225 Résultats
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livres
Titre:
Prix de Rome.nl 2010
Prix de Rome.nl 2010
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Staged every four years, the PrixdeRome.nl Architecture gives architects, urban planners and landscape architects under the age of 35 the opportunity to display their talents. The subject of the preliminary round of competition was August Allebéplein, a public square in Amsterdam. Participants were invited to create proposals that enhanced the sense of community.
$42.00
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Staged every four years, the PrixdeRome.nl Architecture gives architects, urban planners and landscape architects under the age of 35 the opportunity to display their talents. The subject of the preliminary round of competition was August Allebéplein, a public square in Amsterdam. Participants were invited to create proposals that enhanced the sense of community.
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Prix de Rome.nl 2010
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$42.00
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Staged every four years, the PrixdeRome.nl Architecture gives architects, urban planners and landscape architects under the age of 35 the opportunity to display their talents. The subject of the preliminary round of competition was August Allebéplein, a public square in Amsterdam. Participants were invited to create proposals that enhanced the sense of community.
Prix de Rome.nl 2010
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$42.00
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Staged every four years, the PrixdeRome.nl Architecture gives architects, urban planners and landscape architects under the age of 35 the opportunity to display their talents. The subject of the preliminary round of competition was August Allebéplein, a public square in Amsterdam. Participants were invited to create proposals that enhanced the sense of community.
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livres
livres
Publication:
septembre 2010
septembre 2010
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livres
livres
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$35.00
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This book is the first overall presentation of Silberkuppe. Since it’s founding in May 2008, Silberkuppe has become one of Berlin’s most outstanding independent spaces for contemporary art. This catalogue comes as a result of the exhibition “Under One Umbrella” (2010) in Bergen Kunsthall, a project that was the culmination of a series of institutional group exhibitions in(...)
$35.00
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This book is the first overall presentation of Silberkuppe. Since it’s founding in May 2008, Silberkuppe has become one of Berlin’s most outstanding independent spaces for contemporary art. This catalogue comes as a result of the exhibition “Under One Umbrella” (2010) in Bergen Kunsthall, a project that was the culmination of a series of institutional group exhibitions in(...)
Titre:
Silberkuppe: Under one umbrella
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This book is the first overall presentation of Silberkuppe. Since it’s founding in May 2008, Silberkuppe has become one of Berlin’s most outstanding independent spaces for contemporary art. This catalogue comes as a result of the exhibition “Under One Umbrella” (2010) in Bergen Kunsthall, a project that was the culmination of a series of institutional group exhibitions in which Silberkuppe extended their practice out from their own micro-space. It takes the form of a “photographic report” documenting all of Silberkuppe’s main exhibitions and events, as well as presenting several essays related to the projects.
Silberkuppe: Under one umbrella
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$35.00
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This book is the first overall presentation of Silberkuppe. Since it’s founding in May 2008, Silberkuppe has become one of Berlin’s most outstanding independent spaces for contemporary art. This catalogue comes as a result of the exhibition “Under One Umbrella” (2010) in Bergen Kunsthall, a project that was the culmination of a series of institutional group exhibitions in which Silberkuppe extended their practice out from their own micro-space. It takes the form of a “photographic report” documenting all of Silberkuppe’s main exhibitions and events, as well as presenting several essays related to the projects.
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livres
livres
Publication:
juin 2010
juin 2010
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livres
livres
Titre:
Musée d'Orsay
Musée d'Orsay
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$14.95
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Sur trois vastes étages y est présenté l'art français du XIXe siècle et du début du XXe siècle, notamment des chefs-d'oeuvre mondialement connus de l'impressionnisme. Cet ouvrage emmène à la découverte de diverses collections de peintures, sculptures, meubles, dessins et photographies. Des informations détaillées, de nombreuses illustrations, des analyses des oeuvres et(...)
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Sur trois vastes étages y est présenté l'art français du XIXe siècle et du début du XXe siècle, notamment des chefs-d'oeuvre mondialement connus de l'impressionnisme. Cet ouvrage emmène à la découverte de diverses collections de peintures, sculptures, meubles, dessins et photographies. Des informations détaillées, de nombreuses illustrations, des analyses des oeuvres et(...)
