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This catalogue examines the theory and practice of contemporary landscape photography. From British photographer Hamish Fulton to German architectural and landscape photographer Andreas Gursky, Swiss large-format specialist Balthasar Burkhard, and more.
Landscape in my mind: landscape photography today. Hamish Fulton to Andreas Gursky
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This catalogue examines the theory and practice of contemporary landscape photography. From British photographer Hamish Fulton to German architectural and landscape photographer Andreas Gursky, Swiss large-format specialist Balthasar Burkhard, and more.
Photographie- collections
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With a focus on vernacular roadside architecture built between 1920 and the late 1960s, the golden age of the American road, Road Trip is a time capsule, a snapshot taken primarily in the early 1970s, of an extraordinary era and its roadside buildings, restaurants, gas stations, motels, and places of amusement, most of which are now long since gone.
Road trip : roadside America from Custard's last stand to the Wigwam restaurant
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With a focus on vernacular roadside architecture built between 1920 and the late 1960s, the golden age of the American road, Road Trip is a time capsule, a snapshot taken primarily in the early 1970s, of an extraordinary era and its roadside buildings, restaurants, gas stations, motels, and places of amusement, most of which are now long since gone.
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This is an intriguing account of artists who push the medium of photography to its limits. From its beginnings, photography has been shaped by the desire to understand and explore the essence of the medium. Light, Paper, Process: Reinventing Photography features the work of seven artists - Alison Rossiter, Marco Breuer, James Welling, Lisa Oppenheim, Chris McCaw, John(...)
Light, paper, process: reinventing photography
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This is an intriguing account of artists who push the medium of photography to its limits. From its beginnings, photography has been shaped by the desire to understand and explore the essence of the medium. Light, Paper, Process: Reinventing Photography features the work of seven artists - Alison Rossiter, Marco Breuer, James Welling, Lisa Oppenheim, Chris McCaw, John Chiara, and Matthew Brandt - who investigate the possibilities of analog photography by finding innovative, surprising, and sometimes controversial ways to push light-sensitive photographic papers and chemical processing beyond their limits.
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Eyes wide open!
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Just in time to mark a milestone birthday of the legendary compact camera, and for the first time in this thematic breadth, this volume, with about eight hundred images, offers a wide artistic and cultural history of the Leica from the 1920s to the present day.
Eyes wide open!
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Just in time to mark a milestone birthday of the legendary compact camera, and for the first time in this thematic breadth, this volume, with about eight hundred images, offers a wide artistic and cultural history of the Leica from the 1920s to the present day.
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This book is a selection of contact sheets and photographs by international and well-known photographers through which one can write an "original" history of photography. Each selected photo tells us the point of view of his/her author, whereas the contact sheets offer us the opportunity to better understand how the photographer has come to choose the right shot. Each(...)
Contact sheets: the selected photos
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This book is a selection of contact sheets and photographs by international and well-known photographers through which one can write an "original" history of photography. Each selected photo tells us the point of view of his/her author, whereas the contact sheets offer us the opportunity to better understand how the photographer has come to choose the right shot. Each selected photo is accompanied by a text written by the photographer, in which he/she tells to the reader when and why the picture was realized.
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Salt and silver
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Salt prints are the very first photographs on paper that still exist today. Made in the first twenty years of photography, they are the results of esoteric knowledge and skill. Individual, sometimes unpredictable, and ultimately magical, the chemical capacity to ‘fix a shadow’ on light sensitive paper, coated in silver salts, was believed to be a kind of alchemy, where(...)
