223 Résultats
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livres
livres
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$33.95
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Recognized as one of the most dynamic and innovative research and design schools in Europe, Delft University of Technology produces a yearly catalogue to document research and celebrate the work of students. The best graduation plans of the past year are all discussed in clearly marked chapters.
$33.95
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Recognized as one of the most dynamic and innovative research and design schools in Europe, Delft University of Technology produces a yearly catalogue to document research and celebrate the work of students. The best graduation plans of the past year are all discussed in clearly marked chapters.
Publication:
juillet 2005, Rotterdam
juillet 2005, Rotterdam
Titre:
The architecture annual 2002-2003, Delft university of technology
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Recognized as one of the most dynamic and innovative research and design schools in Europe, Delft University of Technology produces a yearly catalogue to document research and celebrate the work of students. The best graduation plans of the past year are all discussed in clearly marked chapters.
The architecture annual 2002-2003, Delft university of technology
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Recognized as one of the most dynamic and innovative research and design schools in Europe, Delft University of Technology produces a yearly catalogue to document research and celebrate the work of students. The best graduation plans of the past year are all discussed in clearly marked chapters.
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livres
livres
Publication:
juillet 2005, Rotterdam
juillet 2005, Rotterdam
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livres
livres
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$29.95
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The official annual guide to all the awards presented by the Royal Institute of British Architects in 2005, including the prestigious, televised Stirling Prize. Presents over seventy-five projects by both established and emerging practices, presenting a rich diversity in terms of scale and building type. This book celebrates the best contemporary architecture worldwide(...)
$29.95
(disponible sur commande)
Résumé:
The official annual guide to all the awards presented by the Royal Institute of British Architects in 2005, including the prestigious, televised Stirling Prize. Presents over seventy-five projects by both established and emerging practices, presenting a rich diversity in terms of scale and building type. This book celebrates the best contemporary architecture worldwide(...)
Publication:
novembre 2005, London, New York
novembre 2005, London, New York
Titre:
Architecture 05 : the guide to the RIBA awards
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$29.95
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The official annual guide to all the awards presented by the Royal Institute of British Architects in 2005, including the prestigious, televised Stirling Prize. Presents over seventy-five projects by both established and emerging practices, presenting a rich diversity in terms of scale and building type. This book celebrates the best contemporary architecture worldwide by British architects. It includes full coverage of the RIBA Worldwide Awards, introduced for the first time in 2004. All the award-winning projects are described and evaluated in full, and illustrated in colour, with special features on the buildings shortlisted for the Stirling Prize.
Architecture 05 : the guide to the RIBA awards
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$29.95
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The official annual guide to all the awards presented by the Royal Institute of British Architects in 2005, including the prestigious, televised Stirling Prize. Presents over seventy-five projects by both established and emerging practices, presenting a rich diversity in terms of scale and building type. This book celebrates the best contemporary architecture worldwide by British architects. It includes full coverage of the RIBA Worldwide Awards, introduced for the first time in 2004. All the award-winning projects are described and evaluated in full, and illustrated in colour, with special features on the buildings shortlisted for the Stirling Prize.
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livres
livres
Publication:
novembre 2005, London, New York
novembre 2005, London, New York
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livres
livres
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$41.95
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Each year the best projects by students at Dutch educational institutions teaching architecture, urban design, and landscape architecture are assessed by a panel of experts in these fields for the Archiprix competition. In all their diversity, the projects submitted in 2005 reflect the quality of current Dutch design education. This book presents winning projects along(...)
$41.95
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Each year the best projects by students at Dutch educational institutions teaching architecture, urban design, and landscape architecture are assessed by a panel of experts in these fields for the Archiprix competition. In all their diversity, the projects submitted in 2005 reflect the quality of current Dutch design education. This book presents winning projects along(...)
Publication:
janvier 1900, Rotterdam
janvier 1900, Rotterdam
Titre:
Archiprix 2005 : the best plans by Dutch students
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$41.95
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Résumé:
Each year the best projects by students at Dutch educational institutions teaching architecture, urban design, and landscape architecture are assessed by a panel of experts in these fields for the Archiprix competition. In all their diversity, the projects submitted in 2005 reflect the quality of current Dutch design education. This book presents winning projects along with the jury's assessments.
