2464 Résultats
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Widely regarded as one of the most influential figures in the history of his medium, Robert Frank broke new ground with his candid, poignant images of American life in the mid-20th century. Published on the occasion of the exhibition at Pace in New York, and in celebration of the centennial of Frank’s birth, "Robert Frank: Hope makes visions" presents an in-depth look at(...)
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Widely regarded as one of the most influential figures in the history of his medium, Robert Frank broke new ground with his candid, poignant images of American life in the mid-20th century. Published on the occasion of the exhibition at Pace in New York, and in celebration of the centennial of Frank’s birth, "Robert Frank: Hope makes visions" presents an in-depth look at(...)
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Robert Frank: Hope makes visions
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Widely regarded as one of the most influential figures in the history of his medium, Robert Frank broke new ground with his candid, poignant images of American life in the mid-20th century. Published on the occasion of the exhibition at Pace in New York, and in celebration of the centennial of Frank’s birth, "Robert Frank: Hope makes visions" presents an in-depth look at the photographer and filmmaker’s process across various media. Through a selection of his lesser-known photographs, collages, sketches and maquettes from 1955 to 2016, a new portrait of the artist emerges, one that shows his commitment to growth and experimentation throughout his career. With a new text by Ocean Vuong, author of the award-winning "On Earth we're briefly gorgeous" (2019), this volume is a sensitive homage to a canonical artist.
Robert Frank: Hope makes visions
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Widely regarded as one of the most influential figures in the history of his medium, Robert Frank broke new ground with his candid, poignant images of American life in the mid-20th century. Published on the occasion of the exhibition at Pace in New York, and in celebration of the centennial of Frank’s birth, "Robert Frank: Hope makes visions" presents an in-depth look at the photographer and filmmaker’s process across various media. Through a selection of his lesser-known photographs, collages, sketches and maquettes from 1955 to 2016, a new portrait of the artist emerges, one that shows his commitment to growth and experimentation throughout his career. With a new text by Ocean Vuong, author of the award-winning "On Earth we're briefly gorgeous" (2019), this volume is a sensitive homage to a canonical artist.
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livres
livres
Publication:
février 2025
février 2025
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Monographies photo
Monographies photo
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livres
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In November 2022, the water level of the Great Salt Lake fell to its lowest on record. Diverted water supply from its feeding rivers, pollution from nearby extraction plants and ravaging droughts have brought this landmark to a crisis point. As the lake reached its lowest ebb, photographer Fazal Sheikh (born 1965), together with writer Terry Tempest Williams (born 1955),(...)
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In November 2022, the water level of the Great Salt Lake fell to its lowest on record. Diverted water supply from its feeding rivers, pollution from nearby extraction plants and ravaging droughts have brought this landmark to a crisis point. As the lake reached its lowest ebb, photographer Fazal Sheikh (born 1965), together with writer Terry Tempest Williams (born 1955),(...)
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Fazal Sheikh: Thirst, Great Salt Lake
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In November 2022, the water level of the Great Salt Lake fell to its lowest on record. Diverted water supply from its feeding rivers, pollution from nearby extraction plants and ravaging droughts have brought this landmark to a crisis point. As the lake reached its lowest ebb, photographer Fazal Sheikh (born 1965), together with writer Terry Tempest Williams (born 1955), walked the shoreline, awed by its epic beauty while recording the destruction of its natural habitats. As Utah native Williams writes in her essay, "Retreat," she is witnessing the death of a lake that has been a constant presence in her life. Meanwhile, Sheikh documents the shrinking salt basin from above, revealing how the lake has been exploited: plundered for its natural salts, dissected by concrete highways, discolored by toxic waste, depleted by evaporation. His images hold a mirror to the lake’s surface, charting its destruction while demanding the viewer’s visceral response.
