2452 Résultats
Classification:
livres
livres
Titre:
On European ground
On European ground
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A profound visual meditation on the trauma that scars twentieth-century Europe, Alan Cohen's "On European Ground" considers the battlefields of World War I, the Nazi death camps, and the Berlin Wall, and records the distance between what we remember about these places and what we can (...)
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A profound visual meditation on the trauma that scars twentieth-century Europe, Alan Cohen's "On European Ground" considers the battlefields of World War I, the Nazi death camps, and the Berlin Wall, and records the distance between what we remember about these places and what we can (...)
Titre:
On European ground
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A profound visual meditation on the trauma that scars twentieth-century Europe, Alan Cohen's "On European Ground" considers the battlefields of World War I, the Nazi death camps, and the Berlin Wall, and records the distance between what we remember about these places and what we can still observe in them today. By walking these sites and photographing the very ground in which their history has dissolved, Cohen opens a space for reflection on their complex gravity and legacy. Cohen's images achieve a solemn beauty even as they engage history at its most topical. Pictures of trenches and bunkers at the battlefields of Somme and Verdun explore the tension between the violence of the past and the inscrutability of its remnants. Photographs from the grounds of Dachau and Auschwitz solicit a provocative dialogue between the ordinariness of these sites today and their haunting memory. They teach us, as the New Art Examiner notes, "that the living perceptual connection to the Holocaust is vanishing." Images of the Berlin Wall show only the footprint of the barricade that once separated two hostile ideologies. They record the physical erosion and looming disappearance of the Wall while capturing its reappearance as a memorialized abstraction. Accompanying the photographs in On European Ground are essays by Sander Gilman and Jonathan Bordo, as well as an interview with Cohen by critic Roberta Smith of the New York Times. The essays present both an introduction to and aesthetic analysis of Cohen's work, while the interview discusses the intractable problems of history and memory that his photographs so uniquely capture.
On European ground
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A profound visual meditation on the trauma that scars twentieth-century Europe, Alan Cohen's "On European Ground" considers the battlefields of World War I, the Nazi death camps, and the Berlin Wall, and records the distance between what we remember about these places and what we can still observe in them today. By walking these sites and photographing the very ground in which their history has dissolved, Cohen opens a space for reflection on their complex gravity and legacy. Cohen's images achieve a solemn beauty even as they engage history at its most topical. Pictures of trenches and bunkers at the battlefields of Somme and Verdun explore the tension between the violence of the past and the inscrutability of its remnants. Photographs from the grounds of Dachau and Auschwitz solicit a provocative dialogue between the ordinariness of these sites today and their haunting memory. They teach us, as the New Art Examiner notes, "that the living perceptual connection to the Holocaust is vanishing." Images of the Berlin Wall show only the footprint of the barricade that once separated two hostile ideologies. They record the physical erosion and looming disappearance of the Wall while capturing its reappearance as a memorialized abstraction. Accompanying the photographs in On European Ground are essays by Sander Gilman and Jonathan Bordo, as well as an interview with Cohen by critic Roberta Smith of the New York Times. The essays present both an introduction to and aesthetic analysis of Cohen's work, while the interview discusses the intractable problems of history and memory that his photographs so uniquely capture.
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livres
livres
Publication:
avril 2001, Chicago
avril 2001, Chicago
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livres
livres
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$71.95
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Karl Blossfeldt (1865-1932) achieved overnight fame in the late 1920s with the first publication of his photographs of plants. Those photographs, which revealed the inner structures of the organic forms, immediately made him a pioneer of New Objectivity, an(...)
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Karl Blossfeldt (1865-1932) achieved overnight fame in the late 1920s with the first publication of his photographs of plants. Those photographs, which revealed the inner structures of the organic forms, immediately made him a pioneer of New Objectivity, an(...)
