248 Résultats
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livres
livres
Titre:
Collecting Otherwise Manuals
Collecting Otherwise Manuals
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Since 2020, Collecting Otherwise, initiated by the Nieuwe Instituut in Rotterdam, has explored how archives and their policies shape institutional memory, urban history, and public heritage, challenging the idea that heritage is “neutral”. It aims to change institutional culture to recognise and champion under-represented roles, practices, and perspectives in archives.(...)
$28.95
(disponible en magasin)
Résumé:
Since 2020, Collecting Otherwise, initiated by the Nieuwe Instituut in Rotterdam, has explored how archives and their policies shape institutional memory, urban history, and public heritage, challenging the idea that heritage is “neutral”. It aims to change institutional culture to recognise and champion under-represented roles, practices, and perspectives in archives.(...)
Titre:
Collecting Otherwise Manuals
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$28.95
(disponible en magasin)
Résumé:
Since 2020, Collecting Otherwise, initiated by the Nieuwe Instituut in Rotterdam, has explored how archives and their policies shape institutional memory, urban history, and public heritage, challenging the idea that heritage is “neutral”. It aims to change institutional culture to recognise and champion under-represented roles, practices, and perspectives in archives. Besides rethinking archival practices in case studies from the National Collection, the project addresses annual themes on collecting and develops collaborative tools. The manuals invite engagement with these tools to support reparative archival work and deepen reflections on the responsibilities of memory.
Collecting Otherwise Manuals
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$28.95
(disponible en magasin)
Résumé:
Since 2020, Collecting Otherwise, initiated by the Nieuwe Instituut in Rotterdam, has explored how archives and their policies shape institutional memory, urban history, and public heritage, challenging the idea that heritage is “neutral”. It aims to change institutional culture to recognise and champion under-represented roles, practices, and perspectives in archives. Besides rethinking archival practices in case studies from the National Collection, the project addresses annual themes on collecting and develops collaborative tools. The manuals invite engagement with these tools to support reparative archival work and deepen reflections on the responsibilities of memory.
Classification:
livres
livres
Publication:
juillet 2025
juillet 2025
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
A model
A model
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$62.00
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This book, "A model", parallels an exhibition at Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean. The museum’s director Bettina Steinbrügge conceived this exhibition as a conversation with the ever evolving contemporary art museum. This publication, with an essay about the roles museums can take, in theory, in practice, and in use, enacts how Steinbrügge engages the(...)
$62.00
(disponible en magasin)
Résumé:
This book, "A model", parallels an exhibition at Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean. The museum’s director Bettina Steinbrügge conceived this exhibition as a conversation with the ever evolving contemporary art museum. This publication, with an essay about the roles museums can take, in theory, in practice, and in use, enacts how Steinbrügge engages the(...)
Titre:
A model
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$62.00
(disponible en magasin)
Résumé:
This book, "A model", parallels an exhibition at Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean. The museum’s director Bettina Steinbrügge conceived this exhibition as a conversation with the ever evolving contemporary art museum. This publication, with an essay about the roles museums can take, in theory, in practice, and in use, enacts how Steinbrügge engages the artists in the exhibition to sit with this shifting idea. Commissioning major works by Nina Beier & Bob Kil, Rayyane Tabet, Oscar Murillo, or Claire Fontaine and historical works by Alvar Aalto and Tomaso Binga the exhibition uses the format of prologue, body, and epilogue to overlap gestures in the museum space. Likewise, this book engages the designer Julie Peeters, photographer Adrianna Glaviano, and artist Jason Dodge as editor to stage a publication that makes a new exhibition, "A model", between these pages.
A model
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$62.00
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Résumé:
This book, "A model", parallels an exhibition at Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean. The museum’s director Bettina Steinbrügge conceived this exhibition as a conversation with the ever evolving contemporary art museum. This publication, with an essay about the roles museums can take, in theory, in practice, and in use, enacts how Steinbrügge engages the artists in the exhibition to sit with this shifting idea. Commissioning major works by Nina Beier & Bob Kil, Rayyane Tabet, Oscar Murillo, or Claire Fontaine and historical works by Alvar Aalto and Tomaso Binga the exhibition uses the format of prologue, body, and epilogue to overlap gestures in the museum space. Likewise, this book engages the designer Julie Peeters, photographer Adrianna Glaviano, and artist Jason Dodge as editor to stage a publication that makes a new exhibition, "A model", between these pages.