Fazal Sheikh: Thirst, Great Salt Lake
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In November 2022, the water level of the Great Salt Lake fell to its lowest on record. Diverted water supply from its feeding rivers, pollution from nearby extraction plants and ravaging droughts have brought this landmark to a crisis point. As the lake reached its lowest ebb, photographer Fazal Sheikh (born 1965), together with writer Terry Tempest Williams (born 1955), walked the shoreline, awed by its epic beauty while recording the destruction of its natural habitats. As Utah native Williams writes in her essay, "Retreat," she is witnessing the death of a lake that has been a constant presence in her life. Meanwhile, Sheikh documents the shrinking salt basin from above, revealing how the lake has been exploited: plundered for its natural salts, dissected by concrete highways, discolored by toxic waste, depleted by evaporation. His images hold a mirror to the lake’s surface, charting its destruction while demanding the viewer’s visceral response.
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livres
livres
Publication:
novembre 2024
novembre 2024
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Monographies photo
Monographies photo
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livres
livres
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From 2013 to 2023, photographer Matteo Di Giovanni (born 1980) embarked on several rambling journeys off the beaten path through Italy, Scandinavia and Northern Europe, in which map and territory gave way to intuition and curiosity, documenting the outer world through attentive observation and image-making. Di Giovanni’s landscapes seem intimate and mythic, while the(...)
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From 2013 to 2023, photographer Matteo Di Giovanni (born 1980) embarked on several rambling journeys off the beaten path through Italy, Scandinavia and Northern Europe, in which map and territory gave way to intuition and curiosity, documenting the outer world through attentive observation and image-making. Di Giovanni’s landscapes seem intimate and mythic, while the(...)
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Matteo Di Giovanni: True places never are
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From 2013 to 2023, photographer Matteo Di Giovanni (born 1980) embarked on several rambling journeys off the beaten path through Italy, Scandinavia and Northern Europe, in which map and territory gave way to intuition and curiosity, documenting the outer world through attentive observation and image-making. Di Giovanni’s landscapes seem intimate and mythic, while the still lifes are vast and open—interior and exterior are interchangeable. True Places Never Are resequences this series of medium format photographs (originally released as three separate photobooks) and adds several previously unpublished images. The result is a fresh, cohesive body of work in which the location and chronology are secondary to the intangible meanings and associations suggested by the lens. Taken from a line in Moby-Dick, the title expands upon this search for metaphysical enlightenment: "It is not down on any map; true places never are."
Matteo Di Giovanni: True places never are
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From 2013 to 2023, photographer Matteo Di Giovanni (born 1980) embarked on several rambling journeys off the beaten path through Italy, Scandinavia and Northern Europe, in which map and territory gave way to intuition and curiosity, documenting the outer world through attentive observation and image-making. Di Giovanni’s landscapes seem intimate and mythic, while the still lifes are vast and open—interior and exterior are interchangeable. True Places Never Are resequences this series of medium format photographs (originally released as three separate photobooks) and adds several previously unpublished images. The result is a fresh, cohesive body of work in which the location and chronology are secondary to the intangible meanings and associations suggested by the lens. Taken from a line in Moby-Dick, the title expands upon this search for metaphysical enlightenment: "It is not down on any map; true places never are."
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livres
livres
Publication:
mai 2025
mai 2025
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Monographies photo
Monographies photo
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livres
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$61.50
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This book explores a uniquely Roman type of building, the palazzina—a four- or five-story residential structure of the most meticulous design, built during the Italian economic miracle between the 1950s and ’70s. ''A Beautiful Game'' focuses on the extraordinarily imaginative entrances of these buildings. Over many years, Heiner Thofern (born 1959) photographed(...)
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This book explores a uniquely Roman type of building, the palazzina—a four- or five-story residential structure of the most meticulous design, built during the Italian economic miracle between the 1950s and ’70s. ''A Beautiful Game'' focuses on the extraordinarily imaginative entrances of these buildings. Over many years, Heiner Thofern (born 1959) photographed(...)
