2315 Résultats
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Published on the occasion of Burtynsky’s largest and most comprehensive exhibition to date at the Saatchi Gallery in London, ''Extraction/Abstraction'' looks deeply at the key subjects and signature images spanning his 45-year career. The catalog and related exhibition present a dichotomy of Burtynsky’s image-making imperative: the lucid and informed documentation of(...)
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Published on the occasion of Burtynsky’s largest and most comprehensive exhibition to date at the Saatchi Gallery in London, ''Extraction/Abstraction'' looks deeply at the key subjects and signature images spanning his 45-year career. The catalog and related exhibition present a dichotomy of Burtynsky’s image-making imperative: the lucid and informed documentation of(...)
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Monographies photo
Monographies photo
Publication:
juillet 2024
juillet 2024
Titre:
Edward Burtynsky: Extraction/Abstraction
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Published on the occasion of Burtynsky’s largest and most comprehensive exhibition to date at the Saatchi Gallery in London, ''Extraction/Abstraction'' looks deeply at the key subjects and signature images spanning his 45-year career. The catalog and related exhibition present a dichotomy of Burtynsky’s image-making imperative: the lucid and informed documentation of large-scale extractive processes, and how, through his practice, Burtynsky transforms the landscape of industry into complete abstraction. Other essential themes in his oeuvre, such as agriculture, manufacturing, infrastructure and waste, also find their rightful place here. With more than 130 color plates, the book also has a special section, the “Process Archive,” featuring previously unpublished, behind-the-scenes photographs showing Burtynsky at work on the ground and in the air throughout his career. The archive provides a glimpse into the artist’s progression through the evolution of the medium itself, from mid-20th-century large-format analog cameras through to 21st-century high-resolution digital technologies, including explorations into photogrammetry and augmented reality.
Edward Burtynsky: Extraction/Abstraction
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Published on the occasion of Burtynsky’s largest and most comprehensive exhibition to date at the Saatchi Gallery in London, ''Extraction/Abstraction'' looks deeply at the key subjects and signature images spanning his 45-year career. The catalog and related exhibition present a dichotomy of Burtynsky’s image-making imperative: the lucid and informed documentation of large-scale extractive processes, and how, through his practice, Burtynsky transforms the landscape of industry into complete abstraction. Other essential themes in his oeuvre, such as agriculture, manufacturing, infrastructure and waste, also find their rightful place here. With more than 130 color plates, the book also has a special section, the “Process Archive,” featuring previously unpublished, behind-the-scenes photographs showing Burtynsky at work on the ground and in the air throughout his career. The archive provides a glimpse into the artist’s progression through the evolution of the medium itself, from mid-20th-century large-format analog cameras through to 21st-century high-resolution digital technologies, including explorations into photogrammetry and augmented reality.
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livres
livres
Publication:
juillet 2024
juillet 2024
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Tim Carpenter: Little
Tim Carpenter: Little
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Tim Carpenter’s (born 1968) ''Little'' is a visual memoir that completes a trilogy rooted in the sensibility and approach to the practice of “camera” he elaborated in the best-selling, book-length essay ''To Photograph Is to Learn How to Die'' (2022). In other words, he steadfastly upholds photography’s capacity to bridge the gap between self and other, and to cultivate(...)
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Tim Carpenter’s (born 1968) ''Little'' is a visual memoir that completes a trilogy rooted in the sensibility and approach to the practice of “camera” he elaborated in the best-selling, book-length essay ''To Photograph Is to Learn How to Die'' (2022). In other words, he steadfastly upholds photography’s capacity to bridge the gap between self and other, and to cultivate(...)
