224 Résultats
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This book is a journey along the history of architectural structures over the last 150 years, taking the World Expos as an original unifying thread. Nevertheless, it does not solely focus on the exhibition buildings; on the contrary, these are continuously being related to buildings beyond the scope of the Expos, thus ultimately providing a general vision of the history(...)
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This book is a journey along the history of architectural structures over the last 150 years, taking the World Expos as an original unifying thread. Nevertheless, it does not solely focus on the exhibition buildings; on the contrary, these are continuously being related to buildings beyond the scope of the Expos, thus ultimately providing a general vision of the history(...)
Titre:
World expos: a history of structrures
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This book is a journey along the history of architectural structures over the last 150 years, taking the World Expos as an original unifying thread. Nevertheless, it does not solely focus on the exhibition buildings; on the contrary, these are continuously being related to buildings beyond the scope of the Expos, thus ultimately providing a general vision of the history of modern structures. This essay is destined to become an essential work of reference within the history of architectural structures.
World expos: a history of structrures
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This book is a journey along the history of architectural structures over the last 150 years, taking the World Expos as an original unifying thread. Nevertheless, it does not solely focus on the exhibition buildings; on the contrary, these are continuously being related to buildings beyond the scope of the Expos, thus ultimately providing a general vision of the history of modern structures. This essay is destined to become an essential work of reference within the history of architectural structures.
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livres
livres
Publication:
mai 2018
mai 2018
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Arthur Drexler (1921-1987) served as the curator and director of the Architecture and Design Department at the Museum of Modern Art (MOMA) from 1951 until 1986— the longest curatorship in the museum's history. Over four decades he conceived and oversaw trailblazing exhibitions that not only reflected but also anticipated major stylistic developments. Although several(...)
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Arthur Drexler (1921-1987) served as the curator and director of the Architecture and Design Department at the Museum of Modern Art (MOMA) from 1951 until 1986— the longest curatorship in the museum's history. Over four decades he conceived and oversaw trailblazing exhibitions that not only reflected but also anticipated major stylistic developments. Although several(...)
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Architecture and design at the Museum of Modern Art: Arthur Drexler years 1951-1986
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Arthur Drexler (1921-1987) served as the curator and director of the Architecture and Design Department at the Museum of Modern Art (MOMA) from 1951 until 1986— the longest curatorship in the museum's history. Over four decades he conceived and oversaw trailblazing exhibitions that not only reflected but also anticipated major stylistic developments. Although several books cover the roles of MoMA's founding director, Alfred Barr, and the department's first curator, Philip Johnson, this is the only in-depth study of Drexler, who gave the department its overall shape and direction. Drawing on rigorous archival research as well as author Thomas S. Hines's firsthand experience working with Drexler, ''Architecture and Design at the Museum of Modern Art'' analyzes how MoMA became a touchstone for the practice and study of midcentury architecture.
Architecture and design at the Museum of Modern Art: Arthur Drexler years 1951-1986
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Arthur Drexler (1921-1987) served as the curator and director of the Architecture and Design Department at the Museum of Modern Art (MOMA) from 1951 until 1986— the longest curatorship in the museum's history. Over four decades he conceived and oversaw trailblazing exhibitions that not only reflected but also anticipated major stylistic developments. Although several books cover the roles of MoMA's founding director, Alfred Barr, and the department's first curator, Philip Johnson, this is the only in-depth study of Drexler, who gave the department its overall shape and direction. Drawing on rigorous archival research as well as author Thomas S. Hines's firsthand experience working with Drexler, ''Architecture and Design at the Museum of Modern Art'' analyzes how MoMA became a touchstone for the practice and study of midcentury architecture.
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Publication:
janvier 2019
janvier 2019
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livres
livres
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Musée immédiat : photographier les pays de l'Est de l'Europe en période de transition culturelle
Musée immédiat : photographier les pays de l'Est de l'Europe en période de transition culturelle
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Ce livre aborde le phénomène de mise en musée immédiate de situations culturelles critiques/en transition (bouleversement constant des frontières, manipulation du passé culturel et historique, vagues artistiques autour de guerres et de conflits destructeurs) dans les pays de l’Est de l’Europe tels l’Ukraine, la Biélorussie et la Lettonie.
