248 Résultats
Classification:
livres
livres
Actions:
Prix:
$32.50
(disponible sur commande)
Résumé:
In Ten Fundamental Questions of Curating ten contemporary curators pose and then propose answers to a series of key questions related to curating, art and exhibition making today: What Is a Curator? What Is the Public? What Is Art? What About Collecting? What Is an Exhibition? Why Mediate Art? What To Do with the Contemporary? What About Responsibility? What Is the(...)
$32.50
(disponible sur commande)
Résumé:
In Ten Fundamental Questions of Curating ten contemporary curators pose and then propose answers to a series of key questions related to curating, art and exhibition making today: What Is a Curator? What Is the Public? What Is Art? What About Collecting? What Is an Exhibition? Why Mediate Art? What To Do with the Contemporary? What About Responsibility? What Is the(...)
Titre:
Ten fundamental questions of curating
Actions:
Prix:
$32.50
(disponible sur commande)
Résumé:
In Ten Fundamental Questions of Curating ten contemporary curators pose and then propose answers to a series of key questions related to curating, art and exhibition making today: What Is a Curator? What Is the Public? What Is Art? What About Collecting? What Is an Exhibition? Why Mediate Art? What To Do with the Contemporary? What About Responsibility? What Is the Process? How About Pleasure?
Ten fundamental questions of curating
Actions:
Prix:
$32.50
(disponible sur commande)
Résumé:
In Ten Fundamental Questions of Curating ten contemporary curators pose and then propose answers to a series of key questions related to curating, art and exhibition making today: What Is a Curator? What Is the Public? What Is Art? What About Collecting? What Is an Exhibition? Why Mediate Art? What To Do with the Contemporary? What About Responsibility? What Is the Process? How About Pleasure?
Classification:
livres
livres
Publication:
novembre 2013
novembre 2013
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Actions:
Prix:
$84.95
(disponible sur commande)
Résumé:
This publication explores the two core functions of museums: exhibiting of the content and educational activities directed to audiences. These areas of activity - both committed to "mediating" between art and its audience - have existed since the birth of the public museum, but, as the result of professionalisation and specialisation of the museum field, they have(...)
$84.95
(disponible sur commande)
Résumé:
This publication explores the two core functions of museums: exhibiting of the content and educational activities directed to audiences. These areas of activity - both committed to "mediating" between art and its audience - have existed since the birth of the public museum, but, as the result of professionalisation and specialisation of the museum field, they have(...)
Titre:
It's all mediating: outlining and incorparating the roles of curating and education in the exhibition context
Actions:
Prix:
$84.95
(disponible sur commande)
Résumé:
This publication explores the two core functions of museums: exhibiting of the content and educational activities directed to audiences. These areas of activity - both committed to "mediating" between art and its audience - have existed since the birth of the public museum, but, as the result of professionalisation and specialisation of the museum field, they have developed into separate professions and have become the responsibility of specialised staff.
It's all mediating: outlining and incorparating the roles of curating and education in the exhibition context
Actions:
Prix:
$84.95
(disponible sur commande)
Résumé:
This publication explores the two core functions of museums: exhibiting of the content and educational activities directed to audiences. These areas of activity - both committed to "mediating" between art and its audience - have existed since the birth of the public museum, but, as the result of professionalisation and specialisation of the museum field, they have developed into separate professions and have become the responsibility of specialised staff.
Classification:
livres
livres
Publication:
janvier 2014
janvier 2014
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Actions:
Prix:
$15.00
(disponible sur commande)
Résumé:
A roster of curators, affectionately dubbed "pigeons," were invited to respond to an evolving list of questions, what the editors called a "pigeonnaire," about their approach to their work. This pigeonnaire probed such topics as influences, daily practice, artist–curator relationships and the curator’s responsibility to society. Over the course of a year, the pigeons(...)
$15.00
(disponible sur commande)
Résumé:
A roster of curators, affectionately dubbed "pigeons," were invited to respond to an evolving list of questions, what the editors called a "pigeonnaire," about their approach to their work. This pigeonnaire probed such topics as influences, daily practice, artist–curator relationships and the curator’s responsibility to society. Over the course of a year, the pigeons(...)
Titre:
Pigeons on the grass atlas: contemporary curators talk about the field
Actions:
Prix:
$15.00
(disponible sur commande)
Résumé:
A roster of curators, affectionately dubbed "pigeons," were invited to respond to an evolving list of questions, what the editors called a "pigeonnaire," about their approach to their work. This pigeonnaire probed such topics as influences, daily practice, artist–curator relationships and the curator’s responsibility to society. Over the course of a year, the pigeons dropped by with their answers, and the editors then strung together the questions and answers in a continuous narrative that reads something like the transcript of a large meeting, providing a portrait of common ground and fissures in the field of curating now.
