2320 Résultats
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In the late 1940’s, Paul Strand spoke of creating "a series of photographs that focused on the history, architecture, environs and people of a small town (which) would reveal ‘the common denominator of all humanity’ and would be a bridge toward a deeper understanding between countries". This book presents a rigorously edited selection of these photographs made in France,(...)
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In the late 1940’s, Paul Strand spoke of creating "a series of photographs that focused on the history, architecture, environs and people of a small town (which) would reveal ‘the common denominator of all humanity’ and would be a bridge toward a deeper understanding between countries". This book presents a rigorously edited selection of these photographs made in France,(...)
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Monographies photo
Monographies photo
Publication:
juillet 2007, Göttingen
juillet 2007, Göttingen
Titre:
Towards a deeper understanding : Paul Strand at work
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In the late 1940’s, Paul Strand spoke of creating "a series of photographs that focused on the history, architecture, environs and people of a small town (which) would reveal ‘the common denominator of all humanity’ and would be a bridge toward a deeper understanding between countries". This book presents a rigorously edited selection of these photographs made in France, Italy and New England between the years 1943 and 1953. Strand identified and explored the myriad variations of some central themes : the primal connection between humans and the natural world, the beauty of simple objects and structures, and the inherent dignity of every individual regardless of wealth or social status. Strand’s photographs encourage the viewer to look closely and observe how details and formal relations emerge.
Towards a deeper understanding : Paul Strand at work
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In the late 1940’s, Paul Strand spoke of creating "a series of photographs that focused on the history, architecture, environs and people of a small town (which) would reveal ‘the common denominator of all humanity’ and would be a bridge toward a deeper understanding between countries". This book presents a rigorously edited selection of these photographs made in France, Italy and New England between the years 1943 and 1953. Strand identified and explored the myriad variations of some central themes : the primal connection between humans and the natural world, the beauty of simple objects and structures, and the inherent dignity of every individual regardless of wealth or social status. Strand’s photographs encourage the viewer to look closely and observe how details and formal relations emerge.
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livres
livres
Publication:
juillet 2007, Göttingen
juillet 2007, Göttingen
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Robert Frank: Paris
Robert Frank: Paris
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The publication of Paris marks the first time that the significant body of photographs which Robert Frank made in Paris in the early 1950s have been brought together in a single book. Having left Switzerland in 1924, this 1951 trip to France was only Frank's second return to Europe after he had settled in New York City in 1947, and some of the images he made during that(...)
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The publication of Paris marks the first time that the significant body of photographs which Robert Frank made in Paris in the early 1950s have been brought together in a single book. Having left Switzerland in 1924, this 1951 trip to France was only Frank's second return to Europe after he had settled in New York City in 1947, and some of the images he made during that(...)
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Robert Frank: Paris
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The publication of Paris marks the first time that the significant body of photographs which Robert Frank made in Paris in the early 1950s have been brought together in a single book. Having left Switzerland in 1924, this 1951 trip to France was only Frank's second return to Europe after he had settled in New York City in 1947, and some of the images he made during that visit have become iconic in the history of the medium. The 80 photographs reproduced here, which were selected by Frank and editor Ute Eskildsen, suggest that Frank's experience of the "new world" had sharpened his eye for European urbanism. He saw the city's streets as a stage for human activity and focused particularly on the flower sellers. His work clearly references Atget and invokes the tradition of the flaneur.
Robert Frank: Paris
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The publication of Paris marks the first time that the significant body of photographs which Robert Frank made in Paris in the early 1950s have been brought together in a single book. Having left Switzerland in 1924, this 1951 trip to France was only Frank's second return to Europe after he had settled in New York City in 1947, and some of the images he made during that visit have become iconic in the history of the medium. The 80 photographs reproduced here, which were selected by Frank and editor Ute Eskildsen, suggest that Frank's experience of the "new world" had sharpened his eye for European urbanism. He saw the city's streets as a stage for human activity and focused particularly on the flower sellers. His work clearly references Atget and invokes the tradition of the flaneur.