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Ce livre aborde le phénomène de mise en musée immédiate de situations culturelles critiques/en transition (bouleversement constant des frontières, manipulation du passé culturel et historique, vagues artistiques autour de guerres et de conflits destructeurs) dans les pays de l’Est de l’Europe tels l’Ukraine, la Biélorussie et la Lettonie.
Titre:
Musée immédiat : photographier les pays de l'Est de l'Europe en période de transition culturelle
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Ce livre aborde le phénomène de mise en musée immédiate de situations culturelles critiques/en transition (bouleversement constant des frontières, manipulation du passé culturel et historique, vagues artistiques autour de guerres et de conflits destructeurs) dans les pays de l’Est de l’Europe tels l’Ukraine, la Biélorussie et la Lettonie.
Musée immédiat : photographier les pays de l'Est de l'Europe en période de transition culturelle
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Résumé:
Ce livre aborde le phénomène de mise en musée immédiate de situations culturelles critiques/en transition (bouleversement constant des frontières, manipulation du passé culturel et historique, vagues artistiques autour de guerres et de conflits destructeurs) dans les pays de l’Est de l’Europe tels l’Ukraine, la Biélorussie et la Lettonie.
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livres
livres
Publication:
février 2019
février 2019
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livres
livres
Titre:
Towards a new museum
Towards a new museum
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Divided into various themes covering the relationships between museums and collectors, trustees, artists, and the public, the book takes a critical look at innovative architecture that interacts with art and the public. The book includes Gehry's Guggenheim at Bilbao, Meier's Getty Center, Libeskind's Jewish Museum, Herzog & de Meuron's Goetz Gallery in(...)
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Divided into various themes covering the relationships between museums and collectors, trustees, artists, and the public, the book takes a critical look at innovative architecture that interacts with art and the public. The book includes Gehry's Guggenheim at Bilbao, Meier's Getty Center, Libeskind's Jewish Museum, Herzog & de Meuron's Goetz Gallery in(...)
Publication:
juin 1997, New York
juin 1997, New York
Titre:
Towards a new museum
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Divided into various themes covering the relationships between museums and collectors, trustees, artists, and the public, the book takes a critical look at innovative architecture that interacts with art and the public. The book includes Gehry's Guggenheim at Bilbao, Meier's Getty Center, Libeskind's Jewish Museum, Herzog & de Meuron's Goetz Gallery in Munich, and Holl's Museum of Contemporary Art in Helsinki, among others.
Towards a new museum
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Divided into various themes covering the relationships between museums and collectors, trustees, artists, and the public, the book takes a critical look at innovative architecture that interacts with art and the public. The book includes Gehry's Guggenheim at Bilbao, Meier's Getty Center, Libeskind's Jewish Museum, Herzog & de Meuron's Goetz Gallery in Munich, and Holl's Museum of Contemporary Art in Helsinki, among others.
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livres
livres
Publication:
juin 1997, New York
juin 1997, New York
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Sur ces deux objets à la mode, célébrés par tout le monde, y compris par l’industrie du tourisme globalisée, la Promenade plantée de Paris et le High Line Park de Manhattan, on aura tout entendu, sauf peut-être l’essentiel : que ces dispositifs complexes sont générés par la ville elle-même et qu’elle nous communique par là quelque chose de fondamental. C’est la raison(...)
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Sur ces deux objets à la mode, célébrés par tout le monde, y compris par l’industrie du tourisme globalisée, la Promenade plantée de Paris et le High Line Park de Manhattan, on aura tout entendu, sauf peut-être l’essentiel : que ces dispositifs complexes sont générés par la ville elle-même et qu’elle nous communique par là quelque chose de fondamental. C’est la raison(...)
Titre:
Cette ville qui nous regarde: de la Promenade plantée au High Line Park
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Sur ces deux objets à la mode, célébrés par tout le monde, y compris par l’industrie du tourisme globalisée, la Promenade plantée de Paris et le High Line Park de Manhattan, on aura tout entendu, sauf peut-être l’essentiel : que ces dispositifs complexes sont générés par la ville elle-même et qu’elle nous communique par là quelque chose de fondamental. C’est la raison pour laquelle nous devons prêter toute notre attention et intelligence à ce qui s’est installé au tournant du siècle à New York et à Paris, convaincus comme nous le sommes, qu’il y a avec ces plateformes – outre les thèmes de la marche et de la déambulation urbaine, de la flânerie et de la dérive, de la ruine et de la rouille, de la trame verte et du spectacle – tout un monde à découvrir. Michael Jakob est professeur de théorie et histoire du paysage à la Haute école du paysage, d'ingénierie et d'architecture (Hepia), à Genève.