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Tim Carpenter: Little
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Tim Carpenter’s (born 1968) ''Little'' is a visual memoir that completes a trilogy rooted in the sensibility and approach to the practice of “camera” he elaborated in the best-selling, book-length essay ''To Photograph Is to Learn How to Die'' (2022). In other words, he steadfastly upholds photography’s capacity to bridge the gap between self and other, and to cultivate meaning in an alienating world. Less formally rigorous than ''Local Objects'' (2017) and less introspective and linear than ''Christmas Day, Bucks Pond Road'', this new installment channels the perspective of a child’s meandering mind, open to possible meanings, absorbing whatever the eyes encounter—marks, buildings, branches, paths, the daylight of a Central Illinois afternoon—nascent symbols everywhere, fleeting images improvised of mind and matter. Adapting a style in the lineage of the New Topographics photographers—Robert Adams, John Gossage and Lewis Baltz—these black-and-white photographs are affecting in their minimalism, imbuing poignance within the banal composites of the Midwestern landscape. The volume itself is beautifully produced with a flush-cut cover treatment and a foil-stamped title.
Tim Carpenter: Little
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Tim Carpenter’s (born 1968) ''Little'' is a visual memoir that completes a trilogy rooted in the sensibility and approach to the practice of “camera” he elaborated in the best-selling, book-length essay ''To Photograph Is to Learn How to Die'' (2022). In other words, he steadfastly upholds photography’s capacity to bridge the gap between self and other, and to cultivate meaning in an alienating world. Less formally rigorous than ''Local Objects'' (2017) and less introspective and linear than ''Christmas Day, Bucks Pond Road'', this new installment channels the perspective of a child’s meandering mind, open to possible meanings, absorbing whatever the eyes encounter—marks, buildings, branches, paths, the daylight of a Central Illinois afternoon—nascent symbols everywhere, fleeting images improvised of mind and matter. Adapting a style in the lineage of the New Topographics photographers—Robert Adams, John Gossage and Lewis Baltz—these black-and-white photographs are affecting in their minimalism, imbuing poignance within the banal composites of the Midwestern landscape. The volume itself is beautifully produced with a flush-cut cover treatment and a foil-stamped title.
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livres
livres
Publication:
juillet 2024
juillet 2024
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Gerry Johansson: Maine
Gerry Johansson: Maine
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In 2023, Swedish photographer Gerry Johansson (born 1945) roamed the state of Maine with a Rolleiflex, curious to make new pictures in a region of America he first encountered in the work of Paul Strand five decades ago—he found Strand’s views of New England "boring" at the time—and also wondering, "Why is American photography so focused on the west?" Johansson’s Maine(...)
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In 2023, Swedish photographer Gerry Johansson (born 1945) roamed the state of Maine with a Rolleiflex, curious to make new pictures in a region of America he first encountered in the work of Paul Strand five decades ago—he found Strand’s views of New England "boring" at the time—and also wondering, "Why is American photography so focused on the west?" Johansson’s Maine(...)
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Gerry Johansson: Maine
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In 2023, Swedish photographer Gerry Johansson (born 1945) roamed the state of Maine with a Rolleiflex, curious to make new pictures in a region of America he first encountered in the work of Paul Strand five decades ago—he found Strand’s views of New England "boring" at the time—and also wondering, "Why is American photography so focused on the west?" Johansson’s Maine echoes the formal restraint of his earlier books, notably American Winter, Spanish Summer, Meloni Meloni and Pontiac, sequencing nearly 200 black-and-white duotones alphabetically by their oddly poetic Northeastern town names (Bath, Friendship, Purgatory, etc). Somehow, none of the Maine pictures draws more attention than any other, and the flawless and playful compositions never seem to repeat. As in all of Johansson’s work, endlessly inventive arrangements of architecture and landscape orient the viewer in a specific geographic and cultural place while generously sharing his way of seeing, walking and thinking with a camera.
Gerry Johansson: Maine
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In 2023, Swedish photographer Gerry Johansson (born 1945) roamed the state of Maine with a Rolleiflex, curious to make new pictures in a region of America he first encountered in the work of Paul Strand five decades ago—he found Strand’s views of New England "boring" at the time—and also wondering, "Why is American photography so focused on the west?" Johansson’s Maine echoes the formal restraint of his earlier books, notably American Winter, Spanish Summer, Meloni Meloni and Pontiac, sequencing nearly 200 black-and-white duotones alphabetically by their oddly poetic Northeastern town names (Bath, Friendship, Purgatory, etc). Somehow, none of the Maine pictures draws more attention than any other, and the flawless and playful compositions never seem to repeat. As in all of Johansson’s work, endlessly inventive arrangements of architecture and landscape orient the viewer in a specific geographic and cultural place while generously sharing his way of seeing, walking and thinking with a camera.
