2330 Résultats
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In the fall of 1952, Cy Twombly receives a traveling scholarship from the Virginia Museum of Fine Arts and leaves New York for his first trip to Europe and North Africa. He meets up with Robert Rauschenberg in Casablanca, and the two of them travel to Marrakech and the Atlas Mountains, and then to Tangier. They pay a visit to Paul Bowles in Tétouan and go on day trips(...)
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In the fall of 1952, Cy Twombly receives a traveling scholarship from the Virginia Museum of Fine Arts and leaves New York for his first trip to Europe and North Africa. He meets up with Robert Rauschenberg in Casablanca, and the two of them travel to Marrakech and the Atlas Mountains, and then to Tangier. They pay a visit to Paul Bowles in Tétouan and go on day trips(...)
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Monographies photo
Monographies photo
Publication:
mars 2023
mars 2023
Titre:
Cy Twombly: Marocco 1952-1953
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In the fall of 1952, Cy Twombly receives a traveling scholarship from the Virginia Museum of Fine Arts and leaves New York for his first trip to Europe and North Africa. He meets up with Robert Rauschenberg in Casablanca, and the two of them travel to Marrakech and the Atlas Mountains, and then to Tangier. They pay a visit to Paul Bowles in Tétouan and go on day trips with him to nearby villages and Roman ruins. Twombly conducts his first and last archaeological excavation there. Upon their return to Rome in February 1953, Twombly studies and sketches the ethnographic objects and tribal artifacts he sees on display in the Museo Nazionale Preistorico Etnografico Luigi Pigorini. These sketches survive in the form of the North African Sketchbooks. Much of the surviving work from this trip consists of photographs taken with a Rolleiflex shared by the artists and sketches made by them, preserved in the archives of the Cy Twombly Foundation and Fondazione Nicola Del Roscio; they provide a unique perspective on Twombly's lesser-known affinity for Africa's Mediterranean shores.
Cy Twombly: Marocco 1952-1953
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In the fall of 1952, Cy Twombly receives a traveling scholarship from the Virginia Museum of Fine Arts and leaves New York for his first trip to Europe and North Africa. He meets up with Robert Rauschenberg in Casablanca, and the two of them travel to Marrakech and the Atlas Mountains, and then to Tangier. They pay a visit to Paul Bowles in Tétouan and go on day trips with him to nearby villages and Roman ruins. Twombly conducts his first and last archaeological excavation there. Upon their return to Rome in February 1953, Twombly studies and sketches the ethnographic objects and tribal artifacts he sees on display in the Museo Nazionale Preistorico Etnografico Luigi Pigorini. These sketches survive in the form of the North African Sketchbooks. Much of the surviving work from this trip consists of photographs taken with a Rolleiflex shared by the artists and sketches made by them, preserved in the archives of the Cy Twombly Foundation and Fondazione Nicola Del Roscio; they provide a unique perspective on Twombly's lesser-known affinity for Africa's Mediterranean shores.
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livres
livres
Publication:
mars 2023
mars 2023
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Monographies photo
Monographies photo
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livres
livres
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Michel Butor's 'Description of San Marco' (1963) is an unusual book; an unorthodox intermingling of overheard dialogue from the Venetian square in question, thick descriptions of persons and buildings, along with sober historical information. In the original, each genre of information is assigned a distinct typography of its own, hence interacting like voices in a play.(...)
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Michel Butor's 'Description of San Marco' (1963) is an unusual book; an unorthodox intermingling of overheard dialogue from the Venetian square in question, thick descriptions of persons and buildings, along with sober historical information. In the original, each genre of information is assigned a distinct typography of its own, hence interacting like voices in a play.(...)
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Description of San Marco by Michel Butor
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Michel Butor's 'Description of San Marco' (1963) is an unusual book; an unorthodox intermingling of overheard dialogue from the Venetian square in question, thick descriptions of persons and buildings, along with sober historical information. In the original, each genre of information is assigned a distinct typography of its own, hence interacting like voices in a play. Six decades later, the artist Giovanna Silva stumbled upon an English translation of the French essayist's queer text in an archive at the New York Public Library. Returning to Venice, she cast her eye to the square and its surrounds, an iconic space at once populated by signs of contemporary life, but also astonishingly unchanged.