Pigeons on the grass atlas: contemporary curators talk about the field
Actions:
Prix:
$15.00
(disponible sur commande)
Résumé:
A roster of curators, affectionately dubbed "pigeons," were invited to respond to an evolving list of questions, what the editors called a "pigeonnaire," about their approach to their work. This pigeonnaire probed such topics as influences, daily practice, artist–curator relationships and the curator’s responsibility to society. Over the course of a year, the pigeons dropped by with their answers, and the editors then strung together the questions and answers in a continuous narrative that reads something like the transcript of a large meeting, providing a portrait of common ground and fissures in the field of curating now.
Classification:
livres
livres
Publication:
février 2014
février 2014
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Actions:
Prix:
$25.00
(disponible sur commande)
Résumé:
In Radical Museology, New York–based art historian Claire Bishop argues that the incommensurability of fiscal and cultural temporality--one fast, the other slower--points to an alternative world of values in which museums (and by extension, culture, education and democracy in general) are not subject to the banalities of a spreadsheet, but enable us to access a rich and(...)
$25.00
(disponible sur commande)
Résumé:
In Radical Museology, New York–based art historian Claire Bishop argues that the incommensurability of fiscal and cultural temporality--one fast, the other slower--points to an alternative world of values in which museums (and by extension, culture, education and democracy in general) are not subject to the banalities of a spreadsheet, but enable us to access a rich and(...)
Titre:
Radical museology: or what's contemporary in museums of contemporary art?
Actions:
Prix:
$25.00
(disponible sur commande)
Résumé:
In Radical Museology, New York–based art historian Claire Bishop argues that the incommensurability of fiscal and cultural temporality--one fast, the other slower--points to an alternative world of values in which museums (and by extension, culture, education and democracy in general) are not subject to the banalities of a spreadsheet, but enable us to access a rich and diverse history, to question the present and to realize a different future. She discusses creative solutions implemented at the Van Abbemuseum in Eindhoven, the Museo Nacional de Reina Sofía in Madrid and MSUM in Ljubljana. This book is a manifesto for the importance of a politicized representation of the contemporary in today’s art.
Radical museology: or what's contemporary in museums of contemporary art?
Actions:
Prix:
$25.00
(disponible sur commande)
Résumé:
In Radical Museology, New York–based art historian Claire Bishop argues that the incommensurability of fiscal and cultural temporality--one fast, the other slower--points to an alternative world of values in which museums (and by extension, culture, education and democracy in general) are not subject to the banalities of a spreadsheet, but enable us to access a rich and diverse history, to question the present and to realize a different future. She discusses creative solutions implemented at the Van Abbemuseum in Eindhoven, the Museo Nacional de Reina Sofía in Madrid and MSUM in Ljubljana. This book is a manifesto for the importance of a politicized representation of the contemporary in today’s art.
Classification:
livres
livres
Publication:
février 2014
février 2014
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$46.00
(disponible en magasin)
Résumé:
Judy Chicago provides an autobiographical look at higher education in art. How should women—and men—be prepared for a career in today’s art world? For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching expériences. Founder of(...)
$46.00
(disponible en magasin)
Résumé:
Judy Chicago provides an autobiographical look at higher education in art. How should women—and men—be prepared for a career in today’s art world? For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching expériences. Founder of(...)
Titre:
Institutional time: a critique of studio art education
Actions:
Prix:
$46.00
(disponible en magasin)
Résumé:
Judy Chicago provides an autobiographical look at higher education in art. How should women—and men—be prepared for a career in today’s art world? For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching expériences. Founder of the first program dedicated to feminist art, at California State University, Fresno, in 1970, she went on to initiate the Feminist Art Program at California Institute of the Arts with artist Miriam Schapiro, the first program at a major art school to specifically address the needs of female art students. Creator of the celebrated The Dinner Party, a monumental art installation now on permanent display at the Brooklyn Museum, Chicago reviews her own art education, in the 1960s, when she overcame sexist obstacles to beginning a career as an artist and became recognized as one of the key figures in the dynamic California art scene of that decade. She reviews the present-day situation of young people aspiring to become artists and uncovers the persistence of a bias against women and other minorities in studio art education.