Classification:
livres
livres
Publication:
juillet 2025
juillet 2025
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$35.95
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This book examines trends in the display of art since the mid-twentieth century, focusing particularly on institutional issues. The contributors present a series of case studies that illuminate the practices of museums, galleries, and exhibitions in Western Europe and the United States and that encourage reflection on the experience of the spectator. The first(...)
$35.95
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Résumé:
This book examines trends in the display of art since the mid-twentieth century, focusing particularly on institutional issues. The contributors present a series of case studies that illuminate the practices of museums, galleries, and exhibitions in Western Europe and the United States and that encourage reflection on the experience of the spectator. The first(...)
Titre:
Contemporary cultures of display
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This book examines trends in the display of art since the mid-twentieth century, focusing particularly on institutional issues. The contributors present a series of case studies that illuminate the practices of museums, galleries, and exhibitions in Western Europe and the United States and that encourage reflection on the experience of the spectator. The first section of the book considers the traditional sanctum of art, the museum, and how approaches to display have changed as modern museums have sought to become accessible to new audiences. In the second section, case studies address issues surrounding temporary exhibitions, their dominance of the display of art today, and the implications of this for artists, spectators, and the institutions that stage such exhibitions. The third section considers the wider social context in which art is displayed today and discusses the widespread reliance on urban regeneration projects, with special reference to modern art museums, and the place of heritage in Britain, specifically the cult of the country house. The book concludes with an exploration of the art world in contemporary Ireland and the role of Irish institutions in the production and reception of art.
Contemporary cultures of display
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This book examines trends in the display of art since the mid-twentieth century, focusing particularly on institutional issues. The contributors present a series of case studies that illuminate the practices of museums, galleries, and exhibitions in Western Europe and the United States and that encourage reflection on the experience of the spectator. The first section of the book considers the traditional sanctum of art, the museum, and how approaches to display have changed as modern museums have sought to become accessible to new audiences. In the second section, case studies address issues surrounding temporary exhibitions, their dominance of the display of art today, and the implications of this for artists, spectators, and the institutions that stage such exhibitions. The third section considers the wider social context in which art is displayed today and discusses the widespread reliance on urban regeneration projects, with special reference to modern art museums, and the place of heritage in Britain, specifically the cult of the country house. The book concludes with an exploration of the art world in contemporary Ireland and the role of Irish institutions in the production and reception of art.
Classification:
livres
livres
Publication:
novembre 1999, New Haven
novembre 1999, New Haven
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$29.95
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This book presents a study that conceptualizes, tests, and practically applies the spatial strategy for the European Kunsthalle. The investigation is the result of the activities incorporated into a two-year work practice from 2005 to 2007.
$29.95
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This book presents a study that conceptualizes, tests, and practically applies the spatial strategy for the European Kunsthalle. The investigation is the result of the activities incorporated into a two-year work practice from 2005 to 2007.
Titre:
Institution building : artists, curators, architects in the struggle for institutional space
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This book presents a study that conceptualizes, tests, and practically applies the spatial strategy for the European Kunsthalle. The investigation is the result of the activities incorporated into a two-year work practice from 2005 to 2007.
Institution building : artists, curators, architects in the struggle for institutional space
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This book presents a study that conceptualizes, tests, and practically applies the spatial strategy for the European Kunsthalle. The investigation is the result of the activities incorporated into a two-year work practice from 2005 to 2007.
Classification:
livres
livres
Publication:
décembre 2009
décembre 2009
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$29.99
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Contested Histories in Public Space brings multiple perspectives to bear on historical narratives presented to the public in museums, monuments, texts, and festivals around the world, from Paris to Kathmandu, from the Mexican state of Oaxaca to the waterfront of Wellington, New Zealand. Paying particular attention to how race and empire are implicated in the creation and(...)