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livres
Publication:
octobre 2007, Gottingen
octobre 2007, Gottingen
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Monographies photo
Monographies photo
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livres
livres
Titre:
Edward Burtynsky Quarries
Edward Burtynsky Quarries
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After some 25 years of exploring the impact of industry on our planet, the celebrated Canadian photographer Edward Burtynsky has accumulated a substantial body of work documenting the world's major quarries--in Canada, Italy, China, Spain, Portugal, India and America. Quarries are, of course, a crucial source for the buildings we construct, and as such, a negative(...)
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After some 25 years of exploring the impact of industry on our planet, the celebrated Canadian photographer Edward Burtynsky has accumulated a substantial body of work documenting the world's major quarries--in Canada, Italy, China, Spain, Portugal, India and America. Quarries are, of course, a crucial source for the buildings we construct, and as such, a negative(...)
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Edward Burtynsky Quarries
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After some 25 years of exploring the impact of industry on our planet, the celebrated Canadian photographer Edward Burtynsky has accumulated a substantial body of work documenting the world's major quarries--in Canada, Italy, China, Spain, Portugal, India and America. Quarries are, of course, a crucial source for the buildings we construct, and as such, a negative correlative of what we add to the world--as well as a tangible (and neglected) evidence for our ongoing dependence on its resources. Somewhere a building is being created while a landscape is being destroyed, and, as Burtynsky writes, "quarries are places that are outside of our normal experience, yet we partake of their output on a daily basis." His images of these plundered landscapes are simultaneously beautiful and disquieting.
Edward Burtynsky Quarries
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After some 25 years of exploring the impact of industry on our planet, the celebrated Canadian photographer Edward Burtynsky has accumulated a substantial body of work documenting the world's major quarries--in Canada, Italy, China, Spain, Portugal, India and America. Quarries are, of course, a crucial source for the buildings we construct, and as such, a negative correlative of what we add to the world--as well as a tangible (and neglected) evidence for our ongoing dependence on its resources. Somewhere a building is being created while a landscape is being destroyed, and, as Burtynsky writes, "quarries are places that are outside of our normal experience, yet we partake of their output on a daily basis." His images of these plundered landscapes are simultaneously beautiful and disquieting.
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livres
livres
Publication:
novembre 2007, Gottingen
novembre 2007, Gottingen
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Kai Wiedenhöfer : wall
Kai Wiedenhöfer : wall
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"You cannot shake hands across a nine meter wall", says a Palestinian pensioner who lives in the shadow of the Separation Barrier currently being built by the Israeli government. Since October 2003, photographer Kai Wiedenhöfer, who has been documenting the Israeli-Palestinian conflict for more than a decade, has been meeting with inhabitants of the Occupied Palestinian(...)
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"You cannot shake hands across a nine meter wall", says a Palestinian pensioner who lives in the shadow of the Separation Barrier currently being built by the Israeli government. Since October 2003, photographer Kai Wiedenhöfer, who has been documenting the Israeli-Palestinian conflict for more than a decade, has been meeting with inhabitants of the Occupied Palestinian(...)
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Kai Wiedenhöfer : wall
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"You cannot shake hands across a nine meter wall", says a Palestinian pensioner who lives in the shadow of the Separation Barrier currently being built by the Israeli government. Since October 2003, photographer Kai Wiedenhöfer, who has been documenting the Israeli-Palestinian conflict for more than a decade, has been meeting with inhabitants of the Occupied Palestinian Territories living in the path of the barrier. Every six months, he has been returning to the territories to document the construction of the 650 kilometers of walls, fences, ditches and earth mounds, which form the border between the State of Israel and a future Palestinian entity. The series of images in this book are all 6 x 17 cm panoramics which depict the wall and fragments of life in its shadow. In 1989, the Berlin-based photographer documented the fall of the wall in his own city. Recent German history has convinced Wiedenhöfer that separation barriers offer no realistic solutions to political conflict.
