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From scientific discoveries to animist beliefs, plants are an inexhaustible source of stories that reveal our most intimate desires and fears. Photography is the primary witness to his phenomenon. ''Science/Fiction'' questions human projections and representations of the vegetal world, bringing to light the subjectivity, intelligence and expressive abilities of plants.(...)
Science/Fiction: A non-history of plants
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From scientific discoveries to animist beliefs, plants are an inexhaustible source of stories that reveal our most intimate desires and fears. Photography is the primary witness to his phenomenon. ''Science/Fiction'' questions human projections and representations of the vegetal world, bringing to light the subjectivity, intelligence and expressive abilities of plants. The publication traces a visual history of plants, linking art, technology and science from the mid-19th century to the present day through two conceptual frameworks: scientific and fictional. Bringing together more than 30 artists across different periods of time and parts of the world, it employs the logic of the science fiction novel, taking us from a stable, identifiable world and gradually plunging us into uncertain landscapes.
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Alliant qualité documentaire et regard poétique, Henri Cartier-Bresson a créé l’une des œuvres photographiques les plus fascinantes du XXe siècle. Après avoir étudié la peinture, fréquenté les surréalistes, il a fondé l’agence Magnum Photos. Du Mexique à l’Inde de Gandhi, de l’Amérique à la Chine, en passant par la Russie, il a parcouru le monde, son Leica rivé à l’œil.
Photo poche 2 : Henri Cartier-Bresson
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Alliant qualité documentaire et regard poétique, Henri Cartier-Bresson a créé l’une des œuvres photographiques les plus fascinantes du XXe siècle. Après avoir étudié la peinture, fréquenté les surréalistes, il a fondé l’agence Magnum Photos. Du Mexique à l’Inde de Gandhi, de l’Amérique à la Chine, en passant par la Russie, il a parcouru le monde, son Leica rivé à l’œil.
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If you look through private photo albums from East Germany dating from the period 1980 to 2000, you will notice very little changing in the pictures — at most the fashions, the hairstyles, and the cars. Meanwhile, the people who holidayed on the Baltic in the eighties quite possibly headed for Mallorca in the nineties. The fact that during this time a state went into(...)
...Someone always had a camera. Private photography in East Germany, 1980–2000
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If you look through private photo albums from East Germany dating from the period 1980 to 2000, you will notice very little changing in the pictures — at most the fashions, the hairstyles, and the cars. Meanwhile, the people who holidayed on the Baltic in the eighties quite possibly headed for Mallorca in the nineties. The fact that during this time a state went into terminal decline and then an entire society was turned upside down goes all but unseen in the pictures of children on their first day at school, weekend jaunts, and people exchanging Christmas presents. "... someone always had a camera ..." takes stock of a project that, since 2020, has been looking at private albums from these two decades to examine the world of private images they contain, informed by interviews with contemporary witnesses. In the essays in this volume, private photography is treated as a social practice, and the authors discuss how images were produced, organized in albums, and viewed, and how political conditions were registered in them.
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Women have been professional photographers since the inception of the medium, yet their work has received far less attention than that of their male colleagues. From the more than 15 million photographs stored in the Dutch National Archives in The Hague, the editors of ''Pioneers: Photography by women'' selected a compilation of more than 200 images by 42 female(...)
Pioneers: Photography by women
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Women have been professional photographers since the inception of the medium, yet their work has received far less attention than that of their male colleagues. From the more than 15 million photographs stored in the Dutch National Archives in The Hague, the editors of ''Pioneers: Photography by women'' selected a compilation of more than 200 images by 42 female photographers created between 1859 and 1999. It highlights well-known photographers in the Netherlands and abroad, such as Margaret Bourke-White and Eve Arnold, while also spotlighting under-recognized artists creating profound work. Whether through composition, technique or subject matter, their innovations paved the way for future generations of photographers.
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La photographie est-elle un art ? C'est à cette question que le pictorialisme entend répondre au tournant du XXe siècle, devant un chapitre majeur de l'histoire de la photographie. Né vers 1890 en Angleterre, ce mouvement se répand rapidement en Europe et aux États-Unis avant de conquérir le monde. Jusqu'aux années 1940, des clubs de photographes démontrent le potentiel(...)
La photographie pictorialiste
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La photographie est-elle un art ? C'est à cette question que le pictorialisme entend répondre au tournant du XXe siècle, devant un chapitre majeur de l'histoire de la photographie. Né vers 1890 en Angleterre, ce mouvement se répand rapidement en Europe et aux États-Unis avant de conquérir le monde. Jusqu'aux années 1940, des clubs de photographes démontrent le potentiel esthétique de la chambre noire. Ce volume, qui réunit 125 oeuvres de 77 auteurs, figures majeures ou méconnues issues de 15 pays, est le fruit des dernières recherches sur cette aventure collective sans précédent.
