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''Dialect'' covers three years of state violence for nine young Moroccan migrants exiled in Kafka-esque limbo in Seville, southern Spain. When underage migrants enter the country illegally and cannot be verified as adults, their custody remains in the hands of the state – subjecting them to a lengthy process of up to three years to gain legal status. In this state of(...)
Felipe Romero Beltrán: Dialect
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''Dialect'' covers three years of state violence for nine young Moroccan migrants exiled in Kafka-esque limbo in Seville, southern Spain. When underage migrants enter the country illegally and cannot be verified as adults, their custody remains in the hands of the state – subjecting them to a lengthy process of up to three years to gain legal status. In this state of suspension and liminality, Beltrán engages with the body as a metaphor: using a carefully articulated language between photography, performance and collaboration, the weight of dead time is registered upon the shoulders of these young men, entering into dialogue with their memories, journeys, and the humiliating mundanity of waiting and migration. Alongside video works and choreographed dance, ''Dialect'' breaks new documentary ground to shine a critical light on practices of bureaucratic oppression.
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Ce volume marque les débuts éditoriaux de Patricio Reig, photographe hispano-argentin résidant à Milan, et met en lumière ce thème fondamental qu’est le portrait féminin dans son travail. À l’aide de la photographie, Reig expose l’équilibre subtil de son imaginaire féminin : la face comme l’évidence, l’envers comme son complément essentiel. Ainsi, un visage et la nuque,(...)
Patricio Reig : Verso reverso
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Ce volume marque les débuts éditoriaux de Patricio Reig, photographe hispano-argentin résidant à Milan, et met en lumière ce thème fondamental qu’est le portrait féminin dans son travail. À l’aide de la photographie, Reig expose l’équilibre subtil de son imaginaire féminin : la face comme l’évidence, l’envers comme son complément essentiel. Ainsi, un visage et la nuque, le derrière et le devant, la lumière et l’ombre se rencontrent pour donner vie à la magie d’un portrait. Patricio Reig imprime et fixe ses images sur des papiers spéciaux provenant d’Asie, pliés et repliés, et finalement plongés dans un bain de café et d’hyposulfite de sodium. Le résultat obtenu le fascine depuis ses premières expérimentations : les taches de café accidentelles deviennent des cicatrices qui caractérisent chaque photographie et, en conséquence, chacune des histoires racontées.
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Julia Hetta: Island
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The Swedish photographer Julia Hetta photographed the images in this book on the Swedish island of Fårö in the Baltic Sea, in close collaboration with her friend, the artist Åsa Stenerhag. Her (mostly) black-and-white photographs in "Island" depict their subjects—from trees (the branches, leaves, trunks of trees), rocks (the shapes, layers, textures of rocks), human(...)
Julia Hetta: Island
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The Swedish photographer Julia Hetta photographed the images in this book on the Swedish island of Fårö in the Baltic Sea, in close collaboration with her friend, the artist Åsa Stenerhag. Her (mostly) black-and-white photographs in "Island" depict their subjects—from trees (the branches, leaves, trunks of trees), rocks (the shapes, layers, textures of rocks), human beings (the faces, hair, expressions, clothes of human beings)—both in relation to one another and with a more singular focus. The book imbues its subjects with stillness and power. Though calm, the atmosphere is one of capacious potential. The titular island may as well be from another dimension. Black, fragile, powerful; a world of romance after the despair.
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FUTURE is a two-part publication by Taiyo Onorato & Nico Krebs, published over the course of 3 years by Edition Patrick Frey. The first publication is entitled FUTURE MEMORIES and deals with the question of how our idea of the future has changed over the past decades, how this affects our perception of the present, and how we face the coming changes. The second(...)
Taiyo Onorato & Nico Krebs: Water Column
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FUTURE is a two-part publication by Taiyo Onorato & Nico Krebs, published over the course of 3 years by Edition Patrick Frey. The first publication is entitled FUTURE MEMORIES and deals with the question of how our idea of the future has changed over the past decades, how this affects our perception of the present, and how we face the coming changes. The second publication, titled WATER COLUMN, revolves around a place, a realm, that directly surrounds us and yet for most people is as distant and alien as only the vastness of space could be: the world beneath the surface of the water. Only through the use of elaborate technology are we able to dive ever deeper and explore these uncharted waters. But exploration inevitably leads to exploitation, and we're liable to destroy this underwater world before we even get a close look at it, let alone begin to understand it.
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Giuseppe Micciché: No Ponte
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This photographic project by Giuseppe Micciché (born 1971) documents the Sicilian coast around Messina, meditating on the possibility of a man-made bridge between Calabrian and Sicilian shores, a project that has been the subject of much historical debate but has never come to fruition.
Giuseppe Micciché: No Ponte
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This photographic project by Giuseppe Micciché (born 1971) documents the Sicilian coast around Messina, meditating on the possibility of a man-made bridge between Calabrian and Sicilian shores, a project that has been the subject of much historical debate but has never come to fruition.
