2378 Résultats
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livres
Titre:
Along some American highways
Along some American highways
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Andrew Cross's photographs depict the spaces of the long distance road-trip - the places passed through and passed by - a landscape that is now familiar almost wherever we are. It is the vernacular landscape of a growing consumer culture - fast food outlets, shopping malls, distribution depots, truck stops - that have congregated around highway exits and(...)
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Andrew Cross's photographs depict the spaces of the long distance road-trip - the places passed through and passed by - a landscape that is now familiar almost wherever we are. It is the vernacular landscape of a growing consumer culture - fast food outlets, shopping malls, distribution depots, truck stops - that have congregated around highway exits and(...)
Sujet:
Monographies photo
Monographies photo
Publication:
septembre 2003, London / New York
septembre 2003, London / New York
Titre:
Along some American highways
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Andrew Cross's photographs depict the spaces of the long distance road-trip - the places passed through and passed by - a landscape that is now familiar almost wherever we are. It is the vernacular landscape of a growing consumer culture - fast food outlets, shopping malls, distribution depots, truck stops - that have congregated around highway exits and intersections. This volume further contributes to his already widely published and exhibited body of work, both in Europe and America. With "Along some American highways" Andrew Cross continues his preoccupation with the functions and environments of motorised transportation. Andrew Cross brings together the inherent romanticism of the road journey with the corporate culture that now so dominates not only the environment of the American road-trip but also the wider world. His photographs are a traveller's glance of places that are themselves transient and impermanent, but all pervasive.
Along some American highways
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Andrew Cross's photographs depict the spaces of the long distance road-trip - the places passed through and passed by - a landscape that is now familiar almost wherever we are. It is the vernacular landscape of a growing consumer culture - fast food outlets, shopping malls, distribution depots, truck stops - that have congregated around highway exits and intersections. This volume further contributes to his already widely published and exhibited body of work, both in Europe and America. With "Along some American highways" Andrew Cross continues his preoccupation with the functions and environments of motorised transportation. Andrew Cross brings together the inherent romanticism of the road journey with the corporate culture that now so dominates not only the environment of the American road-trip but also the wider world. His photographs are a traveller's glance of places that are themselves transient and impermanent, but all pervasive.
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livres
livres
Publication:
septembre 2003, London / New York
septembre 2003, London / New York
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Relocating Victor Burgin
Relocating Victor Burgin
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Over the past 30 years Victor Burgin’s work has established him as both a highly influential artist and a renowned theorist of the still and moving image. After 13 years in the United States, Burgin recently returned to live and work in Britain. Burgin came to prominence as an originator of conceptual art, and was nominated for the Turner Prize shortly before his(...)
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Over the past 30 years Victor Burgin’s work has established him as both a highly influential artist and a renowned theorist of the still and moving image. After 13 years in the United States, Burgin recently returned to live and work in Britain. Burgin came to prominence as an originator of conceptual art, and was nominated for the Turner Prize shortly before his(...)
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Monographies photo
Monographies photo
Publication:
mars 2003, Bristol
mars 2003, Bristol
Titre:
Relocating Victor Burgin
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Over the past 30 years Victor Burgin’s work has established him as both a highly influential artist and a renowned theorist of the still and moving image. After 13 years in the United States, Burgin recently returned to live and work in Britain. Burgin came to prominence as an originator of conceptual art, and was nominated for the Turner Prize shortly before his departure for the USA. This book offers a critical overview of a body of work that combines conceptual rigour with poetic elegance, and remains an essential reference for succeeding generations of artists. Includes text by Catsou Roberts, Stephen Bann, Peter Osbourne, Françoise Parfait and Victor Burgin
Relocating Victor Burgin
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Over the past 30 years Victor Burgin’s work has established him as both a highly influential artist and a renowned theorist of the still and moving image. After 13 years in the United States, Burgin recently returned to live and work in Britain. Burgin came to prominence as an originator of conceptual art, and was nominated for the Turner Prize shortly before his departure for the USA. This book offers a critical overview of a body of work that combines conceptual rigour with poetic elegance, and remains an essential reference for succeeding generations of artists. Includes text by Catsou Roberts, Stephen Bann, Peter Osbourne, Françoise Parfait and Victor Burgin
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livres
Publication:
mars 2003, Bristol
mars 2003, Bristol
Sujet:
Monographies photo
Monographies photo
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livres
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For most of his life as a photographer, David Plowden has admired and photographed barns. In recent years, as their disappearance accelerated, he made it his mission to document these beautiful structures, before they too are lost. With 130 duotone photographs.
