Alick Phiri: Lusaka Street
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Lusaka Street is an exploration of Zambia’s photographic past through the eyes of Zambian image-maker Alick Phiri. One of the few surviving black photographers that had access to the medium from the 1960s through the 1990s in Lusaka – a time when the use of the camera was restricted in the country – Phiri was trained at Lusaka’s Photo Art Studios before opening his own(...)
Alick Phiri: Lusaka Street
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Lusaka Street is an exploration of Zambia’s photographic past through the eyes of Zambian image-maker Alick Phiri. One of the few surviving black photographers that had access to the medium from the 1960s through the 1990s in Lusaka – a time when the use of the camera was restricted in the country – Phiri was trained at Lusaka’s Photo Art Studios before opening his own studio in Kanyama, making photography an integral part of his life. His unseen before photographic archive provides a rare insight into the everyday experience of people in the city. Even more importantly, his work is a document of the process of self-determination and self-representation of black Zambians at the time, recounted through situational portraits taken in the subject's domestic sphere. A testament to the relevance of lens-based media within Zambia’s geographical, historical and social context, a tool for reimagining the past and reading the present.
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Over a period of forty years, Hélène Binet has photographed both contemporary and historical architecture – this is the complete monograph of her work, with two extensive critical essays. Marco Iuliano details Hélène Binet’s background, from her childhood in the Italian fishing village of Sperlonga and in Rome, through her early ‘discovery’ of architectural photographer(...)
Hélène Binet: Architectural Photographers
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Over a period of forty years, Hélène Binet has photographed both contemporary and historical architecture – this is the complete monograph of her work, with two extensive critical essays. Marco Iuliano details Hélène Binet’s background, from her childhood in the Italian fishing village of Sperlonga and in Rome, through her early ‘discovery’ of architectural photographer Lucien Hervé, to other significant influences, like the collaborations with Daniel Libeskind, John Hejduk and the connections at the Architectural Association (AA) in London where she met Zaha Hadid. The essay highlights in detail Binet’s approach to photography, her process and archive.
Monographies photo
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A changing landscape for Stoke-on-Trent in the 1980s, by Mark Campbell. Series of 2 books.
Mark Campbell: Stoke-on-Trent 1983–1986 series 2 books
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A changing landscape for Stoke-on-Trent in the 1980s, by Mark Campbell. Series of 2 books.
Monographies photo
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The Casa de Serralves is a celebrated modernist icon. Designed between Porto and Paris (1925-43), in the superimposed work of five architects, the villa is revealed through large scale photographs by João Carmo Simões and edited drawings. This referential work brings together avant-garde and traditional desires – an ambiguity that forged generations of architects.
João Carmo Simões: Casa de Serralves
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The Casa de Serralves is a celebrated modernist icon. Designed between Porto and Paris (1925-43), in the superimposed work of five architects, the villa is revealed through large scale photographs by João Carmo Simões and edited drawings. This referential work brings together avant-garde and traditional desires – an ambiguity that forged generations of architects.
Monographies photo
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Avec « Non Fiction », Henri Kisielewski explore la frontière de plus en plus poreuse entre réel et fictif en photographie. En retournant sur les lieux de faits divers parus dans les journaux pour créer une série qui s’apparente à une fiction, il crée une tension poussée à l’extrême via une multitude de stratégies visuelles, déployées pour brouiller les pistes. Les images(...)
Henri Kisielewski : Non fiction
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Avec « Non Fiction », Henri Kisielewski explore la frontière de plus en plus poreuse entre réel et fictif en photographie. En retournant sur les lieux de faits divers parus dans les journaux pour créer une série qui s’apparente à une fiction, il crée une tension poussée à l’extrême via une multitude de stratégies visuelles, déployées pour brouiller les pistes. Les images s’accumulent pour donner vie à un récit fluide et multiforme. À chacun de l’interpréter, d’y trouver ses clés de lecture, de lui donner du sens. À travers « Non Fiction », la vie quotidienne se transforme : chaque fenêtre cache des secrets, chacun devient un personnage, chaque objet un indice ou une pièce à conviction. Tout est vrai, tout est faux, mais une chose est sûre : la vérité est au moins aussi étrange que la fiction.
Monographies photo
Guillaume Techer : Neige
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Photos prise par Guillaume Técher lors des mois de Février, Mars et Avril 2023.
Guillaume Techer : Neige
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Photos prise par Guillaume Técher lors des mois de Février, Mars et Avril 2023.
