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livres
livres
Titre:
Chris Marker Staring Back
Chris Marker Staring Back
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This title features photographs by one of French cinema's most influential and enigmatic artists.Any new film and any new book by French filmmaker Chris Marker is an event. Marker gave film lovers one of their most memorable experiences with "La Jetee" (1962) - a time-travel montage set after a nuclear war that inspired Terry Gilliam's "Twelve Monkeys" (1995). His still(...)
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Résumé:
This title features photographs by one of French cinema's most influential and enigmatic artists.Any new film and any new book by French filmmaker Chris Marker is an event. Marker gave film lovers one of their most memorable experiences with "La Jetee" (1962) - a time-travel montage set after a nuclear war that inspired Terry Gilliam's "Twelve Monkeys" (1995). His still(...)
Titre:
Chris Marker Staring Back
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$29.95
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Résumé:
This title features photographs by one of French cinema's most influential and enigmatic artists.Any new film and any new book by French filmmaker Chris Marker is an event. Marker gave film lovers one of their most memorable experiences with "La Jetee" (1962) - a time-travel montage set after a nuclear war that inspired Terry Gilliam's "Twelve Monkeys" (1995). His still camerawork is not as well known, but Marker has been taking photographs as long as he has been making films. "Staring Back" presents 200 black-and-white photographs from Marker's personal archives, taken from 1952 to 2006. Some of the photographs are related to his classic films (which include "Le Jetee", "Sans Soleil", "Cuba Si!", and "The Case of the Grinning Cat"), others are portraits of famous faces (Simone Signoret, Akira Kurosawa), but most are pictures of people Marker has encountered as he has traveled the world (an extra who appeared in Kurosawa's "Ran", a woman seen on a street in Siberia).The central section of the book contains a series of photographs documenting political protests Marker has witnessed, including the march on the Pentagon in 1967, the events of May 1968 in Paris, and the tumultuous 2006 demonstrations protesting the French government's proposed employment policies.
Chris Marker Staring Back
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Résumé:
This title features photographs by one of French cinema's most influential and enigmatic artists.Any new film and any new book by French filmmaker Chris Marker is an event. Marker gave film lovers one of their most memorable experiences with "La Jetee" (1962) - a time-travel montage set after a nuclear war that inspired Terry Gilliam's "Twelve Monkeys" (1995). His still camerawork is not as well known, but Marker has been taking photographs as long as he has been making films. "Staring Back" presents 200 black-and-white photographs from Marker's personal archives, taken from 1952 to 2006. Some of the photographs are related to his classic films (which include "Le Jetee", "Sans Soleil", "Cuba Si!", and "The Case of the Grinning Cat"), others are portraits of famous faces (Simone Signoret, Akira Kurosawa), but most are pictures of people Marker has encountered as he has traveled the world (an extra who appeared in Kurosawa's "Ran", a woman seen on a street in Siberia).The central section of the book contains a series of photographs documenting political protests Marker has witnessed, including the march on the Pentagon in 1967, the events of May 1968 in Paris, and the tumultuous 2006 demonstrations protesting the French government's proposed employment policies.
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livres
livres
Publication:
octobre 2007, Cambridge
octobre 2007, Cambridge
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Saarinen's quest a memoir
Saarinen's quest a memoir
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An unprecedented glimpse behind the scenes at the practice of Eero Saarinen, one of the greats of mid-century American architecture. Covers 1957 to 1961, the period when Saarinen was working on iconic projects like Dulles International Airpot Terminal, the former TWA Terminal at Kennedy Airport and the St. Louis Arch. Richard Knight, Saarinen's "house photographer",(...)
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An unprecedented glimpse behind the scenes at the practice of Eero Saarinen, one of the greats of mid-century American architecture. Covers 1957 to 1961, the period when Saarinen was working on iconic projects like Dulles International Airpot Terminal, the former TWA Terminal at Kennedy Airport and the St. Louis Arch. Richard Knight, Saarinen's "house photographer",(...)