Titre:
Heiner Thofern: A Beautiful Game. Roman Entrances
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This book explores a uniquely Roman type of building, the palazzina—a four- or five-story residential structure of the most meticulous design, built during the Italian economic miracle between the 1950s and ’70s. ''A Beautiful Game'' focuses on the extraordinarily imaginative entrances of these buildings. Over many years, Heiner Thofern (born 1959) photographed palazzine during his evening wanderings throughout the north and west districts of Rome. It was the intricately conceived and constructed entrances, realized mostly through collaborations between architects and artists, that particularly caught his eye. ''A Beautiful Game'' reveals the varied treasures of Thofern’s photographic archive, a rich collection that allows us to examine the particular sense of play and passion for beauty that shapes this era of Italian creativity, a delight in la bella figura, and a desire to constantly reinvent the possibilities of design and architecture.
Heiner Thofern: A Beautiful Game. Roman Entrances
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This book explores a uniquely Roman type of building, the palazzina—a four- or five-story residential structure of the most meticulous design, built during the Italian economic miracle between the 1950s and ’70s. ''A Beautiful Game'' focuses on the extraordinarily imaginative entrances of these buildings. Over many years, Heiner Thofern (born 1959) photographed palazzine during his evening wanderings throughout the north and west districts of Rome. It was the intricately conceived and constructed entrances, realized mostly through collaborations between architects and artists, that particularly caught his eye. ''A Beautiful Game'' reveals the varied treasures of Thofern’s photographic archive, a rich collection that allows us to examine the particular sense of play and passion for beauty that shapes this era of Italian creativity, a delight in la bella figura, and a desire to constantly reinvent the possibilities of design and architecture.
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livres
livres
Publication:
avril 2023
avril 2023
Sujet:
Monographies photo
Monographies photo
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ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that(...)
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Résumé:
ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that(...)
Titre:
Ives Maes & David Campany in Conversation
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ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that architecture is inherently part of the photographic medium, initiated by the camera obscura pavilion. He proposes that world’s fairs came into being precisely because of the invention of a medium that could truthfully propagate them, and describes how this, in turn, affected architectural display strategies for photography. Campany has had a long career in curating and writing about photography exhibitions, with a focus on exhibition history, scale and design, temporality, and the role of both still and moving images within the exhibition context. Together, Maes and Campany discuss their own expanded practices and a multitude of historical examples such as the Crystal Palace at London’s Great Exhibition in 1851, Charlotte Perriand’s Agriculture Pavilion for the International Exposition of Art and Technology in Modern Life in 1937, the Pepsi-Cola Pavilion for the Japan World Exposition in 1970, and Simon Starling’s 2008 Plant Room for Kunstraum Dornbirn.
Ives Maes & David Campany in Conversation
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ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that architecture is inherently part of the photographic medium, initiated by the camera obscura pavilion. He proposes that world’s fairs came into being precisely because of the invention of a medium that could truthfully propagate them, and describes how this, in turn, affected architectural display strategies for photography. Campany has had a long career in curating and writing about photography exhibitions, with a focus on exhibition history, scale and design, temporality, and the role of both still and moving images within the exhibition context. Together, Maes and Campany discuss their own expanded practices and a multitude of historical examples such as the Crystal Palace at London’s Great Exhibition in 1851, Charlotte Perriand’s Agriculture Pavilion for the International Exposition of Art and Technology in Modern Life in 1937, the Pepsi-Cola Pavilion for the Japan World Exposition in 1970, and Simon Starling’s 2008 Plant Room for Kunstraum Dornbirn.
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livres
livres
Publication:
mars 2025
mars 2025
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Tacita Dean: Why Cy
Tacita Dean: Why Cy
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In February 2024, Tacita Dean undertook a residency in the Cy Twombly Gallery at the Menil Collection in Houston. Designed by architect Renzo Piano in collaboration with Twombly, the Gallery houses a display of Twombly’s work organised by the artist to augment the building’s mood of disorientation and temporal suspension. For Dean, it is a site of pilgrimage and ‘a place(...)
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In February 2024, Tacita Dean undertook a residency in the Cy Twombly Gallery at the Menil Collection in Houston. Designed by architect Renzo Piano in collaboration with Twombly, the Gallery houses a display of Twombly’s work organised by the artist to augment the building’s mood of disorientation and temporal suspension. For Dean, it is a site of pilgrimage and ‘a place(...)