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The desire for color photos has prevailed over the world of photography from the very beginning. What were the early techniques? And when did color become accessible to everyone? The Albertina’s unique collection sheds light on the complex topic of historical color photos. Photography’s various coloring processes opened up a radiant new cosmos. This publication(...)
True colors: Color in photography from 1848-1955
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The desire for color photos has prevailed over the world of photography from the very beginning. What were the early techniques? And when did color become accessible to everyone? The Albertina’s unique collection sheds light on the complex topic of historical color photos. Photography’s various coloring processes opened up a radiant new cosmos. This publication includes works ranging from early colorized one-offs to the emergence of mass-produced color photographs on a positive-negative basis. The numerous techniques, many of them little-known, and the resulting diverse applications reveal a revolution across our entire visual culture.
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Montreal, like other major cities, has inspired an astonishing number of photographers intent on capturing the urban experience. For some, the camera has served as a coping mechanism with which to process the difficult aspects of city life. For others, it has provided a recording device to save vital facets of Montreal from being forgotten. For others still, it has been a(...)
Pounding the pavement: Montreal street photography
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Montreal, like other major cities, has inspired an astonishing number of photographers intent on capturing the urban experience. For some, the camera has served as a coping mechanism with which to process the difficult aspects of city life. For others, it has provided a recording device to save vital facets of Montreal from being forgotten. For others still, it has been a means of self-expression integral to a personal creative process. "Pounding the pavement" brings together thirty groups of work that exemplify the wide variety of approaches photographers have adopted when depicting the metropolis. What emerges from this unconventional assemblage is a history of Montreal, or at least a history of the ways Montrealers have used the street. The images occasionally reveal the city's beauty but more often convey its complexity, contradictions, diversity and comedy. Above all, they conjure the qualities that make some people want to leave Montreal and others want to stay forever.
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Montréal, comme d’autres grandes villes, a inspiré un nombre étonnant de photographes avides de capturer l'expérience urbaine. Dans certains cas, l'appareil photo a servi de mécanisme d'adaptation pour composer avec les difficultés de la vie en ville. Dans d'autres cas, il fut employé comme un outil de documentation, pour sauver de l'oubli des aspects essentiels de(...)
Battre le pavé : La photo de rue à Montréal
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Montréal, comme d’autres grandes villes, a inspiré un nombre étonnant de photographes avides de capturer l'expérience urbaine. Dans certains cas, l'appareil photo a servi de mécanisme d'adaptation pour composer avec les difficultés de la vie en ville. Dans d'autres cas, il fut employé comme un outil de documentation, pour sauver de l'oubli des aspects essentiels de Montréal. Dans d'autres encore, l'appareil a été un moyen d'expression faisant partie intégrante d'un processus de création personnel. "Battre le pavé" réunit trente corpus d’œuvres qui illustrent les multiples approches adoptées par les photographes pour représenter la métropole. Il ressort de cet assemblage non conventionnel une histoire de la ville, ou du moins une histoire des façons dont les Montréalais et les Montréalaises se sont approprié la rue. Les images révèlent parfois la beauté de la ville, mais plus souvent, elles témoignent de sa complexité, de ses contradictions, de sa diversité et de son humour. Avant tout, elles évoquent ce qui pousse certaines personnes à vouloir quitter Montréal, et d'autres à vouloir y rester à jamais.
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Wildman fever!
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As the Chinese Cultural Revolution ended in the mid-1970s, room for scientific freedom emerged, and Chinese paleoanthropologists turned their attention to the existence of Bigfoot- and Yeti-like mammals. This trend was fueled by widespread enthusiasm in Western countries for the same phenomena. The topic quickly captured the Chinese popular imagination, with scientists(...)
Wildman fever!
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As the Chinese Cultural Revolution ended in the mid-1970s, room for scientific freedom emerged, and Chinese paleoanthropologists turned their attention to the existence of Bigfoot- and Yeti-like mammals. This trend was fueled by widespread enthusiasm in Western countries for the same phenomena. The topic quickly captured the Chinese popular imagination, with scientists descending on mountainous areas of Hubei province to investigate reported sightings of a strange being called the Wildman or "Yeren" in Chinese. Officially sponsored research, followed by stories from amateur enthusiasts, sparked a nationwide phenomenon called Wildman Fever that would last for decades. Wildman Fever tells the story of this search that led a nation into a wilderness of fact and fiction. The images were selected from the collection of Chinese vernacular photography at the Archive of Modern Conflict, London.
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Models
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This artist book brings together 44 photographs showing famous architects together with their architecture models. The images are arranged according to the position of the model and the height of the architect’s view : from those looking up to the model to those looking down on it from a god-like perspective. By this, these image start to speak about the model 'as a(...)
Models
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This artist book brings together 44 photographs showing famous architects together with their architecture models. The images are arranged according to the position of the model and the height of the architect’s view : from those looking up to the model to those looking down on it from a god-like perspective. By this, these image start to speak about the model 'as a stage' on which the architect performs his role. As an additional feature, the second edition also includes architects cutting a cake in the shape of one of their buildings.
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