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livres
livres
Publication:
avril 2025
avril 2025
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Monographies photo
Monographies photo
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livres
livres
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Ken Lum
Ken Lum
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Shaped by a keen sense of humanity and a wide knowledge of history and literature, Canadian artist Ken Lum (born 1956) is a visionary who has consistently challenged societal norms, the ruling classes, religious suppression and racism, among other horrors that we continue to inflict on each other. His influential work, with its focus on cross-cultural dialogue and the(...)
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Shaped by a keen sense of humanity and a wide knowledge of history and literature, Canadian artist Ken Lum (born 1956) is a visionary who has consistently challenged societal norms, the ruling classes, religious suppression and racism, among other horrors that we continue to inflict on each other. His influential work, with its focus on cross-cultural dialogue and the(...)
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Ken Lum
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Shaped by a keen sense of humanity and a wide knowledge of history and literature, Canadian artist Ken Lum (born 1956) is a visionary who has consistently challenged societal norms, the ruling classes, religious suppression and racism, among other horrors that we continue to inflict on each other. His influential work, with its focus on cross-cultural dialogue and the complexities of the modern world, resonates globally—be it through painting, sculpture, photography or public art projects that engage with individual and collective identity in the context of historical trauma and the complications of memory. This publication presents a sweep of Lum’s photographic series, at once descriptive and disruptive, personal and political, including ''Portrait/Logos'' (1984–86), ''Portrait/Repeated Text Works'' (1993 to present) and ''Image Mirrors'' (2021); as well as his work with ''Monument Lab'', a public art project he cofounded with urban geographer Paul Farber.
Ken Lum
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Shaped by a keen sense of humanity and a wide knowledge of history and literature, Canadian artist Ken Lum (born 1956) is a visionary who has consistently challenged societal norms, the ruling classes, religious suppression and racism, among other horrors that we continue to inflict on each other. His influential work, with its focus on cross-cultural dialogue and the complexities of the modern world, resonates globally—be it through painting, sculpture, photography or public art projects that engage with individual and collective identity in the context of historical trauma and the complications of memory. This publication presents a sweep of Lum’s photographic series, at once descriptive and disruptive, personal and political, including ''Portrait/Logos'' (1984–86), ''Portrait/Repeated Text Works'' (1993 to present) and ''Image Mirrors'' (2021); as well as his work with ''Monument Lab'', a public art project he cofounded with urban geographer Paul Farber.
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livres
livres
Publication:
juillet 2024
juillet 2024
Sujet:
Monographies photo
Monographies photo
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livres
livres
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The traditional costumes of Brittany carry with them a multitude evolutions and diverse influences that reflect a mosaic of geographical contexts within the region. Since childhood, Aurélie Scouarnec has been captivated by the materials and intricate details of these costumes, worn by family members across different generations. Her photographic project ‘'Revêtir'’(...)
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The traditional costumes of Brittany carry with them a multitude evolutions and diverse influences that reflect a mosaic of geographical contexts within the region. Since childhood, Aurélie Scouarnec has been captivated by the materials and intricate details of these costumes, worn by family members across different generations. Her photographic project ‘'Revêtir'’(...)
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Aurélie Scouarnec: Revêtir - Dress
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The traditional costumes of Brittany carry with them a multitude evolutions and diverse influences that reflect a mosaic of geographical contexts within the region. Since childhood, Aurélie Scouarnec has been captivated by the materials and intricate details of these costumes, worn by family members across different generations. Her photographic project ‘'Revêtir'’ focuses on those who still wear these garments today, following the activities of various groups during championships and festivities, with particular attention for the young dancers involved. The series also offers an intimate look at individual interactions and the suspended time of preparations and rehearsals.
