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This publication presents a selection of images from the archives of the Geobotanical Institute Rubel and of Carl Schroeter, which are being kept as part of the ETH Zurich's extensive image archive. Founded by Eduard Rubel (1876-1960) in 1918 in Zurich and later donated to the ETH, the 'Geobotanical Institute Rubel' conducted pioneering research in the area of botanical(...)
Documented landscape: the photo archives of Carl Schröter and Geobotanical
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This publication presents a selection of images from the archives of the Geobotanical Institute Rubel and of Carl Schroeter, which are being kept as part of the ETH Zurich's extensive image archive. Founded by Eduard Rubel (1876-1960) in 1918 in Zurich and later donated to the ETH, the 'Geobotanical Institute Rubel' conducted pioneering research in the area of botanical biodiversity in the Alps. Rubel's teacher, the botanist and ETH professor Carl Schroeter (1855-1939), was himself a pioneer of biodiversity and landscape conservation. Rubel and Schroeter were some of the earliest botanists to use photography as a means to document their research, thus making it available to a wider public and drawing attention to their early efforts in environmentalism. While the photo archives bear witness to a bygone era, their depiction of a changing landscape and progressing human interference are still strikingly on topic today. Sometimes showing near-arcadian scenes, the images are nevertheless highly realistic in their exact scientific documentation of the alpine biosphere.
Monographies photo
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A member of the famous artist-owned photo agency Magnum Photos, Swiss photographer René Burri (1933–2014) found himself wherever history was happening during the late twentieth century. His countless travels took him across Europe and the Americas to the Middle East to Japan and China to document the twentieth century’s major events. His extraordinary sense for people and(...)
René Burri: explosions of sight
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A member of the famous artist-owned photo agency Magnum Photos, Swiss photographer René Burri (1933–2014) found himself wherever history was happening during the late twentieth century. His countless travels took him across Europe and the Americas to the Middle East to Japan and China to document the twentieth century’s major events. His extraordinary sense for people and their personalities resulted in remarkably candid portraits of celebrities, such as architects Le Corbusier, Oscar Niemeyer, and Luis Barragán; artists Alberto Giacometti, Pablo Picasso, and Jean Tinguely; and Che Guevara, whose 1963 portrait with a cigar is one of the world’s most famous and widely reproduced photographic portraits. Published to coincide with a major exhibition at Musée de l’Elysée, Lausanne, 'René Burri: Explosions of Sight' draws from Burri’s vast archive. With the museum, Burri staged both his first exhibition and his first major retrospective and maintained a close relationship throughout his life, entrusting it also with the conservation of his estate. The book brings together for the first time Burri’s entire body of work, both photographic and nonphotographic, including previously unpublished archival documents, as well as book designs, exhibition projects, travel diaries, collages, watercolors, and objects Burri collected. In doing so, it offers a new and uniquely intimate view of one of the world’s greatest photographers.
Monographies photo
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Inde
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L’Inde occupe une place toute particulière dans le cœur du photographe Steve McCurry. On la retrouve dans beaucoup de ses plus grandes photographies. Ce livre inclut 150 de ses clichés iconiques, reproduits en grand format et accompagnés d’une introduction évocatrice. « Inde » de Steve McCurry, portrait de l’un des pays les plus trépidants, est la nouvelle collection des(...)
Inde
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L’Inde occupe une place toute particulière dans le cœur du photographe Steve McCurry. On la retrouve dans beaucoup de ses plus grandes photographies. Ce livre inclut 150 de ses clichés iconiques, reproduits en grand format et accompagnés d’une introduction évocatrice. « Inde » de Steve McCurry, portrait de l’un des pays les plus trépidants, est la nouvelle collection des superbes et puissants clichés du photographe, présentée dans une édition à la couverture souple.
