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From fairy tales to photography, nowhere is the complexity of human-animal relationships more apparent than in the creative arts. Art illuminates the nature and significance of animals in modern, Western thought, capturing the complicated union that has long existed between the animal kingdom and us. In Beauty and the Beast, authors Arluke and Bogdan explore this(...)
Beauty and the beast : Human-animal relations as revealed in real photo postcards, 1905-1935
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From fairy tales to photography, nowhere is the complexity of human-animal relationships more apparent than in the creative arts. Art illuminates the nature and significance of animals in modern, Western thought, capturing the complicated union that has long existed between the animal kingdom and us. In Beauty and the Beast, authors Arluke and Bogdan explore this relationship through the unique lens of photo postcards. This visual medium offers an enormous and relatively untapped archive to document their subject compellingly.
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A celestial bathroom
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A project to approach both movie icons’ and stars’ beauty: a homage to the female form and to the rite that has celebrated its beauty from time immemorial, bathing. Through photographs that came to light in the Getty Images archives, shining stars of the cinema, women in art, poetry muses, female athletes and starlets of 20th Century enjoy their bodies, relax in their(...)
A celestial bathroom
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A project to approach both movie icons’ and stars’ beauty: a homage to the female form and to the rite that has celebrated its beauty from time immemorial, bathing. Through photographs that came to light in the Getty Images archives, shining stars of the cinema, women in art, poetry muses, female athletes and starlets of 20th Century enjoy their bodies, relax in their bathtubs, appear from behind a shower curtain.
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Furthermore
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Every five years or thereabouts, the Fraenkel Gallery in San Francisco finds itself with a number of unrelated works of photography that stand out and which ultimately get collected in one of the gallery's award-winning and sought-after quintannual publications. This book includes a collection of images by unknown photographers alongside several dozen photographs made by(...)
Furthermore
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Every five years or thereabouts, the Fraenkel Gallery in San Francisco finds itself with a number of unrelated works of photography that stand out and which ultimately get collected in one of the gallery's award-winning and sought-after quintannual publications. This book includes a collection of images by unknown photographers alongside several dozen photographs made by serious artists with complicated intentions. Jeffrey Fraenkel opened Fraenkel Gallery in San Francisco in 1979. Since that time the gallery has presented almost 300 exhibitions spanning the history of photography.
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Here, 18 photographers document cities from Detroit to Manila, to make a composite portrait of a city of all cities. The photographers are Sibylle Bergemann, Jörg Brüggemann, Espen Eichhöfer, Annette Hauschild, Harald Hauswald, Pepa Hristová, Andrej Krementschouk, Ute & Werner Mahler, Thomas Meyer, Dawin Meckel, Julian Röder, Frank Schinski, Jordis Antonia Schlosser, Anne(...)
The city: Becoming and decaying
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Here, 18 photographers document cities from Detroit to Manila, to make a composite portrait of a city of all cities. The photographers are Sibylle Bergemann, Jörg Brüggemann, Espen Eichhöfer, Annette Hauschild, Harald Hauswald, Pepa Hristová, Andrej Krementschouk, Ute & Werner Mahler, Thomas Meyer, Dawin Meckel, Julian Röder, Frank Schinski, Jordis Antonia Schlosser, Anne Schönharting, Linn Schröder, Heinrich Völkel and Maurice Weiss.
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Issue 4 of Livraison furthers the previous three issues’ merger of magazine accessibility with the appeal and high production values of the book. Each issue poses a question intended to emphasise the personal vision and experiences of artists, unfettered by populist and media concerns. Issue 4 asks some 100 artists to reveal their favourite place, and how it has shaped(...)
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août 2010
Livraison 4: Open landscapes, closed rooms
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Issue 4 of Livraison furthers the previous three issues’ merger of magazine accessibility with the appeal and high production values of the book. Each issue poses a question intended to emphasise the personal vision and experiences of artists, unfettered by populist and media concerns. Issue 4 asks some 100 artists to reveal their favourite place, and how it has shaped their life and work. Printed on Arctic paper, and a tactile treat, the emphasis is on photography; each photograph titled with a map reference to create an allusive combination of location, memory and evocative image.
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This book unites the work of contemporary artists who address the experience of time as a material: Jeff Wall, Hiroshi Sugimoto, Joachim Koester, Ceal Floyer, Steven Pippin, Michael Weseley, Paul Pfeiffer, Michael Snow, Daniel Blaufuks, Mabel Palacín, David Claerbout, Erwin Wurm, Tacita Dean, Iñaki Bonillas and Clare Strand.
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août 2010
Between times: instants, intervals, durations
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This book unites the work of contemporary artists who address the experience of time as a material: Jeff Wall, Hiroshi Sugimoto, Joachim Koester, Ceal Floyer, Steven Pippin, Michael Weseley, Paul Pfeiffer, Michael Snow, Daniel Blaufuks, Mabel Palacín, David Claerbout, Erwin Wurm, Tacita Dean, Iñaki Bonillas and Clare Strand.
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The unphotographable
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The Unphotographable is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile(...)
The unphotographable
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The Unphotographable is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile David are represented by a photograph taken toward the end of the nineteenth century, of fluidic emission from the fingers of two hands; Richard Misrach captures a sandstorm in California in 1976; and Conner is represented by "Angel Light," one of the Angels series of dramatic, life-sized photograms he created in 1973-75, and which explore the disjunction between vision and phenomenological experience. Since opening in 1979, Fraenkel Gallery has presented close to 300 exhibitions exploring photography and its interrelations with the other arts, and The Unphotographable is one of its most ambitious projects to date. The catalogue is edited with an essay by Jeffrey Fraenkel, and includes 50 images in color.
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The lively and engaging text, a timely response to a growing interest in urban photography, challenges the traditional understanding of street photography and makes original and important connections between urban culture and the visual arts, constructing a new historical model for understanding street photography.
Unfamiliar streets: the photographs of Richard Avedon, Charles Moore, Martha Rosler, and Philip-Lorca Dicorcia
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The lively and engaging text, a timely response to a growing interest in urban photography, challenges the traditional understanding of street photography and makes original and important connections between urban culture and the visual arts, constructing a new historical model for understanding street photography.
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An attempt to trace the development of photography and the other allied visual arts in Pondicherry spanning the late 19th and early 20th centuries.
Mastering the lens: before and after Cartier-Bresson in Pondicherry
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An attempt to trace the development of photography and the other allied visual arts in Pondicherry spanning the late 19th and early 20th centuries.
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livres
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This third volume brings the study of the photobook fully up to date, with specific exploration of the contemporary, postwar photobook. It covers key themes including the globalization of photographic culture, the personalization of photobooks, the self-publishing boom and the new 'layered' photobook approach.
The photobook : a history, volume III
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This third volume brings the study of the photobook fully up to date, with specific exploration of the contemporary, postwar photobook. It covers key themes including the globalization of photographic culture, the personalization of photobooks, the self-publishing boom and the new 'layered' photobook approach.
livres
mars 2014
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