248 Résultats
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Using a wide number of case studies Eilean Hooper-Greenhill uses a multi-disciplinary approach to analyzing museums. Drawing on material culture studies and art history she studies the collections and how they were collected; using cultural studies and sociology she examines the social and cultural role of museums today and in the past; applying deduction theory she(...)
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Using a wide number of case studies Eilean Hooper-Greenhill uses a multi-disciplinary approach to analyzing museums. Drawing on material culture studies and art history she studies the collections and how they were collected; using cultural studies and sociology she examines the social and cultural role of museums today and in the past; applying deduction theory she(...)
Titre:
Museums and the interpretation of visual culture
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Using a wide number of case studies Eilean Hooper-Greenhill uses a multi-disciplinary approach to analyzing museums. Drawing on material culture studies and art history she studies the collections and how they were collected; using cultural studies and sociology she examines the social and cultural role of museums today and in the past; applying deduction theory she addresses the production of knowledge though exhibitions; and finally touching on psychology she explores the experience of museum visitors.
Museums and the interpretation of visual culture
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Using a wide number of case studies Eilean Hooper-Greenhill uses a multi-disciplinary approach to analyzing museums. Drawing on material culture studies and art history she studies the collections and how they were collected; using cultural studies and sociology she examines the social and cultural role of museums today and in the past; applying deduction theory she addresses the production of knowledge though exhibitions; and finally touching on psychology she explores the experience of museum visitors.
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livres
livres
Publication:
février 2001, New York
février 2001, New York
Sujet:
Muséologie
Muséologie
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livres
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This anthology addresses the challenges of curating, presenting, and preserving new-media art—artworks that use digital technologies as media and emphasize process over object. As an art form that is inherently time based, dynamic, interactive, collaborative, customizable, and variable, new-media art resists objectification. It boldly challenges the traditional art(...)
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This anthology addresses the challenges of curating, presenting, and preserving new-media art—artworks that use digital technologies as media and emphasize process over object. As an art form that is inherently time based, dynamic, interactive, collaborative, customizable, and variable, new-media art resists objectification. It boldly challenges the traditional art(...)
Titre:
New media in the white cube and beyond
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This anthology addresses the challenges of curating, presenting, and preserving new-media art—artworks that use digital technologies as media and emphasize process over object. As an art form that is inherently time based, dynamic, interactive, collaborative, customizable, and variable, new-media art resists objectification. It boldly challenges the traditional art world's customary methods of presentation and documentation as well as its approach to collection and preservation. Edited and introduced by Christiane Paul and featuring contributions by prominent practitioners—institutional and independent curators, theorists, and conservators—this volume charts developments in an exciting field and addresses the conceptual, philosophical, and practical issues of both curating and presenting new-media art.
New media in the white cube and beyond
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This anthology addresses the challenges of curating, presenting, and preserving new-media art—artworks that use digital technologies as media and emphasize process over object. As an art form that is inherently time based, dynamic, interactive, collaborative, customizable, and variable, new-media art resists objectification. It boldly challenges the traditional art world's customary methods of presentation and documentation as well as its approach to collection and preservation. Edited and introduced by Christiane Paul and featuring contributions by prominent practitioners—institutional and independent curators, theorists, and conservators—this volume charts developments in an exciting field and addresses the conceptual, philosophical, and practical issues of both curating and presenting new-media art.
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livres
livres
Publication:
octobre 2008
octobre 2008
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livres
livres
Titre:
A brief history of curating
A brief history of curating
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This publication is dedicated to pioneering curators and presents a unique collection of interviews by Hans Ulrich Obrist: Anne d'Harnoncourt, Werner Hofman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hultén, and Harald Szeemann are gathered together in this volume. The contributions map the(...)
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This publication is dedicated to pioneering curators and presents a unique collection of interviews by Hans Ulrich Obrist: Anne d'Harnoncourt, Werner Hofman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hultén, and Harald Szeemann are gathered together in this volume. The contributions map the(...)
Titre:
A brief history of curating
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This publication is dedicated to pioneering curators and presents a unique collection of interviews by Hans Ulrich Obrist: Anne d'Harnoncourt, Werner Hofman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hultén, and Harald Szeemann are gathered together in this volume. The contributions map the development of the curatorial field, from early independent curating in the 1960s and 1970s and the experimental institutional programs developed in Europe and in the USA at this time, through Documenta and the development of biennales.