Titre:
Tacita Dean: Why Cy
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In February 2024, Tacita Dean undertook a residency in the Cy Twombly Gallery at the Menil Collection in Houston. Designed by architect Renzo Piano in collaboration with Twombly, the Gallery houses a display of Twombly’s work organised by the artist to augment the building’s mood of disorientation and temporal suspension. For Dean, it is a site of pilgrimage and ‘a place to go out of your head’. Dean has loved the work of the American painter and sculptor since writing her art school thesis on him in the late 1980s. She photographed his studio home in Gaeta, Italy, in 2009, made a film with him in 2011 called Edwin Parker, and has written about his work on numerous occasions. During her time at the Menil, she asked permission to spend a night in the Gallery. "Why Cy" is a book of exuberant adoration, full of colour and black-and-white photographs that pay homage to this singular artist. It reflects Dean’s longstanding admiration for Twombly’s work and her close affinity with it, while at the same time taking a new, surprising, and unintended path. The book includes a booklet of notes by Dean developed out of her night with Cy, and coincides with the exhibition ‘Tacita Dean: Blind Folly’ at the Menil Collection (11 October 2024–19 April 2025), which includes a room dedicated to celebrating the connection between Dean and Twombly. Limited edition of 1,000 signed and numbered copies
Tacita Dean: Why Cy
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In February 2024, Tacita Dean undertook a residency in the Cy Twombly Gallery at the Menil Collection in Houston. Designed by architect Renzo Piano in collaboration with Twombly, the Gallery houses a display of Twombly’s work organised by the artist to augment the building’s mood of disorientation and temporal suspension. For Dean, it is a site of pilgrimage and ‘a place to go out of your head’. Dean has loved the work of the American painter and sculptor since writing her art school thesis on him in the late 1980s. She photographed his studio home in Gaeta, Italy, in 2009, made a film with him in 2011 called Edwin Parker, and has written about his work on numerous occasions. During her time at the Menil, she asked permission to spend a night in the Gallery. "Why Cy" is a book of exuberant adoration, full of colour and black-and-white photographs that pay homage to this singular artist. It reflects Dean’s longstanding admiration for Twombly’s work and her close affinity with it, while at the same time taking a new, surprising, and unintended path. The book includes a booklet of notes by Dean developed out of her night with Cy, and coincides with the exhibition ‘Tacita Dean: Blind Folly’ at the Menil Collection (11 October 2024–19 April 2025), which includes a room dedicated to celebrating the connection between Dean and Twombly. Limited edition of 1,000 signed and numbered copies
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livres
livres
Publication:
février 2025
février 2025
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$55.00
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Using CGI, Canadian artist Benjamin Freedman presents a captivating image sequence which meticulously reconstructs his childhood memories of a family road trip to Maine in 1999. Blurring the line between reality and simulation, these surreal images toy with the ephemerality of memory and its inseparability from fantasy. Freedman’s recreated scenes of roadside diners,(...)
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Using CGI, Canadian artist Benjamin Freedman presents a captivating image sequence which meticulously reconstructs his childhood memories of a family road trip to Maine in 1999. Blurring the line between reality and simulation, these surreal images toy with the ephemerality of memory and its inseparability from fantasy. Freedman’s recreated scenes of roadside diners,(...)
Titre:
Benjamin Freedman: Positive illusions
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Using CGI, Canadian artist Benjamin Freedman presents a captivating image sequence which meticulously reconstructs his childhood memories of a family road trip to Maine in 1999. Blurring the line between reality and simulation, these surreal images toy with the ephemerality of memory and its inseparability from fantasy. Freedman’s recreated scenes of roadside diners, pools, and picnics create a visceral and sensory dreamscape, evoking the sounds and smells attached to his childhood recollections. These digitally constructed images explore how technology permits us to revisit and reimagine the past in ways that feel both familiar and uncanny. Distinctions between personal recollection and collective nostalgia are compromised, creating an idiosyncratic visual realm saturated with shared emotions and histories. Freedman’s use of digital tools to recapture nostalgic scenes underscores the fluidity of memory while also challenging traditional conventions of the photographic medium.