Titre:
Saarinen's quest a memoir
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$43.00
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An unprecedented glimpse behind the scenes at the practice of Eero Saarinen, one of the greats of mid-century American architecture. Covers 1957 to 1961, the period when Saarinen was working on iconic projects like Dulles International Airpot Terminal, the former TWA Terminal at Kennedy Airport and the St. Louis Arch. Richard Knight, Saarinen's "house photographer", documents in black and white photographs and a personal memoir the excitement of being part of this unparalleled creative team. Timed to coincide with a touring Saarinen retrospective (beginning at the Cranbrook Institute in fall 2007 and traveling to Los Angeles, Washington D.C., Minneapolis, St. Louis, New York, and New Haven), the book includes a foreward on Saarinen's artistic vision and office culture by Cesar Pelli, who began his career in the architect's office, and an afterword by architectural historian Pierluigi Serraino on the significance of large-scale model-making in Saarinen's work.
Saarinen's quest a memoir
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An unprecedented glimpse behind the scenes at the practice of Eero Saarinen, one of the greats of mid-century American architecture. Covers 1957 to 1961, the period when Saarinen was working on iconic projects like Dulles International Airpot Terminal, the former TWA Terminal at Kennedy Airport and the St. Louis Arch. Richard Knight, Saarinen's "house photographer", documents in black and white photographs and a personal memoir the excitement of being part of this unparalleled creative team. Timed to coincide with a touring Saarinen retrospective (beginning at the Cranbrook Institute in fall 2007 and traveling to Los Angeles, Washington D.C., Minneapolis, St. Louis, New York, and New Haven), the book includes a foreward on Saarinen's artistic vision and office culture by Cesar Pelli, who began his career in the architect's office, and an afterword by architectural historian Pierluigi Serraino on the significance of large-scale model-making in Saarinen's work.
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livres
livres
Publication:
mars 2008, San Francisco
mars 2008, San Francisco
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$54.00
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Ari Marcopoulos is best known for documenting boyish subcultures from the inside out. His work on professional snowboarding appears in Transitions and Exits and his photos on hip-hop--five years of images of the Beastie Boys--in Pass the Mic. Aaron Rose, who showed Marcopoulos at Alleged Gallery, has said of the artist's uncanny connection with one set of subjects, a(...)
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Ari Marcopoulos is best known for documenting boyish subcultures from the inside out. His work on professional snowboarding appears in Transitions and Exits and his photos on hip-hop--five years of images of the Beastie Boys--in Pass the Mic. Aaron Rose, who showed Marcopoulos at Alleged Gallery, has said of the artist's uncanny connection with one set of subjects, a(...)
Titre:
Ari Marcopoulos: Even the president of the United States sometimes has got to stand naked
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Ari Marcopoulos is best known for documenting boyish subcultures from the inside out. His work on professional snowboarding appears in Transitions and Exits and his photos on hip-hop--five years of images of the Beastie Boys--in Pass the Mic. Aaron Rose, who showed Marcopoulos at Alleged Gallery, has said of the artist's uncanny connection with one set of subjects, a crowd of New York skateboarders ten years his junior, "There was just something in his personality that said, 'Hey man, it's cool.'" It shows. Marcopoulos's self-taught snapshot style brings his subjects in close, and captures, without sentimentality or voyeurism, the intimate feeling of their daily life. Here he focuses on the subculture that is his own family. Even the President of the United States Sometimes Has Got to Stand Naked is a journal-like collection of images of the accidents and pleasures of "normal" life, full of the artist's loved ones, of landscapes and of American social reality.