A brief history of curating
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This publication is dedicated to pioneering curators and presents a unique collection of interviews by Hans Ulrich Obrist: Anne d'Harnoncourt, Werner Hofman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hultén, and Harald Szeemann are gathered together in this volume. The contributions map the development of the curatorial field, from early independent curating in the 1960s and 1970s and the experimental institutional programs developed in Europe and in the USA at this time, through Documenta and the development of biennales.
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livres
livres
Publication:
septembre 2008, Zürich
septembre 2008, Zürich
Sujet:
Muséologie
Muséologie
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livres
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Edité par l'Institut du patrimoine, UQAM. Incluant des contributions de John Impert (Restitution of Art amd Antiquities: What are the implications of Holocaust restitution for museums that collect antiquities?), Marie-Hélène Foisy (Quelle place pour les publications d'exposition dans les musées?), Laurie Guillemette (L'écrit dans l'exposition; Analyses et études de cas),(...)
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Edité par l'Institut du patrimoine, UQAM. Incluant des contributions de John Impert (Restitution of Art amd Antiquities: What are the implications of Holocaust restitution for museums that collect antiquities?), Marie-Hélène Foisy (Quelle place pour les publications d'exposition dans les musées?), Laurie Guillemette (L'écrit dans l'exposition; Analyses et études de cas),(...)
Titre:
Muséologies: les cahiers d'études supérieures, volume 2, avril 2008
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Edité par l'Institut du patrimoine, UQAM. Incluant des contributions de John Impert (Restitution of Art amd Antiquities: What are the implications of Holocaust restitution for museums that collect antiquities?), Marie-Hélène Foisy (Quelle place pour les publications d'exposition dans les musées?), Laurie Guillemette (L'écrit dans l'exposition; Analyses et études de cas), Geneviève Provencher-St-Cyr (L'action coopérative. Une proposition d'ancrage des musées dans la vie régionale), John Porter - directuer du Musée national des beaux-arts du Québec (Entrevue un), Marc Mayer - directeur du Musée d'art contemporain de Montréal (Entrevue deux), Virginie Soulier , Ève-Lyne Cayouette-Ashby, Émilie Allain, Nellie Demers(Colloque étudiant en muséologie de l'UQAM et de l'UDEM: Le rôle social du musée), Mathieu Dormaels (Rôle social des musées: une autre 'nouvelle' muséologie)
Muséologies: les cahiers d'études supérieures, volume 2, avril 2008
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Edité par l'Institut du patrimoine, UQAM. Incluant des contributions de John Impert (Restitution of Art amd Antiquities: What are the implications of Holocaust restitution for museums that collect antiquities?), Marie-Hélène Foisy (Quelle place pour les publications d'exposition dans les musées?), Laurie Guillemette (L'écrit dans l'exposition; Analyses et études de cas), Geneviève Provencher-St-Cyr (L'action coopérative. Une proposition d'ancrage des musées dans la vie régionale), John Porter - directuer du Musée national des beaux-arts du Québec (Entrevue un), Marc Mayer - directeur du Musée d'art contemporain de Montréal (Entrevue deux), Virginie Soulier , Ève-Lyne Cayouette-Ashby, Émilie Allain, Nellie Demers(Colloque étudiant en muséologie de l'UQAM et de l'UDEM: Le rôle social du musée), Mathieu Dormaels (Rôle social des musées: une autre 'nouvelle' muséologie)
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livres
livres
Publication:
avril 2008, Montréal
avril 2008, Montréal
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livres
livres
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On his quest for the "Delirious museum", Storrie takes a journey that begins in the Louvre and continues through Paris, London, Los Angeles and Las Vegas. He encounters on his way the museum architecture of John Soane, Carlo Scarpa and Daniel Libeskind, the exhibitions of El Lissitsky and of Frederick Kiessler, and the work of artists as varied as Marcel Duchamps, Andy(...)
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On his quest for the "Delirious museum", Storrie takes a journey that begins in the Louvre and continues through Paris, London, Los Angeles and Las Vegas. He encounters on his way the museum architecture of John Soane, Carlo Scarpa and Daniel Libeskind, the exhibitions of El Lissitsky and of Frederick Kiessler, and the work of artists as varied as Marcel Duchamps, Andy(...)
