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LaToya Ruby Frazier’s award-winning first book, "The notion of family", offers an incisive exploration of the legacy of racism and economic decline in America’s small towns, as embodied by her hometown of Braddock, Pennsylvania. The work also considers the impact of that decline on the community and on her family, creating a statement both personal and truly political—an(...)
LaToya Ruby Frazier: The notion of family
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LaToya Ruby Frazier’s award-winning first book, "The notion of family", offers an incisive exploration of the legacy of racism and economic decline in America’s small towns, as embodied by her hometown of Braddock, Pennsylvania. The work also considers the impact of that decline on the community and on her family, creating a statement both personal and truly political—an intervention in the histories and narratives of the region. Frazier has compellingly set her story of three generations—her Grandma Ruby, her mother, and herself—against larger questions of civic belonging and responsibility. The work documents her own struggles and interactions with family and the expectations of community, and includes the documentation of the demise of Braddock’s only hospital, reinforcing the idea that the history of a place is frequently written on the body as well as the landscape. With The Notion of Family, Frazier knowingly acknowledges and expands upon the traditions of classic black-and-white documentary photography, enlisting the participation of her family, and her mother in particular. In the creation of these collaborative works, Frazier reinforces the idea of art and image-making as a transformative act, a means of resetting traditional power dynamics and narratives—both those of her family and of the community at large.
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Sybren Vanoverberghe: MUSA
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The series MUSA consists of twenty-six works of UV printed photographs on brass. The photographs for these works have been taken at various greenhouses in Morocco, which harvest Banana Trees. On the images we see abstract impressions of green and yellow leaves pressed against the plastic sheeting of the greenhouses. On top of that we see strips of copper wiring that keep(...)
Sybren Vanoverberghe: MUSA
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The series MUSA consists of twenty-six works of UV printed photographs on brass. The photographs for these works have been taken at various greenhouses in Morocco, which harvest Banana Trees. On the images we see abstract impressions of green and yellow leaves pressed against the plastic sheeting of the greenhouses. On top of that we see strips of copper wiring that keep the plastic sheets in position. It is the first series of images in Vanoverberghe’s work that solely puts the focus on the natural aspect of our surroundings. The work is a continuation in Vanoverberghe’s research to the material in which he presents his photographs. The visual atmosphere of the works constantly change due to the light that is captured or reflected by the brass material.
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Kyoichi Tsuzuki:Tokyo style
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More than three decades after its original publication, this new edition of ''Tokyo Style'' revives a cult classic and token collector’s item. Kyoichi Tsuzuki’s timeless photographs offer an intimate look at Tokyo homes as they are truly inhabited, presented here with a refreshed design that preserves the original book’s generous format. A selection of the book’s iconic(...)
Kyoichi Tsuzuki:Tokyo style
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More than three decades after its original publication, this new edition of ''Tokyo Style'' revives a cult classic and token collector’s item. Kyoichi Tsuzuki’s timeless photographs offer an intimate look at Tokyo homes as they are truly inhabited, presented here with a refreshed design that preserves the original book’s generous format. A selection of the book’s iconic images culminates in a new afterword by Kyoichi that unravels the nostalgia sparked by his work, which captures an analogue world of rich self-expression. A foreword by writer Barry Yourgrau, a longtime friend of Kyoichi, meditates on the ‘untidy and prodigiously cluttered’ hideouts of Tokyo, filled with everything '‘from the raunchy to the freaky and funky to the kawaii (“cute” in Japanese)'’. ''Tokyo Style'' invites readers into the routines of one of the world’s major metropolises, offering a template for the ways we might live more connected with ourselves and our community.
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Plastic containers from around the world figure in this series by still-life photographer Shinichi Kaneko. The containers originate from 20 cities, the majority of which Kaneko visited himself, making the rounds past DIY stores, mid-sized supermarkets, suburban big-box stores, and more in search of bottles of intriguing shape. He then shot the objects under strong(...)
Readymade: Shinichi Kaneko Photographs
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Plastic containers from around the world figure in this series by still-life photographer Shinichi Kaneko. The containers originate from 20 cities, the majority of which Kaneko visited himself, making the rounds past DIY stores, mid-sized supermarkets, suburban big-box stores, and more in search of bottles of intriguing shape. He then shot the objects under strong lighting while using filters to minimise surface halation and render a matte finish, a process he describes as akin to puzzling out a chess problem. Yet the results reveal aspects and guises that ordinarily remain hidden from view. The aim of Kaneko’s project is to discover new narratives within readymade products.
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A selection of Melanie Friend’s images from the Berlin Wall in 1985, during the Cold War, contrast with the joyful celebrations at the Wall on New Year’s Eve 1989 (seven weeks after the fall of the Wall).
Melanie Friend: Berlin Wall 1985-1990
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A selection of Melanie Friend’s images from the Berlin Wall in 1985, during the Cold War, contrast with the joyful celebrations at the Wall on New Year’s Eve 1989 (seven weeks after the fall of the Wall).