Ari Marcopoulos: Even the president of the United States sometimes has got to stand naked
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Ari Marcopoulos is best known for documenting boyish subcultures from the inside out. His work on professional snowboarding appears in Transitions and Exits and his photos on hip-hop--five years of images of the Beastie Boys--in Pass the Mic. Aaron Rose, who showed Marcopoulos at Alleged Gallery, has said of the artist's uncanny connection with one set of subjects, a crowd of New York skateboarders ten years his junior, "There was just something in his personality that said, 'Hey man, it's cool.'" It shows. Marcopoulos's self-taught snapshot style brings his subjects in close, and captures, without sentimentality or voyeurism, the intimate feeling of their daily life. Here he focuses on the subculture that is his own family. Even the President of the United States Sometimes Has Got to Stand Naked is a journal-like collection of images of the accidents and pleasures of "normal" life, full of the artist's loved ones, of landscapes and of American social reality.
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livres
livres
Publication:
octobre 2006, Zurich
octobre 2006, Zurich
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$59.99
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«In the end Otte devotes himself to a dream: He builds a new road. The rotary snowplow is his tool. It drives upon the existing, the direction determining ground, in order to erect another edifice upon it. It follows an old track, but lets itself not be diverted from its undertaking. A gorge offering no escape emerges between the masses of snow, in whose uniformity the(...)
$59.99
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«In the end Otte devotes himself to a dream: He builds a new road. The rotary snowplow is his tool. It drives upon the existing, the direction determining ground, in order to erect another edifice upon it. It follows an old track, but lets itself not be diverted from its undertaking. A gorge offering no escape emerges between the masses of snow, in whose uniformity the(...)
Sujet:
Monographies photo
Monographies photo
Publication:
janvier 2007, Salzburg
janvier 2007, Salzburg
Titre:
Hanns Otte : Grossglockner Hochalpenstrasse
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«In the end Otte devotes himself to a dream: He builds a new road. The rotary snowplow is his tool. It drives upon the existing, the direction determining ground, in order to erect another edifice upon it. It follows an old track, but lets itself not be diverted from its undertaking. A gorge offering no escape emerges between the masses of snow, in whose uniformity the spatial coordinates are lost. The photographer has moved from the neutral grey to arrive at the white of fantasy. This road appears to be a path into the unreal, away from the certainties of daily life- and yet, heaping up the snow is only the trite means to make a road also passable in the winter.» Timm Starl 2007
Hanns Otte : Grossglockner Hochalpenstrasse
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«In the end Otte devotes himself to a dream: He builds a new road. The rotary snowplow is his tool. It drives upon the existing, the direction determining ground, in order to erect another edifice upon it. It follows an old track, but lets itself not be diverted from its undertaking. A gorge offering no escape emerges between the masses of snow, in whose uniformity the spatial coordinates are lost. The photographer has moved from the neutral grey to arrive at the white of fantasy. This road appears to be a path into the unreal, away from the certainties of daily life- and yet, heaping up the snow is only the trite means to make a road also passable in the winter.» Timm Starl 2007
Classification:
livres
livres
Publication:
janvier 2007, Salzburg
janvier 2007, Salzburg
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Susanne Kriemann: Duskdust
Susanne Kriemann: Duskdust
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Duskdust is an artist book by Susanne Kriemann. It takes as its starting point the former industrial site of limestone mining at Furilden peninsula on the northeastern coast of Gotland, Sweden’s biggest island. It is informed by the artist’s ongoing preoccupation with photography, labor, and archaeology and includes photographs taken during her residencies and site(...)
$36.00
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Résumé:
Duskdust is an artist book by Susanne Kriemann. It takes as its starting point the former industrial site of limestone mining at Furilden peninsula on the northeastern coast of Gotland, Sweden’s biggest island. It is informed by the artist’s ongoing preoccupation with photography, labor, and archaeology and includes photographs taken during her residencies and site(...)
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Susanne Kriemann: Duskdust
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Duskdust is an artist book by Susanne Kriemann. It takes as its starting point the former industrial site of limestone mining at Furilden peninsula on the northeastern coast of Gotland, Sweden’s biggest island. It is informed by the artist’s ongoing preoccupation with photography, labor, and archaeology and includes photographs taken during her residencies and site visits, archival material as well as text contributions by invited authors.