Description of San Marco by Michel Butor
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Michel Butor's 'Description of San Marco' (1963) is an unusual book; an unorthodox intermingling of overheard dialogue from the Venetian square in question, thick descriptions of persons and buildings, along with sober historical information. In the original, each genre of information is assigned a distinct typography of its own, hence interacting like voices in a play. Six decades later, the artist Giovanna Silva stumbled upon an English translation of the French essayist's queer text in an archive at the New York Public Library. Returning to Venice, she cast her eye to the square and its surrounds, an iconic space at once populated by signs of contemporary life, but also astonishingly unchanged.
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livres
livres
Publication:
avril 2023
avril 2023
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$60.00
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Graziani is a collector of objects, not a storyteller. With the meticulous eye of an archivist, he detaches things from their context, revealing them to us. Whether the object of his photographic exploration is a stack of aluminum profiles, a mock-up of a window section, or an artwork, it is “objectified” in the same way, contributing portrait and to question Finstral‘s(...)
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Graziani is a collector of objects, not a storyteller. With the meticulous eye of an archivist, he detaches things from their context, revealing them to us. Whether the object of his photographic exploration is a stack of aluminum profiles, a mock-up of a window section, or an artwork, it is “objectified” in the same way, contributing portrait and to question Finstral‘s(...)
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Stefano Graziani: Picture window frame
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Graziani is a collector of objects, not a storyteller. With the meticulous eye of an archivist, he detaches things from their context, revealing them to us. Whether the object of his photographic exploration is a stack of aluminum profiles, a mock-up of a window section, or an artwork, it is “objectified” in the same way, contributing portrait and to question Finstral‘s production facilities as well as the idea of the window itself. The fact that it is shown primarily through its form, independent of its function, gives it a sculptural quality. Picture Window Frame is a book designed by Giulia Cordin and a traveling show with the exhibition design by Brussel architectural firm Office Kersten Geers David Van Severen.
Stefano Graziani: Picture window frame
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Graziani is a collector of objects, not a storyteller. With the meticulous eye of an archivist, he detaches things from their context, revealing them to us. Whether the object of his photographic exploration is a stack of aluminum profiles, a mock-up of a window section, or an artwork, it is “objectified” in the same way, contributing portrait and to question Finstral‘s production facilities as well as the idea of the window itself. The fact that it is shown primarily through its form, independent of its function, gives it a sculptural quality. Picture Window Frame is a book designed by Giulia Cordin and a traveling show with the exhibition design by Brussel architectural firm Office Kersten Geers David Van Severen.
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livres
livres
Publication:
octobre 2022
octobre 2022
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Monographies photo
Monographies photo
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livres
livres
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''4Flight'' attempts to document the profound metamorphosis within the urban and natural landscape, also due by man. The images’ research, developed with an aesthetic, anthropological and sociological criteria, has led to the creation of an archive in progress with the aim of witnessing the state of the planet.
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''4Flight'' attempts to document the profound metamorphosis within the urban and natural landscape, also due by man. The images’ research, developed with an aesthetic, anthropological and sociological criteria, has led to the creation of an archive in progress with the aim of witnessing the state of the planet.
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Armin Linke: 4FLIGHT (2 vol.)
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''4Flight'' attempts to document the profound metamorphosis within the urban and natural landscape, also due by man. The images’ research, developed with an aesthetic, anthropological and sociological criteria, has led to the creation of an archive in progress with the aim of witnessing the state of the planet.
Armin Linke: 4FLIGHT (2 vol.)
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''4Flight'' attempts to document the profound metamorphosis within the urban and natural landscape, also due by man. The images’ research, developed with an aesthetic, anthropological and sociological criteria, has led to the creation of an archive in progress with the aim of witnessing the state of the planet.
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livres
livres
Publication:
janvier 2020
janvier 2020
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Cette nouvelle édition augmentée des écrits de Jeff Wall présente des essais, des conférences et des entretiens, ainsi que deux longs dialogues avec Jean-François Chevrier. Jeff Wall revient sur sa formation et l'évolution de son travail et analyse celui d'autres artistes, comme Dan Graham, Stephan Balkenhol, Roy Arden ou On Kawara. Ces textes plongeront le lecteur dans(...)
