Jeux de mains
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Most artists have, at some point, represented the universal symbol of creation which is the hand. Many of them have also chosen the hand as a recurring pattern in their work. This observation inspired Cécile Poimboeuf-Koizumi — editor and founder of Chose Commune — to gather the works that caught her attention in a book, following no thematic or chronological order. The(...)
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mars 2021
Jeux de mains
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Most artists have, at some point, represented the universal symbol of creation which is the hand. Many of them have also chosen the hand as a recurring pattern in their work. This observation inspired Cécile Poimboeuf-Koizumi — editor and founder of Chose Commune — to gather the works that caught her attention in a book, following no thematic or chronological order. The selection was made in collaboration with Stephen Ellcock. From Pablo Picasso to Helena Almeida, from Louise Bourgeois to Alberto Giacometti, from John Baldessari to Francesca Woodman, and comprising a multitude of treasures from the ancient ages to documents from popular imagery, 'Jeux de mains' confronts and mixes famous, emerging and anonymous artists from a wide-range of practices. The result is a collection of more than a hundred images compiled intuitively in this book.
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Le festival Circulation(s), initié par l’association Fetart en 2011, propose chaque année de découvrir la jeune photographie européenne. Il a pour vocation de faire émerger les talents et de créer un réseau de structures européennes. À Paris et dans différents lieux en France et à l’international, il révèle chaque année la vitalité de la jeune création et défend la(...)
Circulation(s), 2021 : Festival de la jeune photographie européenne
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Le festival Circulation(s), initié par l’association Fetart en 2011, propose chaque année de découvrir la jeune photographie européenne. Il a pour vocation de faire émerger les talents et de créer un réseau de structures européennes. À Paris et dans différents lieux en France et à l’international, il révèle chaque année la vitalité de la jeune création et défend la diversité des écritures photographiques au travers d’expositions et d’événements singuliers. Cet ouvrage constitue le catalogue de l’édition 2021.
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How a small photography club gave birth to modernist photography in Brazil. Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, ''Fotoclubismo'' presents the groundbreaking creative achievements of São Paulo’s Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially(...)
Fotoclubismo: Brazilian modernist photography and the Foto-Cine Clube Bandeirante 1946-1964
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How a small photography club gave birth to modernist photography in Brazil. Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, ''Fotoclubismo'' presents the groundbreaking creative achievements of São Paulo’s Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially unknown today to European and North American audiences. The vast majority of FCCB members pursued photography outside of their day jobs as lawyers, businessmen, accountants, journalists, engineers, biologists and bankers, but they were nonetheless quite serious about their artistic ambition. Their radical experimentations with process and form and their determination to distill inventive compositions from everyday life contributed to their esteemed reputation within an active international postwar scene—a status that has been all but forgotten.
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+ Photographie, vol. 2
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Chaque année, des milliers de photographies et d’objets (tirages, négatifs, plaques, albums, installations, appareils…) entrent dans les collections publiques françaises (musées nationaux ou régionaux, grandes institutions, Frac, centres d'art ou d'archives, bibliothèques…). Jusqu’à la création de cette publication en 2020, le public ne disposait pas d'un aperçu de ces(...)
+ Photographie, vol. 2
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Chaque année, des milliers de photographies et d’objets (tirages, négatifs, plaques, albums, installations, appareils…) entrent dans les collections publiques françaises (musées nationaux ou régionaux, grandes institutions, Frac, centres d'art ou d'archives, bibliothèques…). Jusqu’à la création de cette publication en 2020, le public ne disposait pas d'un aperçu de ces acquisitions. Parmi les découvertes de cette 2e édition, les tirages albuminés de l'album Eugène Delacroix acquis par la BnF, des œuvres de Josef Koudelka, Dolorès Marat, Susan Meiselas, Bernard Plossu ou Wolfgang Tillmans, un focus sur la photographie de spectacle, Man Ray en photographe de mode, les images impressionnantes prises par un capitaine terre-neuvas dans les années 1930, les carnets du projet Azimut de Tendance Floue à travers la France, un almanach de 1941 transformé par son propriétaire en album de famille en captivité…Par cette sélection d'œuvres replacées dans le contexte de leur création et de leur acquisition, « +Photographie » revisite l'histoire du médium, de ses origines à ses champs contemporains.
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Family affairs
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Since the invention of photography, the family has been a constant subject of photographic observation, both in private photo albums and in artistic series. The group exhibition Family Affairs – Family in Current Photography, conceived by Ingo Taubhorn, curator of the Haus der Photographie, examines the current status of this traditional genre. A transcontinental(...)
Family affairs
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Since the invention of photography, the family has been a constant subject of photographic observation, both in private photo albums and in artistic series. The group exhibition Family Affairs – Family in Current Photography, conceived by Ingo Taubhorn, curator of the Haus der Photographie, examines the current status of this traditional genre. A transcontinental selection of artistic projects from the last decade reveals both the diversity of photographic approaches and the heterogeneity of family models and complex dynamics. The catalog presents a wide variety of series and work groups and contextualizes the positions through comprehensive essays on various family themes in both photography and film, as well as within our society.
