222 Résultats
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L'exposition "Dreamlands" au centre Pompidou invite à un voyage à travers le monde et explore les coulisses de notre société de loisirs, où se brouillent les frontières entre culture et divertissement, entre imaginaire et réalité.
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L'exposition "Dreamlands" au centre Pompidou invite à un voyage à travers le monde et explore les coulisses de notre société de loisirs, où se brouillent les frontières entre culture et divertissement, entre imaginaire et réalité.
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Dreamlands: des parcs d'attractions aux cités du futur au Centre Pompidou
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L'exposition "Dreamlands" au centre Pompidou invite à un voyage à travers le monde et explore les coulisses de notre société de loisirs, où se brouillent les frontières entre culture et divertissement, entre imaginaire et réalité.
Dreamlands: des parcs d'attractions aux cités du futur au Centre Pompidou
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Résumé:
L'exposition "Dreamlands" au centre Pompidou invite à un voyage à travers le monde et explore les coulisses de notre société de loisirs, où se brouillent les frontières entre culture et divertissement, entre imaginaire et réalité.
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livres
Publication:
juin 2010
juin 2010
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livres
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$49.95
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In the midst of the Great Depression, America’s World’s Fairs of the 1930s gave hope to millions, sustaining the assembled with visions of future progress. Designing Tomorrow celebrates the influence and impact of these international expositions. Offering an overview of the fairs and detailed discussions of individual works, distinguished authors examine how designers(...)
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In the midst of the Great Depression, America’s World’s Fairs of the 1930s gave hope to millions, sustaining the assembled with visions of future progress. Designing Tomorrow celebrates the influence and impact of these international expositions. Offering an overview of the fairs and detailed discussions of individual works, distinguished authors examine how designers(...)
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Designing tomorrow: America's world's fairs of the 1930s
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In the midst of the Great Depression, America’s World’s Fairs of the 1930s gave hope to millions, sustaining the assembled with visions of future progress. Designing Tomorrow celebrates the influence and impact of these international expositions. Offering an overview of the fairs and detailed discussions of individual works, distinguished authors examine how designers reconciled radical “European” Modern style with American tradition.
Designing tomorrow: America's world's fairs of the 1930s
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In the midst of the Great Depression, America’s World’s Fairs of the 1930s gave hope to millions, sustaining the assembled with visions of future progress. Designing Tomorrow celebrates the influence and impact of these international expositions. Offering an overview of the fairs and detailed discussions of individual works, distinguished authors examine how designers reconciled radical “European” Modern style with American tradition.
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Publication:
octobre 2010
octobre 2010
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The 2010 Shanghai Expo is unparalleled, a gathering like no other. One of the top experiences at the Shanghai Expo is the USA Pavilion, perhaps the leading international attraction of the entire Fair. At least 70 million guests are expected to tour the fairgrounds, making the Expo not just the largest World's Fair in history, but also the largest attended event of any(...)
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The 2010 Shanghai Expo is unparalleled, a gathering like no other. One of the top experiences at the Shanghai Expo is the USA Pavilion, perhaps the leading international attraction of the entire Fair. At least 70 million guests are expected to tour the fairgrounds, making the Expo not just the largest World's Fair in history, but also the largest attended event of any(...)
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The USA pavilion: Expo 2010 Shanghai
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The 2010 Shanghai Expo is unparalleled, a gathering like no other. One of the top experiences at the Shanghai Expo is the USA Pavilion, perhaps the leading international attraction of the entire Fair. At least 70 million guests are expected to tour the fairgrounds, making the Expo not just the largest World's Fair in history, but also the largest attended event of any sort in human history. A lucky five million or so of these fair-goers will enter the USA Pavilion, where an engaging, impactful four-act show awaits, and American hospitality abounds. The USA Pavilion Expo 2010 Shanghai: Rising to the Challenge captures the thrilling experiences inside America's great hall. Packed with eye-catching images, facts, and first-person accounts, The USA Pavilion Expo 2010 Shanghai is a perfect keepsake for Pavilion-goers, World Expo enthusiasts, American history buffs, and anyone interested in major international events such as the World Cup or the Olympic Games. From early Pavilion drawings to images of Opening Day excitement to a tour of the Pavilion itself, this official commemorative book highlights the spirit of America and the splendor of an epic showcase.
