222 Résultats
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This double-volume publication presents nearly 200 show-stopping brand and corporate fair presentations, scales ranging from small to large, with photography accompanied by commentary including company profiles as well as information about the designers. The scope of projects depicted from cover to cover reveal the increasing importance of fair stand design today and how(...)
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This double-volume publication presents nearly 200 show-stopping brand and corporate fair presentations, scales ranging from small to large, with photography accompanied by commentary including company profiles as well as information about the designers. The scope of projects depicted from cover to cover reveal the increasing importance of fair stand design today and how(...)
Publication:
janvier 2009, Berlin, Amsterdam
janvier 2009, Berlin, Amsterdam
Titre:
Grand stand 2 : design for trafe fair stands
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This double-volume publication presents nearly 200 show-stopping brand and corporate fair presentations, scales ranging from small to large, with photography accompanied by commentary including company profiles as well as information about the designers. The scope of projects depicted from cover to cover reveal the increasing importance of fair stand design today and how designers play an essential role in visualizing the identity of brands into corporate presentations.
Grand stand 2 : design for trafe fair stands
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This double-volume publication presents nearly 200 show-stopping brand and corporate fair presentations, scales ranging from small to large, with photography accompanied by commentary including company profiles as well as information about the designers. The scope of projects depicted from cover to cover reveal the increasing importance of fair stand design today and how designers play an essential role in visualizing the identity of brands into corporate presentations.
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livres
livres
Publication:
janvier 2009, Berlin, Amsterdam
janvier 2009, Berlin, Amsterdam
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livres
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This publication celebrates the third anniversary of School of Architecture at the Vienna University of Applied Arts. 99+ is a collection of selected projects by students in the classes of Zaha Hadid, Greg Lynn and Wolf D. Prix between 2004-08. Along with their design studios, the three star architects Zaha Hadid, Greg Lynn and Wolf D. Prix give students the opportunity(...)
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This publication celebrates the third anniversary of School of Architecture at the Vienna University of Applied Arts. 99+ is a collection of selected projects by students in the classes of Zaha Hadid, Greg Lynn and Wolf D. Prix between 2004-08. Along with their design studios, the three star architects Zaha Hadid, Greg Lynn and Wolf D. Prix give students the opportunity(...)
Titre:
99+ IOA Studios. Hadid, Lynn, Prix, Selected Student Works 2004–8. Design = Thinking
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This publication celebrates the third anniversary of School of Architecture at the Vienna University of Applied Arts. 99+ is a collection of selected projects by students in the classes of Zaha Hadid, Greg Lynn and Wolf D. Prix between 2004-08. Along with their design studios, the three star architects Zaha Hadid, Greg Lynn and Wolf D. Prix give students the opportunity of exploring the manifold cross-border possibilities the parameters of architecture offer.
99+ IOA Studios. Hadid, Lynn, Prix, Selected Student Works 2004–8. Design = Thinking
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This publication celebrates the third anniversary of School of Architecture at the Vienna University of Applied Arts. 99+ is a collection of selected projects by students in the classes of Zaha Hadid, Greg Lynn and Wolf D. Prix between 2004-08. Along with their design studios, the three star architects Zaha Hadid, Greg Lynn and Wolf D. Prix give students the opportunity of exploring the manifold cross-border possibilities the parameters of architecture offer.
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livres
livres
Publication:
février 2009
février 2009
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livres
livres
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The Museum of Finnish Architecture is one of the world¹s oldest museums specializing in architecture. In honour of its five decades, the museum published a special anniversary book. The section on the history of the museum is by Eija Rauske, with appendices listing exhibitions, publications, personnel and governing bodies. The anniversary essay by Juhani Pallasmaa is(...)
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The Museum of Finnish Architecture is one of the world¹s oldest museums specializing in architecture. In honour of its five decades, the museum published a special anniversary book. The section on the history of the museum is by Eija Rauske, with appendices listing exhibitions, publications, personnel and governing bodies. The anniversary essay by Juhani Pallasmaa is(...)
Publication:
octobre 2006, Helsinki
octobre 2006, Helsinki
Titre:
Museum of Finnish architecture 1956-2006
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The Museum of Finnish Architecture is one of the world¹s oldest museums specializing in architecture. In honour of its five decades, the museum published a special anniversary book. The section on the history of the museum is by Eija Rauske, with appendices listing exhibitions, publications, personnel and governing bodies. The anniversary essay by Juhani Pallasmaa is entitled "The Reality and Ideals of Architecture". Other contributors of articles for the book are Severi Blomstedt, Timo Tuomi and Timo Keinänen. The article by Petra Ceferin discusses the origins of the "Finland Brand" and the role of the museum in this process. Edited by Kristiina Paatero, graphic design by Jouni Kaipia and Jussi Salmivuori. Text in Finnish, Swedish and English.