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For most of his life as a photographer, David Plowden has admired and photographed barns. In recent years, as their disappearance accelerated, he made it his mission to document these beautiful structures, before they too are lost. With 130 duotone photographs.
Titre:
David Plowden : the American barn
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For most of his life as a photographer, David Plowden has admired and photographed barns. In recent years, as their disappearance accelerated, he made it his mission to document these beautiful structures, before they too are lost. With 130 duotone photographs.
David Plowden : the American barn
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For most of his life as a photographer, David Plowden has admired and photographed barns. In recent years, as their disappearance accelerated, he made it his mission to document these beautiful structures, before they too are lost. With 130 duotone photographs.
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livres
livres
Publication:
novembre 2003, New York / London
novembre 2003, New York / London
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
René Burri photographies
René Burri photographies
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Connu dans le monde entier pour ses images emblématiques de Che Guevara et de Brasilia, René Burri est l'un des photographes les plus talentueux de notre époque. Membre de la prestigieuse agence Magnum Photos, il se singularise par un enthousiasme et un refus des clivages qui lui ont permis d'enquêter mieux que quiconque sur les temps forts et les grands noms des(...)
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Connu dans le monde entier pour ses images emblématiques de Che Guevara et de Brasilia, René Burri est l'un des photographes les plus talentueux de notre époque. Membre de la prestigieuse agence Magnum Photos, il se singularise par un enthousiasme et un refus des clivages qui lui ont permis d'enquêter mieux que quiconque sur les temps forts et les grands noms des(...)
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René Burri photographies
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Connu dans le monde entier pour ses images emblématiques de Che Guevara et de Brasilia, René Burri est l'un des photographes les plus talentueux de notre époque. Membre de la prestigieuse agence Magnum Photos, il se singularise par un enthousiasme et un refus des clivages qui lui ont permis d'enquêter mieux que quiconque sur les temps forts et les grands noms des cinquante dernières années. Figure de l'histoire de la photographie, René Burri s'est attiré le respect de toute une profession par son regard bienveillant et son aptitude à fixer sur la pellicule la vérité de ses personnages. Son parcours hors du commun est retracé ici pour la première fois à travers plus de quatre cents images bichromes, dont beaucoup sont inédites. Rédigé et orchestré par l'écrivain Hans-Michael Koetzle en étroite collaboration avec René Burri, cet ouvrage témoigne du lien unique qui unit le photographe aux événements politiques majeurs de ces cinquante dernières années ainsi qu'à l'élite politique, artistique et culturelle de son temps.
René Burri photographies
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Connu dans le monde entier pour ses images emblématiques de Che Guevara et de Brasilia, René Burri est l'un des photographes les plus talentueux de notre époque. Membre de la prestigieuse agence Magnum Photos, il se singularise par un enthousiasme et un refus des clivages qui lui ont permis d'enquêter mieux que quiconque sur les temps forts et les grands noms des cinquante dernières années. Figure de l'histoire de la photographie, René Burri s'est attiré le respect de toute une profession par son regard bienveillant et son aptitude à fixer sur la pellicule la vérité de ses personnages. Son parcours hors du commun est retracé ici pour la première fois à travers plus de quatre cents images bichromes, dont beaucoup sont inédites. Rédigé et orchestré par l'écrivain Hans-Michael Koetzle en étroite collaboration avec René Burri, cet ouvrage témoigne du lien unique qui unit le photographe aux événements politiques majeurs de ces cinquante dernières années ainsi qu'à l'élite politique, artistique et culturelle de son temps.
Classification:
livres
livres
Publication:
janvier 2004, Paris
janvier 2004, Paris
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Territorium : Theo Baart
Territorium : Theo Baart
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Five years ago, the celebrated Dutch photographer Theo Baart (Snelweg/Highways in the Netherlands, 1996; Bouwlust, 1999; Atlas of Change, 2000) moved from the center of Amsterdam to Amsterdam Southeast, to an area known as the Bijlmermeer. Designed in accordance with modernist urban planning principles, with a lot of high-rise flats in a park-like setting, the Bijlmer(...)
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Five years ago, the celebrated Dutch photographer Theo Baart (Snelweg/Highways in the Netherlands, 1996; Bouwlust, 1999; Atlas of Change, 2000) moved from the center of Amsterdam to Amsterdam Southeast, to an area known as the Bijlmermeer. Designed in accordance with modernist urban planning principles, with a lot of high-rise flats in a park-like setting, the Bijlmer(...)