Susanne Kriemann: Duskdust
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Résumé:
Duskdust is an artist book by Susanne Kriemann. It takes as its starting point the former industrial site of limestone mining at Furilden peninsula on the northeastern coast of Gotland, Sweden’s biggest island. It is informed by the artist’s ongoing preoccupation with photography, labor, and archaeology and includes photographs taken during her residencies and site visits, archival material as well as text contributions by invited authors.
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livres
livres
Publication:
avril 2016
avril 2016
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Susanne Kriemann's artist’s book "P(ech) B(lende), library for radioactive afterlife" looks at the political and actual invisibility of the highly radioactive mineral pitchblende (uraninite). From 1946 to 1989 pitchblende was mined in the Erzgebirge (Ore) Mountains in an area contained within the former GDR and was an important component in the USSR’s nuclear arsenal. The(...)
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Susanne Kriemann's artist’s book "P(ech) B(lende), library for radioactive afterlife" looks at the political and actual invisibility of the highly radioactive mineral pitchblende (uraninite). From 1946 to 1989 pitchblende was mined in the Erzgebirge (Ore) Mountains in an area contained within the former GDR and was an important component in the USSR’s nuclear arsenal. The(...)
Titre:
Susanne Kriemann: P(ech) B(blende). Library for radioactive afterlife
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Susanne Kriemann's artist’s book "P(ech) B(lende), library for radioactive afterlife" looks at the political and actual invisibility of the highly radioactive mineral pitchblende (uraninite). From 1946 to 1989 pitchblende was mined in the Erzgebirge (Ore) Mountains in an area contained within the former GDR and was an important component in the USSR’s nuclear arsenal. The publication brings together seven texts viewing the subject with a literary eye through the lens of media theory. All the texts deal with the documentation of radioactive materials, their effects, and afterlife. The book P(ech) B(lende) ties in with Kriemann’s exhibition Pechblende (Chapter 1) at the Ernst Schering Foundation in Berlin (17, March to 5, June 2016). The work was previously on show at Prefix ICA in Toronto under the title Pechblende (Prologue).
Susanne Kriemann: P(ech) B(blende). Library for radioactive afterlife
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Susanne Kriemann's artist’s book "P(ech) B(lende), library for radioactive afterlife" looks at the political and actual invisibility of the highly radioactive mineral pitchblende (uraninite). From 1946 to 1989 pitchblende was mined in the Erzgebirge (Ore) Mountains in an area contained within the former GDR and was an important component in the USSR’s nuclear arsenal. The publication brings together seven texts viewing the subject with a literary eye through the lens of media theory. All the texts deal with the documentation of radioactive materials, their effects, and afterlife. The book P(ech) B(lende) ties in with Kriemann’s exhibition Pechblende (Chapter 1) at the Ernst Schering Foundation in Berlin (17, March to 5, June 2016). The work was previously on show at Prefix ICA in Toronto under the title Pechblende (Prologue).
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livres
livres
Publication:
octobre 2017
octobre 2017
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Stefan Hunstein: in the ice
Stefan Hunstein: in the ice
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The artist Stefan Hunstein journeyed to the Arctic in 2012 and returned with magical photographs of untouched landscapes. In their majesty and beauty, their immensity and their palpable, deadly cold, the photographs echo the visions of ice in painting and literature, especially during the Romantic era. Stefan Hunstein: "In the ice" offers a selection of more than fifty of(...)
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The artist Stefan Hunstein journeyed to the Arctic in 2012 and returned with magical photographs of untouched landscapes. In their majesty and beauty, their immensity and their palpable, deadly cold, the photographs echo the visions of ice in painting and literature, especially during the Romantic era. Stefan Hunstein: "In the ice" offers a selection of more than fifty of(...)
