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Los Angeles is a city of dualities—sunshine and noir, coastline beaches and urban grit, natural beauty and suburban sprawl, the obvious and the hidden. Both Sides of Sunset: Photographing Los Angeles reveals these dualities and more, in images captured by master photographers such as Bruce Davidson, Lee Friedlander, Daido Moriyama, Julius Shulman and Garry Winogrand, as(...)
Both sides of sunset: photographing Los Angeles
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Los Angeles is a city of dualities—sunshine and noir, coastline beaches and urban grit, natural beauty and suburban sprawl, the obvious and the hidden. Both Sides of Sunset: Photographing Los Angeles reveals these dualities and more, in images captured by master photographers such as Bruce Davidson, Lee Friedlander, Daido Moriyama, Julius Shulman and Garry Winogrand, as well as many younger artists, among them Matthew Brandt, Katy Grannan, Alex Israel, Lise Sarfati and Ed Templeton, just to name a few.
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The Rijksmuseum's Philips Wing is scheduled to reopen in November 2014 with Modern Times: The Age of Photography, a major survey of twentieth-century photography culled from the Rijksmuseum's collection (a first for the museum). Growing spectacularly since the decision was made in 1994 to collect photography beyond the nineteenth century, the collection now includes some(...)
Modern times: the age of photography
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The Rijksmuseum's Philips Wing is scheduled to reopen in November 2014 with Modern Times: The Age of Photography, a major survey of twentieth-century photography culled from the Rijksmuseum's collection (a first for the museum). Growing spectacularly since the decision was made in 1994 to collect photography beyond the nineteenth century, the collection now includes some 20,000 twentieth-century works, including masterpieces by photographers such as André Kertész, Brassaï, Robert Capa, László Moholy-Nagy, Henri Cartier-Bresson, Weegee, William Klein, Eva Besnyö, Man Ray and Joel Meyerowitz.
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The catastrophic events of March 11, 2011—the earthquake, tsunami and ensuing nuclear meltdown of the Fukushima Daiichi Nuclear Power Plant—have been called "the triple disaster" in Japan. Among the first artists to respond to these experiences were photographers. Some attempted to document the devastation, while others ruminated on the meaning and use of photography in(...)
février 2015
In the wake: japanese photographers respond to 3/11
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The catastrophic events of March 11, 2011—the earthquake, tsunami and ensuing nuclear meltdown of the Fukushima Daiichi Nuclear Power Plant—have been called "the triple disaster" in Japan. Among the first artists to respond to these experiences were photographers. Some attempted to document the devastation, while others ruminated on the meaning and use of photography in the wake of tragedy. As the immediate effects of the earthquake and tsunami gave way to nuclear disaster, artists began to respond to the challenges of depicting an invisible threat that calls up the collective memory of Hiroshima and Nagasaki. Artists include Takashi Arai, Nobuyoshi Araki, Ishu Han, Naoya Hatakeyama, Takashi Homma, Kikuji Kawada, Rinko Kawauchi, Keizo Kitajima, Kozo Miyoshi, Masato Seto, Lieko Shiga, Shimpei Takada, Masaru Tatsuki, Daisuke Yokota and Tomoko Yoneda.
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In the last decade there has been a major reappraisal of the role and status of the photobook within the history of photography. Newly revised histories of photography as recorded via the photobook have added enormously to our understanding of the medium's culture, particularly in places that are often marginalized, such as Latin America and Africa. However, until now,(...)
The chinese photobook: from the 1900's to the present
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In the last decade there has been a major reappraisal of the role and status of the photobook within the history of photography. Newly revised histories of photography as recorded via the photobook have added enormously to our understanding of the medium's culture, particularly in places that are often marginalized, such as Latin America and Africa. However, until now, only a handful of Chinese books have made it onto historians' short lists. Yet China has a fascinating history of photobook publishing, and The Chinese Photobook will reveal for the first time the richness and diversity of this heritage. This volume is based on a collection compiled by Martin Parr and Beijing- and London-based Dutch photographer team WassinkLundgren.
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This catalogue examines the theory and practice of contemporary landscape photography. From British photographer Hamish Fulton to German architectural and landscape photographer Andreas Gursky, Swiss large-format specialist Balthasar Burkhard, and more.