Titre:
Territorium : Theo Baart
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Five years ago, the celebrated Dutch photographer Theo Baart (Snelweg/Highways in the Netherlands, 1996; Bouwlust, 1999; Atlas of Change, 2000) moved from the center of Amsterdam to Amsterdam Southeast, to an area known as the Bijlmermeer. Designed in accordance with modernist urban planning principles, with a lot of high-rise flats in a park-like setting, the Bijlmer experiment in social engineering was quickly overtaken by reality and the Bijlmer became notorious for its intractable social problems and exceptionally high crime rate. A mammoth, fifteen-year regeneration scheme (1992 - 2009) is set to change all that. Much of the existing high-rise is being replaced by less anonymous neighbourhoods of low-rise. It is here that Theo Baart and his family settled. Since their relocation, Baart has photographed the gradual transformation of an area of the Bijlmer defined by the radius of action of his two school-age children. Baart's interviews with his neighbours, discussions with policymakers and his superb photography provide a fascinating insight into the regeneration process currently taking place in the Bijlmer.
Territorium : Theo Baart
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Five years ago, the celebrated Dutch photographer Theo Baart (Snelweg/Highways in the Netherlands, 1996; Bouwlust, 1999; Atlas of Change, 2000) moved from the center of Amsterdam to Amsterdam Southeast, to an area known as the Bijlmermeer. Designed in accordance with modernist urban planning principles, with a lot of high-rise flats in a park-like setting, the Bijlmer experiment in social engineering was quickly overtaken by reality and the Bijlmer became notorious for its intractable social problems and exceptionally high crime rate. A mammoth, fifteen-year regeneration scheme (1992 - 2009) is set to change all that. Much of the existing high-rise is being replaced by less anonymous neighbourhoods of low-rise. It is here that Theo Baart and his family settled. Since their relocation, Baart has photographed the gradual transformation of an area of the Bijlmer defined by the radius of action of his two school-age children. Baart's interviews with his neighbours, discussions with policymakers and his superb photography provide a fascinating insight into the regeneration process currently taking place in the Bijlmer.
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livres
livres
Publication:
août 2003, Rotterdam
août 2003, Rotterdam
Sujet:
Monographies photo
Monographies photo
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$82.50
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The first comprehensive overview of the work of Garry Winogrand contains an essay on the life and work of the photographer by John Szarkowski and a plate section presenting the photographs thematically. Grouped under the following titles-- Eisenhower Years, The Street, Women, The Zoo, On the Road, The Sixties, Etc, The Fort Worth Fat Stock Show and Rodeo, Airport, and(...)
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The first comprehensive overview of the work of Garry Winogrand contains an essay on the life and work of the photographer by John Szarkowski and a plate section presenting the photographs thematically. Grouped under the following titles-- Eisenhower Years, The Street, Women, The Zoo, On the Road, The Sixties, Etc, The Fort Worth Fat Stock Show and Rodeo, Airport, and(...)
Titre:
Winogrand : figments from the real world
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The first comprehensive overview of the work of Garry Winogrand contains an essay on the life and work of the photographer by John Szarkowski and a plate section presenting the photographs thematically. Grouped under the following titles-- Eisenhower Years, The Street, Women, The Zoo, On the Road, The Sixties, Etc, The Fort Worth Fat Stock Show and Rodeo, Airport, and Unfinished Work-- many of the 179 plates are works that had never before been published. The last section includes 25 pictures chosen from the enormous body of work that Winogrand left unedited at the time of his death in 1984. In his essay, Szarkowski, who knew the photographer well during most of his career, describes the development of Winogrand's pictorial strategies during his years as a photojournalist, the increasing complexity of his motifs as he pursued more personal goals, and the challenge posed for other photographers by the powerful and distinctive authority of Winogrand's best work.
Winogrand : figments from the real world
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The first comprehensive overview of the work of Garry Winogrand contains an essay on the life and work of the photographer by John Szarkowski and a plate section presenting the photographs thematically. Grouped under the following titles-- Eisenhower Years, The Street, Women, The Zoo, On the Road, The Sixties, Etc, The Fort Worth Fat Stock Show and Rodeo, Airport, and Unfinished Work-- many of the 179 plates are works that had never before been published. The last section includes 25 pictures chosen from the enormous body of work that Winogrand left unedited at the time of his death in 1984. In his essay, Szarkowski, who knew the photographer well during most of his career, describes the development of Winogrand's pictorial strategies during his years as a photojournalist, the increasing complexity of his motifs as he pursued more personal goals, and the challenge posed for other photographers by the powerful and distinctive authority of Winogrand's best work.