Salt and silver
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Salt prints are the very first photographs on paper that still exist today. Made in the first twenty years of photography, they are the results of esoteric knowledge and skill. Individual, sometimes unpredictable, and ultimately magical, the chemical capacity to ‘fix a shadow’ on light sensitive paper, coated in silver salts, was believed to be a kind of alchemy, where nature drew its own picture. Salt and Silver brings together over 100 plates drawn from the Wilson Centre for Photography, accompanied by two roundtable discus- sions with curators, academics, historians and collectors from world renowned institutions. Encompassing many of the great works of the period, the publication includes prints by Edouard Baldus, Louis Blanquart-Evrard, Mathew Brady, Charles Clifford, Louis De Clercq, Maxime Du Camp, Roger Fenton, Jean-Baptiste Frenet, Charles Hugo, David Octavius Hill, Robert Adamson, Calvert Richard Jones, Gustave Le Gray, Henri Le Secq, Charles Marville, Felix Nadar, Charles Negre, Felice Beato, Auguste Salzmann, William Henry Fox Talbot, Felix Teynard and Linnaeus Tripe.
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The Soviet Union was unique in its dynamic use of the illustrated book as a means of propaganda. Through the form of the book, the USSR articulated its utopian (and eventually totalitarian) ideologies and expressed its absolute power through avant-garde writing and radical graphic design that was in full flower during the 1920s and 1930s. The Soviet Photobook 1920-1941(...)
janvier 2016
The Soviet photobook, 1920-1941
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The Soviet Union was unique in its dynamic use of the illustrated book as a means of propaganda. Through the form of the book, the USSR articulated its utopian (and eventually totalitarian) ideologies and expressed its absolute power through avant-garde writing and radical graphic design that was in full flower during the 1920s and 1930s. The Soviet Photobook 1920-1941 presents 160 produced photobooks from this period and includes more than 400 additional reference illustrations.
The family of man
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Hailed as the most successful exhibition of photography ever assembled, "The Family of Man" opened at The Museum of Modern Art in January 1955. It was groundbreaking in its scope--503 images by 273 photographers originating in 69 countries--as well as in the numbers of people who experienced it on its tour through 88 venues in 37 countries. As the permanent embodiment of(...)
The family of man
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Hailed as the most successful exhibition of photography ever assembled, "The Family of Man" opened at The Museum of Modern Art in January 1955. It was groundbreaking in its scope--503 images by 273 photographers originating in 69 countries--as well as in the numbers of people who experienced it on its tour through 88 venues in 37 countries. As the permanent embodiment of Edward Steichen's monumental exhibition, this publication reproduces all of the 503 images that Steichen described as "a mirror of the essential oneness of mankind throughout the world.
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$90.00
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The Museum of Modern Art has one of the greatest collections of 20th-century photography in the world. As one of three volumes dedicated to a new history of photography published by the Museum, this publication comprises a comprehensive catalogue of the collection post-1960s and brings much-needed new critical perspective to the most prominent artists working with the(...)
Photography at MoMA: 1960 to now
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The Museum of Modern Art has one of the greatest collections of 20th-century photography in the world. As one of three volumes dedicated to a new history of photography published by the Museum, this publication comprises a comprehensive catalogue of the collection post-1960s and brings much-needed new critical perspective to the most prominent artists working with the photographic medium of the late 20th and early 21st centuries. At a moment when photography is undergoing fast-paced changes and artists are seeking to redefine its boundaries in new and exciting ways, Photography at MoMA serves as a resource for understanding the expanded field of contemporary photography today.
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$115.00
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Throughout the modern era, photography has been enlisted not only to document but also to classify the world and its people. Its status bolstered by a popular belief in the scientific objectivity of photographic evidence, photography has been used, from the earliest days of the medium, to produce and organize knowledge about the external world. Published to accompany(...)
The order of things: photography from the Walther collection
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Throughout the modern era, photography has been enlisted not only to document but also to classify the world and its people. Its status bolstered by a popular belief in the scientific objectivity of photographic evidence, photography has been used, from the earliest days of the medium, to produce and organize knowledge about the external world. Published to accompany the exhibition The Order of Things: Photography from The Walther Collection, this catalogue investigates the production and uses of serial portraiture, vernacular imagery, architectural surveys and time-based performance in photography from the 1880s to the present, bringing together works by artists from Europe, Africa, Asia and North America.
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