Museum of Finnish architecture 1956-2006
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The Museum of Finnish Architecture is one of the world¹s oldest museums specializing in architecture. In honour of its five decades, the museum published a special anniversary book. The section on the history of the museum is by Eija Rauske, with appendices listing exhibitions, publications, personnel and governing bodies. The anniversary essay by Juhani Pallasmaa is entitled "The Reality and Ideals of Architecture". Other contributors of articles for the book are Severi Blomstedt, Timo Tuomi and Timo Keinänen. The article by Petra Ceferin discusses the origins of the "Finland Brand" and the role of the museum in this process. Edited by Kristiina Paatero, graphic design by Jouni Kaipia and Jussi Salmivuori. Text in Finnish, Swedish and English.
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livres
livres
Publication:
octobre 2006, Helsinki
octobre 2006, Helsinki
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livres
livres
Titre:
Conception d'exposition
Conception d'exposition
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Chaque exposition est unique et raconte une histoire qui lui est propre. La façon dont ces histoires sont racontées et transposées dans un décor dépend directement de la conception d'exposition. Ce livre, qui s'articule autour d'études de cas et d'exemples, détaille les principaux aspects de la conception d'exposition et du rôle de concepteur.
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Chaque exposition est unique et raconte une histoire qui lui est propre. La façon dont ces histoires sont racontées et transposées dans un décor dépend directement de la conception d'exposition. Ce livre, qui s'articule autour d'études de cas et d'exemples, détaille les principaux aspects de la conception d'exposition et du rôle de concepteur.
Titre:
Conception d'exposition
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Chaque exposition est unique et raconte une histoire qui lui est propre. La façon dont ces histoires sont racontées et transposées dans un décor dépend directement de la conception d'exposition. Ce livre, qui s'articule autour d'études de cas et d'exemples, détaille les principaux aspects de la conception d'exposition et du rôle de concepteur.
Conception d'exposition
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Chaque exposition est unique et raconte une histoire qui lui est propre. La façon dont ces histoires sont racontées et transposées dans un décor dépend directement de la conception d'exposition. Ce livre, qui s'articule autour d'études de cas et d'exemples, détaille les principaux aspects de la conception d'exposition et du rôle de concepteur.
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livres
livres
Publication:
janvier 2012
janvier 2012
Classification:
livres
livres
Titre:
Machine art, 1934
Machine art, 1934
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In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass(...)
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In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass(...)
Titre:
Machine art, 1934
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In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass production. Telling the story of this popular but controversial show, Jennifer Jane Marshall examines its history and the relationship between the museum’s director, Alfred H. Barr Jr., and its curator, Philip Johnson, who oversaw it. She situates the show within the tumultuous climate of the interwar period and the Great Depression, considering how these unadorned objects served as a response to timely debates over photography, abstract art, the end of the American gold standard, and John Dewey’s insight that how a person experiences things depends on the context in which they are encountered. An engaging investigation of interwar American modernism, Machine Art, 1934 reveals how even simple things can serve as a defense against uncertainty.
Machine art, 1934
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In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass production. Telling the story of this popular but controversial show, Jennifer Jane Marshall examines its history and the relationship between the museum’s director, Alfred H. Barr Jr., and its curator, Philip Johnson, who oversaw it. She situates the show within the tumultuous climate of the interwar period and the Great Depression, considering how these unadorned objects served as a response to timely debates over photography, abstract art, the end of the American gold standard, and John Dewey’s insight that how a person experiences things depends on the context in which they are encountered. An engaging investigation of interwar American modernism, Machine Art, 1934 reveals how even simple things can serve as a defense against uncertainty.
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livres
livres
Publication:
avril 2012
avril 2012
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livres
livres
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Narrative Spaces is about exhibition design. It places the profession in a broad theoretical and cultural-historical context and defines a conceptual framework that brings out the dynamics of the field. Exhibitions are narrative environments in which the designer has to translate often complex and scientific objectives into an engaging spatial narrative that can comprise(...)
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Narrative Spaces is about exhibition design. It places the profession in a broad theoretical and cultural-historical context and defines a conceptual framework that brings out the dynamics of the field. Exhibitions are narrative environments in which the designer has to translate often complex and scientific objectives into an engaging spatial narrative that can comprise(...)