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livres
livres
Publication:
janvier 1900, New York
janvier 1900, New York
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Lee Friedlander : Staglieno
Lee Friedlander : Staglieno
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The Staglieno cemetery near Genoa was created in the 19th century. It is home not only to those whose bones lie buried beneath, but also to the ornate display of sculptures erected in their memory. Printed in duotone on matte art paper and bound in velvet, with an introduction by Peter Galassi, Chief Curator, Department of Photography, The Museum of Modern Art, New York.
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The Staglieno cemetery near Genoa was created in the 19th century. It is home not only to those whose bones lie buried beneath, but also to the ornate display of sculptures erected in their memory. Printed in duotone on matte art paper and bound in velvet, with an introduction by Peter Galassi, Chief Curator, Department of Photography, The Museum of Modern Art, New York.
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Lee Friedlander : Staglieno
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The Staglieno cemetery near Genoa was created in the 19th century. It is home not only to those whose bones lie buried beneath, but also to the ornate display of sculptures erected in their memory. Printed in duotone on matte art paper and bound in velvet, with an introduction by Peter Galassi, Chief Curator, Department of Photography, The Museum of Modern Art, New York.
Lee Friedlander : Staglieno
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The Staglieno cemetery near Genoa was created in the 19th century. It is home not only to those whose bones lie buried beneath, but also to the ornate display of sculptures erected in their memory. Printed in duotone on matte art paper and bound in velvet, with an introduction by Peter Galassi, Chief Curator, Department of Photography, The Museum of Modern Art, New York.
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livres
livres
Publication:
janvier 1900, Tucson
janvier 1900, Tucson
Sujet:
Monographies photo
Monographies photo
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livres
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$84.50
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In 1856, the English photographer Francis Frith set out on the first of three tours of Egypt and the Holy Lands. Traveling up the Nile and then on to the Sinai, Palestine, Syria, and Lebanon, Frith systematically crafted exquisite pictures of ruins, landscapes, and legendary sites. He then published his views in England and America in a variety of formats, becoming(...)
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In 1856, the English photographer Francis Frith set out on the first of three tours of Egypt and the Holy Lands. Traveling up the Nile and then on to the Sinai, Palestine, Syria, and Lebanon, Frith systematically crafted exquisite pictures of ruins, landscapes, and legendary sites. He then published his views in England and America in a variety of formats, becoming(...)
Publication:
janvier 2004, Princeton
janvier 2004, Princeton
Titre:
Francis Frith in Egypt and Palestine : a Victorian photographer abroad
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In 1856, the English photographer Francis Frith set out on the first of three tours of Egypt and the Holy Lands. Traveling up the Nile and then on to the Sinai, Palestine, Syria, and Lebanon, Frith systematically crafted exquisite pictures of ruins, landscapes, and legendary sites. He then published his views in England and America in a variety of formats, becoming something of a celebrity in photographic circles. This book, the first to place Frith's Egyptian and Levantine images in cultural context, reveals the distinct meanings these ostensibly "topographic" pictures held for the photographer and his Victorian audience. A Quaker by birth and an entrepreneur by nature, Frith brought to his photographic projects a sense of mission: to revive and confirm the stories of the Bible, while offering the region to armchair travelers as a seamless Oriental milieu of Romantic reverie. Francis Frith in Egypt and Palestine narrates the political, intellectual, and social concerns that make Frith representative of England's encounter with the East in the nineteenth century. Historian of photography Douglas R. Nickel brings a sophisticated interdisciplinary approach to bear on the subject in order to expose the complexity of Frith's image-making, setting the photographs against a Victorian backdrop of religious debate, imperialist thought, Romantic philosophy, and Pre-Raphaelite aesthetics.
Francis Frith in Egypt and Palestine : a Victorian photographer abroad
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In 1856, the English photographer Francis Frith set out on the first of three tours of Egypt and the Holy Lands. Traveling up the Nile and then on to the Sinai, Palestine, Syria, and Lebanon, Frith systematically crafted exquisite pictures of ruins, landscapes, and legendary sites. He then published his views in England and America in a variety of formats, becoming something of a celebrity in photographic circles. This book, the first to place Frith's Egyptian and Levantine images in cultural context, reveals the distinct meanings these ostensibly "topographic" pictures held for the photographer and his Victorian audience. A Quaker by birth and an entrepreneur by nature, Frith brought to his photographic projects a sense of mission: to revive and confirm the stories of the Bible, while offering the region to armchair travelers as a seamless Oriental milieu of Romantic reverie. Francis Frith in Egypt and Palestine narrates the political, intellectual, and social concerns that make Frith representative of England's encounter with the East in the nineteenth century. Historian of photography Douglas R. Nickel brings a sophisticated interdisciplinary approach to bear on the subject in order to expose the complexity of Frith's image-making, setting the photographs against a Victorian backdrop of religious debate, imperialist thought, Romantic philosophy, and Pre-Raphaelite aesthetics.