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Melanie Friend: China 1986
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A selection of images from Melanie Friend’s 1986 travels as a photojournalist in China, during a time of social and economic change.
Melanie Friend: China 1986
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A selection of images from Melanie Friend’s 1986 travels as a photojournalist in China, during a time of social and economic change.
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$70.00
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Avec ce sixième volet de l’Atlas des Régions Naturelles, Eric Tabuchi et Nelly Monnier poursuivent leur projet au long cours engagé en 2017 : la documentation globale des 450 régions naturelles – ou « pays » – qui composent le territoire français. Une aventure photographique hors normes destinée à se déployer sur plusieurs années, au rythme d’une publication par(...)
ARN Vol.6 : Atlas des régions naturelles
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Avec ce sixième volet de l’Atlas des Régions Naturelles, Eric Tabuchi et Nelly Monnier poursuivent leur projet au long cours engagé en 2017 : la documentation globale des 450 régions naturelles – ou « pays » – qui composent le territoire français. Une aventure photographique hors normes destinée à se déployer sur plusieurs années, au rythme d’une publication par semestre. En sillonnant ces petites entités géographiques et culturelles parfois tombées en désuétude face au découpage administratif de l’Hexagone, le duo collecte les éléments visuels de ce qui fonde une région. Ils associent indifféremment les particularismes impulsés par l’homme – architectures traditionnelles, toponymes, esthétiques locales, traces de l’histoire – et les motifs naturels, tels que reliefs, paysages, couleurs, végétation, etc.
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Luigi Ghirri: Viaggi
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Among the many recurring interests that connect the rich and open-ended oeuvre of Luigi Ghirri, a fascination with travel resonates through his photographs, publications, and writings. This book by curator James Lingwood charts a course through Ghirri’s photography between 1970 and 1991, exploring the manifold ways in which journeys – viaggi – appear: in iconic landscapes(...)
Luigi Ghirri: Viaggi
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Among the many recurring interests that connect the rich and open-ended oeuvre of Luigi Ghirri, a fascination with travel resonates through his photographs, publications, and writings. This book by curator James Lingwood charts a course through Ghirri’s photography between 1970 and 1991, exploring the manifold ways in which journeys – viaggi – appear: in iconic landscapes in the Dolomites and the lakes of northern Italy; in the mirror-worlds of seaside resorts along the Adriatic and Mediterranean; among museums, archaeological sites, and theme parks; inside atlases and on postcards; and along his own bookshelves, with their evocative titles and mementoes. This vividly curated book maps a route through Ghirri’s work that takes in familiar landmarks and surprising detours, interleaving many of his best loved photographs with unseen discoveries from the Ghirri archive.
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Jacques Nadeau : Vénérables
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Poussé par le désir d’authenticité et d’intensité qui l’a toujours habité, le photojournaliste Jacques Nadeau est allé à la rencontre de plus de 80 personnes très âgées. Auprès d’elles, il a non seulement su capter de fascinantes images, mais aussi recueillir de touchants témoignages. Au fil des pages, les souvenirs s’entrelacent aux réflexions et aux confidences, sur(...)
Jacques Nadeau : Vénérables
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Poussé par le désir d’authenticité et d’intensité qui l’a toujours habité, le photojournaliste Jacques Nadeau est allé à la rencontre de plus de 80 personnes très âgées. Auprès d’elles, il a non seulement su capter de fascinantes images, mais aussi recueillir de touchants témoignages. Au fil des pages, les souvenirs s’entrelacent aux réflexions et aux confidences, sur des notes aussi bien teintées d’humour que de poésie, de lucidité, de courage et sagesse.
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In 1966, at the age of 28, photographer Joel Meyerowitz embarked on a journey that would take him to the United Kingdom, Ireland, Spain, France, Germany, Eastern Europe, Turkey and Greece. In total, he drove 20,000 miles through 10 countries and ended up taking 25,000 photographs. This trip was a transcendental experience and formative in shaping Meyerowitz's instinctive(...)
Joel Meyerowitz: Europa 1966-1967
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In 1966, at the age of 28, photographer Joel Meyerowitz embarked on a journey that would take him to the United Kingdom, Ireland, Spain, France, Germany, Eastern Europe, Turkey and Greece. In total, he drove 20,000 miles through 10 countries and ended up taking 25,000 photographs. This trip was a transcendental experience and formative in shaping Meyerowitz's instinctive and brilliant identity that he is known for today. Europa 1966–1967 compiles a selection of photographs taken by Meyerowitz on his yearlong trip through Europe, offering an exciting glimpse of the “New Old World” that, having lately overcome the trauma of World War II, opened itself to modernity and progress. Meyerowitz witnessed societies in transition, stuck between dictatorship and economic blossoming. Yet he also documented unshakable cultural traditions, such as when he lived with a flamenco-performing family in Francoist Spain for six months. The strength and freshness of Meyerowitz’s gaze and the new codes that were captured in these pictures inspired the next generation of photographers.
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