2452 Résultats
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Fotomuseum Winterthur and Steidl present an unprecedented chronological overview of Pfeiffer’s photographic work, spanning four decades from his beginnings in the early 1970s to his most recent work. Some of the photographs have never been published or exhibited before; thus the book provides a new perspective on Pfeiffer’s oeuvre.
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Fotomuseum Winterthur and Steidl present an unprecedented chronological overview of Pfeiffer’s photographic work, spanning four decades from his beginnings in the early 1970s to his most recent work. Some of the photographs have never been published or exhibited before; thus the book provides a new perspective on Pfeiffer’s oeuvre.
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Monographies photo
Monographies photo
Publication:
janvier 2009, Göttingen
janvier 2009, Göttingen
Titre:
Walter Pfeiffer : in love with beauty
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Fotomuseum Winterthur and Steidl present an unprecedented chronological overview of Pfeiffer’s photographic work, spanning four decades from his beginnings in the early 1970s to his most recent work. Some of the photographs have never been published or exhibited before; thus the book provides a new perspective on Pfeiffer’s oeuvre.
Walter Pfeiffer : in love with beauty
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Fotomuseum Winterthur and Steidl present an unprecedented chronological overview of Pfeiffer’s photographic work, spanning four decades from his beginnings in the early 1970s to his most recent work. Some of the photographs have never been published or exhibited before; thus the book provides a new perspective on Pfeiffer’s oeuvre.
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livres
livres
Publication:
janvier 2009, Göttingen
janvier 2009, Göttingen
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Monographies photo
Monographies photo
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Cataloging studio archives, film stills, animation stills and scripts, and using images culled from White's two-year study of one teenager, archives of magazine covers featuring iconic blonde models, stills from his first 35mm film and his photographic comparative study of teens and transgendered people, American Minor presents White's ongoing and never-before-seen(...)
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Cataloging studio archives, film stills, animation stills and scripts, and using images culled from White's two-year study of one teenager, archives of magazine covers featuring iconic blonde models, stills from his first 35mm film and his photographic comparative study of teens and transgendered people, American Minor presents White's ongoing and never-before-seen(...)
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Monographies photo
Monographies photo
Publication:
janvier 2009, Zürich
janvier 2009, Zürich
Titre:
Charlie White: american minor
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Cataloging studio archives, film stills, animation stills and scripts, and using images culled from White's two-year study of one teenager, archives of magazine covers featuring iconic blonde models, stills from his first 35mm film and his photographic comparative study of teens and transgendered people, American Minor presents White's ongoing and never-before-seen studies of the American teen subject as both image and idea. American Minor is a bold excavation of the sociosexual forces that surround us all.
Charlie White: american minor
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Cataloging studio archives, film stills, animation stills and scripts, and using images culled from White's two-year study of one teenager, archives of magazine covers featuring iconic blonde models, stills from his first 35mm film and his photographic comparative study of teens and transgendered people, American Minor presents White's ongoing and never-before-seen studies of the American teen subject as both image and idea. American Minor is a bold excavation of the sociosexual forces that surround us all.
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livres
livres
Publication:
janvier 2009, Zürich
janvier 2009, Zürich
Sujet:
Monographies photo
Monographies photo
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Acclaimed French photographer, filmmaker and journalist Raymond Depardon arrived in New York in the winter of 1980. He came to visit a friend who had just taken a job in the city, and to kill time he strolled around the streets with his Leica. As a self-imposed constraint, and to encourage serendipitous results, he decided to take pictures without ever using the camera's(...)
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Acclaimed French photographer, filmmaker and journalist Raymond Depardon arrived in New York in the winter of 1980. He came to visit a friend who had just taken a job in the city, and to kill time he strolled around the streets with his Leica. As a self-imposed constraint, and to encourage serendipitous results, he decided to take pictures without ever using the camera's(...)
