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In her new book, Düsseldorf-based photographer Simone Nieweg roams the forests of Central Europe, Scandinavia, and the US. Nature and landscapes, including their manmade guise of cultivated gardens, fields, and pastures, have been the focus of her photographic interest for more than 30 years. She returns from her forays into the undeveloped fringes of suburbia and areas(...)
Elger Esser: Combray 2005-2016
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In her new book, Düsseldorf-based photographer Simone Nieweg roams the forests of Central Europe, Scandinavia, and the US. Nature and landscapes, including their manmade guise of cultivated gardens, fields, and pastures, have been the focus of her photographic interest for more than 30 years. She returns from her forays into the undeveloped fringes of suburbia and areas seemingly untouched by civilization with tranquil images devoid of people.
Monographies photo
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In her new book, Düsseldorf-based photographer Simone Nieweg roams the forests of Central Europe, Scandinavia, and the US. Nature and landscapes including their manmade guise of cultivated gardens, fields, and pastures have been the focus of her photographic interest for more than 30 years.
Simone Nieweg: Woods, trees, and light
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In her new book, Düsseldorf-based photographer Simone Nieweg roams the forests of Central Europe, Scandinavia, and the US. Nature and landscapes including their manmade guise of cultivated gardens, fields, and pastures have been the focus of her photographic interest for more than 30 years.
Monographies photo
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Takashi Homma uses fragments collected in camera obscura constructed in metropolitan areas of Japan and the US to build a city image by image. Homma does not seek to index any particular city but to render a shadow world, a city's unconscious caught in a dark chamber, suspended in the camera’s box. The camera obscura offers a repetition, like the reflection shimmering in(...)
Takashi Homma: the narcissistic city
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Takashi Homma uses fragments collected in camera obscura constructed in metropolitan areas of Japan and the US to build a city image by image. Homma does not seek to index any particular city but to render a shadow world, a city's unconscious caught in a dark chamber, suspended in the camera’s box. The camera obscura offers a repetition, like the reflection shimmering in Narcissus’s pool. The narcissistic city is a city transfixed upon its own image – a mirror city, laced with repetition (modular) and reflections (glass). A city looking at its reflection, a city caught in a dark chamber, a city observing its camera obscura inversion – flickering inside the camera’s box.
Monographies photo
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Après Gueorgui Pinkhassov, la RATP a demandé à Bruce Gilden de présenter sa vision de la mobilité urbaine. Guettant les rues de Paris, Johannesbourg, Manchester, New York et Hong Kong, le photographe américain a bondi sur les passants avec son flash en les cadrant de manière inattendue.
Bruce Gilden : un nouveau regard sur la mobilité urbaine
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Après Gueorgui Pinkhassov, la RATP a demandé à Bruce Gilden de présenter sa vision de la mobilité urbaine. Guettant les rues de Paris, Johannesbourg, Manchester, New York et Hong Kong, le photographe américain a bondi sur les passants avec son flash en les cadrant de manière inattendue.
Monographies photo
Hiroshi Sugimoto: black box
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Hiroshi Sugimoto has explored ideas of time, empiricism and metaphysics through a surreal and formalistic approach since the 1970s. A self-described "habitual self-interlocutor," Sugimoto uses the camera as a bridge between abstract questions and the quiet, comical nature of modern everyday life. This new project presents a survey of Sugimoto’s iconic work, from his calm(...)
Monographies photo
avril 2016
Hiroshi Sugimoto: black box
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Hiroshi Sugimoto has explored ideas of time, empiricism and metaphysics through a surreal and formalistic approach since the 1970s. A self-described "habitual self-interlocutor," Sugimoto uses the camera as a bridge between abstract questions and the quiet, comical nature of modern everyday life. This new project presents a survey of Sugimoto’s iconic work, from his calm seascapes to his more recent exploration of lightning fields and photogenic drawing.
Monographies photo
Lewis Baltz: common objects
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'Common Objects' revisits Lewis Baltz's most remarkable series from The Prototype Works (1967-1976) to Ronde de Nuit (1992-1995), and interrogates for the first time the influence of European cinema (Antonioni, Godard, Hitchcock) on his work. Baltz's seminal series The Prototype Works, The Tract Houses (1969-1971), Candlestick Point (1987-1989), Sites of Technology(...)