Titre:
Musée d'Orsay
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$14.95
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Sur trois vastes étages y est présenté l'art français du XIXe siècle et du début du XXe siècle, notamment des chefs-d'oeuvre mondialement connus de l'impressionnisme. Cet ouvrage emmène à la découverte de diverses collections de peintures, sculptures, meubles, dessins et photographies. Des informations détaillées, de nombreuses illustrations, des analyses des oeuvres et des plans clairs du lieu font de ce guide un compagnon précieux lors de la visite du musée d'Orsay qui a acquis une célébrité mondiale.
Musée d'Orsay
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Sur trois vastes étages y est présenté l'art français du XIXe siècle et du début du XXe siècle, notamment des chefs-d'oeuvre mondialement connus de l'impressionnisme. Cet ouvrage emmène à la découverte de diverses collections de peintures, sculptures, meubles, dessins et photographies. Des informations détaillées, de nombreuses illustrations, des analyses des oeuvres et des plans clairs du lieu font de ce guide un compagnon précieux lors de la visite du musée d'Orsay qui a acquis une célébrité mondiale.
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livres
livres
Publication:
juillet 2010
juillet 2010
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livres
livres
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$50.00
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With the Luxembourg Pavilion for EXPO 2010 in Shanghai, the internationally renowned practice of Hermann & Valentiny und Partner demonstrates the utmost potential of the alliance of architecture and art.
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With the Luxembourg Pavilion for EXPO 2010 in Shanghai, the internationally renowned practice of Hermann & Valentiny und Partner demonstrates the utmost potential of the alliance of architecture and art.
Publication:
mai 2010
mai 2010
Titre:
Hermann & Valentiny : Luxembourg expo pavilion 2010, Shanghai
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$50.00
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With the Luxembourg Pavilion for EXPO 2010 in Shanghai, the internationally renowned practice of Hermann & Valentiny und Partner demonstrates the utmost potential of the alliance of architecture and art.
Hermann & Valentiny : Luxembourg expo pavilion 2010, Shanghai
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With the Luxembourg Pavilion for EXPO 2010 in Shanghai, the internationally renowned practice of Hermann & Valentiny und Partner demonstrates the utmost potential of the alliance of architecture and art.
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livres
livres
Publication:
mai 2010
mai 2010
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livres
livres
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$34.95
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Le 10e arrondissement compte 155 rues, places, quais, squares, cités, avenues, jardins, boulevards, impasses et passages que j'ai décidé d'arpenter méthodiquement. Comme le titre l'indique, j'offrirai à terme, en commençant par l'arrondissement où je vis, une description générale de la ville. La muséification de Paris n'est pas étrangère à mon propos, mais l'œil en(...)
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Le 10e arrondissement compte 155 rues, places, quais, squares, cités, avenues, jardins, boulevards, impasses et passages que j'ai décidé d'arpenter méthodiquement. Comme le titre l'indique, j'offrirai à terme, en commençant par l'arrondissement où je vis, une description générale de la ville. La muséification de Paris n'est pas étrangère à mon propos, mais l'œil en(...)
Titre:
Paris, musée du XXIe siècle : le dixième arrondissement
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Le 10e arrondissement compte 155 rues, places, quais, squares, cités, avenues, jardins, boulevards, impasses et passages que j'ai décidé d'arpenter méthodiquement. Comme le titre l'indique, j'offrirai à terme, en commençant par l'arrondissement où je vis, une description générale de la ville. La muséification de Paris n'est pas étrangère à mon propos, mais l'œil en marche découvre tant de pièces insoupçonnées que la ville, par le jeu d'une exposition, rescintille. Les perles ne sont pas le tout du collier, c'est aussi le fil qui les tient. Un système de positionnement global étant nécessaire à la documentation des rues, j'ai adopté, après celle où j'habite, l'ordre alphabétique, et j'ai placé quelques bornes pour que le lecteur puisse, à son tour, entrer dehors. -T.C.