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Monographies photo
Monographies photo
Publication:
janvier 2009, Göttingen
janvier 2009, Göttingen
Titre:
Raymond Depardon : Manhattan out
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Acclaimed French photographer, filmmaker and journalist Raymond Depardon arrived in New York in the winter of 1980. He came to visit a friend who had just taken a job in the city, and to kill time he strolled around the streets with his Leica. As a self-imposed constraint, and to encourage serendipitous results, he decided to take pictures without ever using the camera's viewfinder. Working incognito throughout the nooks and crannies of New York City, Depardon amassed two or three rolls a day, but he was thoroughly disappointed by the results. He never mentioned the experiment to anybody and has only now decided to unveil these "blind" pictures to his public. Reexamining the work some 27 years after the photographs were taken, Depardon was surprised to discover that most of his subjects were aware that they were being photographed, and that consequently the images contain more artifice than he had expected. With an essay by Paul Virilio.
Raymond Depardon : Manhattan out
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Acclaimed French photographer, filmmaker and journalist Raymond Depardon arrived in New York in the winter of 1980. He came to visit a friend who had just taken a job in the city, and to kill time he strolled around the streets with his Leica. As a self-imposed constraint, and to encourage serendipitous results, he decided to take pictures without ever using the camera's viewfinder. Working incognito throughout the nooks and crannies of New York City, Depardon amassed two or three rolls a day, but he was thoroughly disappointed by the results. He never mentioned the experiment to anybody and has only now decided to unveil these "blind" pictures to his public. Reexamining the work some 27 years after the photographs were taken, Depardon was surprised to discover that most of his subjects were aware that they were being photographed, and that consequently the images contain more artifice than he had expected. With an essay by Paul Virilio.
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livres
livres
Publication:
janvier 2009, Göttingen
janvier 2009, Göttingen
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Malick Sidibe
Malick Sidibe
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At the 52nd Venice Biennale in 2007, African contemporary art was shown for the first time in history. That year, its highest distinction, the Golden Lion, was awarded to Mali photographer Malick Sidibé, whose ebullient, deeply human, black-and-white work is presented here - on beautiful spot-varnished paper with special small, uncoated inserts sewn in. Malick Sidibé was(...)
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At the 52nd Venice Biennale in 2007, African contemporary art was shown for the first time in history. That year, its highest distinction, the Golden Lion, was awarded to Mali photographer Malick Sidibé, whose ebullient, deeply human, black-and-white work is presented here - on beautiful spot-varnished paper with special small, uncoated inserts sewn in. Malick Sidibé was(...)
Titre:
Malick Sidibe
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At the 52nd Venice Biennale in 2007, African contemporary art was shown for the first time in history. That year, its highest distinction, the Golden Lion, was awarded to Mali photographer Malick Sidibé, whose ebullient, deeply human, black-and-white work is presented here - on beautiful spot-varnished paper with special small, uncoated inserts sewn in. Malick Sidibé was born around 1936 in Soloba, Mali. In 1952 he moved to Bamako, where he continues to live and work. His portraits and documentation of social life in Bamako, particularly of young people's activities, have been widely acclaimed. In 1995, his work was shown outside of Africa for the first time. Since then, his work has been exhibited throughout the world, garnering the 2003 Hasselblad Award and the 2007 Golden Lion Award for Lifetime Achievement at the 52nd Venice Biennale, among many others.
Malick Sidibe
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At the 52nd Venice Biennale in 2007, African contemporary art was shown for the first time in history. That year, its highest distinction, the Golden Lion, was awarded to Mali photographer Malick Sidibé, whose ebullient, deeply human, black-and-white work is presented here - on beautiful spot-varnished paper with special small, uncoated inserts sewn in. Malick Sidibé was born around 1936 in Soloba, Mali. In 1952 he moved to Bamako, where he continues to live and work. His portraits and documentation of social life in Bamako, particularly of young people's activities, have been widely acclaimed. In 1995, his work was shown outside of Africa for the first time. Since then, his work has been exhibited throughout the world, garnering the 2003 Hasselblad Award and the 2007 Golden Lion Award for Lifetime Achievement at the 52nd Venice Biennale, among many others.