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Cette nouvelle édition augmentée des écrits de Jeff Wall présente des essais, des conférences et des entretiens, ainsi que deux longs dialogues avec Jean-François Chevrier. Jeff Wall revient sur sa formation et l'évolution de son travail et analyse celui d'autres artistes, comme Dan Graham, Stephan Balkenhol, Roy Arden ou On Kawara. Ces textes plongeront le lecteur dans(...)
Titre:
Jeff Wall: essais et entretiens
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Cette nouvelle édition augmentée des écrits de Jeff Wall présente des essais, des conférences et des entretiens, ainsi que deux longs dialogues avec Jean-François Chevrier. Jeff Wall revient sur sa formation et l'évolution de son travail et analyse celui d'autres artistes, comme Dan Graham, Stephan Balkenhol, Roy Arden ou On Kawara. Ces textes plongeront le lecteur dans une réflexion qui porte sur la photographie et son histoire ainsi que sur les questions essentielles de la tradition critique et de l'écriture sur l'art. Ils lui permettront de comprendre comment un artiste-photographe peut être peintre et narrateur.
Jeff Wall: essais et entretiens
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Cette nouvelle édition augmentée des écrits de Jeff Wall présente des essais, des conférences et des entretiens, ainsi que deux longs dialogues avec Jean-François Chevrier. Jeff Wall revient sur sa formation et l'évolution de son travail et analyse celui d'autres artistes, comme Dan Graham, Stephan Balkenhol, Roy Arden ou On Kawara. Ces textes plongeront le lecteur dans une réflexion qui porte sur la photographie et son histoire ainsi que sur les questions essentielles de la tradition critique et de l'écriture sur l'art. Ils lui permettront de comprendre comment un artiste-photographe peut être peintre et narrateur.
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livres
livres
Publication:
février 2015
février 2015
Sujet:
Monographies photo
Monographies photo
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livres
livres
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After the wall between East and West Germany was destroyed in 1989, the rapid political reunification of the country was greeted with euphoria. However, psychological and cultural reunification has proved to be a much slower and more difficult process. Michael Schmidt, a lifelong Berlin resident, approaches that anxious process in part by reflecting on Germany’s past.(...)
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After the wall between East and West Germany was destroyed in 1989, the rapid political reunification of the country was greeted with euphoria. However, psychological and cultural reunification has proved to be a much slower and more difficult process. Michael Schmidt, a lifelong Berlin resident, approaches that anxious process in part by reflecting on Germany’s past.(...)
Titre:
Michael Schmidt: Ein heit (u-ni-ty)
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After the wall between East and West Germany was destroyed in 1989, the rapid political reunification of the country was greeted with euphoria. However, psychological and cultural reunification has proved to be a much slower and more difficult process. Michael Schmidt, a lifelong Berlin resident, approaches that anxious process in part by reflecting on Germany’s past. About half of the works are Schmidt’s own photographs; the remainder are photographs he made from other photographs culled from newspapers, magazines, propaganda pamphlets, and other such sources. The meanings of historical monuments and political symbols, of particular gestures and facial expressions and styles of clothing, are left open to interpretation. Each viewer is challenged to judge whether a given image represents East or West Germany, a villain or a victim, a moment in 1935, 1965, or 1995. This project merges two artistic traditions, treating photography both as a medium for describing personal experience and as a vast, impersonal resource created by the mass media. The book explores the emotional weight of history, the power of ideological symbols, and the relationship of the individual to the body politic.
Michael Schmidt: Ein heit (u-ni-ty)
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After the wall between East and West Germany was destroyed in 1989, the rapid political reunification of the country was greeted with euphoria. However, psychological and cultural reunification has proved to be a much slower and more difficult process. Michael Schmidt, a lifelong Berlin resident, approaches that anxious process in part by reflecting on Germany’s past. About half of the works are Schmidt’s own photographs; the remainder are photographs he made from other photographs culled from newspapers, magazines, propaganda pamphlets, and other such sources. The meanings of historical monuments and political symbols, of particular gestures and facial expressions and styles of clothing, are left open to interpretation. Each viewer is challenged to judge whether a given image represents East or West Germany, a villain or a victim, a moment in 1935, 1965, or 1995. This project merges two artistic traditions, treating photography both as a medium for describing personal experience and as a vast, impersonal resource created by the mass media. The book explores the emotional weight of history, the power of ideological symbols, and the relationship of the individual to the body politic.
