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Spanish Architecture Photography 1925–1965 looks at the history of architectural photography during Spanish architecture's modern period, which ranged from the avant-garde of the 1920s to the conclusion of the International Style. Alongside hundreds of photographs documenting the architectural environment of Spain during these decades, text by Iñaki Berguera unfolds the(...)
Photography & modern architecture in Spain 1925-1965
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Spanish Architecture Photography 1925–1965 looks at the history of architectural photography during Spanish architecture's modern period, which ranged from the avant-garde of the 1920s to the conclusion of the International Style. Alongside hundreds of photographs documenting the architectural environment of Spain during these decades, text by Iñaki Berguera unfolds the relationship between photographer and architect.
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Composite Landscapes examines one of landscape architecture's most recognizable representational forms, the montage view. The volume gathers work from a select group of influential contemporary artists and a dozen of the world's leading landscape architects. These composite views reveal practices of photomontage depicting the conceptual, experiential and temporal(...)
Composite landscapes: photomontage and landscape architecture
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Composite Landscapes examines one of landscape architecture's most recognizable representational forms, the montage view. The volume gathers work from a select group of influential contemporary artists and a dozen of the world's leading landscape architects. These composite views reveal practices of photomontage depicting the conceptual, experiential and temporal dimensions of landscape. Composite Landscapes illustrates the analogue origins of a method now rendered ubiquitous through digital means. In revisiting the composite landscape view as a cultural form, this book illuminates the contemporary status of the photographically constructed image for the design disciplines and beyond.
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Through over 200 photographs from 1981 to 2013, this book closes the great Skira series dedicated to the history of photography. Providing an international overview, the volume sheds light on modern historical figures like Robert Mapplethorpe, Luigi Ghirri, Martin Parr, Boris Mikhailov, Nan Goldin, Jeff Wall, and Cindy Sherman as well as their younger heirs.
Photography vol. 4: the contemporary era 1981-2013
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Through over 200 photographs from 1981 to 2013, this book closes the great Skira series dedicated to the history of photography. Providing an international overview, the volume sheds light on modern historical figures like Robert Mapplethorpe, Luigi Ghirri, Martin Parr, Boris Mikhailov, Nan Goldin, Jeff Wall, and Cindy Sherman as well as their younger heirs.
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The unphotographable
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The Unphotographable is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile(...)
The unphotographable
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The Unphotographable is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile David are represented by a photograph taken toward the end of the nineteenth century, of fluidic emission from the fingers of two hands; Richard Misrach captures a sandstorm in California in 1976; and Conner is represented by "Angel Light," one of the Angels series of dramatic, life-sized photograms he created in 1973-75, and which explore the disjunction between vision and phenomenological experience. Since opening in 1979, Fraenkel Gallery has presented close to 300 exhibitions exploring photography and its interrelations with the other arts, and The Unphotographable is one of its most ambitious projects to date. The catalogue is edited with an essay by Jeffrey Fraenkel, and includes 50 images in color.
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Peter Olpe has been manufacturing customised pinhole cameras since 1978. In 2012 he donated 90 of his cameras to the Swiss Camera Museum in Vevey where the collection will be exhibited. In images and texts the book Out of Focus presents these cameras and, in addition, tells the story of the author's ever-changing interests in pinhole photography - a written documentation(...)
Out of focus: pinhole cameras and their pictures
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Peter Olpe has been manufacturing customised pinhole cameras since 1978. In 2012 he donated 90 of his cameras to the Swiss Camera Museum in Vevey where the collection will be exhibited. In images and texts the book Out of Focus presents these cameras and, in addition, tells the story of the author's ever-changing interests in pinhole photography - a written documentation of Peter Olpe's work as a designer, photographer, illustrator and teacher.
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livres
States of decay
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From NYC to the infamous Rust Belt, once home to America's heavy industry, States of Decay brings you a glimpse of the broken, the doomed, the entropic dreamlands on the flipside of the silver dollar coin. This photo-essay functions as a visual poem allowing the reader to draw their own experiences and conclusions from the images themselves.
States of decay
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From NYC to the infamous Rust Belt, once home to America's heavy industry, States of Decay brings you a glimpse of the broken, the doomed, the entropic dreamlands on the flipside of the silver dollar coin. This photo-essay functions as a visual poem allowing the reader to draw their own experiences and conclusions from the images themselves.
livres
août 2013
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From the beginning, abstraction has been intrinsic to photography, and its persistent popularity reveals much about the medium. Now available in paperback edition, "The Edge of Vision: The Rise of Abstraction in Photography" is the first book in English to document this phenomenon and to put it into historical context, while also examining the diverse approaches thriving(...)
The edge of vision : the rise of abstraction in photography
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From the beginning, abstraction has been intrinsic to photography, and its persistent popularity reveals much about the medium. Now available in paperback edition, "The Edge of Vision: The Rise of Abstraction in Photography" is the first book in English to document this phenomenon and to put it into historical context, while also examining the diverse approaches thriving within contemporary photography.
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$150.00
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This large (13 by 19 inches) volume features an array of Italian photographs from the nineteenth century, which depict the highlights of the Grand Tour in gelatin silver prints (some of which are gorgeously hand-colored). These historic images are interspersed with quotes from Goethe’s Italian Journey, and include poetical views of the wonders of Piazza San Marco, the(...)
Grand tour: a photographic journey through Goethe's Italy
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This large (13 by 19 inches) volume features an array of Italian photographs from the nineteenth century, which depict the highlights of the Grand Tour in gelatin silver prints (some of which are gorgeously hand-colored). These historic images are interspersed with quotes from Goethe’s Italian Journey, and include poetical views of the wonders of Piazza San Marco, the Coliseum, a smoking Vesuvius and the fisherwomen of Capri.
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$54.95
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Encompassing works by 700 photographers, the Marjorie and Leonard Vernon collection dates back to the 1840s and the birth of the medium. In this volume Britt Salvesen has selected over 100 works from this massive collection and organised them sequentially in four categories that build upon and complement one another: descriptive naturalism, subjective naturalism,(...)
See the light : photography, perception, cognition
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Encompassing works by 700 photographers, the Marjorie and Leonard Vernon collection dates back to the 1840s and the birth of the medium. In this volume Britt Salvesen has selected over 100 works from this massive collection and organised them sequentially in four categories that build upon and complement one another: descriptive naturalism, subjective naturalism, experimental modernism and romantic modernism.
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$100.00
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Collects over 175 years of key moments in the visual history of the Southern United States, with over two hundred and fifty photographs taken from 1845 to present. The South is perhaps the most mythologized region in the United States and also one of the most depicted. Since the dawn of photography in the nineteenth century, photographers have articulated the distinct and(...)
Photographie- collections
novembre 2023
A long arc: photography and the American south
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Collects over 175 years of key moments in the visual history of the Southern United States, with over two hundred and fifty photographs taken from 1845 to present. The South is perhaps the most mythologized region in the United States and also one of the most depicted. Since the dawn of photography in the nineteenth century, photographers have articulated the distinct and evolving character of the South’s people, landscape, and culture and reckoned with its fraught history. Indeed, many of the urgent questions we face today about what defines the American experience—from racism, poverty, and the legacy of slavery to environmental disaster, immigration, and the changes wrought by a modern, global economy—appear as key themes in the photography of the South. The visual history of the South is inextricably intertwined with the history of photography and also the history of America, and is therefore an apt lens through which to examine American identity.
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