Titre:
The delirious museum: a journey from the Louvre to Las Vegas
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On his quest for the "Delirious museum", Storrie takes a journey that begins in the Louvre and continues through Paris, London, Los Angeles and Las Vegas. He encounters on his way the museum architecture of John Soane, Carlo Scarpa and Daniel Libeskind, the exhibitions of El Lissitsky and of Frederick Kiessler, and the work of artists as varied as Marcel Duchamps, Andy Warhol, Marcel Broodthaers, Sophie Calle and Mark Dion. Calum Storrie is an architect, curator and exhibition designer, who has written extensively on museums.
The delirious museum: a journey from the Louvre to Las Vegas
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On his quest for the "Delirious museum", Storrie takes a journey that begins in the Louvre and continues through Paris, London, Los Angeles and Las Vegas. He encounters on his way the museum architecture of John Soane, Carlo Scarpa and Daniel Libeskind, the exhibitions of El Lissitsky and of Frederick Kiessler, and the work of artists as varied as Marcel Duchamps, Andy Warhol, Marcel Broodthaers, Sophie Calle and Mark Dion. Calum Storrie is an architect, curator and exhibition designer, who has written extensively on museums.
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livres
livres
Publication:
février 2008, London, New York
février 2008, London, New York
Sujet:
Muséologie
Muséologie
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livres
livres
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This volume presents the ''Circle of Doing Research'' : a model to get you started in art and design research. Conceived within the contextual setting of the art school, it is holistic, multidisciplinary and prioritizes practice. It consists of six actions. The basis of the circle is formed by the following: research by making, research of context and participatory(...)
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This volume presents the ''Circle of Doing Research'' : a model to get you started in art and design research. Conceived within the contextual setting of the art school, it is holistic, multidisciplinary and prioritizes practice. It consists of six actions. The basis of the circle is formed by the following: research by making, research of context and participatory(...)
Titre:
Hands on research for artists, designers & educators
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This volume presents the ''Circle of Doing Research'' : a model to get you started in art and design research. Conceived within the contextual setting of the art school, it is holistic, multidisciplinary and prioritizes practice. It consists of six actions. The basis of the circle is formed by the following: research by making, research of context and participatory research, where information, prototypes, encounters and experiences are gathered and produced. The remaining three actions are concerned with documenting research, publicizing research and reflecting on research. The ''Circle of Doing Research'' is an open, accessible and non-linear model. Each action can be an entry point, whether you want to start with material experiments, conversations with others, or in the library. All actions are connected and inform each other which encourages a process of iteration and constant reflection. The ''Circle'' can be enriched with methods, sources and focal points according to specific disciplines and needs. The book contains research trajectories of art and design students throughout, illustrating the rich possibilities to be uncovered in the unfolding of a research project. This illuminating model can be useful to all, from those beginning to learn about research in art and design to more advanced practitioners.
Hands on research for artists, designers & educators
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This volume presents the ''Circle of Doing Research'' : a model to get you started in art and design research. Conceived within the contextual setting of the art school, it is holistic, multidisciplinary and prioritizes practice. It consists of six actions. The basis of the circle is formed by the following: research by making, research of context and participatory research, where information, prototypes, encounters and experiences are gathered and produced. The remaining three actions are concerned with documenting research, publicizing research and reflecting on research. The ''Circle of Doing Research'' is an open, accessible and non-linear model. Each action can be an entry point, whether you want to start with material experiments, conversations with others, or in the library. All actions are connected and inform each other which encourages a process of iteration and constant reflection. The ''Circle'' can be enriched with methods, sources and focal points according to specific disciplines and needs. The book contains research trajectories of art and design students throughout, illustrating the rich possibilities to be uncovered in the unfolding of a research project. This illuminating model can be useful to all, from those beginning to learn about research in art and design to more advanced practitioners.
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livres
livres
Publication:
décembre 2024
décembre 2024
Sujet:
Muséologie
Muséologie
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Les animaux de zoo sont aujourd'hui tous nés en captivité. Vestiges vivants d'un monde sauvage perdu, archives génétiques ou ambassadeurs de leur espèce, ils sont gérés en collections et exposés comme au musée. De quels patrimoines sont-ils les restes ? Par son approche ethnographique, l'auteure invite à une réflexion en forme de promenade au zoo. Des allées aux enclos,(...)
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Les animaux de zoo sont aujourd'hui tous nés en captivité. Vestiges vivants d'un monde sauvage perdu, archives génétiques ou ambassadeurs de leur espèce, ils sont gérés en collections et exposés comme au musée. De quels patrimoines sont-ils les restes ? Par son approche ethnographique, l'auteure invite à une réflexion en forme de promenade au zoo. Des allées aux enclos,(...)