Titre:
Karl Blossfeldt : working collages
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Karl Blossfeldt (1865-1932) achieved overnight fame in the late 1920s with the first publication of his photographs of plants. Those photographs, which revealed the inner structures of the organic forms, immediately made him a pioneer of New Objectivity, an innovative movement in art and photography of the 1920s and 1930s. Blossfeldt, however, was neither a trained photographer nor a botanist. He was a sculptor and art professor who did his photographic work to generate teaching material for his students. The publication of this book is the result of an extraordinary event, the 1997 discovery in Blossfeldt’s estate of sixty-one previously unknown collages, in virtually mint condition, of photographic contact prints arranged on large cardboard sheets. Blossfeldt apparently used these to study the relation and similarity of the photographs and to compare them graphically and aesthetically. On some Blossfeldt had made marks or handwritten notations. Others show lines for cropping. The collages, published here for the first time, unveil a hidden treasure of modern photography and cast fresh light on the systematic approach Blossfeldt used in his photographic studies. All collages are reproduced in four colours. Introducing the book is an essay by Swiss art historian Ulrike Meyer-Stump, a contributing curator to the exhibitions at the Kunsthaus in Zurich.
Karl Blossfeldt : working collages
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Karl Blossfeldt (1865-1932) achieved overnight fame in the late 1920s with the first publication of his photographs of plants. Those photographs, which revealed the inner structures of the organic forms, immediately made him a pioneer of New Objectivity, an innovative movement in art and photography of the 1920s and 1930s. Blossfeldt, however, was neither a trained photographer nor a botanist. He was a sculptor and art professor who did his photographic work to generate teaching material for his students. The publication of this book is the result of an extraordinary event, the 1997 discovery in Blossfeldt’s estate of sixty-one previously unknown collages, in virtually mint condition, of photographic contact prints arranged on large cardboard sheets. Blossfeldt apparently used these to study the relation and similarity of the photographs and to compare them graphically and aesthetically. On some Blossfeldt had made marks or handwritten notations. Others show lines for cropping. The collages, published here for the first time, unveil a hidden treasure of modern photography and cast fresh light on the systematic approach Blossfeldt used in his photographic studies. All collages are reproduced in four colours. Introducing the book is an essay by Swiss art historian Ulrike Meyer-Stump, a contributing curator to the exhibitions at the Kunsthaus in Zurich.
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livres
livres
Publication:
mars 2001, Cambridge, Mass.
mars 2001, Cambridge, Mass.
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$29.50
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This publication takes a selection of eighty photographs from the enormous number made by Maaskant Prize-winner Maarten Kloos over a period of more than thirty years. Each one is a testament to Kloos' fascination with space, in all its facets. They are eighty sketches, guileless attempts to look at things(...)
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This publication takes a selection of eighty photographs from the enormous number made by Maaskant Prize-winner Maarten Kloos over a period of more than thirty years. Each one is a testament to Kloos' fascination with space, in all its facets. They are eighty sketches, guileless attempts to look at things(...)
Titre:
Maarten Kloos : in a manner of seeing
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This publication takes a selection of eighty photographs from the enormous number made by Maaskant Prize-winner Maarten Kloos over a period of more than thirty years. Each one is a testament to Kloos' fascination with space, in all its facets. They are eighty sketches, guileless attempts to look at things properly. In an introductory text Kloos describes how every photograph is the outcome of a mini-research undertaken by the photographer's adventurous eye. How every image captured on this adventure is in effect a discovery that can be conveyed to others. But most of all, that a good photograph incites one to look and think along with what it is that it portrays.
Maarten Kloos : in a manner of seeing
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Résumé:
This publication takes a selection of eighty photographs from the enormous number made by Maaskant Prize-winner Maarten Kloos over a period of more than thirty years. Each one is a testament to Kloos' fascination with space, in all its facets. They are eighty sketches, guileless attempts to look at things properly. In an introductory text Kloos describes how every photograph is the outcome of a mini-research undertaken by the photographer's adventurous eye. How every image captured on this adventure is in effect a discovery that can be conveyed to others. But most of all, that a good photograph incites one to look and think along with what it is that it portrays.
