Ordinary pictures
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Despite its apparent throwaway status, the stock image comprises the primary commodity of a billion-dollar global industry with far-reaching effects in the marketplace and the public sphere. Taking this overlooked facet of contemporary life as a point of departure, "Ordinary Pictures" explores the photographic apparatuses and commercial interests that have given rise to(...)
Ordinary pictures
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Despite its apparent throwaway status, the stock image comprises the primary commodity of a billion-dollar global industry with far-reaching effects in the marketplace and the public sphere. Taking this overlooked facet of contemporary life as a point of departure, "Ordinary Pictures" explores the photographic apparatuses and commercial interests that have given rise to our generic image culture through the conceptual image-based work of some 40 artists, including John Baldessari, Steven Baldi, Sarah Charlesworth, Anne Collier, Liz Deschenes, John Divola, Aleksandra Domanovi c, Hans-Peter Feldmann, Morgan Fisher, Hollis Frampton, Jack Goldstein, Rachel Harrison, Robert Heinecken, Leslie Hewitt, Elad Lassry, Louise Lawler, Sherrie Levine, Steve McQueen, Jack Pierson, Peter Piller, Seth Price, Amanda Rossotto, Ed Ruscha, Steven Shore, Sturtevant, Mungo Thomson, Wolfgang Tillmans, Tseng Kwong Chi, Julia Wachtel and Christopher Williams. Spanning generations, movements and artistic strategies from the 1960s to the present day, this publication brings together works by artists who have probed, mimicked and critiqued this aspect of our visual environment as well as its industrial modes of production and distribution. Through the work of these artists and a series of scholarly essays, the catalogue aims to examine different operations of the generic image in culture, namely its anonymous circulation and editorial uses, its adaptability and reproducibility, its technical processes of production, its claim to copyright and artistic license and its tendency toward abstraction. Featuring a unique, coil-bound design reminiscent of stock photo catalogues and a flexidisc recording by the artist Jack Goldstein, this highly collectible book ultimately reflects on contemporary art's own complicit function as an expanding industrial image economy.
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Imagine Istanbul
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A striking portrait of Istanbul through the eyes of photographers and artists. Includes the works of photographers such as Ara Güler, Henri Cartier-Bresson, Bieke Depoorter.
Imagine Istanbul
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A striking portrait of Istanbul through the eyes of photographers and artists. Includes the works of photographers such as Ara Güler, Henri Cartier-Bresson, Bieke Depoorter.
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+ Photographie, vol. 2
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Chaque année, des milliers de photographies et d’objets (tirages, négatifs, plaques, albums, installations, appareils…) entrent dans les collections publiques françaises (musées nationaux ou régionaux, grandes institutions, Frac, centres d'art ou d'archives, bibliothèques…). Jusqu’à la création de cette publication en 2020, le public ne disposait pas d'un aperçu de ces(...)
+ Photographie, vol. 2
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Chaque année, des milliers de photographies et d’objets (tirages, négatifs, plaques, albums, installations, appareils…) entrent dans les collections publiques françaises (musées nationaux ou régionaux, grandes institutions, Frac, centres d'art ou d'archives, bibliothèques…). Jusqu’à la création de cette publication en 2020, le public ne disposait pas d'un aperçu de ces acquisitions. Parmi les découvertes de cette 2e édition, les tirages albuminés de l'album Eugène Delacroix acquis par la BnF, des œuvres de Josef Koudelka, Dolorès Marat, Susan Meiselas, Bernard Plossu ou Wolfgang Tillmans, un focus sur la photographie de spectacle, Man Ray en photographe de mode, les images impressionnantes prises par un capitaine terre-neuvas dans les années 1930, les carnets du projet Azimut de Tendance Floue à travers la France, un almanach de 1941 transformé par son propriétaire en album de famille en captivité…Par cette sélection d'œuvres replacées dans le contexte de leur création et de leur acquisition, « +Photographie » revisite l'histoire du médium, de ses origines à ses champs contemporains.
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Family affairs
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Since the invention of photography, the family has been a constant subject of photographic observation, both in private photo albums and in artistic series. The group exhibition Family Affairs – Family in Current Photography, conceived by Ingo Taubhorn, curator of the Haus der Photographie, examines the current status of this traditional genre. A transcontinental(...)
Family affairs
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Since the invention of photography, the family has been a constant subject of photographic observation, both in private photo albums and in artistic series. The group exhibition Family Affairs – Family in Current Photography, conceived by Ingo Taubhorn, curator of the Haus der Photographie, examines the current status of this traditional genre. A transcontinental selection of artistic projects from the last decade reveals both the diversity of photographic approaches and the heterogeneity of family models and complex dynamics. The catalog presents a wide variety of series and work groups and contextualizes the positions through comprehensive essays on various family themes in both photography and film, as well as within our society.
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Inspired and guided by Bernd and Hiller Becher, themselves pioneers in the area of documentary photography, the artists of Germany’s Düsseldorf School not only pushed the boundaries of their teachers’ practice, but also ushered in three generations of technical and compositional achievement that is rivalled in importance only by the arrival of colour photography. This(...)
