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Produced annually, "Projects review" shows something of the spirit and priorities of the Architectural Association – the debates around ideas, the preoccupations of the teaching units, the investigations of new techniques. Each unit in the School, from Foundation to Graduate level, selects the best work produced during the year. In full colour in 2005/06, Projects Review(...)
AA projects review 05/06 : experimentaation
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Produced annually, "Projects review" shows something of the spirit and priorities of the Architectural Association – the debates around ideas, the preoccupations of the teaching units, the investigations of new techniques. Each unit in the School, from Foundation to Graduate level, selects the best work produced during the year. In full colour in 2005/06, Projects Review also includes a DVD that features student projects, exhibitions, lectures, symposia and publications with over 4000 images and 80 video presentations. Both book and DVD are a cumulative record of life of the Architectural Association during the past year.
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Les expositions se multipliant dans les musées et les institutions culturelles, leur rôle dans le cadre de la diffusion de la culture prenant une importance de plus en plus grande, les professionnels des musées sont amenés à produire des expositions de plus en plus nombreuses et d'une qualité toujours meilleure. Face à cela, les étudiants et les jeunes professionnels des(...)
janvier 2006, Paris
L'exposition : théorie et pratique
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Les expositions se multipliant dans les musées et les institutions culturelles, leur rôle dans le cadre de la diffusion de la culture prenant une importance de plus en plus grande, les professionnels des musées sont amenés à produire des expositions de plus en plus nombreuses et d'une qualité toujours meilleure. Face à cela, les étudiants et les jeunes professionnels des musées manifestent un besoin d'information dans le domaine de l'exposition. Cet ouvrage a pour but de répondre à l'attente d'information et d'aide des étudiants et des professionnels, et d'améliorer la qualité des productions grâce à la méthode de travail proposée.
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Harald Szeemann (1933-2005) was one of the most influential curators of the recent past. An entire generation of curators has been inspired by his independent way of creating exhibitions and his emphatic method of presenting contemporary art. In retrospect, Szeemann's infallible interest in artistic loners with strong attitudes and powerful personalities seems like a(...)
avril 2006, Ostfildern-Ruit
Harald Szeemann : exhibition maker
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Harald Szeemann (1933-2005) was one of the most influential curators of the recent past. An entire generation of curators has been inspired by his independent way of creating exhibitions and his emphatic method of presenting contemporary art. In retrospect, Szeemann's infallible interest in artistic loners with strong attitudes and powerful personalities seems like a vehement contradiction of the kind of art market that focuses on trends and movements. This volume describes the "Szeemann principle," the visions of an enlightened artistic curator, and provides an overview of the most important stations of his singular curatorial career: the legendary exhibitions "When Attitudes Become Form" and documenta 5, the great thematic explorations such as "Bachelor Machines" and "Der Hang zum Gesamtkunstwerk," his discovery of the young Eastern European scenes, and the Biennials in Venice, Lyon, and Seville.
Musée et muséologie
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Les musées sont devenus en une génération l’une des institutions culturelles les mieux considérées et les plus fréquentées à travers le monde. La préoccupation des publics, désormais centrale, illustre une politique de développement culturel tandis que la multiplication des collections nourrit une redéfinition des patrimoines. L’organisation des établissements, davantage(...)
décembre 2005, Paris
Musée et muséologie
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Les musées sont devenus en une génération l’une des institutions culturelles les mieux considérées et les plus fréquentées à travers le monde. La préoccupation des publics, désormais centrale, illustre une politique de développement culturel tandis que la multiplication des collections nourrit une redéfinition des patrimoines. L’organisation des établissements, davantage professionnelle, répond à des exigences politiques et sociales, mais aussi à des contraintes éthiques et communicationnelles inédites ; en particulier, les impératifs de la médiation et de l’exposition entraînent l’apparition de nouveaux métiers. L’analyse de l’institution s’inscrit au croisement de l’anthropologie de la culture, de la sociologie du travail ou des organisations, et de l’histoire des objets.
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Implying always a beginning, teaching is about initiating excitement. It entails the deployment of pleasure, the built-up of passion, and obsession vis-à-vis a particular field of endeavour, the grounds on which a discipline operates, and its intellectual as well as physical practices. Notwithstanding the optimistic implications of such a claim, teaching inevitably(...)