Titre:
Narrative spaces: on the art of exhibiton
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Narrative Spaces is about exhibition design. It places the profession in a broad theoretical and cultural-historical context and defines a conceptual framework that brings out the dynamics of the field. Exhibitions are narrative environments in which the designer has to translate often complex and scientific objectives into an engaging spatial narrative that can comprise a mix of wide-ranging media and communicational strategies. This publication defines the theatrical and scenographic principles of exhibitions as narrative space and holds out conceptual tools that can inspire a new approach to exhibition design.
Narrative spaces: on the art of exhibiton
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Narrative Spaces is about exhibition design. It places the profession in a broad theoretical and cultural-historical context and defines a conceptual framework that brings out the dynamics of the field. Exhibitions are narrative environments in which the designer has to translate often complex and scientific objectives into an engaging spatial narrative that can comprise a mix of wide-ranging media and communicational strategies. This publication defines the theatrical and scenographic principles of exhibitions as narrative space and holds out conceptual tools that can inspire a new approach to exhibition design.
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livres
livres
Publication:
août 2012
août 2012
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livres
livres
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During World War 2 the Neues Museum was almost completely destroyed. Now, on the Berlin Museum Island with its tremendous diversity of demands for the restoration it has become the classic example for the preservation of historic monuments. It is rebuilt due to the plans of the world renown architect David Chipperfield. The great reopening of this building (a main work of(...)
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During World War 2 the Neues Museum was almost completely destroyed. Now, on the Berlin Museum Island with its tremendous diversity of demands for the restoration it has become the classic example for the preservation of historic monuments. It is rebuilt due to the plans of the world renown architect David Chipperfield. The great reopening of this building (a main work of(...)
Titre:
The Neues Museums Berlin: conserving, restoring, rebuilding within the world heritage
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During World War 2 the Neues Museum was almost completely destroyed. Now, on the Berlin Museum Island with its tremendous diversity of demands for the restoration it has become the classic example for the preservation of historic monuments. It is rebuilt due to the plans of the world renown architect David Chipperfield. The great reopening of this building (a main work of the Schinkel scholar Friedrich August Stueler) is scheduled for March 2009. The present book shows the history from its origins under Frederic Wilhelm IV of Prussia, the various phases of conversation and restoration of the war-ruin during the different systems after war to the considerations of preservation, modern building technique and current utilization.
The Neues Museums Berlin: conserving, restoring, rebuilding within the world heritage
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During World War 2 the Neues Museum was almost completely destroyed. Now, on the Berlin Museum Island with its tremendous diversity of demands for the restoration it has become the classic example for the preservation of historic monuments. It is rebuilt due to the plans of the world renown architect David Chipperfield. The great reopening of this building (a main work of the Schinkel scholar Friedrich August Stueler) is scheduled for March 2009. The present book shows the history from its origins under Frederic Wilhelm IV of Prussia, the various phases of conversation and restoration of the war-ruin during the different systems after war to the considerations of preservation, modern building technique and current utilization.
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livres
livres
Publication:
juin 2009
juin 2009
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livres
livres
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The concept of an encyclopedic museum was born of the Enlightenment, a manifestation of society's growing belief that the spread of knowledge and the promotion of intellectual inquiry were crucial to human development and the future of a rational society. With Museums Matter, James Cuno, president and director of the Art Institute of Chicago, takes us on a brief tour(...)
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The concept of an encyclopedic museum was born of the Enlightenment, a manifestation of society's growing belief that the spread of knowledge and the promotion of intellectual inquiry were crucial to human development and the future of a rational society. With Museums Matter, James Cuno, president and director of the Art Institute of Chicago, takes us on a brief tour(...)
Titre:
Museums matter: in praise of the encyclopedic museum
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The concept of an encyclopedic museum was born of the Enlightenment, a manifestation of society's growing belief that the spread of knowledge and the promotion of intellectual inquiry were crucial to human development and the future of a rational society. With Museums Matter, James Cuno, president and director of the Art Institute of Chicago, takes us on a brief tour of the modern museum, from the creation of the British Museum - the archetypal encyclopedic collection - to the present, when major museums host millions of visitors annually and play a major role in the cultural lives of their cities. Engaging with thinkers such as Edward Said and Martha Nussbaum, and drawing on examples from the politics of India to the destruction of the Bramiyan Buddhas to the history of trade and travel, Cuno makes a case for the encyclopedic museum as a truly cosmopolitan institution, promoting tolerance, understanding, and a shared sense of history - values that are essential in our ever more globalized age.