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livres
livres
Publication:
janvier 2009
janvier 2009
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Gangs of Kabukicho
Gangs of Kabukicho
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Watanabe Katsumi was an itinerant portrait photographer working primarily in Shinjuku in Tokyo. This publication reproduces 155 photographs taken in the 60s and 70s in the blue light district of Shinjuku called Kabukicho. The subjects in Watanabe's photographs are the prostitutes, street people, drag queens, entertainers and gangsters (Yakuza) that populated Kabukicho at night.
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Watanabe Katsumi was an itinerant portrait photographer working primarily in Shinjuku in Tokyo. This publication reproduces 155 photographs taken in the 60s and 70s in the blue light district of Shinjuku called Kabukicho. The subjects in Watanabe's photographs are the prostitutes, street people, drag queens, entertainers and gangsters (Yakuza) that populated Kabukicho at night.
Titre:
Gangs of Kabukicho
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Watanabe Katsumi was an itinerant portrait photographer working primarily in Shinjuku in Tokyo. This publication reproduces 155 photographs taken in the 60s and 70s in the blue light district of Shinjuku called Kabukicho. The subjects in Watanabe's photographs are the prostitutes, street people, drag queens, entertainers and gangsters (Yakuza) that populated Kabukicho at night.
Gangs of Kabukicho
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Watanabe Katsumi was an itinerant portrait photographer working primarily in Shinjuku in Tokyo. This publication reproduces 155 photographs taken in the 60s and 70s in the blue light district of Shinjuku called Kabukicho. The subjects in Watanabe's photographs are the prostitutes, street people, drag queens, entertainers and gangsters (Yakuza) that populated Kabukicho at night.
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livres
livres
Publication:
janvier 2009, Tokyo, New York
janvier 2009, Tokyo, New York
Sujet:
Monographies photo
Monographies photo
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The 2008 Hasselblad Foundation International Award has been awarded to Mexican photographer Graciela Iturbide. Born in Mexico City in 1942, Iturbide is a founding member of the Mexican Council of Photography, and her work has been exhibited internationally and is included in many major museum collections including those of The Metropolitan Museum of Art and The Museum of(...)
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The 2008 Hasselblad Foundation International Award has been awarded to Mexican photographer Graciela Iturbide. Born in Mexico City in 1942, Iturbide is a founding member of the Mexican Council of Photography, and her work has been exhibited internationally and is included in many major museum collections including those of The Metropolitan Museum of Art and The Museum of(...)
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Monographies photo
Monographies photo
Publication:
janvier 2009, Göteborg
janvier 2009, Göteborg
Titre:
Graciela Iturbide: the hasselblad award 2008
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The 2008 Hasselblad Foundation International Award has been awarded to Mexican photographer Graciela Iturbide. Born in Mexico City in 1942, Iturbide is a founding member of the Mexican Council of Photography, and her work has been exhibited internationally and is included in many major museum collections including those of The Metropolitan Museum of Art and The Museum of Modern Art, New York, the Los Angeles County Museum of Art and The J. Paul Getty Museum. In awarding her the 2008 Hasselblad award, the Foundation said: Graciela Iturbide is considered one of the most important and influential Latin American photographers of the past four decades.
Graciela Iturbide: the hasselblad award 2008
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The 2008 Hasselblad Foundation International Award has been awarded to Mexican photographer Graciela Iturbide. Born in Mexico City in 1942, Iturbide is a founding member of the Mexican Council of Photography, and her work has been exhibited internationally and is included in many major museum collections including those of The Metropolitan Museum of Art and The Museum of Modern Art, New York, the Los Angeles County Museum of Art and The J. Paul Getty Museum. In awarding her the 2008 Hasselblad award, the Foundation said: Graciela Iturbide is considered one of the most important and influential Latin American photographers of the past four decades.