Harry Gruyaert : Homeland
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Dans ce livre, Harry Gruyaert nous invite à découvrir son homeland, la Belgique, pays qu’il sillonne depuis plus de soixante ans. Flamand de naissance, Gruyaert sait depuis longtemps que sa terre natale est « un endroit visuellement intéressant dans lequel il se passe des choses incongrues ». Son intuition très subtile de la couleur alliée à sa capacité à retranscrire(...)
Harry Gruyaert : Homeland
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Dans ce livre, Harry Gruyaert nous invite à découvrir son homeland, la Belgique, pays qu’il sillonne depuis plus de soixante ans. Flamand de naissance, Gruyaert sait depuis longtemps que sa terre natale est « un endroit visuellement intéressant dans lequel il se passe des choses incongrues ». Son intuition très subtile de la couleur alliée à sa capacité à retranscrire l’essence des lieux sont perceptibles dans ce large corpus d’images à la fois « historiales et épicuriennes » comme le souligne l'écrivain Brice Matthieussent. Sens du grotesque, du sarcasme, banalité, mais aussi émotion et une certaine tendresse s’esquissent au fil d’images de carnaval, de processions religieuses, de cafés-concerts, de petites localités hérissées de maisons en briques... Quatre porfolios d’images en noir et blanc, partie plus méconnue de l'œuvre du photographe, viennent ponctuer, sur un papier différent, cette immersion visuelle de ce voyage au plat pays.
Monographies photo
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Yorgos Lanthimos’s filmography, lauded for its ambitious world-building and absurdist explorations of human relations, has established him as one of the most distinctive auteurs in contemporary cinema.?i shall sing these songs beautifully draws on his renowned visual language to tell a haunting new story through photographs Lanthimos made on the set of his latest(...)
Yorgos Lanthimos: I shall sing these songs beautifully
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Yorgos Lanthimos’s filmography, lauded for its ambitious world-building and absurdist explorations of human relations, has established him as one of the most distinctive auteurs in contemporary cinema.?i shall sing these songs beautifully draws on his renowned visual language to tell a haunting new story through photographs Lanthimos made on the set of his latest feature,?"Kinds of Kindness" (2024), inhabiting an ambiguous space between the real locations of New Orleans and the otherworld of cinema. Interwoven throughout are new texts by Lanthimos which evoke the fragmented lyricism of Sappho, from whose poetry the book takes its title. Lanthimos makes all his photography, both still and moving, on analogue film, relishing the creative intimacy the medium involves. These previously unseen colour and black-and-white images became a part of the formation of his new film's world. Here, they become fragments that elaborate an entirely new story, rich with the tensions and unsettling atmospheres that Lanthimos has made his own.
Monographies photo
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In the spring of 1966, the architects Umberto Riva and Luisa Castiglioni, the flaneur Enzo Muzii and the art patron Hans Deichmann hired a car in San Francisco in which to travel the length and breadth of the United States and photograph the architecture of Ludwig Mies van der Rohe, Louis Kahn, Frank Lloyd Wright and many others. They visited California and the South(...)
Monographies photo
novembre 2024
Luisa Castiglioni, Hans Deichmann, Enzo Muzii, Umberto Riva : USA 1966
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In the spring of 1966, the architects Umberto Riva and Luisa Castiglioni, the flaneur Enzo Muzii and the art patron Hans Deichmann hired a car in San Francisco in which to travel the length and breadth of the United States and photograph the architecture of Ludwig Mies van der Rohe, Louis Kahn, Frank Lloyd Wright and many others. They visited California and the South (Phoenix, Dallas, New Orleans and Atlanta) before heading up to Chicago and Philadelphia, only to reach New York after a month on the road. A Grand Tour comprising cities, architecture, deserts and encounters. An educational journey, but also a discoveryof America in its heyday, captured in magnificent black and white by a group of cultured European travellers. That journey became issue 17 of Zodiac, the international architecture magazine published by Olivetti, while the contact sheets containing the photographs of the four travellers has re-emerged only recently.
Monographies photo
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Contested Landscapes is dedicated to different rural regions—their landscapes, their producers, and their work. The paths of the family of the artist Sandra Schäfer and those of the famous German photographer August Sander cross in the Westerwald, a rural area in Germany shaped by farming and mining.
Sandra Schäfer: Contested landscapes
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Contested Landscapes is dedicated to different rural regions—their landscapes, their producers, and their work. The paths of the family of the artist Sandra Schäfer and those of the famous German photographer August Sander cross in the Westerwald, a rural area in Germany shaped by farming and mining.
Monographies photo