Kai Wiedenhöfer : wall
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"You cannot shake hands across a nine meter wall", says a Palestinian pensioner who lives in the shadow of the Separation Barrier currently being built by the Israeli government. Since October 2003, photographer Kai Wiedenhöfer, who has been documenting the Israeli-Palestinian conflict for more than a decade, has been meeting with inhabitants of the Occupied Palestinian Territories living in the path of the barrier. Every six months, he has been returning to the territories to document the construction of the 650 kilometers of walls, fences, ditches and earth mounds, which form the border between the State of Israel and a future Palestinian entity. The series of images in this book are all 6 x 17 cm panoramics which depict the wall and fragments of life in its shadow. In 1989, the Berlin-based photographer documented the fall of the wall in his own city. Recent German history has convinced Wiedenhöfer that separation barriers offer no realistic solutions to political conflict.
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livres
livres
Publication:
janvier 2007, Göttingen
janvier 2007, Göttingen
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Robert Frank: come again
Robert Frank: come again
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In November 1991 Robert Frank was invited to Beirut on a commission to photograph the devastated downtown of the city following the end of the Lebanese civil war (1975-1990). Together with the work of five other photographers, his work was included in a book, Beirut City Centre (1992). Alongside his work on the commission he made many Polaroids of the city which he stored(...)
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In November 1991 Robert Frank was invited to Beirut on a commission to photograph the devastated downtown of the city following the end of the Lebanese civil war (1975-1990). Together with the work of five other photographers, his work was included in a book, Beirut City Centre (1992). Alongside his work on the commission he made many Polaroids of the city which he stored(...)
Titre:
Robert Frank: come again
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In November 1991 Robert Frank was invited to Beirut on a commission to photograph the devastated downtown of the city following the end of the Lebanese civil war (1975-1990). Together with the work of five other photographers, his work was included in a book, Beirut City Centre (1992). Alongside his work on the commission he made many Polaroids of the city which he stored in his studio on his return home. Many years later he reconsidered the images and decided to title the work Come Again, but he left the sketch book as he had originally made it in Beirut. Come Again is a facsimile reprint of that piece. In recent years Robert Frank has worked almost exclusively with Polaroids. Come Again offers insight into the early stages of the artist’s experimentation with this medium and presents a previously unseen artist’s book. Sewn softcover with a sleeve jacket
Robert Frank: come again
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In November 1991 Robert Frank was invited to Beirut on a commission to photograph the devastated downtown of the city following the end of the Lebanese civil war (1975-1990). Together with the work of five other photographers, his work was included in a book, Beirut City Centre (1992). Alongside his work on the commission he made many Polaroids of the city which he stored in his studio on his return home. Many years later he reconsidered the images and decided to title the work Come Again, but he left the sketch book as he had originally made it in Beirut. Come Again is a facsimile reprint of that piece. In recent years Robert Frank has worked almost exclusively with Polaroids. Come Again offers insight into the early stages of the artist’s experimentation with this medium and presents a previously unseen artist’s book. Sewn softcover with a sleeve jacket
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livres
livres
Publication:
novembre 2006, Gottingen
novembre 2006, Gottingen
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Churches
Churches
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The churches in this book demonstrate the diverse range of denominations and sects that form the Charismatic Evangelical movement today. Materially and architecturally, the buildings reflect a Spiritualist church movement reacting against secular Material Rationalism and consumerism. They feature none of the monumental architecture or symbols of status and power of the(...)
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The churches in this book demonstrate the diverse range of denominations and sects that form the Charismatic Evangelical movement today. Materially and architecturally, the buildings reflect a Spiritualist church movement reacting against secular Material Rationalism and consumerism. They feature none of the monumental architecture or symbols of status and power of the(...)
