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Challenges conventional habits of discussing image, identity, and photography. In National Camera, Roberto Tejada offers a comprehensive study of Mexican photography from the early twentieth century to today, demonstrating how images have shaped identities in Mexico, the United States, and the borderlands where the two nations and cultures intersect—a place Tejada calls(...)
National camera: photography and Mexico's image environment
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Challenges conventional habits of discussing image, identity, and photography. In National Camera, Roberto Tejada offers a comprehensive study of Mexican photography from the early twentieth century to today, demonstrating how images have shaped identities in Mexico, the United States, and the borderlands where the two nations and cultures intersect—a place Tejada calls the shared image environment. The “problem” of photography in Mexico, Tejada shows, reveals cross-cultural episodes that are rife with contradictions, especially in the complex terms of cultural and sexual difference. Analyzing such topics as territory, sexuality, and social and ethnic relations in image making, Tejada delves into the work of key figures such as Manuel Alvarez Bravo, Edward Weston, Tina Modotti, Marius de Zayas, and Julien Levy, as well as the Agustín Víctor Casasola Archive, the Boystown photographs, and contemporary Mexican and Latina photo-based artists.
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Photographers, Writers, and the American Scene: Visions of Passage is a major traveling exhibition, accompanied by a finely produced book, that reproduces images and writings by fifty of America’s leading photographers and writers. The exhibition and book are the result of a five-year project known as the National Millennium Survey. The survey commissioned thirty-five(...)
Photographers, writers, and the American scene: visions of passage
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Photographers, Writers, and the American Scene: Visions of Passage is a major traveling exhibition, accompanied by a finely produced book, that reproduces images and writings by fifty of America’s leading photographers and writers. The exhibition and book are the result of a five-year project known as the National Millennium Survey. The survey commissioned thirty-five prominent photographers and fifteen recognized writers.
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janvier 1900, Santa Fe
Photographie par région
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La mission héliographique avait comme but de documenter des édifices avant restauration à une époque où la notion de patrimoine était encore fragile.
janvier 2002, Paris
La mission héliographique : cinq photographes parcourent la France en 1851
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La mission héliographique avait comme but de documenter des édifices avant restauration à une époque où la notion de patrimoine était encore fragile.
livres
janvier 2002, Paris
America and the tintype
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Published in conjunction with the exhibition America and the Tintype organized by Steven Kasher and Brian Wallis for the International Center of Photography, New York. September 19, 2008 to January 4, 2009
America and the tintype
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Published in conjunction with the exhibition America and the Tintype organized by Steven Kasher and Brian Wallis for the International Center of Photography, New York. September 19, 2008 to January 4, 2009
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Left London
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Left London is a photographic portrayal of abandoned buildings across the capital that reveals an otherwise unseen side of city life. Having explored a multitude of sites and taken over twenty thousand images, the authors were able to assemble a unique collection of photographs vividly illustrating this evocative and beautiful subject. Furthermore, as well as extensive(...)
Photographie par région
mars 2008, Londres
Left London
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Left London is a photographic portrayal of abandoned buildings across the capital that reveals an otherwise unseen side of city life. Having explored a multitude of sites and taken over twenty thousand images, the authors were able to assemble a unique collection of photographs vividly illustrating this evocative and beautiful subject. Furthermore, as well as extensive interior and exterior shots, the book also contains various items of ephemera found in situ, which provide an additional visual narrative. Like all cities, London has an established cycle of decay and renewal, however with the forthcoming 2012 Olympics, it is currently embarking on the most ambitious redevelopment plan in its history. In light of this, Left London takes on a particularly compelling and contemporary relevance.
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Published in conjunction with the exhibition Heavy Light: Recent Photography and Video from Japan organized by Cristopher Phillips and Noriko Fuku for the International Center of Photography, New York.
Photographie par région
janvier 2008, New York, Göttingen
Heavy light: recent photography and video from Japan
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Published in conjunction with the exhibition Heavy Light: Recent Photography and Video from Japan organized by Cristopher Phillips and Noriko Fuku for the International Center of Photography, New York.
Photographie par région
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Between 1945 and 1961, an estimated 2.5 million people fled East Germany in search of the political and economic freedom offered by West Germany. To thwart this tide of defections, on the morning of August 13, 1961, hundreds of East German troops began erecting the Berlin wall—a barrier that would take nearly twenty years to complete and would eventually span 166(...)