The Düsseldorf School of Photography
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Inspired and guided by Bernd and Hiller Becher, themselves pioneers in the area of documentary photography, the artists of Germany’s Düsseldorf School not only pushed the boundaries of their teachers’ practice, but also ushered in three generations of technical and compositional achievement that is rivalled in importance only by the arrival of colour photography. This book introduces readers to the historic, cultural, and scientific environments in which the Bechers’ practice thrived. It explores the teaching philosophies with which they encouraged their students, and considers the qualities that highlight the Düsseldorf School: intricate detail, large scale, painterly distance combined with an immersive quality. The plate section, organized by artist, features 160 images by Andreas Gursky, Thomas Struth, Thomas Ruff, Candida Höfer, Axel Hütte, Laurenz Berges, Elger Esser, Simone Nieweg, Jörg Sasse, and Petra Wunderlich.
Photographie- collections
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Since 1971, the Fotostiftung Schweiz has been collecting archives of photographers and masterpieces of photographic history. Its 50th anniversary now gives rise to a curated look at this collection. Here, well-known icons stand next to unknown artists, pioneers of color photography next to Netcam photographers.
99 photographs: Collection Fotostuftung Schweiz, Winterthur
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Since 1971, the Fotostiftung Schweiz has been collecting archives of photographers and masterpieces of photographic history. Its 50th anniversary now gives rise to a curated look at this collection. Here, well-known icons stand next to unknown artists, pioneers of color photography next to Netcam photographers.
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Sculpting reality
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The medium of photography has long had tenuous ties to both the truth and the arts. This volume traces the evolution of documentary photography—from its origin as a journalistic tool through its development into a distinct artistic and aesthetic form. Beginning in the 1930s with Walker Evans’ foundational influence on the genre and culminating in the 1980s with the(...)
Sculpting reality
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The medium of photography has long had tenuous ties to both the truth and the arts. This volume traces the evolution of documentary photography—from its origin as a journalistic tool through its development into a distinct artistic and aesthetic form. Beginning in the 1930s with Walker Evans’ foundational influence on the genre and culminating in the 1980s with the experimental color work of Anthony Hernández and Tod Papageorge, Sculpting Reality presents a careful selection of work from 18 of the most influential figures in 20th-century North American documentary photography.
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Coinciding with the exhibition of the same name at the Galleria Nazionale delle Marche at the Palazzo Ducale in Urbino, eight internationally-renowned photographers describe Giancarlo De Carlo's work in Urbino. They are also professors at Istituto Superiore per le Industrie Artistiche. Paola Binante, Luca Capuano, Mario Cresci, Paola De Pietri, Jason Fulford, Stefano(...)
Spiriti: Eight photographers recount Giancarlo de Carlo in Urbino
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Coinciding with the exhibition of the same name at the Galleria Nazionale delle Marche at the Palazzo Ducale in Urbino, eight internationally-renowned photographers describe Giancarlo De Carlo's work in Urbino. They are also professors at Istituto Superiore per le Industrie Artistiche. Paola Binante, Luca Capuano, Mario Cresci, Paola De Pietri, Jason Fulford, Stefano Graziani, Armin Linke, and Giovanna Silva explore and recount the essence of the Italian architect's work through their own photographs of the spaces he designed, adding written accounts of their interpretation. De Carlo is quoted as saying a place is a space "experienced, consumed, perennially transformed by human presence".
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Featuring photographs by Joachim Brohm, Michael Disqué, Klaus Frahm, Andreas Gehrke, John Gossage, Volker Heinze, Kai-Olaf Hesse, Lockemann/Neudörfl, Margret Nissen and Michael Schmidt. The "Topography of terror" is a one of the most significant memorial sites of recent times. How is the past inscribed in the landscape? How do we regard a place that once housed the(...)
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septembre 2019
Land's end: The 'Topography of Terror'. Site as reflected in contemporary photography
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Featuring photographs by Joachim Brohm, Michael Disqué, Klaus Frahm, Andreas Gehrke, John Gossage, Volker Heinze, Kai-Olaf Hesse, Lockemann/Neudörfl, Margret Nissen and Michael Schmidt. The "Topography of terror" is a one of the most significant memorial sites of recent times. How is the past inscribed in the landscape? How do we regard a place that once housed the central instruments of terror of the Nazi regime? How has this no-man’s-land, once at the frontier of East and West, changed over time? "Land’s end" features ten artists who photographed what is now the Topography of Terror site between 1981 und 2014, including John Gossage, Michael Schmidt and Joachim Brohm.
Photographie- collections
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architekturbild, the European Architectural Photography Prize, has been awarded on a two-yearly basis since 1995. The theme for 2021 is "The urban in the periphery". Migration between conurbations and rural areas, their respective attractiveness and independence, but also dependence and interdependence with one another: What would be more predestined to trace the subtle(...)
The urban in the periphery: European architectural photography
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architekturbild, the European Architectural Photography Prize, has been awarded on a two-yearly basis since 1995. The theme for 2021 is "The urban in the periphery". Migration between conurbations and rural areas, their respective attractiveness and independence, but also dependence and interdependence with one another: What would be more predestined to trace the subtle or even obvious effects of the urban-rural movement than architectural photography?
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