Paris, musée du XXIe siècle : le dixième arrondissement
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Le 10e arrondissement compte 155 rues, places, quais, squares, cités, avenues, jardins, boulevards, impasses et passages que j'ai décidé d'arpenter méthodiquement. Comme le titre l'indique, j'offrirai à terme, en commençant par l'arrondissement où je vis, une description générale de la ville. La muséification de Paris n'est pas étrangère à mon propos, mais l'œil en marche découvre tant de pièces insoupçonnées que la ville, par le jeu d'une exposition, rescintille. Les perles ne sont pas le tout du collier, c'est aussi le fil qui les tient. Un système de positionnement global étant nécessaire à la documentation des rues, j'ai adopté, après celle où j'habite, l'ordre alphabétique, et j'ai placé quelques bornes pour que le lecteur puisse, à son tour, entrer dehors. -T.C.
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livres
livres
Publication:
août 2007
août 2007
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livres
livres
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$52.50
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Résumé:
In this engaging social and cultural history, Cheryl R. Ganz examines Chicago's second world's fair through the lenses of technology, ethnicity, and gender. The book also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other items. From fan(...)
$52.50
(disponible en magasin)
Résumé:
In this engaging social and cultural history, Cheryl R. Ganz examines Chicago's second world's fair through the lenses of technology, ethnicity, and gender. The book also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other items. From fan(...)
Publication:
octobre 2008
octobre 2008
Titre:
The 1933 Chicago World's fair: century of progress
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$52.50
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Résumé:
In this engaging social and cultural history, Cheryl R. Ganz examines Chicago's second world's fair through the lenses of technology, ethnicity, and gender. The book also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other items. From fan dancers to fan belts, The 1933 Chicago World's Fair: A Century of Progress offers the compelling, untold stories of fair planners and participants who showcased education, industry, and entertainment to sell optimism during the depths of the Great Depression.
The 1933 Chicago World's fair: century of progress
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$52.50
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Résumé:
In this engaging social and cultural history, Cheryl R. Ganz examines Chicago's second world's fair through the lenses of technology, ethnicity, and gender. The book also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other items. From fan dancers to fan belts, The 1933 Chicago World's Fair: A Century of Progress offers the compelling, untold stories of fair planners and participants who showcased education, industry, and entertainment to sell optimism during the depths of the Great Depression.
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livres
livres
Publication:
octobre 2008
octobre 2008
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livres
livres
Prix:
$32.95
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Résumé:
In Curating Consciousness, Marcia Brennan focuses on one of the transformational figures of twentieth-century curatorial culture, and the main protagonist of this unacknowledged curatorial practice. James Johnson Sweeney (1900–1986) was hired as the Director of Painting and Sculpture at the Museum of Modern Art in 1935. He went on to become the director of the Guggenheim(...)
$32.95
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Résumé:
In Curating Consciousness, Marcia Brennan focuses on one of the transformational figures of twentieth-century curatorial culture, and the main protagonist of this unacknowledged curatorial practice. James Johnson Sweeney (1900–1986) was hired as the Director of Painting and Sculpture at the Museum of Modern Art in 1935. He went on to become the director of the Guggenheim(...)
Titre:
Curating consciousness: Mysticism and the Modern museum
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In Curating Consciousness, Marcia Brennan focuses on one of the transformational figures of twentieth-century curatorial culture, and the main protagonist of this unacknowledged curatorial practice. James Johnson Sweeney (1900–1986) was hired as the Director of Painting and Sculpture at the Museum of Modern Art in 1935. He went on to become the director of the Guggenheim Museum and the Museum of Fine Arts, Houston. Throughout his career, Sweeney provocatively engaged motifs of mysticism in order to cast the modern museum as a secular temple of art. Sweeney believed that artworks could engender visionary perspectives and induce alternative modes of consciousness in their viewers; his career can be seen as an exercise in curating modernist consciousness itself. Brennan describes how these motifs informed Sweeney's curatorial and textual engagements with specific artists and projects, including Marcel Duchamp's intricately androgynous constructions, Alberto Burri's images of hermetic alchemy and blood miracles, Pierre Soulages's creative transmutations of sacred stones into gestural abstract paintings, Jean Tinguely's apocalyptic yet playful kinetic experiments, and Eduardo Chillida's translations of theology and philosophy into sculpted fields of sparkling light.