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livres
livres
Publication:
mars 2023
mars 2023
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$50.95
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Ce livre est une rencontre. Il part de l'invitation faite à Marie-Hélène Lafon (Prix Renaudot 2020) de mettre ses mots sur un chemin d'images composé pour elle par le photographe et écrivain-voyageur Luc Baptiste. Des images saisies dans la haute vallée du Cantal où elle a passé son enfance, et ailleurs dans le monde. Marie-Hélène Lafon, qui sait Luc Baptiste né comme(...)
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Ce livre est une rencontre. Il part de l'invitation faite à Marie-Hélène Lafon (Prix Renaudot 2020) de mettre ses mots sur un chemin d'images composé pour elle par le photographe et écrivain-voyageur Luc Baptiste. Des images saisies dans la haute vallée du Cantal où elle a passé son enfance, et ailleurs dans le monde. Marie-Hélène Lafon, qui sait Luc Baptiste né comme(...)
Titre:
Luc Baptiste & Marie-Hélène Lafon : Le corps des pays
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Ce livre est une rencontre. Il part de l'invitation faite à Marie-Hélène Lafon (Prix Renaudot 2020) de mettre ses mots sur un chemin d'images composé pour elle par le photographe et écrivain-voyageur Luc Baptiste. Des images saisies dans la haute vallée du Cantal où elle a passé son enfance, et ailleurs dans le monde. Marie-Hélène Lafon, qui sait Luc Baptiste né comme elle les pieds dans la terre, voit dans les paysages qu'il photographie « le corps des pays ».
Luc Baptiste & Marie-Hélène Lafon : Le corps des pays
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Ce livre est une rencontre. Il part de l'invitation faite à Marie-Hélène Lafon (Prix Renaudot 2020) de mettre ses mots sur un chemin d'images composé pour elle par le photographe et écrivain-voyageur Luc Baptiste. Des images saisies dans la haute vallée du Cantal où elle a passé son enfance, et ailleurs dans le monde. Marie-Hélène Lafon, qui sait Luc Baptiste né comme elle les pieds dans la terre, voit dans les paysages qu'il photographie « le corps des pays ».
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livres
livres
Publication:
mars 2023
mars 2023
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$66.00
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In this new edition of his striking collection of street views from 1970 to 2010. Thomas Struth presents a series of urban streetscapes from cities such as Edinburgh, Lima, Pyongyang, Naples, and New York City, all taken in similar conditions--devoid of human activity. Struth refers to these mundane buildings, unpopulated streets and anonymous facades as "unconscious(...)
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In this new edition of his striking collection of street views from 1970 to 2010. Thomas Struth presents a series of urban streetscapes from cities such as Edinburgh, Lima, Pyongyang, Naples, and New York City, all taken in similar conditions--devoid of human activity. Struth refers to these mundane buildings, unpopulated streets and anonymous facades as "unconscious(...)
Titre:
Thomas Struth: Unconscious places
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In this new edition of his striking collection of street views from 1970 to 2010. Thomas Struth presents a series of urban streetscapes from cities such as Edinburgh, Lima, Pyongyang, Naples, and New York City, all taken in similar conditions--devoid of human activity. Struth refers to these mundane buildings, unpopulated streets and anonymous facades as "unconscious places"--environments that are imbued with meaning only by the viewer. Captured with exquisite technical prowess and presented with powerful, restrained neutrality, Struth's images allow us to fully appreciate a city's character--from its telephone wires above to the pavement below. Richard Sennett's illuminating essay reveals how Struth's sober, lucid photography leads the viewer to create their own conclusions, rather than forcing a perspective. The resulting interplay among photographer, viewer, and landscape may hold the key to understanding how architecture affects our daily lives.
Thomas Struth: Unconscious places
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In this new edition of his striking collection of street views from 1970 to 2010. Thomas Struth presents a series of urban streetscapes from cities such as Edinburgh, Lima, Pyongyang, Naples, and New York City, all taken in similar conditions--devoid of human activity. Struth refers to these mundane buildings, unpopulated streets and anonymous facades as "unconscious places"--environments that are imbued with meaning only by the viewer. Captured with exquisite technical prowess and presented with powerful, restrained neutrality, Struth's images allow us to fully appreciate a city's character--from its telephone wires above to the pavement below. Richard Sennett's illuminating essay reveals how Struth's sober, lucid photography leads the viewer to create their own conclusions, rather than forcing a perspective. The resulting interplay among photographer, viewer, and landscape may hold the key to understanding how architecture affects our daily lives.