Postcards fromCheckpoint Charlie: images of the Berlin wall
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Between 1945 and 1961, an estimated 2.5 million people fled East Germany in search of the political and economic freedom offered by West Germany. To thwart this tide of defections, on the morning of August 13, 1961, hundreds of East German troops began erecting the Berlin wall—a barrier that would take nearly twenty years to complete and would eventually span 166 kilometers. In Postcards from Checkpoint Charlie, the Bodleian Library assembles a stunning collection of images to document the wall’s impact worldwide. The postcards in this fascinating volume trace the development of the wall—from its beginnings as a simple stretch of barbed wire to the daunting final structure made of concrete and containing over 300 watchtowers. The images capture scenes of tension and urgency, such as those at Checkpoint Charlie, where we see Allied and East German soldiers coldly observing one another through binoculars.
Photographie par région
Picturing indians: photographics encounters and tourist fantasies in H.H. Bennett's Wisconsin Dells
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The interactions between Indian and white man, photographer amd photographed, suggested a relationship in which commercial motives and friendly feelings mixed, though not necessarily in equal measure. The Ho-Chunk resourcefully sought new ways to survive in the increasingly tourist-driven economy of the Dells. Bennett, struggling to keep his photography business alive,(...)
Picturing indians: photographics encounters and tourist fantasies in H.H. Bennett's Wisconsin Dells
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The interactions between Indian and white man, photographer amd photographed, suggested a relationship in which commercial motives and friendly feelings mixed, though not necessarily in equal measure. The Ho-Chunk resourcefully sought new ways to survive in the increasingly tourist-driven economy of the Dells. Bennett, struggling to keep his photography business alive, capitalized on America's comfortably nostalgic image of Native peoples as a vanishing race, no longer treatening and now safe for white consumption.
Photographie par région
Looking at Los Angeles
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Loved, hated, revered, scorned, real, imagined: this is Los Angeles. "Looking at Los Angeles" is a fascinating journey into the centre of the city’s heart and soul. Pictured within its pages is a Los Angeles of powerful dreams and startling realities. Editors Marla Hamburg Kennedy and Ben Stiller have gathered pictorial representations of Los Angeles from the last(...)
mai 2005, New York
Looking at Los Angeles
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Loved, hated, revered, scorned, real, imagined: this is Los Angeles. "Looking at Los Angeles" is a fascinating journey into the centre of the city’s heart and soul. Pictured within its pages is a Los Angeles of powerful dreams and startling realities. Editors Marla Hamburg Kennedy and Ben Stiller have gathered pictorial representations of Los Angeles from the last three-quarters of a century, resulting in this selection of more than 200 stunning, beautifully reproduced colour and duotone depictions of the city from different eras and different points of view. Along with the carefully chosen images by approximately 100 photographers who have time again turned to Los Angeles for inspiration, a preface and foreword by the editors describe their great affection for the city, while David L. Ulin’s essay offers a critical and loving look at Los Angeles. A portion of the proceeds from the sale of this book will be donated to the Los Angeles Conservancy, and the organization provides an essay about the importance of saving this city's rich architectural heritage. "Looking at Los Angeles" is at once a lesson in history, architecture, style, and culture, and a remarkable visual and written tribute to one of America’s greatest cities. Includes photographs by: Robert Adams, John Baldessari, William Claxton, Will Connell, Joe Deal, John Divola, William Eggleston, Sam Fentress, Anthony Friedkin, John Humble, Dennis Keeley, Florian Maier-Aichen, Grant Mudford, Karin A. Mueller, Catherine Opie, Ed Ruscha, Stephen Shore, Julius Schulman, Joel Sternfeld, Timothy Street-Porter, John Swope, Andy Warhol, Julian Wasser, Robert Weingarten, Garry Winogrand, Max Yavno, and others.
Post -ex-Yougoslavie
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Deux photographes, Alexa Brunet et Florence Vialettes ont parcouru l'ex-Yougoslavie : Croatie, Serbie, Macédoine, Monténégro, Slovénie, Kosovo, Bosnie-Herzégovine. Elles dressent un état des lieux subtil de ces territoires fragmentés. Entre «yougonostalgie» et nationalisme, d'un héritage lourd vers un avenir incertain, existe-t-il aujourd'hui, par-delà les frontières la(...)
janvier 2007, Manosque
Post -ex-Yougoslavie
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Deux photographes, Alexa Brunet et Florence Vialettes ont parcouru l'ex-Yougoslavie : Croatie, Serbie, Macédoine, Monténégro, Slovénie, Kosovo, Bosnie-Herzégovine. Elles dressent un état des lieux subtil de ces territoires fragmentés. Entre «yougonostalgie» et nationalisme, d'un héritage lourd vers un avenir incertain, existe-t-il aujourd'hui, par-delà les frontières la possibilité d'une identité commune ?