Cette ville qui nous regarde: de la Promenade plantée au High Line Park
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Sur ces deux objets à la mode, célébrés par tout le monde, y compris par l’industrie du tourisme globalisée, la Promenade plantée de Paris et le High Line Park de Manhattan, on aura tout entendu, sauf peut-être l’essentiel : que ces dispositifs complexes sont générés par la ville elle-même et qu’elle nous communique par là quelque chose de fondamental. C’est la raison pour laquelle nous devons prêter toute notre attention et intelligence à ce qui s’est installé au tournant du siècle à New York et à Paris, convaincus comme nous le sommes, qu’il y a avec ces plateformes – outre les thèmes de la marche et de la déambulation urbaine, de la flânerie et de la dérive, de la ruine et de la rouille, de la trame verte et du spectacle – tout un monde à découvrir. Michael Jakob est professeur de théorie et histoire du paysage à la Haute école du paysage, d'ingénierie et d'architecture (Hepia), à Genève.
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livres
livres
Publication:
décembre 2015
décembre 2015
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livres
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The new and remarkable season of Milanese architecture and its great protagonists. An interpretation of the recent and decisive transformations of Milan, with a focus on the Expo area, including the international pavilions and service structures.
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The new and remarkable season of Milanese architecture and its great protagonists. An interpretation of the recent and decisive transformations of Milan, with a focus on the Expo area, including the international pavilions and service structures.
Titre:
Milan architectureL the city and expo
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The new and remarkable season of Milanese architecture and its great protagonists. An interpretation of the recent and decisive transformations of Milan, with a focus on the Expo area, including the international pavilions and service structures.
Milan architectureL the city and expo
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The new and remarkable season of Milanese architecture and its great protagonists. An interpretation of the recent and decisive transformations of Milan, with a focus on the Expo area, including the international pavilions and service structures.
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livres
livres
Publication:
mars 2016
mars 2016
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livres
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$78.00
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Featuring major museums from around the world, including The Metropolitan Museum of Art, The Museum of Modern Art, the Guggenheim, the de Young Museum in San Francisco, Milwaukee Art Museum, The New Museum in New York, The Royal Ontario Museum, and the Art Gallery of Ontario. This book illustrates the national and architectural differences between each nation and how(...)
$78.00
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Featuring major museums from around the world, including The Metropolitan Museum of Art, The Museum of Modern Art, the Guggenheim, the de Young Museum in San Francisco, Milwaukee Art Museum, The New Museum in New York, The Royal Ontario Museum, and the Art Gallery of Ontario. This book illustrates the national and architectural differences between each nation and how(...)
Titre:
Museums: The Reflections Series
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$78.00
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Featuring major museums from around the world, including The Metropolitan Museum of Art, The Museum of Modern Art, the Guggenheim, the de Young Museum in San Francisco, Milwaukee Art Museum, The New Museum in New York, The Royal Ontario Museum, and the Art Gallery of Ontario. This book illustrates the national and architectural differences between each nation and how they choose to cherish their heritage The Reflections series by ROADS is a visual exploration of the spaces and buildings that mirror the cultures in which they play such a crucial part.
Museums: The Reflections Series
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$78.00
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Featuring major museums from around the world, including The Metropolitan Museum of Art, The Museum of Modern Art, the Guggenheim, the de Young Museum in San Francisco, Milwaukee Art Museum, The New Museum in New York, The Royal Ontario Museum, and the Art Gallery of Ontario. This book illustrates the national and architectural differences between each nation and how they choose to cherish their heritage The Reflections series by ROADS is a visual exploration of the spaces and buildings that mirror the cultures in which they play such a crucial part.
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livres
livres
Publication:
mars 2016
mars 2016
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livres
livres
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Architectural collections are warehouses of knowledge: they are resources for historical plans and buildings, and they offer insight and ideas for the designs of tomorrow. However, in the age of computer-aided design, the sketches, plans and models that were once available for research and exhibitions are being replaced by bits and bytes on a variety of storage media(...)
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Architectural collections are warehouses of knowledge: they are resources for historical plans and buildings, and they offer insight and ideas for the designs of tomorrow. However, in the age of computer-aided design, the sketches, plans and models that were once available for research and exhibitions are being replaced by bits and bytes on a variety of storage media(...)