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The Color of light
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Ce volume constitue la première monographie dédiée à l’œuvre du photographe Joël Denot. Ses photographies échappent au regard comme à la classification : elles ne sont ni figuratives ni abstraites, elles s’inscrivent simultanément dans une pensée picturale. Elles sont avant tout matière, forme et couleur. Elles sont au-delà de l’image. Corps de l’artiste qui se met à(...)
The Color of light
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Ce volume constitue la première monographie dédiée à l’œuvre du photographe Joël Denot. Ses photographies échappent au regard comme à la classification : elles ne sont ni figuratives ni abstraites, elles s’inscrivent simultanément dans une pensée picturale. Elles sont avant tout matière, forme et couleur. Elles sont au-delà de l’image. Corps de l’artiste qui se met à l’œuvre, dans l’œuvre, retrouvant ainsi la trace photographique que le reste de l’image ferait oublier, articulant geste pictural et geste photographique au travers de la figure de ce corps qui transparaît, comme coulé dans la couleur.
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À l'écoute des arbres
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Le duo d’artistes espagnols Albarrán Cabrera entretient une relation particulière avec la nature. Source d’inspiration, sujet photographique ou décor presque irréel, elle est toujours, d’une manière ou d’une autre, présente dans leurs images. Fil conducteur dans leur production, les arbres s’y devinent souvent : l’ombre d’une branche, le dessin d’un feuillage devenu(...)
À l'écoute des arbres
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Le duo d’artistes espagnols Albarrán Cabrera entretient une relation particulière avec la nature. Source d’inspiration, sujet photographique ou décor presque irréel, elle est toujours, d’une manière ou d’une autre, présente dans leurs images. Fil conducteur dans leur production, les arbres s’y devinent souvent : l’ombre d’une branche, le dessin d’un feuillage devenu abstrait ou encore une silhouette tortueuse au centre du cadre. Les images alternent entre palette de couleurs vives, à la limite de l'abstraction, et tons plus monochromes, évoquant une certaine mélancolie, nous plongeant dans des paysages intemporels. Le résultat évoque un monde onirique, presque surréaliste, typique du duo espagnol.Toutefois l’arbre n’est pas le seul sujet de cet ouvrage. Il s’agit pour les photographes d’explorer plus largement la relation de l’homme avec la nature en y associant également la littérature et notamment les écrits du romancier, poète et peintre allemand Hermann Hesse afin de donner forme à leur pensée. Un texte de l’auteur et agronome, Yves Darricau, sur la complicité historique de l’homme aux arbres à travers les âges, aujourd’hui mise en péril, vient compléter ce livre célébrant leur présence dans notre monde.
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"Cross road blues" presents a selection of 33 photographs from UK-based Oli Kellett’s iconic series of the same name. Kellett began the project in 2016 during a visit Los Angeles, during which time the United States was literally at a political crossroads. The series evolved naturally from there, eventually taking on a more universal meaning as Kellett continued his work(...)
Oli Kellett: Cross road blues
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"Cross road blues" presents a selection of 33 photographs from UK-based Oli Kellett’s iconic series of the same name. Kellett began the project in 2016 during a visit Los Angeles, during which time the United States was literally at a political crossroads. The series evolved naturally from there, eventually taking on a more universal meaning as Kellett continued his work in other countries including Spain, Japan, Brazil and Mexico.
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Bevan Davies: New York, 1975
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This is Bevan Davies‘s second monograph in the NZ Library Series. New York, 1975 is a powerful companion book to Los Angeles, 1976. Both volumes present comprehensive important bodies of work that was influential, widely exhibited and collected at the time it was made. However, it has not published in book form until now. New York, 1975 opens with an insightful essay by(...)
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janvier 2024
Bevan Davies: New York, 1975
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This is Bevan Davies‘s second monograph in the NZ Library Series. New York, 1975 is a powerful companion book to Los Angeles, 1976. Both volumes present comprehensive important bodies of work that was influential, widely exhibited and collected at the time it was made. However, it has not published in book form until now. New York, 1975 opens with an insightful essay by Joshua Chuang.
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French-born artist Valerie Galloway graduated from the University of Arizona in 1987 with a B.F.A. in photography, living in New York for many years before settling in Tucson, Arizona. Galloway’s practice includes photography, painting and mixed media, with a focus on nudes, street photography in New York and Paris, and Tucson’s Sonoran Desert. The 32 hand-colored, toned(...)
Valerie Galloway: Rêver dans le désert
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French-born artist Valerie Galloway graduated from the University of Arizona in 1987 with a B.F.A. in photography, living in New York for many years before settling in Tucson, Arizona. Galloway’s practice includes photography, painting and mixed media, with a focus on nudes, street photography in New York and Paris, and Tucson’s Sonoran Desert. The 32 hand-colored, toned gelatin silver photographs featured in "Rêver dans le désert" demonstrate her disparate styles: the voyeurism of Eugene Atget, the inexplicability of Man Ray, and the furtive aimlessness of the French New Wave. These images capture both fleeting French cultural references and timeless desert topographical references, each paying homage to the surrealists of the 1930s. "Rêver dans le désert" is bound in coffee-colored silk boards with contrasting linen spine, and beautifully printed on natural textured art paper. This first monograph is published to coincide with solo exhibitions of the artist’s work in Milan and Tokyo. This first edition is limited to 500 copies.
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