Classification:
livres
livres
Publication:
mars 2001, Rotterdam
mars 2001, Rotterdam
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$79.95
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Résumé:
Three decades ago, Lewis Baltz became fascinated by the stark, man-made landscape rolling over so much of California's agrarian terrain. This is the best-known of his projects on the subject, published as a limited-edition book by Leo Castelli in 1974. The work assured Baltz's place in the influential New Topographic movement, which stands for a cool, distanced yet(...)
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Three decades ago, Lewis Baltz became fascinated by the stark, man-made landscape rolling over so much of California's agrarian terrain. This is the best-known of his projects on the subject, published as a limited-edition book by Leo Castelli in 1974. The work assured Baltz's place in the influential New Topographic movement, which stands for a cool, distanced yet(...)
Titre:
Lewis Baltz : the new industrial parks near Irvine, California
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Three decades ago, Lewis Baltz became fascinated by the stark, man-made landscape rolling over so much of California's agrarian terrain. This is the best-known of his projects on the subject, published as a limited-edition book by Leo Castelli in 1974. The work assured Baltz's place in the influential New Topographic movement, which stands for a cool, distanced yet critical view of the emerging, man-altered landscape. This milestone in the history of American contemporary photography, is once again available in an impeccable facsimile of the original publication.
Lewis Baltz : the new industrial parks near Irvine, California
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Three decades ago, Lewis Baltz became fascinated by the stark, man-made landscape rolling over so much of California's agrarian terrain. This is the best-known of his projects on the subject, published as a limited-edition book by Leo Castelli in 1974. The work assured Baltz's place in the influential New Topographic movement, which stands for a cool, distanced yet critical view of the emerging, man-altered landscape. This milestone in the history of American contemporary photography, is once again available in an impeccable facsimile of the original publication.
Classification:
livres
livres
Publication:
janvier 2000, Santa Monica / Göttingen
janvier 2000, Santa Monica / Göttingen
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Atget, the pioneer
Atget, the pioneer
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$95.00
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A portfolio of more than 160 photographs shedding new light on the often neglected features of Eugene Atget's work, those innovative features of his photography that were to transform the photographic medium for a modern generation. Juxtaposing Atget's works with those of later photographers, this volume reveals how deeply Atget influenced modern perceptions in his novel(...)
$95.00
(disponible en magasin)
Résumé:
A portfolio of more than 160 photographs shedding new light on the often neglected features of Eugene Atget's work, those innovative features of his photography that were to transform the photographic medium for a modern generation. Juxtaposing Atget's works with those of later photographers, this volume reveals how deeply Atget influenced modern perceptions in his novel(...)
Titre:
Atget, the pioneer
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$95.00
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A portfolio of more than 160 photographs shedding new light on the often neglected features of Eugene Atget's work, those innovative features of his photography that were to transform the photographic medium for a modern generation. Juxtaposing Atget's works with those of later photographers, this volume reveals how deeply Atget influenced modern perceptions in his novel depictions of street scenes, industrial landscapes, shopfronts and interiors, architectural details and parks.
Atget, the pioneer
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$95.00
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Résumé:
A portfolio of more than 160 photographs shedding new light on the often neglected features of Eugene Atget's work, those innovative features of his photography that were to transform the photographic medium for a modern generation. Juxtaposing Atget's works with those of later photographers, this volume reveals how deeply Atget influenced modern perceptions in his novel depictions of street scenes, industrial landscapes, shopfronts and interiors, architectural details and parks.
Classification:
livres
livres
Publication:
octobre 2000
octobre 2000
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Atget le pionnier
Atget le pionnier
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$99.95
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Résumé:
Eugène Atget est né en 1857, à Libourne, non loin de Bordeaux. Il meurt soixante-dix ans plus tard, à Paris, en 1927, laissant derrière lui une somme de travail incomparable. En 1888, après ses insuccès au théâtre et dans la peinture, il se choisit artisan photographe. Il fait des "documents pour artistes", puis à partir de 1897 et jusqu'à sa mort, il va fixer les(...)
