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''Flood Plain Color Field'' is a project by a photographer, an artist, and a scholar that explores a part of our energy consumption typically unseen by the public, the residual monuments of energy waste that accumulate in the flood plains of rivers. This photobook is the third installment of the ''Energy Landscapes of St. Louis'' project.
novembre 2017
Flood plain color field: Energy landscapes of St. Louis no.3
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''Flood Plain Color Field'' is a project by a photographer, an artist, and a scholar that explores a part of our energy consumption typically unseen by the public, the residual monuments of energy waste that accumulate in the flood plains of rivers. This photobook is the third installment of the ''Energy Landscapes of St. Louis'' project.
$28.00
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"Nature's nation" collects work by seven artists and writers all working with themes of nature and place, including Kate Casanova, Caleb Coppock, Paula McCartney, Emily Roehl, Chad Rutter, Lex Thompson, Pamela Valfer.
Nature's nation: Mysteryspot2
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"Nature's nation" collects work by seven artists and writers all working with themes of nature and place, including Kate Casanova, Caleb Coppock, Paula McCartney, Emily Roehl, Chad Rutter, Lex Thompson, Pamela Valfer.
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Bains publics
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Une collection destinée à mettre en valeur le fonds photographique du service Patrimoines et Inventaire de l'Ile-de-France. Ce volume est consacré au bains douches, bâtiments des années 1930 qui sont actuellement réhabilités, désaffectés ou détruits. Les clichés permettent de conserver des traces de leurs décors d'origine et sont complétés par le portrait de personnes(...)
Bains publics
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Une collection destinée à mettre en valeur le fonds photographique du service Patrimoines et Inventaire de l'Ile-de-France. Ce volume est consacré au bains douches, bâtiments des années 1930 qui sont actuellement réhabilités, désaffectés ou détruits. Les clichés permettent de conserver des traces de leurs décors d'origine et sont complétés par le portrait de personnes fréquentant les lieux.
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Almost immediately after the invention of photography, Scottish photographers took their clunky cameras on the road to capture the stories of peoples and communities touched by the forces of British imperialism. For the next thirty years, their journeys would take them far from their homes in the Lowlands to the Canadian wilderness and the treaty ports and rivers of(...)
The global flows of early Scottish photography
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Almost immediately after the invention of photography, Scottish photographers took their clunky cameras on the road to capture the stories of peoples and communities touched by the forces of British imperialism. For the next thirty years, their journeys would take them far from their homes in the Lowlands to the Canadian wilderness and the treaty ports and rivers of China. ''The Global Flows of Early Scottish Photography'' is about the interplay between these photographers' ambitions and the needs and desires of the people they met. Anthony Lee tracks the work of several famous innovators of the art form, including D.O. Hill and Robert Adamson in Edinburgh; the Scottish immigrants William Notman and Alexander Henderson in Montreal; John Thomson in Hong Kong; and Lai Afong. Lee reveals their pictures in the context of migration and the social impact wrought by worldwide trade and competing nationalisms.
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Acclaimed photography critic Vince Aletti has selected 100 significant magazine issues from his expansive personal archive, revealing images by photographers rarely seen outside their original context. With his characteristic élan and featuring stunning images, Aletti has created a fresh, idiosyncratic, and previously unexplored angle on the history of photography.
Issues: a history of photography in fashion magazines
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Acclaimed photography critic Vince Aletti has selected 100 significant magazine issues from his expansive personal archive, revealing images by photographers rarely seen outside their original context. With his characteristic élan and featuring stunning images, Aletti has created a fresh, idiosyncratic, and previously unexplored angle on the history of photography.
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This publication brings together a range of private homes built since the 1950s in Salento, in the area to the south of Lecce: single and double-family dwellings which, in terms of quality and variety, represent a unique example of spontaneity and aesthetic anarchy on the Italian architectural panorama. The study is carried out with the contribution of three photographers(...)
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février 2019
Salento Moderno: an inventory of private houses in Southern Puglia
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This publication brings together a range of private homes built since the 1950s in Salento, in the area to the south of Lecce: single and double-family dwellings which, in terms of quality and variety, represent a unique example of spontaneity and aesthetic anarchy on the Italian architectural panorama. The study is carried out with the contribution of three photographers and two historians of architecture, and examines a highly peculiar phenomenon from an unusual perspective. In Southern Salento, in the area lying between Capo di Santa Maria di Leuca, Porto Cesareo on the Ionian Sea and San Foca on the Adriatic coast, house construction is founded on a solid craft tradition which, in open contrast with any institutional architectural school, has led to the rise of eccentric, free and fluid approaches to architecture. Investigating private living and its relation to public space, the volume opens a broader reflection on taste, celebrating its variety and imaginative scope.
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A visual tour through life at the margins in the United States from the late 1950s to the early 1980s, this book highlights the work of iconic photographers and filmmakers who profoundly changed the image of American culture. Kenneth Anger, Diane Arbus, Shirley Clarke, Nan Goldin, Danny Lyon, Garry Winogrand, and their contemporaries challenged rigid postwar society with(...)
