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This catalogue examines the theory and practice of contemporary landscape photography. From British photographer Hamish Fulton to German architectural and landscape photographer Andreas Gursky, Swiss large-format specialist Balthasar Burkhard, and more.
Landscape in my mind: landscape photography today. Hamish Fulton to Andreas Gursky
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This catalogue examines the theory and practice of contemporary landscape photography. From British photographer Hamish Fulton to German architectural and landscape photographer Andreas Gursky, Swiss large-format specialist Balthasar Burkhard, and more.
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With a focus on vernacular roadside architecture built between 1920 and the late 1960s, the golden age of the American road, Road Trip is a time capsule, a snapshot taken primarily in the early 1970s, of an extraordinary era and its roadside buildings, restaurants, gas stations, motels, and places of amusement, most of which are now long since gone.
Road trip : roadside America from Custard's last stand to the Wigwam restaurant
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With a focus on vernacular roadside architecture built between 1920 and the late 1960s, the golden age of the American road, Road Trip is a time capsule, a snapshot taken primarily in the early 1970s, of an extraordinary era and its roadside buildings, restaurants, gas stations, motels, and places of amusement, most of which are now long since gone.
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Coast to Coast presents an extraordinary journey—via rail, steamboat, automobile, and even horseback— of a continent just beginning to discover itself. Traveling through the great cities, magnificent landscapes, and highways of a bygone America, the book is illustrated with vintage photographs, posters, travel brochures, and other charming ephemera.
Coast to coast: vintage travel in North America
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Coast to Coast presents an extraordinary journey—via rail, steamboat, automobile, and even horseback— of a continent just beginning to discover itself. Traveling through the great cities, magnificent landscapes, and highways of a bygone America, the book is illustrated with vintage photographs, posters, travel brochures, and other charming ephemera.
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New Topographics
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The New Topographics: Photographs of a Man-Altered Landscape was one of those rare exhibitions that permanently alters how an art form is perceived. Held at the International Museum of Photography in Rochester, New York, in January 1975, curator William Jenkins brought together ten contemporary photographers: Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal,(...)
New Topographics
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The New Topographics: Photographs of a Man-Altered Landscape was one of those rare exhibitions that permanently alters how an art form is perceived. Held at the International Museum of Photography in Rochester, New York, in January 1975, curator William Jenkins brought together ten contemporary photographers: Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore and Henry Wessel, Jr. Signaling the emergence of a new approach to landscape, New Topographics has since come to be understood as marking a paradigm shift, for the show occurred just as photography ceased to be an isolated, self-defined practice and took its place within the contemporary art world. In this vital reassessment of the genre, essays by Britt Salvesen and Alison Nordström accompany illustrations of selected works from the 1975 exhibition, with installation views and contextual comparisons, to demonstrate both the historical significance of New Topographics and its continued relevance today.
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Des murs...au mur
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Des murs aux murailles, en passant par les remparts, les murs de mémoire, les murs d'expression ou les murs sacrés, une découverte des murs du monde bâtis au cours de l'histoire et ayant une valeur symbolique : le Mur de Berlin, le Mur des lamentations à Jérusalem, la muraille de Chine, le mur entre la Cisjordanie et Israël, le mur entre les Etats-Unis et le Mexique...
Des murs...au mur
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Des murs aux murailles, en passant par les remparts, les murs de mémoire, les murs d'expression ou les murs sacrés, une découverte des murs du monde bâtis au cours de l'histoire et ayant une valeur symbolique : le Mur de Berlin, le Mur des lamentations à Jérusalem, la muraille de Chine, le mur entre la Cisjordanie et Israël, le mur entre les Etats-Unis et le Mexique...
Photographie- collections
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Le Musée des beaux-arts du Canada fut l’un des premiers musées du monde à reconnaître la photographie comme forme d’art. Cette collection de calibre international se classe parmi les plus étoffées au monde et possède l’une des plus importantes collections en Amérique du Nord d’œuvres du photographe français Eugène Atget. Un essai majeur sur la période est accompané par(...)
février 2010
Photographies françaises du XIXe siècle
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Le Musée des beaux-arts du Canada fut l’un des premiers musées du monde à reconnaître la photographie comme forme d’art. Cette collection de calibre international se classe parmi les plus étoffées au monde et possède l’une des plus importantes collections en Amérique du Nord d’œuvres du photographe français Eugène Atget. Un essai majeur sur la période est accompané par soixannte-six présentations individuelles. Parmi les dizaines d’artistes on retrouve Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, et Auguste Salzmann. Après Photographies modernistes du Musée des beaux-arts du Canada, voici la deuxième publication d'une série dédiée à la collection du Musée.
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At the turn of the 20th century, Vienna was a flourishing, modernist metropolis, its stimulating atmosphere carrying over into all areas of life. Jewish intellectuals, artists, and scientists had a marked influence on this creative fin de siècle climate. In this time, women also asserted their rights to establish their place in society. Women photographers, many of them(...)
Vienna's shooting girls - jewish women photographers from Vienna
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At the turn of the 20th century, Vienna was a flourishing, modernist metropolis, its stimulating atmosphere carrying over into all areas of life. Jewish intellectuals, artists, and scientists had a marked influence on this creative fin de siècle climate. In this time, women also asserted their rights to establish their place in society. Women photographers, many of them Jewish, played a significant role, chronicling the city’s cultural and intellectual life. Accompanying an exhibition at the Jewish Museum Vienna, this collection of historical photographs documents the little-known significance of Jewish women in this progressive vocation.
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Transition, paysages d'une société est le fruit d'une mission photographique rassemblant six photographes sud-africains, cinq photographes français et un photographe belge, qui porte sur le territoire et les paysages d'Afrique du Sud. Ce projet collectif intervient à un moment particulier de l'histoire du pays, près de vingt ans après l'avènement de la démocratie, mais(...)
Transition, paysages d'une société
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Transition, paysages d'une société est le fruit d'une mission photographique rassemblant six photographes sud-africains, cinq photographes français et un photographe belge, qui porte sur le territoire et les paysages d'Afrique du Sud. Ce projet collectif intervient à un moment particulier de l'histoire du pays, près de vingt ans après l'avènement de la démocratie, mais aussi un siècle après le " Land Act ", loi qui restreignait l'accès à la propriété foncière pour la population noire, et qui devait ensuite faire partie de l'attirail répressif de l'Apartheid.
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The lively and engaging text, a timely response to a growing interest in urban photography, challenges the traditional understanding of street photography and makes original and important connections between urban culture and the visual arts, constructing a new historical model for understanding street photography.
Unfamiliar streets: the photographs of Richard Avedon, Charles Moore, Martha Rosler, and Philip-Lorca Dicorcia
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The lively and engaging text, a timely response to a growing interest in urban photography, challenges the traditional understanding of street photography and makes original and important connections between urban culture and the visual arts, constructing a new historical model for understanding street photography.
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$38.00
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An attempt to trace the development of photography and the other allied visual arts in Pondicherry spanning the late 19th and early 20th centuries.
Mastering the lens: before and after Cartier-Bresson in Pondicherry
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An attempt to trace the development of photography and the other allied visual arts in Pondicherry spanning the late 19th and early 20th centuries.
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