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Contested Histories in Public Space brings multiple perspectives to bear on historical narratives presented to the public in museums, monuments, texts, and festivals around the world, from Paris to Kathmandu, from the Mexican state of Oaxaca to the waterfront of Wellington, New Zealand. Paying particular attention to how race and empire are implicated in the creation and(...)
Sujet:
Muséologie
Muséologie
Publication:
février 2009, Durham & London
février 2009, Durham & London
Titre:
Contested histories in public space: memory, race and nation
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Contested Histories in Public Space brings multiple perspectives to bear on historical narratives presented to the public in museums, monuments, texts, and festivals around the world, from Paris to Kathmandu, from the Mexican state of Oaxaca to the waterfront of Wellington, New Zealand. Paying particular attention to how race and empire are implicated in the creation and display of national narratives, the contributing historians, anthropologists, and other scholars delve into representations of contested histories at such “sites” as a British Library exhibition on the East India Company, a Rio de Janeiro shantytown known as “the cradle of samba,” the Ellis Island immigration museum, and high-school history textbooks in Ecuador.
Contested histories in public space: memory, race and nation
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Résumé:
Contested Histories in Public Space brings multiple perspectives to bear on historical narratives presented to the public in museums, monuments, texts, and festivals around the world, from Paris to Kathmandu, from the Mexican state of Oaxaca to the waterfront of Wellington, New Zealand. Paying particular attention to how race and empire are implicated in the creation and display of national narratives, the contributing historians, anthropologists, and other scholars delve into representations of contested histories at such “sites” as a British Library exhibition on the East India Company, a Rio de Janeiro shantytown known as “the cradle of samba,” the Ellis Island immigration museum, and high-school history textbooks in Ecuador.
Classification:
livres
livres
Publication:
février 2009, Durham & London
février 2009, Durham & London
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$115.00
(disponible en magasin)
Résumé:
The German architect and theorist Gottfried Semper was a founder of Modernism. Forced to leave Dresden in 1849, he composed this important manifesto on the phenomenology of materials and the systematization of the ideal museum while in exile. Published in transcription for the first time, with original line breaks, this volume includes all drawings and some manuscript(...)
$115.00
(disponible en magasin)
Résumé:
The German architect and theorist Gottfried Semper was a founder of Modernism. Forced to leave Dresden in 1849, he composed this important manifesto on the phenomenology of materials and the systematization of the ideal museum while in exile. Published in transcription for the first time, with original line breaks, this volume includes all drawings and some manuscript(...)
Publication:
décembre 2008, Vienna, Los Angeles
décembre 2008, Vienna, Los Angeles
Titre:
The ideal museum ; practical art in metals and hard materials
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$115.00
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The German architect and theorist Gottfried Semper was a founder of Modernism. Forced to leave Dresden in 1849, he composed this important manifesto on the phenomenology of materials and the systematization of the ideal museum while in exile. Published in transcription for the first time, with original line breaks, this volume includes all drawings and some manuscript pages in facsimile.
The ideal museum ; practical art in metals and hard materials
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$115.00
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Résumé:
The German architect and theorist Gottfried Semper was a founder of Modernism. Forced to leave Dresden in 1849, he composed this important manifesto on the phenomenology of materials and the systematization of the ideal museum while in exile. Published in transcription for the first time, with original line breaks, this volume includes all drawings and some manuscript pages in facsimile.
Classification:
livres
livres
Publication:
décembre 2008, Vienna, Los Angeles
décembre 2008, Vienna, Los Angeles
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livres
livres
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$32.99
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Première traduction française d'un ouvrage incontournable de la théorie de l'art. Ici est rassemblé les quatre essais initialement publiés entre 1976 et 1981, une postface véhémente publiée en 1986 et un cinquième essai qui en constitue la conclusion. L'auteur identifie dans ces essais le cube blanc de la galerie comme pôle complémentaire du tableau moderniste, il(...)
$32.99
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Première traduction française d'un ouvrage incontournable de la théorie de l'art. Ici est rassemblé les quatre essais initialement publiés entre 1976 et 1981, une postface véhémente publiée en 1986 et un cinquième essai qui en constitue la conclusion. L'auteur identifie dans ces essais le cube blanc de la galerie comme pôle complémentaire du tableau moderniste, il(...)