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livres
livres
Publication:
janvier 2009, Göteborg
janvier 2009, Göteborg
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$24.00
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Peter C. Bunnell has been a major force in shaping the discourse about photography. During his 30-some years as an influential professor and curator at Princeton University, he has written extensively. This classic collection of texts, available for the first time in paperback and selected from work published throughout his career, makes a significant contribution to the(...)
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Peter C. Bunnell has been a major force in shaping the discourse about photography. During his 30-some years as an influential professor and curator at Princeton University, he has written extensively. This classic collection of texts, available for the first time in paperback and selected from work published throughout his career, makes a significant contribution to the(...)
Titre:
Inside the photograph, writing on twentieth-century photography
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Peter C. Bunnell has been a major force in shaping the discourse about photography. During his 30-some years as an influential professor and curator at Princeton University, he has written extensively. This classic collection of texts, available for the first time in paperback and selected from work published throughout his career, makes a significant contribution to the field that he has helped to establish. In each of the 34 essays, which are devoted to individual (predominantly American) photographers and three galleries that played a key role in the recognition and marketing of Modern photography, Bunnell brings to bear his distinctive sensibility and insight. While encouraging the reader to see previously overlooked aspects of the images he discusses so eloquently, he also provides an invaluable historical context for the photographers and their work.
Inside the photograph, writing on twentieth-century photography
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Peter C. Bunnell has been a major force in shaping the discourse about photography. During his 30-some years as an influential professor and curator at Princeton University, he has written extensively. This classic collection of texts, available for the first time in paperback and selected from work published throughout his career, makes a significant contribution to the field that he has helped to establish. In each of the 34 essays, which are devoted to individual (predominantly American) photographers and three galleries that played a key role in the recognition and marketing of Modern photography, Bunnell brings to bear his distinctive sensibility and insight. While encouraging the reader to see previously overlooked aspects of the images he discusses so eloquently, he also provides an invaluable historical context for the photographers and their work.
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livres
livres
Publication:
janvier 2009
janvier 2009
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Photography after Frank
Photography after Frank
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In Photography After Frank, former New York Times writer and picture editor Philip Gefter narrates the tale of contemporary photography, beginning at the pivotal moment when Robert Frank commenced his seminal works of the 1950s. Along the way, he connects the dots of photography's evolution into what it is today, forging links between its episodes to reveal unsuspected(...)
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In Photography After Frank, former New York Times writer and picture editor Philip Gefter narrates the tale of contemporary photography, beginning at the pivotal moment when Robert Frank commenced his seminal works of the 1950s. Along the way, he connects the dots of photography's evolution into what it is today, forging links between its episodes to reveal unsuspected(...)
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Photography after Frank
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In Photography After Frank, former New York Times writer and picture editor Philip Gefter narrates the tale of contemporary photography, beginning at the pivotal moment when Robert Frank commenced his seminal works of the 1950s. Along the way, he connects the dots of photography's evolution into what it is today, forging links between its episodes to reveal unsuspected leaps. Gefter takes Frank's The Americans as a decisive challenge to photographic objectivity, with its grainy, off-hand-seeming spontaneity and its documentation of life beyond the picket fence.
Photography after Frank
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In Photography After Frank, former New York Times writer and picture editor Philip Gefter narrates the tale of contemporary photography, beginning at the pivotal moment when Robert Frank commenced his seminal works of the 1950s. Along the way, he connects the dots of photography's evolution into what it is today, forging links between its episodes to reveal unsuspected leaps. Gefter takes Frank's The Americans as a decisive challenge to photographic objectivity, with its grainy, off-hand-seeming spontaneity and its documentation of life beyond the picket fence.
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livres
livres
Publication:
janvier 2009, New York
janvier 2009, New York
Sujet:
Monographies photo
Monographies photo
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livres
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$59.00
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Published by the Howard Greenberg Gallery in cinjunction with the exhibition: 'Eye Mind Spirit: the Enduring Legacy of Minor White' 12 September to 18 October 2008.