Curating consciousness: Mysticism and the Modern museum
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$32.95
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Résumé:
In Curating Consciousness, Marcia Brennan focuses on one of the transformational figures of twentieth-century curatorial culture, and the main protagonist of this unacknowledged curatorial practice. James Johnson Sweeney (1900–1986) was hired as the Director of Painting and Sculpture at the Museum of Modern Art in 1935. He went on to become the director of the Guggenheim Museum and the Museum of Fine Arts, Houston. Throughout his career, Sweeney provocatively engaged motifs of mysticism in order to cast the modern museum as a secular temple of art. Sweeney believed that artworks could engender visionary perspectives and induce alternative modes of consciousness in their viewers; his career can be seen as an exercise in curating modernist consciousness itself. Brennan describes how these motifs informed Sweeney's curatorial and textual engagements with specific artists and projects, including Marcel Duchamp's intricately androgynous constructions, Alberto Burri's images of hermetic alchemy and blood miracles, Pierre Soulages's creative transmutations of sacred stones into gestural abstract paintings, Jean Tinguely's apocalyptic yet playful kinetic experiments, and Eduardo Chillida's translations of theology and philosophy into sculpted fields of sparkling light.
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livres
livres
Publication:
mars 2010
mars 2010
Classification:
livres
livres
Titre:
A museum of one's own
A museum of one's own
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$54.95
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When French revolutionaries sacked royal holdings at the end of the 18th century, they began the largest transfer of artistic goods in world history. By 1850 many "repossessed" treasures had come to rest in a new institution, the public museum, where they were assigned educational tasks. Anne Higonnet's book begins at this turning point in the history of art, but it looks(...)
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When French revolutionaries sacked royal holdings at the end of the 18th century, they began the largest transfer of artistic goods in world history. By 1850 many "repossessed" treasures had come to rest in a new institution, the public museum, where they were assigned educational tasks. Anne Higonnet's book begins at this turning point in the history of art, but it looks(...)
Titre:
A museum of one's own
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$54.95
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When French revolutionaries sacked royal holdings at the end of the 18th century, they began the largest transfer of artistic goods in world history. By 1850 many "repossessed" treasures had come to rest in a new institution, the public museum, where they were assigned educational tasks. Anne Higonnet's book begins at this turning point in the history of art, but it looks instead at another new institution, the collection museum. Emerging in London with the Wallace Collection, the collection museum spread rapidly in Gilded Age America. To the discontent of many Europeans, cash-flush Americans like J.P. Morgan and Henry Clay Frick went on collecting campaigns that netted masterpiece after masterpiece, along with the furniture and fittings of dozens of aristocratic residences. Higonnet weaves letters, auction records and photographs into an engrossing account of the founding of both renowned and obscure collection museums. She also explores how these collectors stoked the tremendous values accorded paintings by Raphael, Titian, Rembrandt, Vermeer, Velazquez, Gainsborough and Reynolds.
A museum of one's own
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$54.95
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Résumé:
When French revolutionaries sacked royal holdings at the end of the 18th century, they began the largest transfer of artistic goods in world history. By 1850 many "repossessed" treasures had come to rest in a new institution, the public museum, where they were assigned educational tasks. Anne Higonnet's book begins at this turning point in the history of art, but it looks instead at another new institution, the collection museum. Emerging in London with the Wallace Collection, the collection museum spread rapidly in Gilded Age America. To the discontent of many Europeans, cash-flush Americans like J.P. Morgan and Henry Clay Frick went on collecting campaigns that netted masterpiece after masterpiece, along with the furniture and fittings of dozens of aristocratic residences. Higonnet weaves letters, auction records and photographs into an engrossing account of the founding of both renowned and obscure collection museums. She also explores how these collectors stoked the tremendous values accorded paintings by Raphael, Titian, Rembrandt, Vermeer, Velazquez, Gainsborough and Reynolds.
Classification:
livres
livres
Publication:
mai 2010
mai 2010
Classification:
livres
livres
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$54.95
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During World War 2 the Neues Museum was almost completely destroyed. Now, on the Berlin Museum Island with its tremendous diversity of demands for the restoration it has become the classic example for the preservation of historic monuments. It is rebuilt due to the plans of the world renown architect David Chipperfield. The great reopening of this building (a main work of(...)
