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Cet ouvrage présente des images inédites qui informent sur les conditions de la conception et de la construction de ce que le Time Magazine a qualifié de plus belle exposition du siècle. Par un heureux concours de circonstances et alors que l’architecture des expositions nationales suisses avait été polarisée jusque-là entre traditionalisme et prouesses technologiques,(...)
janvier 2015
Expo 64: le printemps de l'architecture suisse
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Cet ouvrage présente des images inédites qui informent sur les conditions de la conception et de la construction de ce que le Time Magazine a qualifié de plus belle exposition du siècle. Par un heureux concours de circonstances et alors que l’architecture des expositions nationales suisses avait été polarisée jusque-là entre traditionalisme et prouesses technologiques, l’Expo 64 a échappé à l’air de son temps pour déployer une créativité joyeuse. Collectés par les Acm depuis 1994, dessins originaux, plans d’ingénieurs et d’architectes, photographies de maquettes et de terrain permettent de montrer comment cette exposition nationale, dont la gestation se déroule en pleine guerre froide, a réussi à percer.
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Isamu Noguchi founded and designed the museum for the display of his own work. This book focuses on the unique dynamic between the museum’s artworks, architecture, and visitors.
septembre 2015
The Noguchi Museum : a portrait
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Isamu Noguchi founded and designed the museum for the display of his own work. This book focuses on the unique dynamic between the museum’s artworks, architecture, and visitors.
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Architectural collections are warehouses of knowledge: they are resources for historical plans and buildings, and they offer insight and ideas for the designs of tomorrow. However, in the age of computer-aided design, the sketches, plans and models that were once available for research and exhibitions are being replaced by bits and bytes on a variety of storage media(...)
Show & tell: collecting architecture
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Architectural collections are warehouses of knowledge: they are resources for historical plans and buildings, and they offer insight and ideas for the designs of tomorrow. However, in the age of computer-aided design, the sketches, plans and models that were once available for research and exhibitions are being replaced by bits and bytes on a variety of storage media whose lifetimes have no guaranteed length. The Architekturmuseum at the Technical University in Munich has one of the largest special collections of architecture in Europe. This publication presents its complex history while placing it in the context of other prominent international collections. Selected examples are used to discuss questions about collecting, research and the exhibition of architecture in the future.
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In a daring act of historical reconstruction, the curator Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, has recreated Harald Szeemann’s epochal Live in Your Head: When Attitudes Become Form, held at the Bern Kunsthalle in 1969, and installed by Celant at the magnificent Ca’ Corner della Regina in Venice in June–November 2013. Szeemann’s show was a(...)
février 2014
When attitudes become form: Bern 1969/Venice 2013
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In a daring act of historical reconstruction, the curator Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, has recreated Harald Szeemann’s epochal Live in Your Head: When Attitudes Become Form, held at the Bern Kunsthalle in 1969, and installed by Celant at the magnificent Ca’ Corner della Regina in Venice in June–November 2013. Szeemann’s show was a dialogue with the Bern Kunsthalle, and Celant has reprised its spirit by placing the works in dialogue with the Ca’ Corner della Regina--a very different building, in its Venetian grandeur, to the Kunsthalle.
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The international touring exhibition "Die gute Form" was conceived by MAx Bill on behalf of the Swiss Werkbund SWB and was shown for the first time in 1949 at the Basel Mustermesse trade fair. The exhibition consisted of 80 dispay panels, designed by Bill, presenting a selection of consumer goods from all over the world and chosen by him as examples of good design. The(...)
Max Bill's view of things: Die gute form, an exhibition 1949
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The international touring exhibition "Die gute Form" was conceived by MAx Bill on behalf of the Swiss Werkbund SWB and was shown for the first time in 1949 at the Basel Mustermesse trade fair. The exhibition consisted of 80 dispay panels, designed by Bill, presenting a selection of consumer goods from all over the world and chosen by him as examples of good design. The show caused some upset in Switzerland and fueled heated debates abroad. But it also exerted a wide-reaching influence-for example, on the way in which consumer goods were perceived.
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juin 2013
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The story of the most influential art exhibitions from 1960, Biennials and Beyond assembles a wealth of rare and never before published documentation, from installation photographs and reviews to floor plans, catalogue excerpts and other primary ephemera, looking at the history of contemporary art through the lens of 25 significant exhibitions. With an introductory essay(...)
Biennials and beyond: exhibitions that made art history, 1962-2002
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The story of the most influential art exhibitions from 1960, Biennials and Beyond assembles a wealth of rare and never before published documentation, from installation photographs and reviews to floor plans, catalogue excerpts and other primary ephemera, looking at the history of contemporary art through the lens of 25 significant exhibitions. With an introductory essay and concise overviews of each exhibition by art historian Bruce Altshuler, Biennials and Beyond is a unique sourcebook that offers direct access to the most influential exhibitions of the last 50 years.
Stedelijk architecture
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Grand celebrations marked the reopening of Amsterdam’s Stedelijk Museum in September 2012, following a renovation that took eight years. Published for the occasion, Stedelijk Architecture examines the renovation, in photographs by the photographer Iwan Baan, plus floor plans, cross sections and details of the new structure. Architecture critic Hans Ibelings relates the(...)
mars 2013
Stedelijk architecture
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Grand celebrations marked the reopening of Amsterdam’s Stedelijk Museum in September 2012, following a renovation that took eight years. Published for the occasion, Stedelijk Architecture examines the renovation, in photographs by the photographer Iwan Baan, plus floor plans, cross sections and details of the new structure. Architecture critic Hans Ibelings relates the museum’s history from the 1895 inauguration of the original building to the completion of the extension.
New exhibition design 02
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The book offers an up-to-date and comprehensive insight into state-of-the-art design and planning of exhibitions by presenting more than 80 project examples of renowned international designers from Germany to Korea, from Japan to the USA and Canada, from Norway to Italy.
New exhibition design 02
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The book offers an up-to-date and comprehensive insight into state-of-the-art design and planning of exhibitions by presenting more than 80 project examples of renowned international designers from Germany to Korea, from Japan to the USA and Canada, from Norway to Italy.
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Structured around the key phases of the exhibition design process, this guide offers a coverage of the tools and processes required to develop an exhibitions. It offers this critical information in the context of a collaborative process intended to drive innovation for exhibition design.
Creating exhibitions: collaboration in the planning, development, and design of innovative experiences
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Structured around the key phases of the exhibition design process, this guide offers a coverage of the tools and processes required to develop an exhibitions. It offers this critical information in the context of a collaborative process intended to drive innovation for exhibition design.
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This book sheds light on the Belgian pavilions for the World's Fairs in Paris 1937 and New York 1939-40. Both buildings were designed by teams that were headed by Henry van de Velde, one of the founding fathers of modern architecture in Belgium. After the 1939 New York World's Fair, the Belgian pavilion was re-erected on the campus of the Afro American Virginia Union(...)
Belgium at the fair : Exile on Main street, Paris, New York, Richmond
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This book sheds light on the Belgian pavilions for the World's Fairs in Paris 1937 and New York 1939-40. Both buildings were designed by teams that were headed by Henry van de Velde, one of the founding fathers of modern architecture in Belgium. After the 1939 New York World's Fair, the Belgian pavilion was re-erected on the campus of the Afro American Virginia Union University in Richmond, VA.