Landscape in my mind: landscape photography today. Hamish Fulton to Andreas Gursky
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This catalogue examines the theory and practice of contemporary landscape photography. From British photographer Hamish Fulton to German architectural and landscape photographer Andreas Gursky, Swiss large-format specialist Balthasar Burkhard, and more.
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With a focus on vernacular roadside architecture built between 1920 and the late 1960s, the golden age of the American road, Road Trip is a time capsule, a snapshot taken primarily in the early 1970s, of an extraordinary era and its roadside buildings, restaurants, gas stations, motels, and places of amusement, most of which are now long since gone.
Road trip : roadside America from Custard's last stand to the Wigwam restaurant
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With a focus on vernacular roadside architecture built between 1920 and the late 1960s, the golden age of the American road, Road Trip is a time capsule, a snapshot taken primarily in the early 1970s, of an extraordinary era and its roadside buildings, restaurants, gas stations, motels, and places of amusement, most of which are now long since gone.
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This is an intriguing account of artists who push the medium of photography to its limits. From its beginnings, photography has been shaped by the desire to understand and explore the essence of the medium. Light, Paper, Process: Reinventing Photography features the work of seven artists - Alison Rossiter, Marco Breuer, James Welling, Lisa Oppenheim, Chris McCaw, John(...)
Light, paper, process: reinventing photography
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This is an intriguing account of artists who push the medium of photography to its limits. From its beginnings, photography has been shaped by the desire to understand and explore the essence of the medium. Light, Paper, Process: Reinventing Photography features the work of seven artists - Alison Rossiter, Marco Breuer, James Welling, Lisa Oppenheim, Chris McCaw, John Chiara, and Matthew Brandt - who investigate the possibilities of analog photography by finding innovative, surprising, and sometimes controversial ways to push light-sensitive photographic papers and chemical processing beyond their limits.
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Eyes wide open!
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Just in time to mark a milestone birthday of the legendary compact camera, and for the first time in this thematic breadth, this volume, with about eight hundred images, offers a wide artistic and cultural history of the Leica from the 1920s to the present day.
Eyes wide open!
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Just in time to mark a milestone birthday of the legendary compact camera, and for the first time in this thematic breadth, this volume, with about eight hundred images, offers a wide artistic and cultural history of the Leica from the 1920s to the present day.
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This book is a selection of contact sheets and photographs by international and well-known photographers through which one can write an "original" history of photography. Each selected photo tells us the point of view of his/her author, whereas the contact sheets offer us the opportunity to better understand how the photographer has come to choose the right shot. Each(...)
Contact sheets: the selected photos
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This book is a selection of contact sheets and photographs by international and well-known photographers through which one can write an "original" history of photography. Each selected photo tells us the point of view of his/her author, whereas the contact sheets offer us the opportunity to better understand how the photographer has come to choose the right shot. Each selected photo is accompanied by a text written by the photographer, in which he/she tells to the reader when and why the picture was realized.
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Salt and silver
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Salt prints are the very first photographs on paper that still exist today. Made in the first twenty years of photography, they are the results of esoteric knowledge and skill. Individual, sometimes unpredictable, and ultimately magical, the chemical capacity to ‘fix a shadow’ on light sensitive paper, coated in silver salts, was believed to be a kind of alchemy, where(...)
Salt and silver
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Salt prints are the very first photographs on paper that still exist today. Made in the first twenty years of photography, they are the results of esoteric knowledge and skill. Individual, sometimes unpredictable, and ultimately magical, the chemical capacity to ‘fix a shadow’ on light sensitive paper, coated in silver salts, was believed to be a kind of alchemy, where nature drew its own picture. Salt and Silver brings together over 100 plates drawn from the Wilson Centre for Photography, accompanied by two roundtable discus- sions with curators, academics, historians and collectors from world renowned institutions. Encompassing many of the great works of the period, the publication includes prints by Edouard Baldus, Louis Blanquart-Evrard, Mathew Brady, Charles Clifford, Louis De Clercq, Maxime Du Camp, Roger Fenton, Jean-Baptiste Frenet, Charles Hugo, David Octavius Hill, Robert Adamson, Calvert Richard Jones, Gustave Le Gray, Henri Le Secq, Charles Marville, Felix Nadar, Charles Negre, Felice Beato, Auguste Salzmann, William Henry Fox Talbot, Felix Teynard and Linnaeus Tripe.
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