Institutional time: a critique of studio art education
Actions:
Prix:
$46.00
(disponible en magasin)
Résumé:
Judy Chicago provides an autobiographical look at higher education in art. How should women—and men—be prepared for a career in today’s art world? For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching expériences. Founder of the first program dedicated to feminist art, at California State University, Fresno, in 1970, she went on to initiate the Feminist Art Program at California Institute of the Arts with artist Miriam Schapiro, the first program at a major art school to specifically address the needs of female art students. Creator of the celebrated The Dinner Party, a monumental art installation now on permanent display at the Brooklyn Museum, Chicago reviews her own art education, in the 1960s, when she overcame sexist obstacles to beginning a career as an artist and became recognized as one of the key figures in the dynamic California art scene of that decade. She reviews the present-day situation of young people aspiring to become artists and uncovers the persistence of a bias against women and other minorities in studio art education.
Classification:
livres
livres
Publication:
mars 2014
mars 2014
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Actions:
Prix:
$44.00
(disponible sur commande)
Résumé:
This publication explores themes of the exhibition through its terms—not, however, to confine into isolated conceptual categories, but to interconnect. These terms characterize exhibiting and emphasize a “between-ness.” Examining a term lays bare its ruptures, shifts, or recreations, as well as social, societal, and cultural changes that have the power to structure(...)
$44.00
(disponible sur commande)
Résumé:
This publication explores themes of the exhibition through its terms—not, however, to confine into isolated conceptual categories, but to interconnect. These terms characterize exhibiting and emphasize a “between-ness.” Examining a term lays bare its ruptures, shifts, or recreations, as well as social, societal, and cultural changes that have the power to structure(...)
Titre:
Terms of exhibiting (from A to Z) / Begriffe des ausstellens (von A bis Z)
Actions:
Prix:
$44.00
(disponible sur commande)
Résumé:
This publication explores themes of the exhibition through its terms—not, however, to confine into isolated conceptual categories, but to interconnect. These terms characterize exhibiting and emphasize a “between-ness.” Examining a term lays bare its ruptures, shifts, or recreations, as well as social, societal, and cultural changes that have the power to structure through historical conjecture.
Terms of exhibiting (from A to Z) / Begriffe des ausstellens (von A bis Z)
Actions:
Prix:
$44.00
(disponible sur commande)
Résumé:
This publication explores themes of the exhibition through its terms—not, however, to confine into isolated conceptual categories, but to interconnect. These terms characterize exhibiting and emphasize a “between-ness.” Examining a term lays bare its ruptures, shifts, or recreations, as well as social, societal, and cultural changes that have the power to structure through historical conjecture.
Classification:
livres
livres
Publication:
mars 2014
mars 2014
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$27.00
(disponible sur commande)
Résumé:
Through a series of detailed historical case studies, Alison Griffiths explores the uncanny and unforgettable visceral power of the medieval cathedral, the panorama, the planetarium, the IMAX theater, and the science museum. Examining these structures as exemplary spaces of immersion and interactivity, Griffiths reveals the sometimes surprising antecedents of modern media(...)
$27.00
(disponible sur commande)
Résumé:
Through a series of detailed historical case studies, Alison Griffiths explores the uncanny and unforgettable visceral power of the medieval cathedral, the panorama, the planetarium, the IMAX theater, and the science museum. Examining these structures as exemplary spaces of immersion and interactivity, Griffiths reveals the sometimes surprising antecedents of modern media(...)
Titre:
Shivers down your spine : cinema, museums, & the immersive view
Actions:
Prix:
$27.00
(disponible sur commande)
Résumé:
Through a series of detailed historical case studies, Alison Griffiths explores the uncanny and unforgettable visceral power of the medieval cathedral, the panorama, the planetarium, the IMAX theater, and the science museum. Examining these structures as exemplary spaces of immersion and interactivity, Griffiths reveals the sometimes surprising antecedents of modern media forms, suggesting the spectator's deep-seated desire to become immersed in a virtual world.
Shivers down your spine : cinema, museums, & the immersive view
Actions:
Prix:
$27.00
(disponible sur commande)
Résumé:
Through a series of detailed historical case studies, Alison Griffiths explores the uncanny and unforgettable visceral power of the medieval cathedral, the panorama, the planetarium, the IMAX theater, and the science museum. Examining these structures as exemplary spaces of immersion and interactivity, Griffiths reveals the sometimes surprising antecedents of modern media forms, suggesting the spectator's deep-seated desire to become immersed in a virtual world.
Classification:
livres
livres
Publication:
avril 2013
avril 2013
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$65.95
(disponible sur commande)
Résumé:
This book provides explicit and comprehensive coverage of the most important museums built in the first ten years of the 21st Century in the United States and Europe. By dissecting and analyzing each case, Ronnie Self allows the reader to get under the skin of each design and fully understand the process behind these remarkable buildings. Richly designed with full(...)