Benjamin Freedman: Positive illusions
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Using CGI, Canadian artist Benjamin Freedman presents a captivating image sequence which meticulously reconstructs his childhood memories of a family road trip to Maine in 1999. Blurring the line between reality and simulation, these surreal images toy with the ephemerality of memory and its inseparability from fantasy. Freedman’s recreated scenes of roadside diners, pools, and picnics create a visceral and sensory dreamscape, evoking the sounds and smells attached to his childhood recollections. These digitally constructed images explore how technology permits us to revisit and reimagine the past in ways that feel both familiar and uncanny. Distinctions between personal recollection and collective nostalgia are compromised, creating an idiosyncratic visual realm saturated with shared emotions and histories. Freedman’s use of digital tools to recapture nostalgic scenes underscores the fluidity of memory while also challenging traditional conventions of the photographic medium.
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livres
livres
Publication:
mai 2025
mai 2025
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$95.00
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In this new edition of ''Omaha Sketchbook'', Gregory Halpern returns to his lyrical yet equivocal account of the American heartland. Compiled over fifteen years of photographing Omaha, Nebraska, the book forms a prescient meditation on America, the men and boys who inhabit it, and the mechanics of aggression, inadequacy, and power. In loosely collaged spreads that(...)
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In this new edition of ''Omaha Sketchbook'', Gregory Halpern returns to his lyrical yet equivocal account of the American heartland. Compiled over fifteen years of photographing Omaha, Nebraska, the book forms a prescient meditation on America, the men and boys who inhabit it, and the mechanics of aggression, inadequacy, and power. In loosely collaged spreads that(...)
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Gregory Halpern: Omaha sketchbook, 2nd edition
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In this new edition of ''Omaha Sketchbook'', Gregory Halpern returns to his lyrical yet equivocal account of the American heartland. Compiled over fifteen years of photographing Omaha, Nebraska, the book forms a prescient meditation on America, the men and boys who inhabit it, and the mechanics of aggression, inadequacy, and power. In loosely collaged spreads that reproduce his construction-paper sketchbooks, Halpern takes pleasure in dissonance and unexpected harmony, playing on a sense of simultaneous repulsion and attraction to the place. Halpern has significantly altered the first iteration of the book with a new cover and thirty-five previously unseen photographs, breathing life into his original notion that this project is a working sketchbook he will return to and revise periodically.
Gregory Halpern: Omaha sketchbook, 2nd edition
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In this new edition of ''Omaha Sketchbook'', Gregory Halpern returns to his lyrical yet equivocal account of the American heartland. Compiled over fifteen years of photographing Omaha, Nebraska, the book forms a prescient meditation on America, the men and boys who inhabit it, and the mechanics of aggression, inadequacy, and power. In loosely collaged spreads that reproduce his construction-paper sketchbooks, Halpern takes pleasure in dissonance and unexpected harmony, playing on a sense of simultaneous repulsion and attraction to the place. Halpern has significantly altered the first iteration of the book with a new cover and thirty-five previously unseen photographs, breathing life into his original notion that this project is a working sketchbook he will return to and revise periodically.
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livres
livres
Publication:
août 2025
août 2025
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$110.00
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Coinciding with a major retrospective exhibition at MAXXI, Rome, ''Col tempo, 1956–2024'' provides a complete and long-awaited retrospective of the career of Guido Guidi, sequenced by the artist himself in his typically illuminating, associative style. The book begins with some of the earliest photographs Guidi made, aged fifteen, in the countryside around his home in(...)
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Coinciding with a major retrospective exhibition at MAXXI, Rome, ''Col tempo, 1956–2024'' provides a complete and long-awaited retrospective of the career of Guido Guidi, sequenced by the artist himself in his typically illuminating, associative style. The book begins with some of the earliest photographs Guidi made, aged fifteen, in the countryside around his home in(...)