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Inspired and guided by Bernd and Hiller Becher, themselves pioneers in the area of documentary photography, the artists of Germany’s Düsseldorf School not only pushed the boundaries of their teachers’ practice, but also ushered in three generations of technical and compositional achievement that is rivalled in importance only by the arrival of colour photography. This(...)
The Düsseldorf School of Photography
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Inspired and guided by Bernd and Hiller Becher, themselves pioneers in the area of documentary photography, the artists of Germany’s Düsseldorf School not only pushed the boundaries of their teachers’ practice, but also ushered in three generations of technical and compositional achievement that is rivalled in importance only by the arrival of colour photography. This book introduces readers to the historic, cultural, and scientific environments in which the Bechers’ practice thrived. It explores the teaching philosophies with which they encouraged their students, and considers the qualities that highlight the Düsseldorf School: intricate detail, large scale, painterly distance combined with an immersive quality. The plate section, organized by artist, features 160 images by Andreas Gursky, Thomas Struth, Thomas Ruff, Candida Höfer, Axel Hütte, Laurenz Berges, Elger Esser, Simone Nieweg, Jörg Sasse, and Petra Wunderlich.
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Since 1971, the Fotostiftung Schweiz has been collecting archives of photographers and masterpieces of photographic history. Its 50th anniversary now gives rise to a curated look at this collection. Here, well-known icons stand next to unknown artists, pioneers of color photography next to Netcam photographers.
99 photographs: Collection Fotostuftung Schweiz, Winterthur
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Since 1971, the Fotostiftung Schweiz has been collecting archives of photographers and masterpieces of photographic history. Its 50th anniversary now gives rise to a curated look at this collection. Here, well-known icons stand next to unknown artists, pioneers of color photography next to Netcam photographers.
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Sculpting reality
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The medium of photography has long had tenuous ties to both the truth and the arts. This volume traces the evolution of documentary photography—from its origin as a journalistic tool through its development into a distinct artistic and aesthetic form. Beginning in the 1930s with Walker Evans’ foundational influence on the genre and culminating in the 1980s with the(...)
Sculpting reality
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The medium of photography has long had tenuous ties to both the truth and the arts. This volume traces the evolution of documentary photography—from its origin as a journalistic tool through its development into a distinct artistic and aesthetic form. Beginning in the 1930s with Walker Evans’ foundational influence on the genre and culminating in the 1980s with the experimental color work of Anthony Hernández and Tod Papageorge, Sculpting Reality presents a careful selection of work from 18 of the most influential figures in 20th-century North American documentary photography.
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Coinciding with the exhibition of the same name at the Galleria Nazionale delle Marche at the Palazzo Ducale in Urbino, eight internationally-renowned photographers describe Giancarlo De Carlo's work in Urbino. They are also professors at Istituto Superiore per le Industrie Artistiche. Paola Binante, Luca Capuano, Mario Cresci, Paola De Pietri, Jason Fulford, Stefano(...)
Spiriti: Eight photographers recount Giancarlo de Carlo in Urbino
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Coinciding with the exhibition of the same name at the Galleria Nazionale delle Marche at the Palazzo Ducale in Urbino, eight internationally-renowned photographers describe Giancarlo De Carlo's work in Urbino. They are also professors at Istituto Superiore per le Industrie Artistiche. Paola Binante, Luca Capuano, Mario Cresci, Paola De Pietri, Jason Fulford, Stefano Graziani, Armin Linke, and Giovanna Silva explore and recount the essence of the Italian architect's work through their own photographs of the spaces he designed, adding written accounts of their interpretation. De Carlo is quoted as saying a place is a space "experienced, consumed, perennially transformed by human presence".
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Featuring photographs by Joachim Brohm, Michael Disqué, Klaus Frahm, Andreas Gehrke, John Gossage, Volker Heinze, Kai-Olaf Hesse, Lockemann/Neudörfl, Margret Nissen and Michael Schmidt. The "Topography of terror" is a one of the most significant memorial sites of recent times. How is the past inscribed in the landscape? How do we regard a place that once housed the(...)
Photographie- collections
septembre 2019
Land's end: The 'Topography of Terror'. Site as reflected in contemporary photography
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Featuring photographs by Joachim Brohm, Michael Disqué, Klaus Frahm, Andreas Gehrke, John Gossage, Volker Heinze, Kai-Olaf Hesse, Lockemann/Neudörfl, Margret Nissen and Michael Schmidt. The "Topography of terror" is a one of the most significant memorial sites of recent times. How is the past inscribed in the landscape? How do we regard a place that once housed the central instruments of terror of the Nazi regime? How has this no-man’s-land, once at the frontier of East and West, changed over time? "Land’s end" features ten artists who photographed what is now the Topography of Terror site between 1981 und 2014, including John Gossage, Michael Schmidt and Joachim Brohm.
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