Archiprix 2005 : the best plans by Dutch students
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$41.95
(disponible sur commande)
Résumé:
Each year the best projects by students at Dutch educational institutions teaching architecture, urban design, and landscape architecture are assessed by a panel of experts in these fields for the Archiprix competition. In all their diversity, the projects submitted in 2005 reflect the quality of current Dutch design education. This book presents winning projects along with the jury's assessments.
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livres
livres
Publication:
janvier 1900, Rotterdam
janvier 1900, Rotterdam
Classification:
livres
livres
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$12.50
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Has corporate business overtaken the art world? It's no secret that art and business have always mixed, but their relationship today sparks more questions than ever. "Museum, inc." describes the new art conglomerates from an insider's perspective, probing how their roots run deep into corporate culture. Paul Werner draws on his nine years at the Guggenheim Museum to(...)
$12.50
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Has corporate business overtaken the art world? It's no secret that art and business have always mixed, but their relationship today sparks more questions than ever. "Museum, inc." describes the new art conglomerates from an insider's perspective, probing how their roots run deep into corporate culture. Paul Werner draws on his nine years at the Guggenheim Museum to(...)
Titre:
Museum, inc : inside the global art world
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$12.50
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Has corporate business overtaken the art world? It's no secret that art and business have always mixed, but their relationship today sparks more questions than ever. "Museum, inc." describes the new art conglomerates from an insider's perspective, probing how their roots run deep into corporate culture. Paul Werner draws on his nine years at the Guggenheim Museum to reveal that contemporary art museums have not broken radically with the past, as often claimed. Rather, Werner observes, they are the logical outcome of the evolution of cultural institutions rooted in the eighteenth-century Enlightenment, the colonial expansion of the liberal nation-state, and the rhetoric of democracy. Werner critically analyzes today's art institutions and reframes the public's accepted view of them, exposing how their apparent success belies the troubling forces operating within them. He ultimately argues that the art museum we know and love may have already run its course. An engaging discourse structured as an informal gallery talk, "Museum, inc." is a thought-provoking and passionate polemic that offers ideas for a new, more democratic museum.
Museum, inc : inside the global art world
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$12.50
(disponible sur commande)
Résumé:
Has corporate business overtaken the art world? It's no secret that art and business have always mixed, but their relationship today sparks more questions than ever. "Museum, inc." describes the new art conglomerates from an insider's perspective, probing how their roots run deep into corporate culture. Paul Werner draws on his nine years at the Guggenheim Museum to reveal that contemporary art museums have not broken radically with the past, as often claimed. Rather, Werner observes, they are the logical outcome of the evolution of cultural institutions rooted in the eighteenth-century Enlightenment, the colonial expansion of the liberal nation-state, and the rhetoric of democracy. Werner critically analyzes today's art institutions and reframes the public's accepted view of them, exposing how their apparent success belies the troubling forces operating within them. He ultimately argues that the art museum we know and love may have already run its course. An engaging discourse structured as an informal gallery talk, "Museum, inc." is a thought-provoking and passionate polemic that offers ideas for a new, more democratic museum.
Classification:
livres
livres
Publication:
novembre 2005, Chicago
novembre 2005, Chicago
Classification:
livres
livres
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$48.50
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Résumé:
Every two years, Archiprix International invites all university-level courses in the field of architecture, urban planning, and landscape architecture to send in their best graduation projects. A record number of 184 projects from 67 countries from every continent were submitted to Archiprix International 2005. A fascinating collection of designs is presented in this(...)
$48.50
(disponible sur commande)
Résumé:
Every two years, Archiprix International invites all university-level courses in the field of architecture, urban planning, and landscape architecture to send in their best graduation projects. A record number of 184 projects from 67 countries from every continent were submitted to Archiprix International 2005. A fascinating collection of designs is presented in this(...)
Publication:
janvier 1900, Rotterdam
janvier 1900, Rotterdam
Titre:
Archiprix international, Glasgow 2005 : world's best graduation projects
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$48.50
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Résumé:
Every two years, Archiprix International invites all university-level courses in the field of architecture, urban planning, and landscape architecture to send in their best graduation projects. A record number of 184 projects from 67 countries from every continent were submitted to Archiprix International 2005. A fascinating collection of designs is presented in this publication, consisting of a book and a dvd. The book contains a selection of the projects including those of the winners and the nominees as well as the jury report. The dvd contains the full crop and besides the project presentations, there is a documentary film and a report of the workshops held in Glasgow in June 2005.