Aurélie Scouarnec: Revêtir - Dress
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The traditional costumes of Brittany carry with them a multitude evolutions and diverse influences that reflect a mosaic of geographical contexts within the region. Since childhood, Aurélie Scouarnec has been captivated by the materials and intricate details of these costumes, worn by family members across different generations. Her photographic project ‘'Revêtir'’ focuses on those who still wear these garments today, following the activities of various groups during championships and festivities, with particular attention for the young dancers involved. The series also offers an intimate look at individual interactions and the suspended time of preparations and rehearsals.
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livres
livres
Publication:
octobre 2024
octobre 2024
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livres
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Troublante et énigmatique, la gémellité n'a pas fini d'intriguer, de questionner, de fasciner. À jamais étrangère aux âmes « solitaires », elle fait croire à l'existence d'une absolue complétude, d'un attachement indicible, de liens extrasensibles... d'un véritable mystère. Pour approcher cette singularité du double, de la vie « par deux », le photographe au long cours(...)
$69.95
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Troublante et énigmatique, la gémellité n'a pas fini d'intriguer, de questionner, de fasciner. À jamais étrangère aux âmes « solitaires », elle fait croire à l'existence d'une absolue complétude, d'un attachement indicible, de liens extrasensibles... d'un véritable mystère. Pour approcher cette singularité du double, de la vie « par deux », le photographe au long cours(...)
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Par deux : Visages et villages de jumeaux
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Troublante et énigmatique, la gémellité n'a pas fini d'intriguer, de questionner, de fasciner. À jamais étrangère aux âmes « solitaires », elle fait croire à l'existence d'une absolue complétude, d'un attachement indicible, de liens extrasensibles... d'un véritable mystère. Pour approcher cette singularité du double, de la vie « par deux », le photographe au long cours Bernard de Tournadre a voyagé dix ans durant à la rencontre d'hommes, de femmes et d'enfants à la fois pareils et différents. Cette aventure profondément humaine, qui l'a conduit aux quatre coins du monde, est relatée ici au travers d'un enchaînement de portraits noir et blanc en duo, et de clichés pris lors de rassemblements de jumeaux et jumelles.
Par deux : Visages et villages de jumeaux
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Troublante et énigmatique, la gémellité n'a pas fini d'intriguer, de questionner, de fasciner. À jamais étrangère aux âmes « solitaires », elle fait croire à l'existence d'une absolue complétude, d'un attachement indicible, de liens extrasensibles... d'un véritable mystère. Pour approcher cette singularité du double, de la vie « par deux », le photographe au long cours Bernard de Tournadre a voyagé dix ans durant à la rencontre d'hommes, de femmes et d'enfants à la fois pareils et différents. Cette aventure profondément humaine, qui l'a conduit aux quatre coins du monde, est relatée ici au travers d'un enchaînement de portraits noir et blanc en duo, et de clichés pris lors de rassemblements de jumeaux et jumelles.
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livres
livres
Publication:
octobre 2024
octobre 2024
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$55.50
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"What precedes architecture?" Architect-artist Malgorzata Maria Olchowska (°Bartoszyce, 1982) investigates how personal and collective memories influence our view of the built environment. According to Olchowska, there is no limit to the resilience of cities: "Cities go up and down, we see that now with the war in Ukraine or with the earthquake in Turkey and Syria. Urban(...)
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"What precedes architecture?" Architect-artist Malgorzata Maria Olchowska (°Bartoszyce, 1982) investigates how personal and collective memories influence our view of the built environment. According to Olchowska, there is no limit to the resilience of cities: "Cities go up and down, we see that now with the war in Ukraine or with the earthquake in Turkey and Syria. Urban(...)
Titre:
Waiting rooms of architecture
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"What precedes architecture?" Architect-artist Malgorzata Maria Olchowska (°Bartoszyce, 1982) investigates how personal and collective memories influence our view of the built environment. According to Olchowska, there is no limit to the resilience of cities: "Cities go up and down, we see that now with the war in Ukraine or with the earthquake in Turkey and Syria. Urban districts that are now in ruins will sooner or later be rebuilt." The book is built around a text by Vlad Ionescu (Faculty of Architecture and Art, PXL/UHasselt) in which he reflects on Olchowska’s work, from 2009 to today. This is supplemented and illustrated by means of a visual essay in which Olchowska shows her work of the last five years.