$54.95
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Résumé:
During World War 2 the Neues Museum was almost completely destroyed. Now, on the Berlin Museum Island with its tremendous diversity of demands for the restoration it has become the classic example for the preservation of historic monuments. It is rebuilt due to the plans of the world renown architect David Chipperfield. The great reopening of this building (a main work of(...)
Titre:
The Neues Museums Berlin: conserving, restoring, rebuilding within the world heritage
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$54.95
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During World War 2 the Neues Museum was almost completely destroyed. Now, on the Berlin Museum Island with its tremendous diversity of demands for the restoration it has become the classic example for the preservation of historic monuments. It is rebuilt due to the plans of the world renown architect David Chipperfield. The great reopening of this building (a main work of the Schinkel scholar Friedrich August Stueler) is scheduled for March 2009. The present book shows the history from its origins under Frederic Wilhelm IV of Prussia, the various phases of conversation and restoration of the war-ruin during the different systems after war to the considerations of preservation, modern building technique and current utilization.
The Neues Museums Berlin: conserving, restoring, rebuilding within the world heritage
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$54.95
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Résumé:
During World War 2 the Neues Museum was almost completely destroyed. Now, on the Berlin Museum Island with its tremendous diversity of demands for the restoration it has become the classic example for the preservation of historic monuments. It is rebuilt due to the plans of the world renown architect David Chipperfield. The great reopening of this building (a main work of the Schinkel scholar Friedrich August Stueler) is scheduled for March 2009. The present book shows the history from its origins under Frederic Wilhelm IV of Prussia, the various phases of conversation and restoration of the war-ruin during the different systems after war to the considerations of preservation, modern building technique and current utilization.
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livres
livres
Publication:
juin 2009
juin 2009
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livres
livres
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$27.50
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The concept of an encyclopedic museum was born of the Enlightenment, a manifestation of society's growing belief that the spread of knowledge and the promotion of intellectual inquiry were crucial to human development and the future of a rational society. With Museums Matter, James Cuno, president and director of the Art Institute of Chicago, takes us on a brief tour(...)
$27.50
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Résumé:
The concept of an encyclopedic museum was born of the Enlightenment, a manifestation of society's growing belief that the spread of knowledge and the promotion of intellectual inquiry were crucial to human development and the future of a rational society. With Museums Matter, James Cuno, president and director of the Art Institute of Chicago, takes us on a brief tour(...)
Titre:
Museums matter: in praise of the encyclopedic museum
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The concept of an encyclopedic museum was born of the Enlightenment, a manifestation of society's growing belief that the spread of knowledge and the promotion of intellectual inquiry were crucial to human development and the future of a rational society. With Museums Matter, James Cuno, president and director of the Art Institute of Chicago, takes us on a brief tour of the modern museum, from the creation of the British Museum - the archetypal encyclopedic collection - to the present, when major museums host millions of visitors annually and play a major role in the cultural lives of their cities. Engaging with thinkers such as Edward Said and Martha Nussbaum, and drawing on examples from the politics of India to the destruction of the Bramiyan Buddhas to the history of trade and travel, Cuno makes a case for the encyclopedic museum as a truly cosmopolitan institution, promoting tolerance, understanding, and a shared sense of history - values that are essential in our ever more globalized age.
Museums matter: in praise of the encyclopedic museum
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The concept of an encyclopedic museum was born of the Enlightenment, a manifestation of society's growing belief that the spread of knowledge and the promotion of intellectual inquiry were crucial to human development and the future of a rational society. With Museums Matter, James Cuno, president and director of the Art Institute of Chicago, takes us on a brief tour of the modern museum, from the creation of the British Museum - the archetypal encyclopedic collection - to the present, when major museums host millions of visitors annually and play a major role in the cultural lives of their cities. Engaging with thinkers such as Edward Said and Martha Nussbaum, and drawing on examples from the politics of India to the destruction of the Bramiyan Buddhas to the history of trade and travel, Cuno makes a case for the encyclopedic museum as a truly cosmopolitan institution, promoting tolerance, understanding, and a shared sense of history - values that are essential in our ever more globalized age.
Classification:
livres
livres
Publication:
décembre 2011
décembre 2011