Inchoate : an experiment in architectural education
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Implying always a beginning, teaching is about initiating excitement. It entails the deployment of pleasure, the built-up of passion, and obsession vis-à-vis a particular field of endeavour, the grounds on which a discipline operates, and its intellectual as well as physical practices. Notwithstanding the optimistic implications of such a claim, teaching inevitably involves a contradictory bias both in favour as well as against the discipline at issue, promoting an understanding of its regulating principles while at the same time questioning the seemingly secure bases on which it is presumed to stand. Whereas teaching is affirmative, it simultaneously introduces a distancing from the very subject matter that it promotes.
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Catalogue de l'exposition "Futur antérieur" qui eut lieu au Musée romain de Lausanne-Vidy.
janvier 1900, Gollion
Futur antérieur : trésors archéologiques du 21e siècle après J.-C.
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Catalogue de l'exposition "Futur antérieur" qui eut lieu au Musée romain de Lausanne-Vidy.
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"Old Europe" is beginning to show strong signs of renewed vitality, to judge from the results of this latest edition of the European Union prize for contemporary architecture - Mies van der Rohe award 2003. And not only because 269 works were selected, or because the number of competing countries (particularly those of Eastern Europe) is steadily increasing, bit also by(...)
janvier 1900, Barcelona
Mies van der Rohe Award 2003 : European Union prize for contemporary architecture
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"Old Europe" is beginning to show strong signs of renewed vitality, to judge from the results of this latest edition of the European Union prize for contemporary architecture - Mies van der Rohe award 2003. And not only because 269 works were selected, or because the number of competing countries (particularly those of Eastern Europe) is steadily increasing, bit also by virtue of the high average standard of the entries, particularly of the winning projects and 40 runner-up featured in this catalogue. In the end, the winning project encompasses all this : Zaha Hadid's tram station in Strasbourg is at the same time a strategy, open-ended, imperfect, intelligent and playful. But it also resolved and unafraid to identify with conventional architectural qualities.
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The 2nd Valencia Biennial explores, together with leading international artists and creators, a central problem facing the world today: the destiny of diversity. Specially commissioned projects question the power and potential of the city, of "The Ideal City", understood as a prismatic place capable of symbolically ordering and accommodating difference and differences(...)
septembre 2003, Valencia
The ideal city: the 2nd Valencia biennal
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The 2nd Valencia Biennial explores, together with leading international artists and creators, a central problem facing the world today: the destiny of diversity. Specially commissioned projects question the power and potential of the city, of "The Ideal City", understood as a prismatic place capable of symbolically ordering and accommodating difference and differences without smothering them. The participating artists include Alicia Alonso, Will Alsop, Peter Brook, Gavin Bryars, Pino Cacucci, Mike Figgis, Andrea Gambetta, Vicente Guallart, Lorand Hegyi, James Hulme, Francisco Jarauta, Pablo Ley, Jean Louis Maubant, José Monleón, Bruce McLean, Vicente Muñoz Puelles, Irene Papas, Tomás Ruiz, Carles Santos, Luigi Settembrini, Rafael Sierra, Lucas Soler, Francesca Sorace.
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The Serpentine Gallery Pavilion 2003, by the Brazilian architect Oscar Niemeyer, was his first completed, though temporary, structure in the UK. Sited on the Gallery's lawn from June 20th to September 14th, it offered visitors an opportunity to experience a space designed by one of the founding figures of modern architecture.
Oscar Niemeyer : Serpentine Gallery Pavillion 2003
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The Serpentine Gallery Pavilion 2003, by the Brazilian architect Oscar Niemeyer, was his first completed, though temporary, structure in the UK. Sited on the Gallery's lawn from June 20th to September 14th, it offered visitors an opportunity to experience a space designed by one of the founding figures of modern architecture.
Les bâtisseurs du Louvre
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Ce guide se propose, en suivant l'évolution du monument, de retracer une certain histoire de l'architecture française, depuis les premières murailles de Philippe Auguste jusque'aux structures de verre et d'acier de la pyramide de Pei.
juin 2003, Paris
Les bâtisseurs du Louvre
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Ce guide se propose, en suivant l'évolution du monument, de retracer une certain histoire de l'architecture française, depuis les premières murailles de Philippe Auguste jusque'aux structures de verre et d'acier de la pyramide de Pei.