Waiting rooms of architecture
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"What precedes architecture?" Architect-artist Malgorzata Maria Olchowska (°Bartoszyce, 1982) investigates how personal and collective memories influence our view of the built environment. According to Olchowska, there is no limit to the resilience of cities: "Cities go up and down, we see that now with the war in Ukraine or with the earthquake in Turkey and Syria. Urban districts that are now in ruins will sooner or later be rebuilt." The book is built around a text by Vlad Ionescu (Faculty of Architecture and Art, PXL/UHasselt) in which he reflects on Olchowska’s work, from 2009 to today. This is supplemented and illustrated by means of a visual essay in which Olchowska shows her work of the last five years.
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livres
livres
Publication:
mars 2024
mars 2024
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Anna Tsitsishvili: Tbilisi
Anna Tsitsishvili: Tbilisi
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Anna Tsitsishvili’s Tbilisi delivers us a contemporary outlook on Georgia’s vibrant capital at the crossroads between East and West. Her photobook attests that photography can play a role in putting the city back on the map by creating a new visual narrative that transcends the past to embrace authentic moments. Notably, the Soviet era has provided us with a glossy(...)
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Anna Tsitsishvili’s Tbilisi delivers us a contemporary outlook on Georgia’s vibrant capital at the crossroads between East and West. Her photobook attests that photography can play a role in putting the city back on the map by creating a new visual narrative that transcends the past to embrace authentic moments. Notably, the Soviet era has provided us with a glossy(...)
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Anna Tsitsishvili: Tbilisi
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Anna Tsitsishvili’s Tbilisi delivers us a contemporary outlook on Georgia’s vibrant capital at the crossroads between East and West. Her photobook attests that photography can play a role in putting the city back on the map by creating a new visual narrative that transcends the past to embrace authentic moments. Notably, the Soviet era has provided us with a glossy portrayal of the city under the empire, with the aim to convey some specific values through photography that is typical of regimes. However, after the collapse of the Soviet Union, a subtle melancholy has seeped into those photographs. This sentiment reflected the post-imperial events and the Russian occupation, which have left an indelible mark on the entire country, the city, and its inhabitants. A new generation of photographers though has emerged in the past years, with a vision that tries to respond to that sentiment by going beyond the façade and breaking ties with the past. In their images the city looks past the streets, the buildings and the cityscapes. They venture into courtyards, homes, into the private life of people and their sincere details. Anna Tsitsishvili does so too – with her photobook she captivates us primarily with her genuineness. From sumptuous old apartments to lived contemporary rooms, from daily commutes to encounters in the busy streets, a sense of everyday poetry permeates her all-color selection.
Anna Tsitsishvili: Tbilisi
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Anna Tsitsishvili’s Tbilisi delivers us a contemporary outlook on Georgia’s vibrant capital at the crossroads between East and West. Her photobook attests that photography can play a role in putting the city back on the map by creating a new visual narrative that transcends the past to embrace authentic moments. Notably, the Soviet era has provided us with a glossy portrayal of the city under the empire, with the aim to convey some specific values through photography that is typical of regimes. However, after the collapse of the Soviet Union, a subtle melancholy has seeped into those photographs. This sentiment reflected the post-imperial events and the Russian occupation, which have left an indelible mark on the entire country, the city, and its inhabitants. A new generation of photographers though has emerged in the past years, with a vision that tries to respond to that sentiment by going beyond the façade and breaking ties with the past. In their images the city looks past the streets, the buildings and the cityscapes. They venture into courtyards, homes, into the private life of people and their sincere details. Anna Tsitsishvili does so too – with her photobook she captivates us primarily with her genuineness. From sumptuous old apartments to lived contemporary rooms, from daily commutes to encounters in the busy streets, a sense of everyday poetry permeates her all-color selection.