Titre:
White cube, l'espace de la galerie et son idéologie
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$32.99
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Première traduction française d'un ouvrage incontournable de la théorie de l'art. Ici est rassemblé les quatre essais initialement publiés entre 1976 et 1981, une postface véhémente publiée en 1986 et un cinquième essai qui en constitue la conclusion. L'auteur identifie dans ces essais le cube blanc de la galerie comme pôle complémentaire du tableau moderniste, il développe également une véritable dramaturgie de la perception, où l'espace d'exposition est le laboratoire d'un art qui ne se conçoit plus sans sa relation au spectateur.
White cube, l'espace de la galerie et son idéologie
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$32.99
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Première traduction française d'un ouvrage incontournable de la théorie de l'art. Ici est rassemblé les quatre essais initialement publiés entre 1976 et 1981, une postface véhémente publiée en 1986 et un cinquième essai qui en constitue la conclusion. L'auteur identifie dans ces essais le cube blanc de la galerie comme pôle complémentaire du tableau moderniste, il développe également une véritable dramaturgie de la perception, où l'espace d'exposition est le laboratoire d'un art qui ne se conçoit plus sans sa relation au spectateur.
Classification:
livres
livres
Publication:
décembre 2008, Zürich
décembre 2008, Zürich
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$32.50
(disponible sur commande)
Résumé:
"Museum frictions" is the third volume in a series on culture, society, and museums. "Museum frictions" is an illustrated examination of the significant and varied effects of the increasingly globalized world on contemporary museum, heritage, and exhibition practice. The contributors — scholars, artists, and curators —present case studies drawn from Africa, Australia,(...)
$32.50
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"Museum frictions" is the third volume in a series on culture, society, and museums. "Museum frictions" is an illustrated examination of the significant and varied effects of the increasingly globalized world on contemporary museum, heritage, and exhibition practice. The contributors — scholars, artists, and curators —present case studies drawn from Africa, Australia,(...)
Sujet:
Muséologie
Muséologie
Publication:
janvier 2007, Durham, London
janvier 2007, Durham, London
Titre:
Museum frictions : public cultures / global transformations
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"Museum frictions" is the third volume in a series on culture, society, and museums. "Museum frictions" is an illustrated examination of the significant and varied effects of the increasingly globalized world on contemporary museum, heritage, and exhibition practice. The contributors — scholars, artists, and curators —present case studies drawn from Africa, Australia, North and South America, Europe, and Asia. Together they offer a multifaceted analysis of the complex roles that national and community museums, museums of art and history, monuments, heritage sites, and theme parks play in creating public cultures. Whether contrasting the transformation of Africa’s oldest museum, the South Africa Museum, with one of its newest, the Lwandle Migrant Labor Museum; offering an interpretation of the audio guide at the Guggenheim Bilbao; reflecting on the relative paucity of art museums in Peru and Cambodia; considering representations of slavery in the United States and Ghana; or meditating on the ramifications of an exhibition of Australian aboriginal art at the Asia Society in New York City, the contributors highlight the frictions, contradictions, and collaborations emerging in museums and heritage sites around the world. The volume opens with an extensive introductory essay by Ivan Karp and Corinne A. Kratz, leading scholars in museum and heritage studies.
Museum frictions : public cultures / global transformations
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"Museum frictions" is the third volume in a series on culture, society, and museums. "Museum frictions" is an illustrated examination of the significant and varied effects of the increasingly globalized world on contemporary museum, heritage, and exhibition practice. The contributors — scholars, artists, and curators —present case studies drawn from Africa, Australia, North and South America, Europe, and Asia. Together they offer a multifaceted analysis of the complex roles that national and community museums, museums of art and history, monuments, heritage sites, and theme parks play in creating public cultures. Whether contrasting the transformation of Africa’s oldest museum, the South Africa Museum, with one of its newest, the Lwandle Migrant Labor Museum; offering an interpretation of the audio guide at the Guggenheim Bilbao; reflecting on the relative paucity of art museums in Peru and Cambodia; considering representations of slavery in the United States and Ghana; or meditating on the ramifications of an exhibition of Australian aboriginal art at the Asia Society in New York City, the contributors highlight the frictions, contradictions, and collaborations emerging in museums and heritage sites around the world. The volume opens with an extensive introductory essay by Ivan Karp and Corinne A. Kratz, leading scholars in museum and heritage studies.