$99.95
(disponible en magasin)
Résumé:
Eugène Atget est né en 1857, à Libourne, non loin de Bordeaux. Il meurt soixante-dix ans plus tard, à Paris, en 1927, laissant derrière lui une somme de travail incomparable. En 1888, après ses insuccès au théâtre et dans la peinture, il se choisit artisan photographe. Il fait des "documents pour artistes", puis à partir de 1897 et jusqu'à sa mort, il va fixer les(...)
Sujet:
Monographies photo
Monographies photo
Publication:
septembre 2000, Paris
septembre 2000, Paris
Titre:
Atget le pionnier
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$99.95
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Résumé:
Eugène Atget est né en 1857, à Libourne, non loin de Bordeaux. Il meurt soixante-dix ans plus tard, à Paris, en 1927, laissant derrière lui une somme de travail incomparable. En 1888, après ses insuccès au théâtre et dans la peinture, il se choisit artisan photographe. Il fait des "documents pour artistes", puis à partir de 1897 et jusqu'à sa mort, il va fixer les empreintes de la capitale. Soit trente années de clichés. Trente ans de mutations, de transformations de la ville, du vieux Paris (celui d'avant la Révolution) à celui post-haussmanien : les rues étroites, les vieux édifices, les places, les ponts et les quais, les devantures de magasin, les cours intérieures, les cages d'escalier... Tout un travail sur la colonne vertébrale de Paris, auquel il ajoute des modèles en chair et en os : des artisans, des prostituées, des ouvriers, des camelots. Cet ouvrage superbe rend un hommage à ce pionnier que fut Atget, à la fois esthète et archéologue photographe, lécheur de vitrines et amateur de façades, arpenteur insatiable du pavé parisien. Un hommage ô combien nécessaire.
Atget le pionnier
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Résumé:
Eugène Atget est né en 1857, à Libourne, non loin de Bordeaux. Il meurt soixante-dix ans plus tard, à Paris, en 1927, laissant derrière lui une somme de travail incomparable. En 1888, après ses insuccès au théâtre et dans la peinture, il se choisit artisan photographe. Il fait des "documents pour artistes", puis à partir de 1897 et jusqu'à sa mort, il va fixer les empreintes de la capitale. Soit trente années de clichés. Trente ans de mutations, de transformations de la ville, du vieux Paris (celui d'avant la Révolution) à celui post-haussmanien : les rues étroites, les vieux édifices, les places, les ponts et les quais, les devantures de magasin, les cours intérieures, les cages d'escalier... Tout un travail sur la colonne vertébrale de Paris, auquel il ajoute des modèles en chair et en os : des artisans, des prostituées, des ouvriers, des camelots. Cet ouvrage superbe rend un hommage à ce pionnier que fut Atget, à la fois esthète et archéologue photographe, lécheur de vitrines et amateur de façades, arpenteur insatiable du pavé parisien. Un hommage ô combien nécessaire.
Classification:
livres
livres
Publication:
septembre 2000, Paris
septembre 2000, Paris
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$39.95
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Résumé:
William Henry Fox Talbot (1800-1877) is best remembered as the scientist who invented photography. Others had tried recording the images projected by a lens, but Talbot was the first to grasp the physical basis for realizing this dream and to conceive of a practical means for fixing these ephemeral(...)
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William Henry Fox Talbot (1800-1877) is best remembered as the scientist who invented photography. Others had tried recording the images projected by a lens, but Talbot was the first to grasp the physical basis for realizing this dream and to conceive of a practical means for fixing these ephemeral(...)