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Published by the Howard Greenberg Gallery in cinjunction with the exhibition: 'Eye Mind Spirit: the Enduring Legacy of Minor White' 12 September to 18 October 2008.
Titre:
Eye mind spirit: the enduring legacy of minor white
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Published by the Howard Greenberg Gallery in cinjunction with the exhibition: 'Eye Mind Spirit: the Enduring Legacy of Minor White' 12 September to 18 October 2008.
Eye mind spirit: the enduring legacy of minor white
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Published by the Howard Greenberg Gallery in cinjunction with the exhibition: 'Eye Mind Spirit: the Enduring Legacy of Minor White' 12 September to 18 October 2008.
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livres
livres
Publication:
janvier 2009, New York
janvier 2009, New York
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$48.00
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Résumé:
Errata Editions' "Books on Books" series is an ongoing publishing project dedicated to making rare and out-of-print photography books accessible to students and photobook enthusiasts. These are not reprints or facsimiles but complete studies of the original books. Each volume in the series presents the entire content, page for page, of an original master bookwork which,(...)
$48.00
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Résumé:
Errata Editions' "Books on Books" series is an ongoing publishing project dedicated to making rare and out-of-print photography books accessible to students and photobook enthusiasts. These are not reprints or facsimiles but complete studies of the original books. Each volume in the series presents the entire content, page for page, of an original master bookwork which,(...)
Titre:
Walker Evans : American photographs
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Errata Editions' "Books on Books" series is an ongoing publishing project dedicated to making rare and out-of-print photography books accessible to students and photobook enthusiasts. These are not reprints or facsimiles but complete studies of the original books. Each volume in the series presents the entire content, page for page, of an original master bookwork which, up until now, has been too rare or expensive for most to experience. Through a mix of classic and contemporary titles, this series spans the breadth of photographic practice as it has appeared on the printed page and allows further study of the creation and meanings of these great works of art. Each volume in the series contains illustrations of every page in the original photobook, a new essay by an established writer on photography, production notes about the creation of the original edition and biographical and bibliographical information about each artist. Walker Evans' American Photographs, originally conceived as a catalogue to accompany Evan's one-man show at The Museum of Modern Art in 1938, it has been out of print for many long stretches of time. Books on Books 2 presents the original 1938 edition with the 87 legendary black-and-white photographs that defined the documentary-style aesthetic. This volume also reproduces Lincoln Kirstein's great original essay as well as a contemporary piece by John T. Hill, the author of many books on Evans, including Lyric Documentary, published by Steidl in 2006.
Walker Evans : American photographs
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$48.00
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Résumé:
Errata Editions' "Books on Books" series is an ongoing publishing project dedicated to making rare and out-of-print photography books accessible to students and photobook enthusiasts. These are not reprints or facsimiles but complete studies of the original books. Each volume in the series presents the entire content, page for page, of an original master bookwork which, up until now, has been too rare or expensive for most to experience. Through a mix of classic and contemporary titles, this series spans the breadth of photographic practice as it has appeared on the printed page and allows further study of the creation and meanings of these great works of art. Each volume in the series contains illustrations of every page in the original photobook, a new essay by an established writer on photography, production notes about the creation of the original edition and biographical and bibliographical information about each artist. Walker Evans' American Photographs, originally conceived as a catalogue to accompany Evan's one-man show at The Museum of Modern Art in 1938, it has been out of print for many long stretches of time. Books on Books 2 presents the original 1938 edition with the 87 legendary black-and-white photographs that defined the documentary-style aesthetic. This volume also reproduces Lincoln Kirstein's great original essay as well as a contemporary piece by John T. Hill, the author of many books on Evans, including Lyric Documentary, published by Steidl in 2006.
Classification:
livres
livres
Publication:
janvier 2009, New York
janvier 2009, New York
Sujet:
Monographies photo
Monographies photo