Titre:
Churches
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The churches in this book demonstrate the diverse range of denominations and sects that form the Charismatic Evangelical movement today. Materially and architecturally, the buildings reflect a Spiritualist church movement reacting against secular Material Rationalism and consumerism. They feature none of the monumental architecture or symbols of status and power of the historically dominant denominations like Roman Catholicism. The buildings were never designed to be churches, and this random collection of architectural structures is the result of numerous acts of faith. Often temporary, semi-permanent or unconsecrated, they are sometimes anonymous and almost invisible. They are usually located where we would least expect to find them: in industrial estates, shopping malls, houses, garages, cinemas, above commercial properties and even pubs. Spero's work acknowledges that the divine may exist in the most unlikely places, and testifies to our enduring need to seek out a state of grace.
Churches
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The churches in this book demonstrate the diverse range of denominations and sects that form the Charismatic Evangelical movement today. Materially and architecturally, the buildings reflect a Spiritualist church movement reacting against secular Material Rationalism and consumerism. They feature none of the monumental architecture or symbols of status and power of the historically dominant denominations like Roman Catholicism. The buildings were never designed to be churches, and this random collection of architectural structures is the result of numerous acts of faith. Often temporary, semi-permanent or unconsecrated, they are sometimes anonymous and almost invisible. They are usually located where we would least expect to find them: in industrial estates, shopping malls, houses, garages, cinemas, above commercial properties and even pubs. Spero's work acknowledges that the divine may exist in the most unlikely places, and testifies to our enduring need to seek out a state of grace.
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livres
livres
Publication:
janvier 2007, Göttingen
janvier 2007, Göttingen
Sujet:
Monographies photo
Monographies photo
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$49.95
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Seduced by Modernity is the first book devoted to the life and work of Canadian-born modernist photographer Margaret Watkins. Best known for art and advertising photography executed in New York in the 1920s, Watkins was active in the Clarence White school of photography and a participant in the shift from pictorialism to modernism. Mary O'Connor and Katherine Tweedie tell(...)
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Seduced by Modernity is the first book devoted to the life and work of Canadian-born modernist photographer Margaret Watkins. Best known for art and advertising photography executed in New York in the 1920s, Watkins was active in the Clarence White school of photography and a participant in the shift from pictorialism to modernism. Mary O'Connor and Katherine Tweedie tell(...)
Sujet:
Monographies photo
Monographies photo
Publication:
septembre 2007, Montreal Kingston London Ithica
septembre 2007, Montreal Kingston London Ithica
Titre:
Seduced by modernity : The photography of Margaret Watkins
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Seduced by Modernity is the first book devoted to the life and work of Canadian-born modernist photographer Margaret Watkins. Best known for art and advertising photography executed in New York in the 1920s, Watkins was active in the Clarence White school of photography and a participant in the shift from pictorialism to modernism. Mary O'Connor and Katherine Tweedie tell the story of a dedicated artist in difficult circumstances whose working life spanned a Victorian upbringing in Hamilton, Ontario, and the witnessing of the first Soviet Five-Year Plan. The authors use feminist and historical questions as well as close readings of the photographs to relate Watkins' work to questions of gender, modernity, and visual culture. Watkins' modernism, which involved experimentation and a radical focus on form, transgressed boundaries of conventional, high-art subject matter. Her focus was daily life and her photographs, whether an exploration of the objects in her New York kitchen or the public and industrial spaces of Glasgow, Paris, Cologne, Moscow, and Leningrad in the 1930s, strike a balance between abstraction and an evocation of the everyday, offering a unique gendered perspective on modernism and modernity. Seduced by Modernity makes available for the first time an extensive representation of Watkins' work in high-quality reproduction as part of an exemplary interdisciplinary study that honours an intrepid Canadian artist who refused to be confined by borders, convention, or gender.