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mars 2020
Monographies photo
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« Steve McCurry : Inédit » dévoile les coulisses du travail de l’un des photographes les plus talentueux de notre époque. On y découvre les voyages, les méthodes et la magie qui se cachent derrière ses célèbres clichés, mais aussi les histoires derrière les missions majeures réalisées pour « National Geographic » et bien plus encore, notamment ses retrouvailles avec la(...)
Inédit : les histoires à l'origine des photographies
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« Steve McCurry : Inédit » dévoile les coulisses du travail de l’un des photographes les plus talentueux de notre époque. On y découvre les voyages, les méthodes et la magie qui se cachent derrière ses célèbres clichés, mais aussi les histoires derrière les missions majeures réalisées pour « National Geographic » et bien plus encore, notamment ses retrouvailles avec la désormais légendaire « Jeune Afghane ». Chaque histoire est illustrée de notes, de photographies et de documents inédits issus des archives privées du photographe.
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mars 2020
Monographies photo
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This book presents an overview of the avant-garde photographic oeuvre of Shigeru Onishi from the 1950s. Whether depicting nudes, cityscapes, trees or interiors (or combinations of these realized through multiple exposures or photomontages), most striking about Onishi’s photos are his unorthodox printing methods: using a brush to coat the photographic paper with emulsion,(...)
Onishi Shigeru : A metamathematical proposition
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This book presents an overview of the avant-garde photographic oeuvre of Shigeru Onishi from the 1950s. Whether depicting nudes, cityscapes, trees or interiors (or combinations of these realized through multiple exposures or photomontages), most striking about Onishi’s photos are his unorthodox printing methods: using a brush to coat the photographic paper with emulsion, fogging, discoloration with acetic acid, creating the effect that the fixing process was incomplete, and color correction by varying the temperature during development. The painterly results show Onishi’s interest to be not conventional representation but, in his words, the visual “formation of ideas,” and bringing out “the flavors of the image as they change” by embracing all aspects of chance involved in the photographic process. “In truth,” he argues, “if your photograph consists only of planned elements, it is essentially identical to a drawing of a single equilateral triangle.”
Monographies photo
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Denmark’s best-known photographer Keld Helmer-Petersen published his first photobook, 122 Colour Photographs, in 1948. His work was immediately notable for its inventive composition, which turned landscapes and buildings into abstract patterns, and for the photographer’s embrace of color at a time when only black-and-white photography was considered serious. When Life(...)
Keld Helmer-Petersen: photographs 1941-2013
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Denmark’s best-known photographer Keld Helmer-Petersen published his first photobook, 122 Colour Photographs, in 1948. His work was immediately notable for its inventive composition, which turned landscapes and buildings into abstract patterns, and for the photographer’s embrace of color at a time when only black-and-white photography was considered serious. When Life magazine reproduced several pages from the book in 1949, Helmer-Petersen’s vision found a wide, international audience for the first time. Helmer-Petersen’s style was experimental modernism tempered by a lyrical simplicity and a sense of keen, quiet observation. By isolating details and compressing visual space, the photographer turned the real world into vibrant, graphic pattern. “The pictures aim at illustrating nothing whatever beyond the fact that we are surrounded by many beautiful and exciting things,” Helmer-Petersen said. “And that there can be a great deal of pleasure in spotting them and capturing their beauty by means of color photography.”
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Philipp Keel: Last summer
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In ''Last summer,'' the Zurich-based artist, writer and publisher Philipp Keel (born 1968) presents new still lifes and images of incidental poetry: pictures of palms, pools and drinks, depicted in a seemingly cool and summery mood. Common to them all is Keel’s eye for details, and yet on closer inspection melancholy permeates many of his works. One of the great strengths(...)
Philipp Keel: Last summer
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In ''Last summer,'' the Zurich-based artist, writer and publisher Philipp Keel (born 1968) presents new still lifes and images of incidental poetry: pictures of palms, pools and drinks, depicted in a seemingly cool and summery mood. Common to them all is Keel’s eye for details, and yet on closer inspection melancholy permeates many of his works. One of the great strengths of Keel’s works is that they stay subtle and reserved.