Titre:
Show & tell: collecting architecture
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Architectural collections are warehouses of knowledge: they are resources for historical plans and buildings, and they offer insight and ideas for the designs of tomorrow. However, in the age of computer-aided design, the sketches, plans and models that were once available for research and exhibitions are being replaced by bits and bytes on a variety of storage media whose lifetimes have no guaranteed length. The Architekturmuseum at the Technical University in Munich has one of the largest special collections of architecture in Europe. This publication presents its complex history while placing it in the context of other prominent international collections. Selected examples are used to discuss questions about collecting, research and the exhibition of architecture in the future.
Show & tell: collecting architecture
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Architectural collections are warehouses of knowledge: they are resources for historical plans and buildings, and they offer insight and ideas for the designs of tomorrow. However, in the age of computer-aided design, the sketches, plans and models that were once available for research and exhibitions are being replaced by bits and bytes on a variety of storage media whose lifetimes have no guaranteed length. The Architekturmuseum at the Technical University in Munich has one of the largest special collections of architecture in Europe. This publication presents its complex history while placing it in the context of other prominent international collections. Selected examples are used to discuss questions about collecting, research and the exhibition of architecture in the future.
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livres
livres
Publication:
juin 2014
juin 2014
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livres
livres
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$120.00
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In a daring act of historical reconstruction, the curator Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, has recreated Harald Szeemann’s epochal Live in Your Head: When Attitudes Become Form, held at the Bern Kunsthalle in 1969, and installed by Celant at the magnificent Ca’ Corner della Regina in Venice in June–November 2013. Szeemann’s show was a(...)
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Résumé:
In a daring act of historical reconstruction, the curator Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, has recreated Harald Szeemann’s epochal Live in Your Head: When Attitudes Become Form, held at the Bern Kunsthalle in 1969, and installed by Celant at the magnificent Ca’ Corner della Regina in Venice in June–November 2013. Szeemann’s show was a(...)
Publication:
février 2014
février 2014
Titre:
When attitudes become form: Bern 1969/Venice 2013
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$120.00
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In a daring act of historical reconstruction, the curator Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, has recreated Harald Szeemann’s epochal Live in Your Head: When Attitudes Become Form, held at the Bern Kunsthalle in 1969, and installed by Celant at the magnificent Ca’ Corner della Regina in Venice in June–November 2013. Szeemann’s show was a dialogue with the Bern Kunsthalle, and Celant has reprised its spirit by placing the works in dialogue with the Ca’ Corner della Regina--a very different building, in its Venetian grandeur, to the Kunsthalle.
When attitudes become form: Bern 1969/Venice 2013
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In a daring act of historical reconstruction, the curator Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, has recreated Harald Szeemann’s epochal Live in Your Head: When Attitudes Become Form, held at the Bern Kunsthalle in 1969, and installed by Celant at the magnificent Ca’ Corner della Regina in Venice in June–November 2013. Szeemann’s show was a dialogue with the Bern Kunsthalle, and Celant has reprised its spirit by placing the works in dialogue with the Ca’ Corner della Regina--a very different building, in its Venetian grandeur, to the Kunsthalle.
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livres
livres
Publication:
février 2014
février 2014
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livres
livres
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Curators Zoë Ryan and Meredith Carruthers use the Istanbul Design Biennial as a forum for posing questions and generating dialogue. This illustrated volume presents more than 50 international projects by designers working across disciplines, as well as essays by leading thinkers in design.
$50.00
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Résumé:
Curators Zoë Ryan and Meredith Carruthers use the Istanbul Design Biennial as a forum for posing questions and generating dialogue. This illustrated volume presents more than 50 international projects by designers working across disciplines, as well as essays by leading thinkers in design.
Publication:
avril 2015
avril 2015
Titre:
The future is not what it used to be
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Curators Zoë Ryan and Meredith Carruthers use the Istanbul Design Biennial as a forum for posing questions and generating dialogue. This illustrated volume presents more than 50 international projects by designers working across disciplines, as well as essays by leading thinkers in design.
The future is not what it used to be
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Curators Zoë Ryan and Meredith Carruthers use the Istanbul Design Biennial as a forum for posing questions and generating dialogue. This illustrated volume presents more than 50 international projects by designers working across disciplines, as well as essays by leading thinkers in design.
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livres
livres
Publication:
avril 2015
avril 2015