Archiprix international, Glasgow 2005 : world's best graduation projects
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Prix:
$48.50
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Résumé:
Every two years, Archiprix International invites all university-level courses in the field of architecture, urban planning, and landscape architecture to send in their best graduation projects. A record number of 184 projects from 67 countries from every continent were submitted to Archiprix International 2005. A fascinating collection of designs is presented in this publication, consisting of a book and a dvd. The book contains a selection of the projects including those of the winners and the nominees as well as the jury report. The dvd contains the full crop and besides the project presentations, there is a documentary film and a report of the workshops held in Glasgow in June 2005.
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livres
livres
Publication:
janvier 1900, Rotterdam
janvier 1900, Rotterdam
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livres
livres
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$22.50
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Most dazzling, influential, prophetic, nostalgic fair of the century. 155 photographs show architecture, technological wonders, wonderful sights.
$22.50
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Most dazzling, influential, prophetic, nostalgic fair of the century. 155 photographs show architecture, technological wonders, wonderful sights.
Titre:
The New York world's fair 1939 1940
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Most dazzling, influential, prophetic, nostalgic fair of the century. 155 photographs show architecture, technological wonders, wonderful sights.
The New York world's fair 1939 1940
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Most dazzling, influential, prophetic, nostalgic fair of the century. 155 photographs show architecture, technological wonders, wonderful sights.
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livres
livres
Publication:
janvier 1900, Mineola
janvier 1900, Mineola
Classification:
livres
livres
Titre:
Vie d'un musée 1937-2005
Vie d'un musée 1937-2005
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$42.95
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Résumé:
L'histoire du musée national des Arts et Traditions populaires (Atp), qui a commencé à la fin des années 1930, se termine au printemps 2005 par une fermeture définitive. Martine Segalen qui a dirigé pendant dix ans le Centre d'ethnologie française, laboratoire rattaché au musée, revient sur cette histoire riche d'enseignements sur les rapports entre politique et culture,(...)
$42.95
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Résumé:
L'histoire du musée national des Arts et Traditions populaires (Atp), qui a commencé à la fin des années 1930, se termine au printemps 2005 par une fermeture définitive. Martine Segalen qui a dirigé pendant dix ans le Centre d'ethnologie française, laboratoire rattaché au musée, revient sur cette histoire riche d'enseignements sur les rapports entre politique et culture,(...)
Titre:
Vie d'un musée 1937-2005
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$42.95
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Résumé:
L'histoire du musée national des Arts et Traditions populaires (Atp), qui a commencé à la fin des années 1930, se termine au printemps 2005 par une fermeture définitive. Martine Segalen qui a dirigé pendant dix ans le Centre d'ethnologie française, laboratoire rattaché au musée, revient sur cette histoire riche d'enseignements sur les rapports entre politique et culture, beaux-arts et arts populaires, identité, nation et patrimoine.
Vie d'un musée 1937-2005
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$42.95
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Résumé:
L'histoire du musée national des Arts et Traditions populaires (Atp), qui a commencé à la fin des années 1930, se termine au printemps 2005 par une fermeture définitive. Martine Segalen qui a dirigé pendant dix ans le Centre d'ethnologie française, laboratoire rattaché au musée, revient sur cette histoire riche d'enseignements sur les rapports entre politique et culture, beaux-arts et arts populaires, identité, nation et patrimoine.
Classification:
livres
livres
Publication:
mars 2005, Paris
mars 2005, Paris
Classification:
livres
livres
Titre:
Hot questions - Cold storage: Architecture from Austria. The permanent exhibition at the Az W
Hot questions - Cold storage: Architecture from Austria. The permanent exhibition at the Az W
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$85.00
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Résumé:
The new permanent display of Architekturzentrum Wien’s (Az W) collection is a milestone in the presentation of architecture and its social dimensions. ''Hot questions—cold storage'' is published alongside this comprehensive exhibition on Austrian architecture of the twentieth and twenty-first centuries, featuring color images of all exhibits, concise texts, and thematic(...)
$85.00
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Résumé:
The new permanent display of Architekturzentrum Wien’s (Az W) collection is a milestone in the presentation of architecture and its social dimensions. ''Hot questions—cold storage'' is published alongside this comprehensive exhibition on Austrian architecture of the twentieth and twenty-first centuries, featuring color images of all exhibits, concise texts, and thematic(...)