The USA pavilion: Expo 2010 Shanghai
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The 2010 Shanghai Expo is unparalleled, a gathering like no other. One of the top experiences at the Shanghai Expo is the USA Pavilion, perhaps the leading international attraction of the entire Fair. At least 70 million guests are expected to tour the fairgrounds, making the Expo not just the largest World's Fair in history, but also the largest attended event of any sort in human history. A lucky five million or so of these fair-goers will enter the USA Pavilion, where an engaging, impactful four-act show awaits, and American hospitality abounds. The USA Pavilion Expo 2010 Shanghai: Rising to the Challenge captures the thrilling experiences inside America's great hall. Packed with eye-catching images, facts, and first-person accounts, The USA Pavilion Expo 2010 Shanghai is a perfect keepsake for Pavilion-goers, World Expo enthusiasts, American history buffs, and anyone interested in major international events such as the World Cup or the Olympic Games. From early Pavilion drawings to images of Opening Day excitement to a tour of the Pavilion itself, this official commemorative book highlights the spirit of America and the splendor of an epic showcase.
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livres
livres
Publication:
septembre 2010
septembre 2010
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$74.95
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L'ouverture au public du Centre Pompidou-Metz s'incarne symboliquement dans l'architecture de Shigeru Ban et Jean de Gastines. En son sein, l'exposition inaugurale "Chefs-d'oeuvre?" a permis d'esquisser une histoire des musées d'art moderne et contemporain depuis 1937 - année de l'Exposition internationale à Paris. Les établissements français les plus emblématiques sont(...)
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L'ouverture au public du Centre Pompidou-Metz s'incarne symboliquement dans l'architecture de Shigeru Ban et Jean de Gastines. En son sein, l'exposition inaugurale "Chefs-d'oeuvre?" a permis d'esquisser une histoire des musées d'art moderne et contemporain depuis 1937 - année de l'Exposition internationale à Paris. Les établissements français les plus emblématiques sont(...)
Titre:
Chefs-d'oeuvre? : architectures de musées, 1937-2014
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L'ouverture au public du Centre Pompidou-Metz s'incarne symboliquement dans l'architecture de Shigeru Ban et Jean de Gastines. En son sein, l'exposition inaugurale "Chefs-d'oeuvre?" a permis d'esquisser une histoire des musées d'art moderne et contemporain depuis 1937 - année de l'Exposition internationale à Paris. Les établissements français les plus emblématiques sont ici mis en perspective avec des chefs-d'oeuvre de l'architecture muséale internationale. Du Palais de Tokyo au Centre Pompidou-Metz, c'est toute une histoire architecturale et culturelle qui est ici retracée, incluant les projets qui marqueront les années à venir.
Chefs-d'oeuvre? : architectures de musées, 1937-2014
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L'ouverture au public du Centre Pompidou-Metz s'incarne symboliquement dans l'architecture de Shigeru Ban et Jean de Gastines. En son sein, l'exposition inaugurale "Chefs-d'oeuvre?" a permis d'esquisser une histoire des musées d'art moderne et contemporain depuis 1937 - année de l'Exposition internationale à Paris. Les établissements français les plus emblématiques sont ici mis en perspective avec des chefs-d'oeuvre de l'architecture muséale internationale. Du Palais de Tokyo au Centre Pompidou-Metz, c'est toute une histoire architecturale et culturelle qui est ici retracée, incluant les projets qui marqueront les années à venir.
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livres
Publication:
juillet 2010
juillet 2010
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$50.00
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Résumé:
Curators Zoë Ryan and Meredith Carruthers use the Istanbul Design Biennial as a forum for posing questions and generating dialogue. This illustrated volume presents more than 50 international projects by designers working across disciplines, as well as essays by leading thinkers in design.
$50.00
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Curators Zoë Ryan and Meredith Carruthers use the Istanbul Design Biennial as a forum for posing questions and generating dialogue. This illustrated volume presents more than 50 international projects by designers working across disciplines, as well as essays by leading thinkers in design.
Publication:
avril 2015
avril 2015
Titre:
The future is not what it used to be
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Curators Zoë Ryan and Meredith Carruthers use the Istanbul Design Biennial as a forum for posing questions and generating dialogue. This illustrated volume presents more than 50 international projects by designers working across disciplines, as well as essays by leading thinkers in design.
The future is not what it used to be
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Curators Zoë Ryan and Meredith Carruthers use the Istanbul Design Biennial as a forum for posing questions and generating dialogue. This illustrated volume presents more than 50 international projects by designers working across disciplines, as well as essays by leading thinkers in design.
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avril 2015
avril 2015
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Founded in 1764 by Catherine the Great, the State Hermitage Museum is one of the world’s great museums. Occupying a large complex of six historic buildings along the Palace Embankment in St. Petersburg, its collections contain over three million items, including one of the largest collections of paintings in the world. The decision to convert the eastern wing of the(...)
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Founded in 1764 by Catherine the Great, the State Hermitage Museum is one of the world’s great museums. Occupying a large complex of six historic buildings along the Palace Embankment in St. Petersburg, its collections contain over three million items, including one of the largest collections of paintings in the world. The decision to convert the eastern wing of the(...)
