Josef Kouldelka : chaos
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Josef Koudelka is one of the most critically successful documentary photographers of our time and a key figure among the Magnum group. "Chaos" features the best of his panoramic photographs, shot over the last twelve years, which wrench a visual order out of chaos and dereliction.
Josef Kouldelka : chaos
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Josef Koudelka is one of the most critically successful documentary photographers of our time and a key figure among the Magnum group. "Chaos" features the best of his panoramic photographs, shot over the last twelve years, which wrench a visual order out of chaos and dereliction.
Monographies photo
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"Isolated Houses" focuses on the outer frontier of Los Angeles where, 150 miles beyond the city, the built environment comprises a handful of rudimentary structures. The dwellings that dot the landscape seem temporary, even toylike. The work pays homage to those places where nature and culture intersect.
Isolated houses : John Divola
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"Isolated Houses" focuses on the outer frontier of Los Angeles where, 150 miles beyond the city, the built environment comprises a handful of rudimentary structures. The dwellings that dot the landscape seem temporary, even toylike. The work pays homage to those places where nature and culture intersect.
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janvier 2000, Tucson
Monographies photo
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Julius Shulman's long career photographing great architectural works with depth, passion, drama, and an instinct for the architect's intentions has ensured his present status as one of the world's preeminent architectural photographers. His eloquent photos interpreting the structures of Richard Neutra and(...)
Photographing architecture and interiors
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Julius Shulman's long career photographing great architectural works with depth, passion, drama, and an instinct for the architect's intentions has ensured his present status as one of the world's preeminent architectural photographers. His eloquent photos interpreting the structures of Richard Neutra and other early modernists helped the viewing public to understand these revolutionary buildings, and brought prominence to modernist practitioners who might otherwise have been considered eccentric. Frank Lloyd Wright once said that no better photos had ever been taken of Taliesin West than those by Shulman. "Photographing Architecture and Interiors", published in 1962, is Shulman's first book, and he still considers it to be his most genuine reflection on the profession and on his own artistic philosophy. This title is an exact reprint of that classic publication. All of Shulman's famous photographs have here been reproduced from original prints, giving the images a crispness and luminosity not seen even in the 1962 edition. The introduction by Richard Neutra, perhaps Shulman's most important client and avid supporter, has been preserved; also included is a new foreword by Shulman.
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mai 2000, Los Angeles
Monographies photo
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Walker Evans : Florida
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Featured in "Walker Evans: Florida" are the surprising images Evans took during his six-week stay in the area, which constitute a little-known chapter in Evans's distinguished career. Far from creating stereotypical postcard pictures of sandy beaches and palm trees, Evans captured(...)
Walker Evans : Florida
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Featured in "Walker Evans: Florida" are the surprising images Evans took during his six-week stay in the area, which constitute a little-known chapter in Evans's distinguished career. Far from creating stereotypical postcard pictures of sandy beaches and palm trees, Evans captured a region of contradictions. Here in the nation's seaside vacationland, Evans focused his lens on decaying architecture, crowded street scenes, retirees, and numerous images of the animals, railroad cars, and circus wagons from Ringling Brothers Circus, whose winter home was in Sarasota.
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janvier 1900, Los Angeles
Monographies photo
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This book presents a selection of mostly unpublished materials from the Walker Evans Archive, the vast collection of negatives and papers acquired in 1994 from the artist's estate by The (...)
Unclassified : a Walker Evans anthology
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This book presents a selection of mostly unpublished materials from the Walker Evans Archive, the vast collection of negatives and papers acquired in 1994 from the artist's estate by The Metropolitan Museum of Art. Previously unpublished writings open up surprising insights into Evans's intellectual path, while previously unknown photographs from the Metropolitan's collection of 40,000 negatives and transparencies reveal the artist at work.
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février 2000, Zurich/New York
Monographies photo
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In this work, Tice turns his camera to his home state of New Jersey, photographing movie theaters, shops, dwellings, and street scenes. Tice honors the commonplace with an extraordinary eye and a photographic excellence that is evocative to those of us who have experienced these settings.
