Hilla Becher, whose ‘typologies’ are heralded in the collection’s title.
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Seeds is about Darwin’s natural selection and how it has been overtaken by high-tech plant breeding which in essence accelerates evolution. The book focuses on new food crops that are resistant to pests and diseases, and are bred to contribute significantly to our future food supply. This evokes quintessential questions. Who is actually in charge on this planet? Nature?(...)
Seeds : on the origin of food crops
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Seeds is about Darwin’s natural selection and how it has been overtaken by high-tech plant breeding which in essence accelerates evolution. The book focuses on new food crops that are resistant to pests and diseases, and are bred to contribute significantly to our future food supply. This evokes quintessential questions. Who is actually in charge on this planet? Nature? Human beings? A god? Should humans stop interfering with evolution and go back to the authenticity of small-scale farms and city farming? Or rather, is it humanity’s duty to steer evolution so that we can create enough food to feed the booming world population?
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Photographer Rebecca Litchfield captures many abandoned locations which were either part of the Soviet Union or occupied satellite states during this period of history, including forgotten towns, factories, prisons, schools, monuments, hospitals, theatres, military complexes, asylums & death camps across the former communist states. These photographs deliver a compelling(...)
Soviet ghosts: the soviet union abandoned, a communist empire in decay
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Photographer Rebecca Litchfield captures many abandoned locations which were either part of the Soviet Union or occupied satellite states during this period of history, including forgotten towns, factories, prisons, schools, monuments, hospitals, theatres, military complexes, asylums & death camps across the former communist states. These photographs deliver a compelling narrative of both moral bankruptcy and flawed ideology.
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Bruno Barbey: Chine
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Bruno Barbey a voyagé en Chine à de nombreuses reprises et constaté, à chaque séjour, images à l'appui, les profondes mutations qui transformaient le pays. Cet ouvrage rassemble une sélection de photographies prises au cours de ces quarante dernières années, il dessine le portrait d'une nation en mouvement, passée en si peu de temps d'une époque post-révolutionnaire au(...)
Bruno Barbey: Chine
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Bruno Barbey a voyagé en Chine à de nombreuses reprises et constaté, à chaque séjour, images à l'appui, les profondes mutations qui transformaient le pays. Cet ouvrage rassemble une sélection de photographies prises au cours de ces quarante dernières années, il dessine le portrait d'une nation en mouvement, passée en si peu de temps d'une époque post-révolutionnaire au rang de nouveau géant économique mondial.
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Robert Adams: buildings in Colorado (1964-1980) / Rudolf Schwarz. Architecture and Photography
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This two-volume publication examines the early work of photographer Robert Adams (born 1937) in relation to the German architect Rudolf Schwarz (1897-1961). In a previously unpublished text, Adams reveals a close connection between his photography and the European architect. In the 1960s, on his only European tour, Adams focused specifically on Rudolf Schwarz's churches(...)
Robert Adams: buildings in Colorado (1964-1980) / Rudolf Schwarz. Architecture and Photography
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This two-volume publication examines the early work of photographer Robert Adams (born 1937) in relation to the German architect Rudolf Schwarz (1897-1961). In a previously unpublished text, Adams reveals a close connection between his photography and the European architect. In the 1960s, on his only European tour, Adams focused specifically on Rudolf Schwarz's churches in Aachen and Cologne, which left a lasting mark on Adams and inspired his decision to become a photographer and his early choice of subject, the Denver suburbs.
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D’abord grand reporter, Raymond Depardon s’est affirmé, au cours de ces décennies, par ses livres, ses expositions et ses films, comme un artiste majeur. Depuis 1961 et jusqu’en 2013, il a photographié régulièrement Berlin. Dans ce livre, il fait revivre la construction du Mur, les visites de Robert Kennedy et de la reine Elisabeth, le congrès Tunix des intellectuels(...)
Berlin: fragments d'une histoire allemande
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D’abord grand reporter, Raymond Depardon s’est affirmé, au cours de ces décennies, par ses livres, ses expositions et ses films, comme un artiste majeur. Depuis 1961 et jusqu’en 2013, il a photographié régulièrement Berlin. Dans ce livre, il fait revivre la construction du Mur, les visites de Robert Kennedy et de la reine Elisabeth, le congrès Tunix des intellectuels européens qui marque le début des mouvements alternatifs, la chute du Mur, la ville en friche puis la reconstruction des deux côtés d’une frontière abolie mais jamais complètement effacée, et enfin le Berlin d’aujourd’hui. Moments forts de l’Histoire ou du quotidien des Berlinois, tout est saisi par un regard très personnel qui s’attache d’abord aux hommes et femmes, célèbres ou anonymes.
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Only in Paris
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François Le Diascorn rassemble ici une série de photographies réalisées à Paris entre 1971 et 2014. Il s’agit de « son » Paris, parcouru et saisi pendant plus de quarante ans. On retrouve son style particulier, héritier et rebelle du courant humaniste auquel il a participé dans les années 1970-1980, style fondé sur une exigence du cadre et du jeu entre ombres et lumières.
Only in Paris
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François Le Diascorn rassemble ici une série de photographies réalisées à Paris entre 1971 et 2014. Il s’agit de « son » Paris, parcouru et saisi pendant plus de quarante ans. On retrouve son style particulier, héritier et rebelle du courant humaniste auquel il a participé dans les années 1970-1980, style fondé sur une exigence du cadre et du jeu entre ombres et lumières.
Monographies photo