Publication:
juin 2015
juin 2015
Titre:
The Hermitage XXI: the new art Museum in the General Staff Building
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Founded in 1764 by Catherine the Great, the State Hermitage Museum is one of the world’s great museums. Occupying a large complex of six historic buildings along the Palace Embankment in St. Petersburg, its collections contain over three million items, including one of the largest collections of paintings in the world. The decision to convert the eastern wing of the General Staff Building into a museum of nineteenth- and twentieth-century art to commemorate the 250th anniversary of the institution’s founding led to an international architectural competition.
The Hermitage XXI: the new art Museum in the General Staff Building
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Founded in 1764 by Catherine the Great, the State Hermitage Museum is one of the world’s great museums. Occupying a large complex of six historic buildings along the Palace Embankment in St. Petersburg, its collections contain over three million items, including one of the largest collections of paintings in the world. The decision to convert the eastern wing of the General Staff Building into a museum of nineteenth- and twentieth-century art to commemorate the 250th anniversary of the institution’s founding led to an international architectural competition.
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livres
Publication:
juin 2015
juin 2015
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$23.95
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Résumé:
En s'opposant aux destructions révolutionnaires et en exposant les chefs-d'oeuvre sauvés, Alexandre Lenoir a été le précurseur d'une conscience patrimoniale. Mais en dehors de ces circonstances exceptionnelles, l'architecture n'a pas vocation à être transportée pour être exposée grandeur nature. Comment alors la montrer ? Eugène Viollet-le-Duc, en 1879, réussit à faire(...)
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En s'opposant aux destructions révolutionnaires et en exposant les chefs-d'oeuvre sauvés, Alexandre Lenoir a été le précurseur d'une conscience patrimoniale. Mais en dehors de ces circonstances exceptionnelles, l'architecture n'a pas vocation à être transportée pour être exposée grandeur nature. Comment alors la montrer ? Eugène Viollet-le-Duc, en 1879, réussit à faire(...)
Titre:
L'architecture exposée: la cité de l'architecture et du patrimoine
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En s'opposant aux destructions révolutionnaires et en exposant les chefs-d'oeuvre sauvés, Alexandre Lenoir a été le précurseur d'une conscience patrimoniale. Mais en dehors de ces circonstances exceptionnelles, l'architecture n'a pas vocation à être transportée pour être exposée grandeur nature. Comment alors la montrer ? Eugène Viollet-le-Duc, en 1879, réussit à faire accepter l'idée d'un musée de moulages, comprenant aussi photographies et maquettes d'architecture, installé dans le palais du Trocadéro. Exposer l'architecture est aujourd'hui la vocation de la Cité de l'architecture et du patrimoine, qui hérite de cette conscience patrimoniale et la projette dans l'avenir, en associant la conservation à la création, insistant sur l'idée d'un patrimoine vivant et d'une architecture contemporaine respectueuse du contexte où elle s'inscrit. Simon Texier, historien de l'architecture, raconte ici l'aventure fondatrice de la Cité - toute jeune institution culturelle qui réunit trois institutions préexistantes : le musée des Monuments français, l'École de Chaillot et l'Institut français d'architecture. Son ambition est immense : construire et faire partager par le plus grand nombre une culture architecturale et urbaine.
L'architecture exposée: la cité de l'architecture et du patrimoine
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En s'opposant aux destructions révolutionnaires et en exposant les chefs-d'oeuvre sauvés, Alexandre Lenoir a été le précurseur d'une conscience patrimoniale. Mais en dehors de ces circonstances exceptionnelles, l'architecture n'a pas vocation à être transportée pour être exposée grandeur nature. Comment alors la montrer ? Eugène Viollet-le-Duc, en 1879, réussit à faire accepter l'idée d'un musée de moulages, comprenant aussi photographies et maquettes d'architecture, installé dans le palais du Trocadéro. Exposer l'architecture est aujourd'hui la vocation de la Cité de l'architecture et du patrimoine, qui hérite de cette conscience patrimoniale et la projette dans l'avenir, en associant la conservation à la création, insistant sur l'idée d'un patrimoine vivant et d'une architecture contemporaine respectueuse du contexte où elle s'inscrit. Simon Texier, historien de l'architecture, raconte ici l'aventure fondatrice de la Cité - toute jeune institution culturelle qui réunit trois institutions préexistantes : le musée des Monuments français, l'École de Chaillot et l'Institut français d'architecture. Son ambition est immense : construire et faire partager par le plus grand nombre une culture architecturale et urbaine.
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livres
Publication:
juin 2009
juin 2009
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With its technical innovations in lighting and ecologically sound climate control, Matthias Sauerbruch and Louisa Hutton's new building for the Udo and Anette Brandhorst Collection of Modern and Contemporary Art in Munich's state museum complex sets new standards for museum architecture.