Titre:
L'animal captif et la nature sauvage : Une ethnographie du Parc zoologique de Paris
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Les animaux de zoo sont aujourd'hui tous nés en captivité. Vestiges vivants d'un monde sauvage perdu, archives génétiques ou ambassadeurs de leur espèce, ils sont gérés en collections et exposés comme au musée. De quels patrimoines sont-ils les restes ? Par son approche ethnographique, l'auteure invite à une réflexion en forme de promenade au zoo. Des allées aux enclos, des bureaux à la clinique, l'anthropologue observe, interroge, cherche à comprendre les logiques à l'œuvre, les plaisirs à voir, les dilemmes à lever. Car pour conserver la biodiversité avec des collections vivantes, pour maintenir captifs des animaux en assurant leur bien-être, pour divertir les publics tout en les sensibilisant, des choix doivent être faits : comme au musée, de sélection, d'inventaire et de mise en scène ; comme dans un élevage, de gestion des corps et des espaces, de sécurité sanitaire et de reproduction.
L'animal captif et la nature sauvage : Une ethnographie du Parc zoologique de Paris
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Les animaux de zoo sont aujourd'hui tous nés en captivité. Vestiges vivants d'un monde sauvage perdu, archives génétiques ou ambassadeurs de leur espèce, ils sont gérés en collections et exposés comme au musée. De quels patrimoines sont-ils les restes ? Par son approche ethnographique, l'auteure invite à une réflexion en forme de promenade au zoo. Des allées aux enclos, des bureaux à la clinique, l'anthropologue observe, interroge, cherche à comprendre les logiques à l'œuvre, les plaisirs à voir, les dilemmes à lever. Car pour conserver la biodiversité avec des collections vivantes, pour maintenir captifs des animaux en assurant leur bien-être, pour divertir les publics tout en les sensibilisant, des choix doivent être faits : comme au musée, de sélection, d'inventaire et de mise en scène ; comme dans un élevage, de gestion des corps et des espaces, de sécurité sanitaire et de reproduction.
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livres
livres
Publication:
avril 2025
avril 2025
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$38.00
(disponible en magasin)
Résumé:
The Western museum is a battleground - a terrain of ideological, political and economic contestation. Almost everyone today wants to rethink the museum, but how many have the audacity to question the idea of the universal museum itself? In "A programme of absolute disorder," Françoise Vergès puts the museum in its place. Exploring the Louvre's history, she uncovers the(...)
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The Western museum is a battleground - a terrain of ideological, political and economic contestation. Almost everyone today wants to rethink the museum, but how many have the audacity to question the idea of the universal museum itself? In "A programme of absolute disorder," Françoise Vergès puts the museum in its place. Exploring the Louvre's history, she uncovers the(...)
Titre:
A programme of absolute disorder: Decolonizing the museum
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The Western museum is a battleground - a terrain of ideological, political and economic contestation. Almost everyone today wants to rethink the museum, but how many have the audacity to question the idea of the universal museum itself? In "A programme of absolute disorder," Françoise Vergès puts the museum in its place. Exploring the Louvre's history, she uncovers the context in which the universal museum emerged: as a product of colonialism, and of Europe's self-appointed claim to be the guardian of global heritage. Vergès outlines a radical horizon: to truly decolonize the museum is to implement a 'programme of absolute disorder', inventing other ways of apprehending the human and non-human world that nourish collective creativity and bring justice and dignity to the dispossessed.
A programme of absolute disorder: Decolonizing the museum
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The Western museum is a battleground - a terrain of ideological, political and economic contestation. Almost everyone today wants to rethink the museum, but how many have the audacity to question the idea of the universal museum itself? In "A programme of absolute disorder," Françoise Vergès puts the museum in its place. Exploring the Louvre's history, she uncovers the context in which the universal museum emerged: as a product of colonialism, and of Europe's self-appointed claim to be the guardian of global heritage. Vergès outlines a radical horizon: to truly decolonize the museum is to implement a 'programme of absolute disorder', inventing other ways of apprehending the human and non-human world that nourish collective creativity and bring justice and dignity to the dispossessed.