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livres
livres
Publication:
juin 2024
juin 2024
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$42.00
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“Desert Spirals” by Sybren Vanoverberghe presents a new series of photographs taken in the captivating Moroccan desert. The images portray artifacts, shelters, and ancient engravings amidst the vast landscape. They capture the transient structures of human presence, built with materials often repurposed or left behind. Vanoverberghe’s artistic approach delves into(...)
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“Desert Spirals” by Sybren Vanoverberghe presents a new series of photographs taken in the captivating Moroccan desert. The images portray artifacts, shelters, and ancient engravings amidst the vast landscape. They capture the transient structures of human presence, built with materials often repurposed or left behind. Vanoverberghe’s artistic approach delves into(...)
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Sybren Vanoverberghe: desert spirals
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“Desert Spirals” by Sybren Vanoverberghe presents a new series of photographs taken in the captivating Moroccan desert. The images portray artifacts, shelters, and ancient engravings amidst the vast landscape. They capture the transient structures of human presence, built with materials often repurposed or left behind. Vanoverberghe’s artistic approach delves into traces of a recent or forgotten past, capturing the essence of the desert’s nothingness. The photographs create a compelling visual journey that merges contemporary scenes with ancient engravings. Through photography, Vanoverberghe captures these traces with evocative associations and powerful compositions. “Desert Spirals” offers a glimpse into the enigmatic beauty and timeless nature of the seemingly barren desert.
Sybren Vanoverberghe: desert spirals
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“Desert Spirals” by Sybren Vanoverberghe presents a new series of photographs taken in the captivating Moroccan desert. The images portray artifacts, shelters, and ancient engravings amidst the vast landscape. They capture the transient structures of human presence, built with materials often repurposed or left behind. Vanoverberghe’s artistic approach delves into traces of a recent or forgotten past, capturing the essence of the desert’s nothingness. The photographs create a compelling visual journey that merges contemporary scenes with ancient engravings. Through photography, Vanoverberghe captures these traces with evocative associations and powerful compositions. “Desert Spirals” offers a glimpse into the enigmatic beauty and timeless nature of the seemingly barren desert.
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livres
livres
Publication:
novembre 2023
novembre 2023
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$134.99
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Over a period of forty years, Hélène Binet has photographed both contemporary and historical architecture – this is the complete monograph of her work, with two extensive critical essays. Marco Iuliano details Hélène Binet’s background, from her childhood in the Italian fishing village of Sperlonga and in Rome, through her early ‘discovery’ of architectural photographer(...)
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Over a period of forty years, Hélène Binet has photographed both contemporary and historical architecture – this is the complete monograph of her work, with two extensive critical essays. Marco Iuliano details Hélène Binet’s background, from her childhood in the Italian fishing village of Sperlonga and in Rome, through her early ‘discovery’ of architectural photographer(...)
Titre:
Hélène Binet: Architectural Photographers
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Over a period of forty years, Hélène Binet has photographed both contemporary and historical architecture – this is the complete monograph of her work, with two extensive critical essays. Marco Iuliano details Hélène Binet’s background, from her childhood in the Italian fishing village of Sperlonga and in Rome, through her early ‘discovery’ of architectural photographer Lucien Hervé, to other significant influences, like the collaborations with Daniel Libeskind, John Hejduk and the connections at the Architectural Association (AA) in London where she met Zaha Hadid. The essay highlights in detail Binet’s approach to photography, her process and archive.
Hélène Binet: Architectural Photographers
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Over a period of forty years, Hélène Binet has photographed both contemporary and historical architecture – this is the complete monograph of her work, with two extensive critical essays. Marco Iuliano details Hélène Binet’s background, from her childhood in the Italian fishing village of Sperlonga and in Rome, through her early ‘discovery’ of architectural photographer Lucien Hervé, to other significant influences, like the collaborations with Daniel Libeskind, John Hejduk and the connections at the Architectural Association (AA) in London where she met Zaha Hadid. The essay highlights in detail Binet’s approach to photography, her process and archive.
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livres
livres
Publication:
mars 2024
mars 2024
Sujet:
Monographies photo
Monographies photo