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With its technical innovations in lighting and ecologically sound climate control, Matthias Sauerbruch and Louisa Hutton's new building for the Udo and Anette Brandhorst Collection of Modern and Contemporary Art in Munich's state museum complex sets new standards for museum architecture.
Publication:
juillet 2009
juillet 2009
Titre:
Museum Brandhorst: Sauerbruch Hutton architects
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$48.00
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With its technical innovations in lighting and ecologically sound climate control, Matthias Sauerbruch and Louisa Hutton's new building for the Udo and Anette Brandhorst Collection of Modern and Contemporary Art in Munich's state museum complex sets new standards for museum architecture.
Museum Brandhorst: Sauerbruch Hutton architects
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With its technical innovations in lighting and ecologically sound climate control, Matthias Sauerbruch and Louisa Hutton's new building for the Udo and Anette Brandhorst Collection of Modern and Contemporary Art in Munich's state museum complex sets new standards for museum architecture.
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livres
livres
Publication:
juillet 2009
juillet 2009
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livres
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As-if: Negotiating spaces
As-if: Negotiating spaces
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Completed in 2005, the new building GfZK-2 for the Gallery of Contemporary Art in Leipzig, Germany, designed by the architects As-If Berlinwien, invites a dialogue between curatorial/artistic activities and architecture. This volume presents the building and its underlying concepts.
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Résumé:
Completed in 2005, the new building GfZK-2 for the Gallery of Contemporary Art in Leipzig, Germany, designed by the architects As-If Berlinwien, invites a dialogue between curatorial/artistic activities and architecture. This volume presents the building and its underlying concepts.
Publication:
avril 2011
avril 2011
Titre:
As-if: Negotiating spaces
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$46.00
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Completed in 2005, the new building GfZK-2 for the Gallery of Contemporary Art in Leipzig, Germany, designed by the architects As-If Berlinwien, invites a dialogue between curatorial/artistic activities and architecture. This volume presents the building and its underlying concepts.
As-if: Negotiating spaces
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$46.00
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Résumé:
Completed in 2005, the new building GfZK-2 for the Gallery of Contemporary Art in Leipzig, Germany, designed by the architects As-If Berlinwien, invites a dialogue between curatorial/artistic activities and architecture. This volume presents the building and its underlying concepts.
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livres
Publication:
avril 2011
avril 2011
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$12.00
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The Museum of Modern Art's recent redesign embraces the changing nature of the institution and establishes it as an evolving idea, a flexible entity rather than a fixed treasure house. As the current generation of curators puts its mark on the Museum through acquisitions, exhibitions and installations, the building becomes a place where the history of art is constantly(...)
$12.00
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Résumé:
The Museum of Modern Art's recent redesign embraces the changing nature of the institution and establishes it as an evolving idea, a flexible entity rather than a fixed treasure house. As the current generation of curators puts its mark on the Museum through acquisitions, exhibitions and installations, the building becomes a place where the history of art is constantly(...)
Titre:
The Museum of Modern Art in this century
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$12.00
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The Museum of Modern Art's recent redesign embraces the changing nature of the institution and establishes it as an evolving idea, a flexible entity rather than a fixed treasure house. As the current generation of curators puts its mark on the Museum through acquisitions, exhibitions and installations, the building becomes a place where the history of art is constantly revisited, inquired into and reshaped, by its visitors as well as by its staff. The Museum of Modern Art in the 21st Century is an illustrated overview of an institution that is dedicated to accommodating the diversity of contemporary art and an increasingly complex and nuanced understanding of modern art. An essay by Museum director Glenn Lowry examines MoMA's current role in contemporary art as part of its long history of disrupting established paradigms, focusing on the building as a site where viewers actively experience art rather than passively receive it.
The Museum of Modern Art in this century
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$12.00
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The Museum of Modern Art's recent redesign embraces the changing nature of the institution and establishes it as an evolving idea, a flexible entity rather than a fixed treasure house. As the current generation of curators puts its mark on the Museum through acquisitions, exhibitions and installations, the building becomes a place where the history of art is constantly revisited, inquired into and reshaped, by its visitors as well as by its staff. The Museum of Modern Art in the 21st Century is an illustrated overview of an institution that is dedicated to accommodating the diversity of contemporary art and an increasingly complex and nuanced understanding of modern art. An essay by Museum director Glenn Lowry examines MoMA's current role in contemporary art as part of its long history of disrupting established paradigms, focusing on the building as a site where viewers actively experience art rather than passively receive it.
Classification:
livres
livres
Publication:
octobre 2009
octobre 2009