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livres
livres
Publication:
janvier 2004, Princeton
janvier 2004, Princeton
Classification:
livres
livres
Titre:
Walker Evans
Walker Evans
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Walker Evans (1903-1975) is best known for documenting the people and living conditions of the American South during the Great Depression. But his photographic accomplishments were much broader than these famous images: modernist views of New York City, such as his Flatiron Building, New York (1928-29) and Brooklyn Bridge (1929); architectural studies of Victorian homes(...)
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Walker Evans (1903-1975) is best known for documenting the people and living conditions of the American South during the Great Depression. But his photographic accomplishments were much broader than these famous images: modernist views of New York City, such as his Flatiron Building, New York (1928-29) and Brooklyn Bridge (1929); architectural studies of Victorian homes(...)
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Walker Evans
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Walker Evans (1903-1975) is best known for documenting the people and living conditions of the American South during the Great Depression. But his photographic accomplishments were much broader than these famous images: modernist views of New York City, such as his Flatiron Building, New York (1928-29) and Brooklyn Bridge (1929); architectural studies of Victorian homes and other buildings in Boston, Cape Cod, Saratoga Springs, and small towns in upstate New York; a series of spontaneous and surreptitious portraits taken on the Manhattan subway; scenes from Cuba in the 1930s; and his commercial assignments as a staff photographer and writer for Fortune magazine. The familiar work from his Farm Security Administration project is also here-views of the rural South immortalized in his collaborative book with James Agee, Let Us Now Praise Famous Men, along with urban images from New Orleans and Savannah. Essays by Christian A. Peterson, associate curator of photography at The Minneapolis Institute of Arts, describe Evans's photographic vision and include information about the acquisition history of many of the photographs in this book. Illustrated with almost one hundred high-quality black-and-white photographs, Walker Evans presents the full breadth of Evans's expansive and varied photographic art.
Walker Evans
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Walker Evans (1903-1975) is best known for documenting the people and living conditions of the American South during the Great Depression. But his photographic accomplishments were much broader than these famous images: modernist views of New York City, such as his Flatiron Building, New York (1928-29) and Brooklyn Bridge (1929); architectural studies of Victorian homes and other buildings in Boston, Cape Cod, Saratoga Springs, and small towns in upstate New York; a series of spontaneous and surreptitious portraits taken on the Manhattan subway; scenes from Cuba in the 1930s; and his commercial assignments as a staff photographer and writer for Fortune magazine. The familiar work from his Farm Security Administration project is also here-views of the rural South immortalized in his collaborative book with James Agee, Let Us Now Praise Famous Men, along with urban images from New Orleans and Savannah. Essays by Christian A. Peterson, associate curator of photography at The Minneapolis Institute of Arts, describe Evans's photographic vision and include information about the acquisition history of many of the photographs in this book. Illustrated with almost one hundred high-quality black-and-white photographs, Walker Evans presents the full breadth of Evans's expansive and varied photographic art.
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livres
livres
Publication:
juillet 2003, Minneapolis
juillet 2003, Minneapolis
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$52.95
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Résumé:
This beautifully designed and produced volume showcases photographer David Paul Bayles' extraordinary vision of urban trees and their often precarious, sometimes triumphant place in the human landscape.
$52.95
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This beautifully designed and produced volume showcases photographer David Paul Bayles' extraordinary vision of urban trees and their often precarious, sometimes triumphant place in the human landscape.
Titre:
Urban forest : images of trees in the human landscape
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This beautifully designed and produced volume showcases photographer David Paul Bayles' extraordinary vision of urban trees and their often precarious, sometimes triumphant place in the human landscape.
Urban forest : images of trees in the human landscape
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This beautifully designed and produced volume showcases photographer David Paul Bayles' extraordinary vision of urban trees and their often precarious, sometimes triumphant place in the human landscape.
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livres
livres
Publication:
octobre 2003, San Franscisco
octobre 2003, San Franscisco
Sujet:
Monographies photo
Monographies photo