Museums matter: in praise of the encyclopedic museum
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The concept of an encyclopedic museum was born of the Enlightenment, a manifestation of society's growing belief that the spread of knowledge and the promotion of intellectual inquiry were crucial to human development and the future of a rational society. With Museums Matter, James Cuno, president and director of the Art Institute of Chicago, takes us on a brief tour of the modern museum, from the creation of the British Museum - the archetypal encyclopedic collection - to the present, when major museums host millions of visitors annually and play a major role in the cultural lives of their cities. Engaging with thinkers such as Edward Said and Martha Nussbaum, and drawing on examples from the politics of India to the destruction of the Bramiyan Buddhas to the history of trade and travel, Cuno makes a case for the encyclopedic museum as a truly cosmopolitan institution, promoting tolerance, understanding, and a shared sense of history - values that are essential in our ever more globalized age.
Classification:
livres
livres
Publication:
décembre 2011
décembre 2011
Classification:
livres
livres
Titre:
Serpentine gallery pavillons
Serpentine gallery pavillons
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Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a show-place for exhibitions of modern and contemporary(...)
$64.95
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Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a show-place for exhibitions of modern and contemporary(...)
Titre:
Serpentine gallery pavillons
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Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a show-place for exhibitions of modern and contemporary artists. The projects completed or envisaged include the work of: Zaha Hadid, 2000; Daniel Libeskind, 2001; Toyo Ito, 2002; Oscar Niemeyer, 2003; MVRDV, 2004 (un-realised); Alvaro Siza and Eduardo Souto de Moura with Cecil Balmond, 2005; Rem Koolhaas and Cecil Balmond, 2006; Olafur Eliasson and Kjetil Thorsen, 2007; Frank Gehry, 2008; SANAA, 2009; Jean Nouvel, 2010; and, other works such as Zaha Hadid's temporary 2006 installation Lilas are included in the book as well. This book is the first to bring together all of the Serpentine Pavilions.
Serpentine gallery pavillons
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Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a show-place for exhibitions of modern and contemporary artists. The projects completed or envisaged include the work of: Zaha Hadid, 2000; Daniel Libeskind, 2001; Toyo Ito, 2002; Oscar Niemeyer, 2003; MVRDV, 2004 (un-realised); Alvaro Siza and Eduardo Souto de Moura with Cecil Balmond, 2005; Rem Koolhaas and Cecil Balmond, 2006; Olafur Eliasson and Kjetil Thorsen, 2007; Frank Gehry, 2008; SANAA, 2009; Jean Nouvel, 2010; and, other works such as Zaha Hadid's temporary 2006 installation Lilas are included in the book as well. This book is the first to bring together all of the Serpentine Pavilions.
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livres
livres
Publication:
août 2011
août 2011
Classification:
livres
livres
Titre:
New museums in Spain
New museums in Spain
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$106.95
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Résumé:
Spanish museum architecture has experienced a marked upturn since the 1990s, helping even small towns off the tourist beaten track to acquire museum buildings. The present book, which is also suitable as a museum guide, confirms the world-class nature of Spanish architecture, recorded from Rafael Moneo's early Museo Nacional de Arte Romano in Merida to Herzog & de(...)
$106.95
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Résumé:
Spanish museum architecture has experienced a marked upturn since the 1990s, helping even small towns off the tourist beaten track to acquire museum buildings. The present book, which is also suitable as a museum guide, confirms the world-class nature of Spanish architecture, recorded from Rafael Moneo's early Museo Nacional de Arte Romano in Merida to Herzog & de(...)
Titre:
New museums in Spain
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$106.95
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Spanish museum architecture has experienced a marked upturn since the 1990s, helping even small towns off the tourist beaten track to acquire museum buildings. The present book, which is also suitable as a museum guide, confirms the world-class nature of Spanish architecture, recorded from Rafael Moneo's early Museo Nacional de Arte Romano in Merida to Herzog & de Meuron's new CaixaForum art gallery in Madrid.
New museums in Spain
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$106.95
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Spanish museum architecture has experienced a marked upturn since the 1990s, helping even small towns off the tourist beaten track to acquire museum buildings. The present book, which is also suitable as a museum guide, confirms the world-class nature of Spanish architecture, recorded from Rafael Moneo's early Museo Nacional de Arte Romano in Merida to Herzog & de Meuron's new CaixaForum art gallery in Madrid.
Classification:
livres
livres
Publication:
octobre 2010
octobre 2010