Titre:
The photographic art of William Henry Fox Talbot
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William Henry Fox Talbot (1800-1877) is best remembered as the scientist who invented photography. Others had tried recording the images projected by a lens, but Talbot was the first to grasp the physical basis for realizing this dream and to conceive of a practical means for fixing these ephemeral images permanently onto a sheet of paper. But Talbot's considerable technical achievements have often overshadowed his growth as an artist. Larry Schaaf examines this artistic growth by bringing together for the first time high quality reproductions of one hundred photographs representing the full sweep of Talbot's work. These beautiful images are not only records of scientific triumphs, but also the evidence of the first steps in shaping a totally new type of vision. The one hundred plates are reproduced in the actual size of the originals and in all the subtle colours that comprised Talbot's early work. They range from Talbot's Lilliputian pre-1839 negatives (made in "mousetrap" cameras) through botanical photograms to mid-1840s calotypes that demonstrate a sure command of the new art. Each plate is discussed in detail, drawing on important new research conducted by the author.
The photographic art of William Henry Fox Talbot
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William Henry Fox Talbot (1800-1877) is best remembered as the scientist who invented photography. Others had tried recording the images projected by a lens, but Talbot was the first to grasp the physical basis for realizing this dream and to conceive of a practical means for fixing these ephemeral images permanently onto a sheet of paper. But Talbot's considerable technical achievements have often overshadowed his growth as an artist. Larry Schaaf examines this artistic growth by bringing together for the first time high quality reproductions of one hundred photographs representing the full sweep of Talbot's work. These beautiful images are not only records of scientific triumphs, but also the evidence of the first steps in shaping a totally new type of vision. The one hundred plates are reproduced in the actual size of the originals and in all the subtle colours that comprised Talbot's early work. They range from Talbot's Lilliputian pre-1839 negatives (made in "mousetrap" cameras) through botanical photograms to mid-1840s calotypes that demonstrate a sure command of the new art. Each plate is discussed in detail, drawing on important new research conducted by the author.
Classification:
livres
livres
Publication:
janvier 1900, Princeton
janvier 1900, Princeton
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$97.50
(disponible en magasin)
Résumé:
Bauhaus photography is well served by this first monograph on Max Baur, with many of the previously unpublished photographs also serving as a new source for Bauhaus studies.
$97.50
(disponible en magasin)
Résumé:
Bauhaus photography is well served by this first monograph on Max Baur, with many of the previously unpublished photographs also serving as a new source for Bauhaus studies.
Titre:
Max Baur : in the Bauhaus spirit : photographs 1925-1960
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$97.50
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Bauhaus photography is well served by this first monograph on Max Baur, with many of the previously unpublished photographs also serving as a new source for Bauhaus studies.
Max Baur : in the Bauhaus spirit : photographs 1925-1960
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$97.50
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Bauhaus photography is well served by this first monograph on Max Baur, with many of the previously unpublished photographs also serving as a new source for Bauhaus studies.
Classification:
livres
livres
Publication:
octobre 2000
octobre 2000
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$89.95
(disponible sur commande)
Résumé:
Published to coincide with the exhibition at the Friends of Photography in San Francisco of Kenna's work, this book concentrates on the night work. The images are exquisitely reproduced full scale.
$89.95
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Résumé:
Published to coincide with the exhibition at the Friends of Photography in San Francisco of Kenna's work, this book concentrates on the night work. The images are exquisitely reproduced full scale.
Titre:
Night work : photographs by Michael Kenna
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Published to coincide with the exhibition at the Friends of Photography in San Francisco of Kenna's work, this book concentrates on the night work. The images are exquisitely reproduced full scale.
Night work : photographs by Michael Kenna
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Published to coincide with the exhibition at the Friends of Photography in San Francisco of Kenna's work, this book concentrates on the night work. The images are exquisitely reproduced full scale.
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livres
livres
Publication:
juin 2000, Tucson
juin 2000, Tucson
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$37.95
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Résumé:
Photographs by Laurie Brown.
$37.95
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Résumé:
Photographs by Laurie Brown.
Titre:
Recent terrains : terraforming the American West
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Photographs by Laurie Brown.
Recent terrains : terraforming the American West
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Photographs by Laurie Brown.
Classification:
livres
livres
Publication:
janvier 1900, Baltimore
janvier 1900, Baltimore
Sujet:
Monographies photo
Monographies photo