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livres
livres
Publication:
juillet 2024
juillet 2024
Sujet:
Muséologie
Muséologie
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livres
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"The New Design Museum" brings together theories and voices from leading international institutions and independent initiatives addressing the transformed––and continually transforming––nature of design in the twenty-first century and its planetary scope in both practical and discursive dimensions. By mapping a new landscape of institutional practices across different(...)
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"The New Design Museum" brings together theories and voices from leading international institutions and independent initiatives addressing the transformed––and continually transforming––nature of design in the twenty-first century and its planetary scope in both practical and discursive dimensions. By mapping a new landscape of institutional practices across different(...)
Titre:
The new design museum: Co-creating the present, prototyping the future
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"The New Design Museum" brings together theories and voices from leading international institutions and independent initiatives addressing the transformed––and continually transforming––nature of design in the twenty-first century and its planetary scope in both practical and discursive dimensions. By mapping a new landscape of institutional practices across different geographical locations, it reveals how spaces of culture dedicated to design need transformation—of their missions, programs, and outreach platforms—to respond to an ever-expanding outlook on design as a field that is moving beyond its traditional presentation as an object-based practice. This book ultimately examines the critical role of cultural institutions as engines for knowledge production, where a democratic politics of mutual care and shared purpose can be explored and exercised.
The new design museum: Co-creating the present, prototyping the future
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"The New Design Museum" brings together theories and voices from leading international institutions and independent initiatives addressing the transformed––and continually transforming––nature of design in the twenty-first century and its planetary scope in both practical and discursive dimensions. By mapping a new landscape of institutional practices across different geographical locations, it reveals how spaces of culture dedicated to design need transformation—of their missions, programs, and outreach platforms—to respond to an ever-expanding outlook on design as a field that is moving beyond its traditional presentation as an object-based practice. This book ultimately examines the critical role of cultural institutions as engines for knowledge production, where a democratic politics of mutual care and shared purpose can be explored and exercised.
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livres
livres
Publication:
août 2025
août 2025
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
Ways of Curating
Ways of Curating
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Hans Ulrich Obrist curated his first exhibit in his kitchen when he was twenty-three years old. Since then he has staged more than 250 shows internationally, many of them among the most influential exhibits of our age. ''Ways of Curating'' is a compendium of the insights Obrist has gained from his years of extraordinary work in the art world. It skips between centuries(...)
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Résumé:
Hans Ulrich Obrist curated his first exhibit in his kitchen when he was twenty-three years old. Since then he has staged more than 250 shows internationally, many of them among the most influential exhibits of our age. ''Ways of Curating'' is a compendium of the insights Obrist has gained from his years of extraordinary work in the art world. It skips between centuries(...)
Titre:
Ways of Curating
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Hans Ulrich Obrist curated his first exhibit in his kitchen when he was twenty-three years old. Since then he has staged more than 250 shows internationally, many of them among the most influential exhibits of our age. ''Ways of Curating'' is a compendium of the insights Obrist has gained from his years of extraordinary work in the art world. It skips between centuries and continents, flitting from meetings with the artists who have inspired him (including Gerhard Richter, Louise Bourgeois, and Gilbert and George) to biographies of influential figures such as Diaghilev and Walter Hopps. It describes some of the greatest exhibitions in history, as well as some of the greatest exhibitions never realized. It traces the evolution of collections from Athanasius Kircher's seventeenth-century Wunderkammer to modern museums, and points the way for projects yet to come. Obrist has rescued the word "curate" from wine stores and playlists to remind us of the power inherent in looking at art--and at the world--in a new way.
Ways of Curating
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Hans Ulrich Obrist curated his first exhibit in his kitchen when he was twenty-three years old. Since then he has staged more than 250 shows internationally, many of them among the most influential exhibits of our age. ''Ways of Curating'' is a compendium of the insights Obrist has gained from his years of extraordinary work in the art world. It skips between centuries and continents, flitting from meetings with the artists who have inspired him (including Gerhard Richter, Louise Bourgeois, and Gilbert and George) to biographies of influential figures such as Diaghilev and Walter Hopps. It describes some of the greatest exhibitions in history, as well as some of the greatest exhibitions never realized. It traces the evolution of collections from Athanasius Kircher's seventeenth-century Wunderkammer to modern museums, and points the way for projects yet to come. Obrist has rescued the word "curate" from wine stores and playlists to remind us of the power inherent in looking at art--and at the world--in a new way.
Classification:
livres
livres
Publication:
juillet 2025
juillet 2025
Sujet:
Muséologie
Muséologie