Seduced by modernity : The photography of Margaret Watkins
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Seduced by Modernity is the first book devoted to the life and work of Canadian-born modernist photographer Margaret Watkins. Best known for art and advertising photography executed in New York in the 1920s, Watkins was active in the Clarence White school of photography and a participant in the shift from pictorialism to modernism. Mary O'Connor and Katherine Tweedie tell the story of a dedicated artist in difficult circumstances whose working life spanned a Victorian upbringing in Hamilton, Ontario, and the witnessing of the first Soviet Five-Year Plan. The authors use feminist and historical questions as well as close readings of the photographs to relate Watkins' work to questions of gender, modernity, and visual culture. Watkins' modernism, which involved experimentation and a radical focus on form, transgressed boundaries of conventional, high-art subject matter. Her focus was daily life and her photographs, whether an exploration of the objects in her New York kitchen or the public and industrial spaces of Glasgow, Paris, Cologne, Moscow, and Leningrad in the 1930s, strike a balance between abstraction and an evocation of the everyday, offering a unique gendered perspective on modernism and modernity. Seduced by Modernity makes available for the first time an extensive representation of Watkins' work in high-quality reproduction as part of an exemplary interdisciplinary study that honours an intrepid Canadian artist who refused to be confined by borders, convention, or gender.
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livres
livres
Publication:
septembre 2007, Montreal Kingston London Ithica
septembre 2007, Montreal Kingston London Ithica
Sujet:
Monographies photo
Monographies photo
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livres
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$85.00
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Known as the “King of the Air,” the Swiss balloonist Eduard Spelterini (1852–1931) enchanted the imaginations of European royalty, military generals, wealthy patrons, and the public alike with his mastery of the most whimsical mode of travel ever invented—the gas balloon. During the course of his storied aviation career, Spelterini flew his balloons over the Swiss Alps,(...)
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Known as the “King of the Air,” the Swiss balloonist Eduard Spelterini (1852–1931) enchanted the imaginations of European royalty, military generals, wealthy patrons, and the public alike with his mastery of the most whimsical mode of travel ever invented—the gas balloon. During the course of his storied aviation career, Spelterini flew his balloons over the Swiss Alps,(...)
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Spelterini photographs of a pioneer balloonist/Fotografien des ballonpioniers
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Known as the “King of the Air,” the Swiss balloonist Eduard Spelterini (1852–1931) enchanted the imaginations of European royalty, military generals, wealthy patrons, and the public alike with his mastery of the most whimsical mode of travel ever invented—the gas balloon. During the course of his storied aviation career, Spelterini flew his balloons over the Swiss Alps, across the Egyptian pyramids, and past the ziggurats of the Middle East, taking breathtaking photographs of landscapes and cities from the sky. On Spelterini’s first ballooning ventures, he ferried aristocrats between Vienna, Bucharest, Athens, and other European capitals, on flights that became so famous that they were soon jam-packed with an international press corps looking for the next sensational story. Later in his life, Spelterini was the first aeronaut to succeed in the hazardous passage over the Swiss Alps, a trip then thought impossible. Eventually, he decided to bring his camera on every voyage in order to document the full panorama of international vistas he encountered. Eduard Spelterini—Photographs of A Pioneer Balloonist is the first book after 80 years to present these images of his journeys, reproduced directly from the artist’s original glass negatives. Contextualized by essays that explore both Spelterini’s life and his photographic work, the photographs featured in this volume capture the heady mix of danger and discovery that defined the early years of international air travel when balloons ruled the skies.
Spelterini photographs of a pioneer balloonist/Fotografien des ballonpioniers
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Known as the “King of the Air,” the Swiss balloonist Eduard Spelterini (1852–1931) enchanted the imaginations of European royalty, military generals, wealthy patrons, and the public alike with his mastery of the most whimsical mode of travel ever invented—the gas balloon. During the course of his storied aviation career, Spelterini flew his balloons over the Swiss Alps, across the Egyptian pyramids, and past the ziggurats of the Middle East, taking breathtaking photographs of landscapes and cities from the sky. On Spelterini’s first ballooning ventures, he ferried aristocrats between Vienna, Bucharest, Athens, and other European capitals, on flights that became so famous that they were soon jam-packed with an international press corps looking for the next sensational story. Later in his life, Spelterini was the first aeronaut to succeed in the hazardous passage over the Swiss Alps, a trip then thought impossible. Eventually, he decided to bring his camera on every voyage in order to document the full panorama of international vistas he encountered. Eduard Spelterini—Photographs of A Pioneer Balloonist is the first book after 80 years to present these images of his journeys, reproduced directly from the artist’s original glass negatives. Contextualized by essays that explore both Spelterini’s life and his photographic work, the photographs featured in this volume capture the heady mix of danger and discovery that defined the early years of international air travel when balloons ruled the skies.