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livres
livres
Publication:
septembre 2020
septembre 2020
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Quand Charles Marville photographie Paris au milieu du XIXe siècle, c’est une ville sur le point de disparaître qu’il immortalise. De cette cité surgie d’un autre temps, nous ne reconnaissons que quelques bribes tant elle nous échappe, éloignée de tout souvenir personnel. Elle ne nous est pourtanpas totalement étrangère pour avoir prêté son décor à d’innombrables romans,(...)
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Quand Charles Marville photographie Paris au milieu du XIXe siècle, c’est une ville sur le point de disparaître qu’il immortalise. De cette cité surgie d’un autre temps, nous ne reconnaissons que quelques bribes tant elle nous échappe, éloignée de tout souvenir personnel. Elle ne nous est pourtanpas totalement étrangère pour avoir prêté son décor à d’innombrables romans,(...)
Titre:
Charles Marville : Un mémoire du vieux Paris
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Quand Charles Marville photographie Paris au milieu du XIXe siècle, c’est une ville sur le point de disparaître qu’il immortalise. De cette cité surgie d’un autre temps, nous ne reconnaissons que quelques bribes tant elle nous échappe, éloignée de tout souvenir personnel. Elle ne nous est pourtanpas totalement étrangère pour avoir prêté son décor à d’innombrables romans, tableaux ou films. Cette ville de papier s’offre aujourd’hui à nos déambulations imaginaires ; libre à nous de la peupler, au gré des silhouettes que nous y entrevoyons, de mille vies que nous n’avons pas vécues.
Charles Marville : Un mémoire du vieux Paris
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Quand Charles Marville photographie Paris au milieu du XIXe siècle, c’est une ville sur le point de disparaître qu’il immortalise. De cette cité surgie d’un autre temps, nous ne reconnaissons que quelques bribes tant elle nous échappe, éloignée de tout souvenir personnel. Elle ne nous est pourtanpas totalement étrangère pour avoir prêté son décor à d’innombrables romans, tableaux ou films. Cette ville de papier s’offre aujourd’hui à nos déambulations imaginaires ; libre à nous de la peupler, au gré des silhouettes que nous y entrevoyons, de mille vies que nous n’avons pas vécues.
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livres
livres
Publication:
avril 2023
avril 2023
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Gabriele Basilico: Metropoli
Gabriele Basilico: Metropoli
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$63.00
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This book gathers the most important series by Italian photographer Gabriele Basilico (1944-2013), one of the best-known urban photographers in the world. Published in conjunction with a retrospective in Rome, this monograph presents contributions by Roberta Valtorta, Marc Augé, Luca Doninelli, Giovanna Calvenzi and Filippo Maggia.
$63.00
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Résumé:
This book gathers the most important series by Italian photographer Gabriele Basilico (1944-2013), one of the best-known urban photographers in the world. Published in conjunction with a retrospective in Rome, this monograph presents contributions by Roberta Valtorta, Marc Augé, Luca Doninelli, Giovanna Calvenzi and Filippo Maggia.
Titre:
Gabriele Basilico: Metropoli
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This book gathers the most important series by Italian photographer Gabriele Basilico (1944-2013), one of the best-known urban photographers in the world. Published in conjunction with a retrospective in Rome, this monograph presents contributions by Roberta Valtorta, Marc Augé, Luca Doninelli, Giovanna Calvenzi and Filippo Maggia.
Gabriele Basilico: Metropoli
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Résumé:
This book gathers the most important series by Italian photographer Gabriele Basilico (1944-2013), one of the best-known urban photographers in the world. Published in conjunction with a retrospective in Rome, this monograph presents contributions by Roberta Valtorta, Marc Augé, Luca Doninelli, Giovanna Calvenzi and Filippo Maggia.
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livres
livres
Publication:
octobre 2020
octobre 2020
Sujet:
Monographies photo
Monographies photo