Publication:
mai 2023
mai 2023
Titre:
Hot questions - Cold storage: Architecture from Austria. The permanent exhibition at the Az W
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$85.00
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Résumé:
The new permanent display of Architekturzentrum Wien’s (Az W) collection is a milestone in the presentation of architecture and its social dimensions. ''Hot questions—cold storage'' is published alongside this comprehensive exhibition on Austrian architecture of the twentieth and twenty-first centuries, featuring color images of all exhibits, concise texts, and thematic essays. This book reexamines the country’s architectural culture of the last 150 years, situating it in its cultural, social, and political contexts. Each chapter is prefaced by a question, asking, for example, about the impact of capitalism on our cities and villages or about the contribution architecture can make to our survival on the planet. These ''Hot questions'' bring to life the ''Cold storage''—the silent repository of the collection’s holdings. This book offers a multi-perspective narrative that presents Austria’s building history with all the developments, ideologies, and institutions it comprises. The social relevance of objects and documents is revealed through questioning and visualization, in connecting research and the museum’s mission to collect.
Hot questions - Cold storage: Architecture from Austria. The permanent exhibition at the Az W
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Prix:
$85.00
(disponible sur commande)
Résumé:
The new permanent display of Architekturzentrum Wien’s (Az W) collection is a milestone in the presentation of architecture and its social dimensions. ''Hot questions—cold storage'' is published alongside this comprehensive exhibition on Austrian architecture of the twentieth and twenty-first centuries, featuring color images of all exhibits, concise texts, and thematic essays. This book reexamines the country’s architectural culture of the last 150 years, situating it in its cultural, social, and political contexts. Each chapter is prefaced by a question, asking, for example, about the impact of capitalism on our cities and villages or about the contribution architecture can make to our survival on the planet. These ''Hot questions'' bring to life the ''Cold storage''—the silent repository of the collection’s holdings. This book offers a multi-perspective narrative that presents Austria’s building history with all the developments, ideologies, and institutions it comprises. The social relevance of objects and documents is revealed through questioning and visualization, in connecting research and the museum’s mission to collect.
Classification:
livres
livres
Publication:
mai 2023
mai 2023
Classification:
livres
livres
Prix:
$74.95
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Résumé:
Focusing on the Oxford University Museum, the Edinburgh Museum of Science and Art, and the Natural History Museum of London, Yanni explores how such institutions reflected varying, often contradictory concepts of nature -- from the handiwork of God to a resource to be exploited. She(...)
$74.95
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Focusing on the Oxford University Museum, the Edinburgh Museum of Science and Art, and the Natural History Museum of London, Yanni explores how such institutions reflected varying, often contradictory concepts of nature -- from the handiwork of God to a resource to be exploited. She(...)
Titre:
Nature's museums : Victorian science & the architecture of display
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$74.95
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Focusing on the Oxford University Museum, the Edinburgh Museum of Science and Art, and the Natural History Museum of London, Yanni explores how such institutions reflected varying, often contradictory concepts of nature -- from the handiwork of God to a resource to be exploited. She explains how the rise of museums accompanied and influenced the transformation of science from a "gentleman's hobby" to a paying profession. And she shows how the buildings themselves remain invaluable guides to the Victorians' ambiguous perception of the natural world. Through careful social and historical accounts of the buildings, their displays, and their reception, Yanni's work deepens our understanding of the emerging power of museums in Darwin's century.
Nature's museums : Victorian science & the architecture of display
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$74.95
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Résumé:
Focusing on the Oxford University Museum, the Edinburgh Museum of Science and Art, and the Natural History Museum of London, Yanni explores how such institutions reflected varying, often contradictory concepts of nature -- from the handiwork of God to a resource to be exploited. She explains how the rise of museums accompanied and influenced the transformation of science from a "gentleman's hobby" to a paying profession. And she shows how the buildings themselves remain invaluable guides to the Victorians' ambiguous perception of the natural world. Through careful social and historical accounts of the buildings, their displays, and their reception, Yanni's work deepens our understanding of the emerging power of museums in Darwin's century.
Classification:
livres
livres
Publication:
mars 2000, Baltimore
mars 2000, Baltimore
Classification:
livres
livres
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$60.00
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
Publication:
avril 2000, Cambridge
avril 2000, Cambridge
Titre:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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$60.00
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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$60.00
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Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Classification:
livres
livres
Publication:
avril 2000, Cambridge
avril 2000, Cambridge