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livres
livres
Publication:
septembre 2007, Zurich
septembre 2007, Zurich
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Michael Reish
Michael Reish
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This is the first volume to provide a concentrated perspective of the work by this Düsseldorf photographer. “I see real landscape through the stencil of virtual landscape and vice-versa,” says Michael Reisch (*1964) about his disturbing works, which cannot be clearly defined as either reality or simulation. Reisch, who studied at the Gerrit Rietveld Academie in(...)
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This is the first volume to provide a concentrated perspective of the work by this Düsseldorf photographer. “I see real landscape through the stencil of virtual landscape and vice-versa,” says Michael Reisch (*1964) about his disturbing works, which cannot be clearly defined as either reality or simulation. Reisch, who studied at the Gerrit Rietveld Academie in(...)
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Michael Reish
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This is the first volume to provide a concentrated perspective of the work by this Düsseldorf photographer. “I see real landscape through the stencil of virtual landscape and vice-versa,” says Michael Reisch (*1964) about his disturbing works, which cannot be clearly defined as either reality or simulation. Reisch, who studied at the Gerrit Rietveld Academie in Amsterdam and with Bernd Becher at the Kunstakademie Düsseldorf, photographs landscapes as well as industrial complexes and buildings with a large-format camera. He then digitizes the images and manipulates them subtly, erasing all allusions to a specific place and time, as well as all signs of human presence. By modifying the composition in other ways such as correcting the colors, he creates a fictional landscape, an “image” of landscape. This invented landscape can seem unbelievably real, while the real, existing landscape, on the other hand, appears unreal, removed, or imaginary. This is the first book to offer a concentrated look at the work of the Düsseldorf-based artist.
Michael Reish
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This is the first volume to provide a concentrated perspective of the work by this Düsseldorf photographer. “I see real landscape through the stencil of virtual landscape and vice-versa,” says Michael Reisch (*1964) about his disturbing works, which cannot be clearly defined as either reality or simulation. Reisch, who studied at the Gerrit Rietveld Academie in Amsterdam and with Bernd Becher at the Kunstakademie Düsseldorf, photographs landscapes as well as industrial complexes and buildings with a large-format camera. He then digitizes the images and manipulates them subtly, erasing all allusions to a specific place and time, as well as all signs of human presence. By modifying the composition in other ways such as correcting the colors, he creates a fictional landscape, an “image” of landscape. This invented landscape can seem unbelievably real, while the real, existing landscape, on the other hand, appears unreal, removed, or imaginary. This is the first book to offer a concentrated look at the work of the Düsseldorf-based artist.
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livres
livres
Publication:
octobre 2006, Ostfildern
octobre 2006, Ostfildern
Sujet:
Monographies photo
Monographies photo
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livres
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$96.00
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"Minimalism is my great love. I transfer space onto the surface essentially to become space again." - Ola Kolehmainen
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"Minimalism is my great love. I transfer space onto the surface essentially to become space again." - Ola Kolehmainen
Titre:
Ola Kolehmainen : fraction abstraction recreation
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"Minimalism is my great love. I transfer space onto the surface essentially to become space again." - Ola Kolehmainen
Ola Kolehmainen : fraction abstraction recreation
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"Minimalism is my great love. I transfer space onto the surface essentially to become space again." - Ola Kolehmainen
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livres
livres
Publication:
juin 2007, Ostfildern
juin 2007, Ostfildern
Sujet:
Monographies photo
Monographies photo