George Tice - urban landscapes
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In this work, Tice turns his camera to his home state of New Jersey, photographing movie theaters, shops, dwellings, and street scenes. Tice honors the commonplace with an extraordinary eye and a photographic excellence that is evocative to those of us who have experienced these settings.
Monographies photo
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This exhibition consist of approximately 190 photographs including eleven new works and series. We hope that it will prove an opportunity for you to enjoy the fine works by Hatakeyama Naoya.
Hatakeyama Naoya Draftsman's pencil
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This exhibition consist of approximately 190 photographs including eleven new works and series. We hope that it will prove an opportunity for you to enjoy the fine works by Hatakeyama Naoya.
Monographies photo
Frantisek Drtikol
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Il incarne à lui seul l'esprit tchèque de l'entre-deux-guerres et la vitalité de la scène praguoise dont l'apport à la culture européenne reste essentiel. Née du pictorialisme, l'œuvre de Drtikol est profondément marquée, dans une première phase, par le courant symboliste. Au tournant des années 1920, fonctionnalisme, cubisme, abstraction et art déco imprègnent ses(...)
Frantisek Drtikol
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Il incarne à lui seul l'esprit tchèque de l'entre-deux-guerres et la vitalité de la scène praguoise dont l'apport à la culture européenne reste essentiel. Née du pictorialisme, l'œuvre de Drtikol est profondément marquée, dans une première phase, par le courant symboliste. Au tournant des années 1920, fonctionnalisme, cubisme, abstraction et art déco imprègnent ses recherches : la composition fait place à une géométrie nouvelle, l'éclairage se contraste, le nu se fragmente. De Prague, où il fut le fameux portraitiste des élites en vogue, à Paris, où la publication de ses nus consacra sa renommée internationale, Frantisek Drtikol a imposé par sa technique magistrale, son originalité et sa profondeur conceptuelle une photographie résolument novatrice.
Monographies photo
British Watchtowers
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Observation, whether by the human eye or the eye of a surveillance camera, requires an architectural structure that elevates the viewer into a position of advantage. The system of Iron Age hill forts, built across Britain from around 500 B.C., used natural promontories to survey the surrounding landscape; 2000 years later the British army used a similar system of(...)
British Watchtowers
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Observation, whether by the human eye or the eye of a surveillance camera, requires an architectural structure that elevates the viewer into a position of advantage. The system of Iron Age hill forts, built across Britain from around 500 B.C., used natural promontories to survey the surrounding landscape; 2000 years later the British army used a similar system of watchtowers to survey the occupied territories of Northern Ireland. These high tech towers, constructed in the mid 1980s, primarily in the mountainous border region of South Armagh, were landmarks in a 30-year conflict in and over Northern Ireland, euphemistically called "The Troubles." The Towers were finally demolished between 2003 and 2007 as part of the British government's "demilitarization" program for Northern Ireland. For over a year Donovan Wylie photographed these towers, working entirely from an elevated position enabled by military helicopter, observing the observers and ensuring that their actions were not forgotten.
Monographies photo
Florian Maier-Aichen
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Florian Maier-Aichen's photographs portray the natural, industrial and cultural landscape with stylized eccentricity. By using the tropes of documentary photography in unconventional ways, Maier-Aichen creates sublime images rich with reference and allusion. His photographs of the California coast, the Alps and other tourist destinations are openly beautiful and seductive(...)
Florian Maier-Aichen
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Florian Maier-Aichen's photographs portray the natural, industrial and cultural landscape with stylized eccentricity. By using the tropes of documentary photography in unconventional ways, Maier-Aichen creates sublime images rich with reference and allusion. His photographs of the California coast, the Alps and other tourist destinations are openly beautiful and seductive in their rich hues and expansive viewpoints. However, these and other images of melting cathedrals, failed industry and tragic ghost ships are nuanced with a subtle disquiet and ensuing criticality. Born in Stuttgart, Germany, and educated at the University of California, Los Angeles, Maier-Aichen begins with a traditional large-format image that he captures on film. He then applies a myriad of creative adjustments to each component that become building blocks for intricate and layered compositions. This succinct paperback contains color reproductions of new and recent works, documentary images of Maier-Aichen's process, and an essay by MOCA curator Rebecca Morse.
Monographies photo