Titre:
Stefan Hunstein: in the ice
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The artist Stefan Hunstein journeyed to the Arctic in 2012 and returned with magical photographs of untouched landscapes. In their majesty and beauty, their immensity and their palpable, deadly cold, the photographs echo the visions of ice in painting and literature, especially during the Romantic era. Stefan Hunstein: "In the ice" offers a selection of more than fifty of these breathtaking photographs for the first time. In these photographs, Hunstein, famous for his critical examination of contemporary history through the artistic processing of pre-existing pictures, is behind the camera himself, and his unusual work feels almost unreal in its outlines, shadows, and reflections. Luminous and haunting, the photographs were printed on glass using a special technique, and the reproductions gathered here capture the intersection of the fragile and the monstrous, the beauty of nature and the dangers it hides.
Stefan Hunstein: in the ice
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Résumé:
The artist Stefan Hunstein journeyed to the Arctic in 2012 and returned with magical photographs of untouched landscapes. In their majesty and beauty, their immensity and their palpable, deadly cold, the photographs echo the visions of ice in painting and literature, especially during the Romantic era. Stefan Hunstein: "In the ice" offers a selection of more than fifty of these breathtaking photographs for the first time. In these photographs, Hunstein, famous for his critical examination of contemporary history through the artistic processing of pre-existing pictures, is behind the camera himself, and his unusual work feels almost unreal in its outlines, shadows, and reflections. Luminous and haunting, the photographs were printed on glass using a special technique, and the reproductions gathered here capture the intersection of the fragile and the monstrous, the beauty of nature and the dangers it hides.
Classification:
livres
livres
Publication:
avril 2017
avril 2017
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Sara A. Tremblay : Själsö
Sara A. Tremblay : Själsö
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Enveloppé par les marées et les vents de la mer Baltique, le livre Själsö de l'artiste Sara A.Tremblay se présente comme un univers insulaire marqué par les mouvements des gens, des animaux et des éléments. Réalisées lors d'un séjour de 88 jours sur l'île de Gotland en Suède, les photographies qui composent ce livre font état d'un quotidien où le temps sert à observer les(...)
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Enveloppé par les marées et les vents de la mer Baltique, le livre Själsö de l'artiste Sara A.Tremblay se présente comme un univers insulaire marqué par les mouvements des gens, des animaux et des éléments. Réalisées lors d'un séjour de 88 jours sur l'île de Gotland en Suède, les photographies qui composent ce livre font état d'un quotidien où le temps sert à observer les(...)
Titre:
Sara A. Tremblay : Själsö
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Enveloppé par les marées et les vents de la mer Baltique, le livre Själsö de l'artiste Sara A.Tremblay se présente comme un univers insulaire marqué par les mouvements des gens, des animaux et des éléments. Réalisées lors d'un séjour de 88 jours sur l'île de Gotland en Suède, les photographies qui composent ce livre font état d'un quotidien où le temps sert à observer les forces tranquilles de la nature, au travers desquelles s'esquissent des présences éthérées. Själsö, village hôte qui a prêté son nom au livre, se décline par les mots själ (âme) et ö (île), comme quoi l'île amène à chercher dans le réel des traces de ce qui ne se voit pas.
Sara A. Tremblay : Själsö
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Enveloppé par les marées et les vents de la mer Baltique, le livre Själsö de l'artiste Sara A.Tremblay se présente comme un univers insulaire marqué par les mouvements des gens, des animaux et des éléments. Réalisées lors d'un séjour de 88 jours sur l'île de Gotland en Suède, les photographies qui composent ce livre font état d'un quotidien où le temps sert à observer les forces tranquilles de la nature, au travers desquelles s'esquissent des présences éthérées. Själsö, village hôte qui a prêté son nom au livre, se décline par les mots själ (âme) et ö (île), comme quoi l'île amène à chercher dans le réel des traces de ce qui ne se voit pas.
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livres
livres
Publication:
février 2017
février 2017
Classification:
livres
livres
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$60.00
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Résumé:
"Village" is Swedish artists Klara Källström and Thobias Fäldt's look at the ambiguous links between Quebec, Canadian, and First Nations cultures. The book presents a series of photographs taken along the artists' multiple peregrinations in Quebec and Ontario, from Gaspé to Toronto, by way of Chicoutimi and Quebec City, as Källström and Fäldt approach the different(...)