Monographies photo
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With "Atacama", Jamey Stillings again shares his distinctive aerial perspective to examine dramatic large-scale renewable energy projects, the visual dynamic of enormous mining operations and the stark beauty of the Atacama Desert, so often scarred by human activity. Chile produces a third of the world’s copper and has the largest known lithium reserves, and we utilize(...)
Jamey Stillings: Atacama, renewable energy and mining in the high desert of Chile
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With "Atacama", Jamey Stillings again shares his distinctive aerial perspective to examine dramatic large-scale renewable energy projects, the visual dynamic of enormous mining operations and the stark beauty of the Atacama Desert, so often scarred by human activity. Chile produces a third of the world’s copper and has the largest known lithium reserves, and we utilize these resources daily in our cars, computers and smartphones. The country’s mining industry has traditionally been dependent on imported coal, diesel and natural gas for its energy. Yet the Atacama Desert has excellent solar and wind potential: new renewable energy projects there now supply significant electricity to the northern grid, transmit power to population centers in the south, and are reducing mining’s dependence on fossil fuel. Stillings’ aesthetic interest in the human-altered landscape and concerns for environmental sustainability are principal pillars of his work. His photography elicits a critical dialogue about meeting our needs and desires while seeking equilibrium between nature and human activity. "Atacama," the latest chapter in his ongoing project "Changing perspectives," shows how photography can concurrently be a source of inspiration, motivation and information, and reminds us that a carbon-constrained future is crucial to a responsible approach to life on earth.
Monographies photo
365 degrés (d'amour)
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Suite au succès de son blog qui a fait battre le cœur des visiteurs au rythme de ses publications pendant plus de deux ans : « 365° degrees of love », la photographe Alice Khol a décidé aujourd’hui de rassembler toutes ces histoires dans un livre. L’ouvrage associe des histoires d’amour à des images : photographies, vidéos, captures d’écran, conversations Messenger,(...)
365 degrés (d'amour)
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Suite au succès de son blog qui a fait battre le cœur des visiteurs au rythme de ses publications pendant plus de deux ans : « 365° degrees of love », la photographe Alice Khol a décidé aujourd’hui de rassembler toutes ces histoires dans un livre. L’ouvrage associe des histoires d’amour à des images : photographies, vidéos, captures d’écran, conversations Messenger, Tinder. Certaines sont très courtes, d’autres, bien plus longues, certaines sont touchantes et émouvantes, d’autres définitivement décalées font rire jaune...
Monographies photo
Habana song
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Jean-Christophe Béchet est allé à Cuba en 1990, au moment où les « Balseros » essayaient d’atteindre les côtes américaines, la Floride, sur leurs radeaux de fortune. Il est revenu à la Havane vingt ans plus tard, à la mort de Fidel Castro, découvrant une ville en pleine mutation. Les voitures américaines sont toujours là mais devenues des taxis pour touristes, le long du(...)
Habana song
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Jean-Christophe Béchet est allé à Cuba en 1990, au moment où les « Balseros » essayaient d’atteindre les côtes américaines, la Floride, sur leurs radeaux de fortune. Il est revenu à la Havane vingt ans plus tard, à la mort de Fidel Castro, découvrant une ville en pleine mutation. Les voitures américaines sont toujours là mais devenues des taxis pour touristes, le long du Malecon, on rénove les bâtiments et fleurissent les bars de luxe... Le photographe s’est écarté de ce théâtre touristique, préférant se perdre dans des rues sombres, à la recherche de ces sensations cubaines : entre pauvreté et classe, ordre et anarchie. « Habana Song » est une poésie visuelle qu’il joue en noir et blanc, loin des clichés et couleurs qui identifient habituellement Cuba. Une musique qui nous accompagne tout au long de cette déambulation photographique.
Monographies photo