$65.95
(disponible sur commande)
Résumé:
This book provides explicit and comprehensive coverage of the most important museums built in the first ten years of the 21st Century in the United States and Europe. By dissecting and analyzing each case, Ronnie Self allows the reader to get under the skin of each design and fully understand the process behind these remarkable buildings. Richly designed with full(...)
Titre:
The architecture of art museums: a decade of design (2000-2010)
Actions:
Prix:
$65.95
(disponible sur commande)
Résumé:
This book provides explicit and comprehensive coverage of the most important museums built in the first ten years of the 21st Century in the United States and Europe. By dissecting and analyzing each case, Ronnie Self allows the reader to get under the skin of each design and fully understand the process behind these remarkable buildings. Richly designed with full technical illustrations and sections the book includes the work of Tadao Ando, Zaha Hadid, Peter Cook & Colin Fournier, Renzo Piano, Yoshi Taniguchi, Herzog & de Meuron, Jean Nouvel, SANAA, Daniel Libeskind, Diller Scofidio & Renfro, Steven Holl, Coop Himmelb(l)au, Bernard Tschumi, Sauerbruch Hutton, and Shigeru Ban & Jean de Gastines.
The architecture of art museums: a decade of design (2000-2010)
Actions:
Prix:
$65.95
(disponible sur commande)
Résumé:
This book provides explicit and comprehensive coverage of the most important museums built in the first ten years of the 21st Century in the United States and Europe. By dissecting and analyzing each case, Ronnie Self allows the reader to get under the skin of each design and fully understand the process behind these remarkable buildings. Richly designed with full technical illustrations and sections the book includes the work of Tadao Ando, Zaha Hadid, Peter Cook & Colin Fournier, Renzo Piano, Yoshi Taniguchi, Herzog & de Meuron, Jean Nouvel, SANAA, Daniel Libeskind, Diller Scofidio & Renfro, Steven Holl, Coop Himmelb(l)au, Bernard Tschumi, Sauerbruch Hutton, and Shigeru Ban & Jean de Gastines.
Classification:
livres
livres
Publication:
février 2014
février 2014
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$34.95
(disponible sur commande)
Résumé:
The essays distill the authors’ decades of experience as practitioners and observers of gallery teaching across the United States and abroad.
$34.95
(disponible sur commande)
Résumé:
The essays distill the authors’ decades of experience as practitioners and observers of gallery teaching across the United States and abroad.
Titre:
Teaching in the art museum : interpretation as experience
Actions:
Prix:
$34.95
(disponible sur commande)
Résumé:
The essays distill the authors’ decades of experience as practitioners and observers of gallery teaching across the United States and abroad.
Teaching in the art museum : interpretation as experience
Actions:
Prix:
$34.95
(disponible sur commande)
Résumé:
The essays distill the authors’ decades of experience as practitioners and observers of gallery teaching across the United States and abroad.
Classification:
livres
livres
Publication:
mars 2011
mars 2011
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Actions:
Prix:
$49.95
(disponible sur commande)
Résumé:
Imagining the Audience offers an unusual glimpse behind the work of both artist and curator concerning the role of the audience. Part of a research project on viewpoints in aesthetics and film theory applied to contemporary art, this book asks how an artist or curator imagines the experience, movement, and mental processes of the viewer, and how this perspective(...)
$49.95
(disponible sur commande)
Résumé:
Imagining the Audience offers an unusual glimpse behind the work of both artist and curator concerning the role of the audience. Part of a research project on viewpoints in aesthetics and film theory applied to contemporary art, this book asks how an artist or curator imagines the experience, movement, and mental processes of the viewer, and how this perspective(...)
Titre:
Imagining the audience: viewing positions in curatorial and artistic practice
Actions:
Prix:
$49.95
(disponible sur commande)
Résumé:
Imagining the Audience offers an unusual glimpse behind the work of both artist and curator concerning the role of the audience. Part of a research project on viewpoints in aesthetics and film theory applied to contemporary art, this book asks how an artist or curator imagines the experience, movement, and mental processes of the viewer, and how this perspective influences the artwork, the way the viewer experiences it.
Imagining the audience: viewing positions in curatorial and artistic practice
Actions:
Prix:
$49.95
(disponible sur commande)
Résumé:
Imagining the Audience offers an unusual glimpse behind the work of both artist and curator concerning the role of the audience. Part of a research project on viewpoints in aesthetics and film theory applied to contemporary art, this book asks how an artist or curator imagines the experience, movement, and mental processes of the viewer, and how this perspective influences the artwork, the way the viewer experiences it.
Classification:
livres
livres
Publication:
décembre 2012
décembre 2012
Sujet:
Muséologie
Muséologie