Lewis Baltz: common objects
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'Common Objects' revisits Lewis Baltz's most remarkable series from The Prototype Works (1967-1976) to Ronde de Nuit (1992-1995), and interrogates for the first time the influence of European cinema (Antonioni, Godard, Hitchcock) on his work. Baltz's seminal series The Prototype Works, The Tract Houses (1969-1971), Candlestick Point (1987-1989), Sites of Technology (1989-1991) and Ronde de Nuit are presented in dialogue with stills from several films: Alfred Hitchcock's Saboteur and Psycho, Michelangelo Antonioni's Zabriskie Point, La Notte and Red Desert and Jean-Luc Godard's Les Carabiniers.
Monographies photo
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'North Warning System' is Donovan Wylie's third and final book of photographs on the themes of vision and power in military architecture, and draws a close to his Tower Series. Surveying a radar station just inside the Canadian Arctic, Wylie examines the detection of invisible threats through unmanned observation posts in remote regions.
Donovan Wylie: North Warning System
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'North Warning System' is Donovan Wylie's third and final book of photographs on the themes of vision and power in military architecture, and draws a close to his Tower Series. Surveying a radar station just inside the Canadian Arctic, Wylie examines the detection of invisible threats through unmanned observation posts in remote regions.
Monographies photo
Daido Tokyo
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Daido Moriyama (born 1938 in Ikeda, Japan) invented a new visual language with his work beginning in the mid-1960s. Frenetic and tormented, it depicted a reality that was grainy, blurry, and out-of-focus. Witness to the spectacular changes that trans-formed postwar Japan, his photographs express the contradictions in a country where age-old traditions persist within a(...)
Daido Tokyo
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Daido Moriyama (born 1938 in Ikeda, Japan) invented a new visual language with his work beginning in the mid-1960s. Frenetic and tormented, it depicted a reality that was grainy, blurry, and out-of-focus. Witness to the spectacular changes that trans-formed postwar Japan, his photographs express the contradictions in a country where age-old traditions persist within a modern society. Often blurred, taken from vertiginous angles, or overwhelmed by close-ups, they show a proximity to and a particular relationship with the subject. This book was published to coincide with an exhibition at the Fondation Cartier, and includes many previously unpublished photographs (as well as those featured in the exhibition), and an interview with the artist.
Monographies photo
Carlo Mollino: Giappone 1970
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In May 1970, Carlo Mollino arrived in Osaka for the Universal Exposition. It was a long journey, with stop-offs in Bangkok, Hong Kong, Tokyo and Kyoto. He had a camera with him and, little by little, he grew to love a civilisation which he then scarcely knew. He was fascinated by the women, the traditional places (temples, gardens and pagodas), but also by the new(...)
Carlo Mollino: Giappone 1970
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In May 1970, Carlo Mollino arrived in Osaka for the Universal Exposition. It was a long journey, with stop-offs in Bangkok, Hong Kong, Tokyo and Kyoto. He had a camera with him and, little by little, he grew to love a civilisation which he then scarcely knew. He was fascinated by the women, the traditional places (temples, gardens and pagodas), but also by the new architecture, the details in the constructions and the swarming crowds. Mollino captures a Japan suspended between ancient rituals and modernity, which over the years to come was to change the face of the country, a change of which the Expo was a mere foretaste.
Monographies photo
L'ange blanc
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A l'occasion des trente ans de la catastrophe de Tchernobyl, N. Ackermann est parti à la rencontre des habitants de Slavutych, ville construite juste après l'accident pour loger les liquidateurs et le personnel affecté à l'entretien des réacteurs. Le reportage, réalisé entre 2012 et 2015, permet de dresser le portrait de Ioulia et de ses amis, une jeunesse qui se(...)
L'ange blanc
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A l'occasion des trente ans de la catastrophe de Tchernobyl, N. Ackermann est parti à la rencontre des habitants de Slavutych, ville construite juste après l'accident pour loger les liquidateurs et le personnel affecté à l'entretien des réacteurs. Le reportage, réalisé entre 2012 et 2015, permet de dresser le portrait de Ioulia et de ses amis, une jeunesse qui se confronte peu à peu à la réalité.
Monographies photo