JHQ: Blaffert & Wamhof
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JHQ, short for "Joint Headquarters," designates the merger of various military general staffs of NATO and the British armed forces in Germany. The complex, built between 1952-1954 and scheduled to close in 2013, resembles a small town. German photographers Nicole Blaffert and Franz Wamhof lived at the JHQ over a period of two months, recording the architecture, landscape(...)
JHQ: Blaffert & Wamhof
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JHQ, short for "Joint Headquarters," designates the merger of various military general staffs of NATO and the British armed forces in Germany. The complex, built between 1952-1954 and scheduled to close in 2013, resembles a small town. German photographers Nicole Blaffert and Franz Wamhof lived at the JHQ over a period of two months, recording the architecture, landscape and people and resulting in an intimate photographic document in the tradition of Atget and Evans. JHQ details the dissolution of a Cold War relic before our eyes.
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Gerry Johansson: deutschland
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Deutschland is a visual encyclopedia, a catalogue of the rural and urban landscapes of Germany arranged in alphabetical order. In carefully structured greyscale images, Johansson sensitively explores German history through its landscape, picking out the industrial scenes, industrial buildings, residential roads and shop fronts. His quiet photographs are carefully(...)
Gerry Johansson: deutschland
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Deutschland is a visual encyclopedia, a catalogue of the rural and urban landscapes of Germany arranged in alphabetical order. In carefully structured greyscale images, Johansson sensitively explores German history through its landscape, picking out the industrial scenes, industrial buildings, residential roads and shop fronts. His quiet photographs are carefully constructed, grid patterns recur constantly and each frame is packed with information.
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This publication offers a selective retrospective of the work of photographer and filmmaker Friedl Kubelka—known as a filmmaker under the name of Friedl vom Gröller. In addition to a selection of her fashion photographs, the book focuses on portraits of her friends and family, as well as series of images and films.
Friedl Kubelka vom Gröller : Photography & films
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This publication offers a selective retrospective of the work of photographer and filmmaker Friedl Kubelka—known as a filmmaker under the name of Friedl vom Gröller. In addition to a selection of her fashion photographs, the book focuses on portraits of her friends and family, as well as series of images and films.
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Naoki Honjo : Shinkirou
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In this series of images, Honjo portrays industrial complexes, rivers, green spaces, shipping containers, railways, schools, amusement parks, residential neighbourhoods and shrines through his tilt-shift lens, capturing subjects in a toy-like fashion, as a bird might perceive them, and forcing viewers to scrutinise the world in a new way.
Naoki Honjo : Shinkirou
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In this series of images, Honjo portrays industrial complexes, rivers, green spaces, shipping containers, railways, schools, amusement parks, residential neighbourhoods and shrines through his tilt-shift lens, capturing subjects in a toy-like fashion, as a bird might perceive them, and forcing viewers to scrutinise the world in a new way.
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Julia Baier: water matters
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“Swimming is a delicate balance between flying and sinking”. This quote by Burkhard Strassmann opens Julia Baier's book 'Water Matters'. Her pictures show what people do with water, and even more, how water affects people and the animals, too. Not on the whole, but in the immediate encounter. When bathing, diving, splashing and spraying, in rain, snow and ice, in the city(...)
Julia Baier: water matters
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“Swimming is a delicate balance between flying and sinking”. This quote by Burkhard Strassmann opens Julia Baier's book 'Water Matters'. Her pictures show what people do with water, and even more, how water affects people and the animals, too. Not on the whole, but in the immediate encounter. When bathing, diving, splashing and spraying, in rain, snow and ice, in the city and in the countryside. And like the water itself, the photographer seems to get to wherever it flows and foams, drips, bubbles and reflects – in Budapest and Bremen, in Passau and Paris, Chicago and Sovata.
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Charles Marville: Photographer of Modernity surveys the artist's entire career. This book, which begins with the city scenes and architectural studies Marville made throughout France and Germany in the 1850s, and also explores his landscapes and portraits, as well as his photographs of Paris both before and after many of its medieval streets were razed to make way for the(...)