Titre:
Guido Guidi: Col Tempo, paperback edition
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Coinciding with a major retrospective exhibition at MAXXI, Rome, ''Col tempo, 1956–2024'' provides a complete and long-awaited retrospective of the career of Guido Guidi, sequenced by the artist himself in his typically illuminating, associative style. The book begins with some of the earliest photographs Guidi made, aged fifteen, in the countryside around his home in Cesena in the Italian region of Romagna. The sequence that follows, covering almost seventy years, encompasses a wide range of styles, forms, and approaches as it traces the evolution of one of the most important voices in contemporary photography. It includes journeys to the USA, Russia, Turkey, and Portugal, and studies of the works of architects including Carlo Scarpa, Mies van der Rohe, and Le Corbusier. Consistently, though, it returns to the modest agricultural landscapes where Guidi was born and still lives and works today, among which he has developed the revelatory visual language for which he is celebrated as a modern master.
Guido Guidi: Col Tempo, paperback edition
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Coinciding with a major retrospective exhibition at MAXXI, Rome, ''Col tempo, 1956–2024'' provides a complete and long-awaited retrospective of the career of Guido Guidi, sequenced by the artist himself in his typically illuminating, associative style. The book begins with some of the earliest photographs Guidi made, aged fifteen, in the countryside around his home in Cesena in the Italian region of Romagna. The sequence that follows, covering almost seventy years, encompasses a wide range of styles, forms, and approaches as it traces the evolution of one of the most important voices in contemporary photography. It includes journeys to the USA, Russia, Turkey, and Portugal, and studies of the works of architects including Carlo Scarpa, Mies van der Rohe, and Le Corbusier. Consistently, though, it returns to the modest agricultural landscapes where Guidi was born and still lives and works today, among which he has developed the revelatory visual language for which he is celebrated as a modern master.
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livres
livres
Publication:
juillet 2025
juillet 2025
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Robert Doiseau photo poche
Robert Doiseau photo poche
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Poète des banlieues maussades et des petits riens anonymes, Robert Doisneau (1912-1994) est l'un des principaux représentants de la photographie humaniste française. Parisien malicieux, il joue de l'image comme son ami Jacques Prévert joue des mots. Le regard qu'il porte sur le quotidien avec une bienveillance amusée, sa disposition d'esprit qui le rend amoureux de ce(...)
$27.95
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Résumé:
Poète des banlieues maussades et des petits riens anonymes, Robert Doisneau (1912-1994) est l'un des principaux représentants de la photographie humaniste française. Parisien malicieux, il joue de l'image comme son ami Jacques Prévert joue des mots. Le regard qu'il porte sur le quotidien avec une bienveillance amusée, sa disposition d'esprit qui le rend amoureux de ce(...)
Titre:
Robert Doiseau photo poche
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Poète des banlieues maussades et des petits riens anonymes, Robert Doisneau (1912-1994) est l'un des principaux représentants de la photographie humaniste française. Parisien malicieux, il joue de l'image comme son ami Jacques Prévert joue des mots. Le regard qu'il porte sur le quotidien avec une bienveillance amusée, sa disposition d'esprit qui le rend amoureux de ce qu'il voit font de lui l'archiviste des instants furtifs et des vérités passagères.. « Il est des jours, dit-il, où l'on ressent le simple fait de voir comme un véritable bonheur. ».
Robert Doiseau photo poche
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Poète des banlieues maussades et des petits riens anonymes, Robert Doisneau (1912-1994) est l'un des principaux représentants de la photographie humaniste française. Parisien malicieux, il joue de l'image comme son ami Jacques Prévert joue des mots. Le regard qu'il porte sur le quotidien avec une bienveillance amusée, sa disposition d'esprit qui le rend amoureux de ce qu'il voit font de lui l'archiviste des instants furtifs et des vérités passagères.. « Il est des jours, dit-il, où l'on ressent le simple fait de voir comme un véritable bonheur. ».
Classification:
livres
livres
Publication:
mai 2025
mai 2025
Sujet:
Monographies photo
Monographies photo