Outsiders: American photography and film ,1950s-1980
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A visual tour through life at the margins in the United States from the late 1950s to the early 1980s, this book highlights the work of iconic photographers and filmmakers who profoundly changed the image of American culture. Kenneth Anger, Diane Arbus, Shirley Clarke, Nan Goldin, Danny Lyon, Garry Winogrand, and their contemporaries challenged rigid postwar society with their powerful films and photographs.
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$65.00
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To celebrate the centennial of America's National Park Service, "Picturing America's National Parks" brings together some of the finest landscape photography in the history of the medium, from America's most magnificent and sacred environments. Photography has played an integral role in both the formation of the National Parks and in the depiction of America itself,(...)
Picturing America's National Parks
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To celebrate the centennial of America's National Park Service, "Picturing America's National Parks" brings together some of the finest landscape photography in the history of the medium, from America's most magnificent and sacred environments. Photography has played an integral role in both the formation of the National Parks and in the depiction of America itself, through this natural resource. From Yosemite to the most recent 2013 addition of Pinnacles National Park in California, America's National Parks have been enjoyed through photographs for over 100 years. This book traces that history and delights readers with stunning photographs of the best American landscapes.
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The short-lived Japanese magazine Provoke, founded in 1968, is nowadays recognized as a major contribution to postwar photography in Japan, featuring the country’s finest representatives of protest photography, vanguard fine art and critical theory in only three issues overall. The magazine's goal was to mirror the complexities of Japanese society and its art world of the(...)
Provoke: between protest and performance. Photography in Japan 1960-1975
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The short-lived Japanese magazine Provoke, founded in 1968, is nowadays recognized as a major contribution to postwar photography in Japan, featuring the country’s finest representatives of protest photography, vanguard fine art and critical theory in only three issues overall. The magazine's goal was to mirror the complexities of Japanese society and its art world of the 1960s, a decade shaped by the country’s first large-scale student protests. The movement yielded a wave of new books featuring innovative graphic design combined with photography: serialized imagery, gripping text-image combinations, dynamic cropping and the use of provocatively "poor" materials. The writings and images by Provoke's members—critic Koji Taki, poet Takahiko Okada, photographers Takuma Nakahira, Yakata Takanashi and Daido Moriyama—were suffused with the tactics developed by Japanese protest photographers such as Nobuyoshi Araki, Eikoh Hosoe and Shomei Tomatsu, who pointed at and criticized the mythologies of modern life. Provoke accompanies the first exhibition ever to be held on the magazine and its creators. Illuminating the various uses of photography in Japan at the time, the catalogue focuses on selected projects undertaken between 1960 and 1975 that offer a strongly interpretative account of currents in Japanese art and society at a moment of historical collapse and renewal.
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Ordinary pictures
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Despite its apparent throwaway status, the stock image comprises the primary commodity of a billion-dollar global industry with far-reaching effects in the marketplace and the public sphere. Taking this overlooked facet of contemporary life as a point of departure, "Ordinary Pictures" explores the photographic apparatuses and commercial interests that have given rise to(...)
Ordinary pictures
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Despite its apparent throwaway status, the stock image comprises the primary commodity of a billion-dollar global industry with far-reaching effects in the marketplace and the public sphere. Taking this overlooked facet of contemporary life as a point of departure, "Ordinary Pictures" explores the photographic apparatuses and commercial interests that have given rise to our generic image culture through the conceptual image-based work of some 40 artists, including John Baldessari, Steven Baldi, Sarah Charlesworth, Anne Collier, Liz Deschenes, John Divola, Aleksandra Domanovi c, Hans-Peter Feldmann, Morgan Fisher, Hollis Frampton, Jack Goldstein, Rachel Harrison, Robert Heinecken, Leslie Hewitt, Elad Lassry, Louise Lawler, Sherrie Levine, Steve McQueen, Jack Pierson, Peter Piller, Seth Price, Amanda Rossotto, Ed Ruscha, Steven Shore, Sturtevant, Mungo Thomson, Wolfgang Tillmans, Tseng Kwong Chi, Julia Wachtel and Christopher Williams. Spanning generations, movements and artistic strategies from the 1960s to the present day, this publication brings together works by artists who have probed, mimicked and critiqued this aspect of our visual environment as well as its industrial modes of production and distribution. Through the work of these artists and a series of scholarly essays, the catalogue aims to examine different operations of the generic image in culture, namely its anonymous circulation and editorial uses, its adaptability and reproducibility, its technical processes of production, its claim to copyright and artistic license and its tendency toward abstraction. Featuring a unique, coil-bound design reminiscent of stock photo catalogues and a flexidisc recording by the artist Jack Goldstein, this highly collectible book ultimately reflects on contemporary art's own complicit function as an expanding industrial image economy.
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