Charles Marville : photographer of Paris
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Charles Marville: Photographer of Modernity surveys the artist's entire career. This book, which begins with the city scenes and architectural studies Marville made throughout France and Germany in the 1850s, and also explores his landscapes and portraits, as well as his photographs of Paris both before and after many of its medieval streets were razed to make way for the broad boulevards, parks, and monumental buildings we have come to associate with the City of Light.
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Photographer Camilo José Vergara has been chronicling the neighborhood for forty-three years, and Harlem: The Unmaking of a Ghetto is an unprecedented record of urban change. Vergara began his documentation of Harlem in the tradition of such masters as Helen Levitt and Aaron Siskind, and he later turned his focus on the neighborhood’s urban fabric, both the buildings that(...)
Harlem: the unmaking of a ghetto
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Photographer Camilo José Vergara has been chronicling the neighborhood for forty-three years, and Harlem: The Unmaking of a Ghetto is an unprecedented record of urban change. Vergara began his documentation of Harlem in the tradition of such masters as Helen Levitt and Aaron Siskind, and he later turned his focus on the neighborhood’s urban fabric, both the buildings that compose it and the life and culture embedded in them. By repeatedly returning to the same locations over the course of decades, Vergara is able to show us a community that is constantly changing—some areas declining, as longtime businesses give way to empty storefronts, graffiti, and garbage, while other areas gentrify, with corporate chain stores coming in to compete with the mom-and-pops.
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A project composed across several decades, Guido Guidi's Lunario takes the name of a traditional farmer’s almanac to bring together several strands of work all relating to the moon. Distortion, experimentation and illusion inform Guidi’s earlier work of the late 1960s and early 1970s, further developed by the introduction of a fish-eye lens. The moon’s physical form(...)
Guido Guidi: Lunario 1968-1999
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A project composed across several decades, Guido Guidi's Lunario takes the name of a traditional farmer’s almanac to bring together several strands of work all relating to the moon. Distortion, experimentation and illusion inform Guidi’s earlier work of the late 1960s and early 1970s, further developed by the introduction of a fish-eye lens. The moon’s physical form echoes throughout the works: in a woman’s face, or a child’s playing ball caught between light and shadow. Guidi’s barren, lunar landscapes give way in the 1980s to colour photographs, all of which culminate in the dramatic partial solar-eclipse of August 11, 1999. Throughout Lunario, Guido Guidi comes back to the moon as a source of stylistic and thematic inspiration: a symbol of melancholy and madness, changeability and a constant reminder of the transience of everyday life.
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L'exposition présente une centaine d'oeuvres couvrant l'intégralité de la carrière de la photographe canadienne, depuis ses premières expérimentations en noir et blanc et en petits formats jusqu'aux commandes monumentales en couleurs des années 2000. Son travail révèle les stratégies de surveillance et de manipulation des comportements individuels et collectifs dans la(...)
Lynne Cohen : double aveugle, 1970-2012
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L'exposition présente une centaine d'oeuvres couvrant l'intégralité de la carrière de la photographe canadienne, depuis ses premières expérimentations en noir et blanc et en petits formats jusqu'aux commandes monumentales en couleurs des années 2000. Son travail révèle les stratégies de surveillance et de manipulation des comportements individuels et collectifs dans la société nord-américaine.
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Dorothea Lange: Day sleeper
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In this book Sam Contis presents a new window onto the work of the iconic American photographer Dorothea Lange. Drawing from Lange’s extensive archive, Contis constructs a fragmented, unfamiliar world centred around the figure of the day sleeper – at once a symbol of respite and oblivion. The book shows us one artist through the eyes of another, with Contis responding to(...)
Dorothea Lange: Day sleeper
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In this book Sam Contis presents a new window onto the work of the iconic American photographer Dorothea Lange. Drawing from Lange’s extensive archive, Contis constructs a fragmented, unfamiliar world centred around the figure of the day sleeper – at once a symbol of respite and oblivion. The book shows us one artist through the eyes of another, with Contis responding to resonances between her and Lange’s ways of seeing. It reveals a largely unknown side of Lange, and includes previously unseen photographs of her family, portraiture from her studio, and pictures made in the streets of San Francisco and the East Bay. 'Day Sleeper' will be featured alongside other works of Contis’ in the exhibition Dorothea Lange: Words & Pictures at the Museum of Modern Art, February–May 2020.
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