Classification:
livres
livres
Publication:
janvier 2007, Durham, London
janvier 2007, Durham, London
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$39.95
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Résumé:
"Art and its institutions" is a reader on current institutional conditions and the role of institutions within artistic processes. With essays by authors and academics such as Beatrice von Bismarck, Andrea Fraser, Simon Sheikh and Jan Verwoert, this book examines the interests of the various institutions involved in the creation of art, and explore the impact these(...)
$39.95
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Résumé:
"Art and its institutions" is a reader on current institutional conditions and the role of institutions within artistic processes. With essays by authors and academics such as Beatrice von Bismarck, Andrea Fraser, Simon Sheikh and Jan Verwoert, this book examines the interests of the various institutions involved in the creation of art, and explore the impact these(...)
Titre:
Art and its institutions : current conflicts, critique and collaborations
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$39.95
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"Art and its institutions" is a reader on current institutional conditions and the role of institutions within artistic processes. With essays by authors and academics such as Beatrice von Bismarck, Andrea Fraser, Simon Sheikh and Jan Verwoert, this book examines the interests of the various institutions involved in the creation of art, and explore the impact these institutions have on the contemporary art world. It covers topics including the impact of the decline of the welfare state on art institutions; the social and physical architecture of art institutions in Nordic states and Eastern Europe; a critical re-evaluation of the institutional critique of the 70s and 90s and the introduction of new models of critique in current artistic practice. The book also documents and discusses two exhibition projects, and examine their relationship to the conflicts and desires provoked by institutions.
Art and its institutions : current conflicts, critique and collaborations
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$39.95
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Résumé:
"Art and its institutions" is a reader on current institutional conditions and the role of institutions within artistic processes. With essays by authors and academics such as Beatrice von Bismarck, Andrea Fraser, Simon Sheikh and Jan Verwoert, this book examines the interests of the various institutions involved in the creation of art, and explore the impact these institutions have on the contemporary art world. It covers topics including the impact of the decline of the welfare state on art institutions; the social and physical architecture of art institutions in Nordic states and Eastern Europe; a critical re-evaluation of the institutional critique of the 70s and 90s and the introduction of new models of critique in current artistic practice. The book also documents and discusses two exhibition projects, and examine their relationship to the conflicts and desires provoked by institutions.
Classification:
livres
livres
Publication:
février 2006, London
février 2006, London
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$42.00
(disponible sur commande)
Résumé:
Museums After Modernism is a unique collectionthat showcases the ways questions about the museum go to the heart of contemporary debates about the production, consumption and distribution of art. The book features expert artists, curators and art historians who grapple with many of the vibrant issues in museum studies, while paying homage to a new museology that needs to(...)
$42.00
(disponible sur commande)
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Museums After Modernism is a unique collectionthat showcases the ways questions about the museum go to the heart of contemporary debates about the production, consumption and distribution of art. The book features expert artists, curators and art historians who grapple with many of the vibrant issues in museum studies, while paying homage to a new museology that needs to(...)
Titre:
Museums after modernism: strategies of engagement
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$42.00
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Museums After Modernism is a unique collectionthat showcases the ways questions about the museum go to the heart of contemporary debates about the production, consumption and distribution of art. The book features expert artists, curators and art historians who grapple with many of the vibrant issues in museum studies, while paying homage to a new museology that needs to be considered.
Museums after modernism: strategies of engagement
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$42.00
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Résumé:
Museums After Modernism is a unique collectionthat showcases the ways questions about the museum go to the heart of contemporary debates about the production, consumption and distribution of art. The book features expert artists, curators and art historians who grapple with many of the vibrant issues in museum studies, while paying homage to a new museology that needs to be considered.
Classification:
livres
livres
Publication:
mars 2007, Oxford
mars 2007, Oxford
Sujet:
Muséologie
Muséologie