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Résumé:
"Village" is Swedish artists Klara Källström and Thobias Fäldt's look at the ambiguous links between Quebec, Canadian, and First Nations cultures. The book presents a series of photographs taken along the artists' multiple peregrinations in Quebec and Ontario, from Gaspé to Toronto, by way of Chicoutimi and Quebec City, as Källström and Fäldt approach the different(...)
Publication:
mars 2015
mars 2015
Titre:
Klara Källström et Thobias Fäldt : village
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"Village" is Swedish artists Klara Källström and Thobias Fäldt's look at the ambiguous links between Quebec, Canadian, and First Nations cultures. The book presents a series of photographs taken along the artists' multiple peregrinations in Quebec and Ontario, from Gaspé to Toronto, by way of Chicoutimi and Quebec City, as Källström and Fäldt approach the different cultural, linguistic and political realities of these places with humour and criticality. "Village" présente le regard des artistes suédois Klara Källström et Thobias Fäldt sur les liens ambigus entre les cultures québécoise, canadienne et autochtones. Le livre présente une série de photographies issues de leurs multiples pérégrinations au Québec et en Ontario, de Gaspé à Toronto en passant par Chicoutimi et Québec. Les artistes y abordent avec humour, mais non sans esprit critique, les strates des différentes réalités culturelles, linguistiques et politiques de ces lieux
Klara Källström et Thobias Fäldt : village
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"Village" is Swedish artists Klara Källström and Thobias Fäldt's look at the ambiguous links between Quebec, Canadian, and First Nations cultures. The book presents a series of photographs taken along the artists' multiple peregrinations in Quebec and Ontario, from Gaspé to Toronto, by way of Chicoutimi and Quebec City, as Källström and Fäldt approach the different cultural, linguistic and political realities of these places with humour and criticality. "Village" présente le regard des artistes suédois Klara Källström et Thobias Fäldt sur les liens ambigus entre les cultures québécoise, canadienne et autochtones. Le livre présente une série de photographies issues de leurs multiples pérégrinations au Québec et en Ontario, de Gaspé à Toronto en passant par Chicoutimi et Québec. Les artistes y abordent avec humour, mais non sans esprit critique, les strates des différentes réalités culturelles, linguistiques et politiques de ces lieux
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livres
livres
Publication:
mars 2015
mars 2015
Classification:
livres
livres
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During the terrorist attacks on Paris in November 2015, photographer Paul Graham took refuge in an apartment in the city with his partner and young child. In response to the suffocating tension on the city's streets, he made this series. Looking at the images you would never know of the traumatic events unfolding outside, but suffusing the photographs is an inscrutable(...)
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Résumé:
During the terrorist attacks on Paris in November 2015, photographer Paul Graham took refuge in an apartment in the city with his partner and young child. In response to the suffocating tension on the city's streets, he made this series. Looking at the images you would never know of the traumatic events unfolding outside, but suffusing the photographs is an inscrutable(...)
Titre:
Paul Graham: Paris 11-15th, November 2015
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During the terrorist attacks on Paris in November 2015, photographer Paul Graham took refuge in an apartment in the city with his partner and young child. In response to the suffocating tension on the city's streets, he made this series. Looking at the images you would never know of the traumatic events unfolding outside, but suffusing the photographs is an inscrutable longing for the safe, the everyday, the known.
Paul Graham: Paris 11-15th, November 2015
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During the terrorist attacks on Paris in November 2015, photographer Paul Graham took refuge in an apartment in the city with his partner and young child. In response to the suffocating tension on the city's streets, he made this series. Looking at the images you would never know of the traumatic events unfolding outside, but suffusing the photographs is an inscrutable longing for the safe, the everyday, the known.
Classification:
livres
livres
Publication:
novembre 2016
novembre 2016
Sujet:
Monographies photo
Monographies photo
